Turbo Fast Three-Dimensional Carotid Artery Black-Blood MRI by Combining Three-Dimensional MERGE Sequence with Compressed Sensing

Total Page:16

File Type:pdf, Size:1020Kb

Turbo Fast Three-Dimensional Carotid Artery Black-Blood MRI by Combining Three-Dimensional MERGE Sequence with Compressed Sensing NOTE Magnetic Resonance in Medicine 000:000–000 (2012) Turbo Fast Three-Dimensional Carotid Artery Black-Blood MRI by Combining Three-Dimensional MERGE Sequence with Compressed Sensing Bo Li,1 Li Dong,2 Bin Chen,3 Shuangxi Ji,1 Wenchao Cai,4 Ye Wang,3 Jue Zhang,1,3* Zhaoqi Zhang,2 Xiaoying Wang,3,4 and Jing Fang1,3 INTRODUCTION Purpose: In this study, we sought to investigate the feasibility of turbo fast three-dimensional (3D) black-blood imaging by A three-dimensional (3D) motion-sensitizing driven combining a 3D motion-sensitizing driven equilibrium rapid equilibrium (MSDE) rapid gradient echo (3D MERGE) gradient echo sequence with compressed sensing. technique has been demonstrated as a useful tool for in Methods: A pseudo-centric phase encoding order was devel- vivo assessment of atherosclerotic disease in 3D black- oped for compressed sensing-3D motion-sensitizing driven blood MRI (1). It can accurately depict plaque in all equilibrium rapid gradient echo to suppress flow signal in three spatial directions and thus provide more accurate undersampled 3D k-space. Nine healthy volunteers were measurement of plaque morphology, improve the repro- recruited for this study. Signal-to-tissue ratio, contrast-to-tissue ducibility of artery MRI, and allow registration of images ratio (CTR) and CTR efficiency (CTR ) between fully sampled eff in serial studies (2,3). However, a relatively long scan and undersampled images were calculated and compared in seven subjects. Moreover, isotropic high resolution images time for 3D phase encoding is needed to sufficiently using different compressed sensing acceleration factors were cover image volume and to achieve satisfactory spatial evaluated in two other subjects. resolution (4). In particular, the frequent repetition of black-blood preparation ahead of the imaging acquisition Results: Wall-lumen signal-to-tissue ratio or CTR were compa- further decreases scan efficiency. As a result of long rable between the undersampled and the fully sampled acquisition time, image quality is more likely to be nega- images, while significant improvement of CTReff was achieved in the undersampled images. At an isotropic high spatial reso- tively affected by motion such as swallowing, respiration lution of 0.7 3 0.7 3 0.7 mm3, all undersampled images exhib- and neck movements (5–7). Therefore, a method to accel- ited similar level of the flow suppression efficiency and the erate 3D black-blood MRI is highly desirable. capability of delineating outer vessel wall boundary and lumen- Many efforts have been made for the development of wall interface, when compared with the fully sampled images. undersampled MR acquisitions to reduce scan time Conclusion: The proposed turbo fast compressed sensing 3D (8–10). Among them, compressed sensing (CS) method black-blood imaging technique improves scan efficiency with- has attracted wide attention due to its ability to recover out sacrificing flow suppression efficiency and vessel wall an image from data sampled below the Nyquist frequency image quality. It could be a valuable tool for rapid 3D vessel without degrading image quality (11–15). In CS, if the wall imaging. Magn Reson Med 000:000–000, 2012. VC 2012 underlying imaging exhibits sparsity in the image (pixel) Wiley Periodicals, Inc. or a transform domain, then the image can be recovered Key words: compressed sensing; 3D-MERGE; vessel wall from a randomly undersampled dataset (14). Most MR imaging; random sampling; pseudo-centric phase encoding images are sparse within the finite differences transform, order; CS-3D MERGE wavelet transform and other transform domains (14). In this study, we sought to investigate the feasibility of turbo fast 3D black-blood imaging by combining a 3D MERGE sequence with CS (CS-3D MERGE) at a 3 T MR scanner. To effectively suppress flow signal in under- sampled k-space, a pseudo-centric phase encoding order 1College of Engineering, Peking University, Beijing, People’s Republic of China. was developed for CS-3D MERGE. We quantitatively 2Department of Radiology, Beijing Anzhen Hospital, Capital Medical measured undersampled and fully sampled images and University, Beijing, People’s Republic of China. performed statistical analyses on healthy volunteers for 3 Academy for Advanced Interdisciplinary Studies, Peking University, Beijing, in vivo experiments. Moreover, isotropic high resolution People’s Republic of China. 4Department of Radiology, Peking University First Hospital, Beijing, People’s images using different CS acceleration factors were Republic of China. acquired to further evaluate the performance of the pro- Grant sponsor: Fundamental Research Funds for the Central Universities. posed technique. *Correspondence to: Jue Zhang, Ph.D., College of Engineering, Peking University, Yiheyuan Road No. 5, Beijing, 100871, People’s Republic of China. E-mail: [email protected] METHODS Received 14 May 2012; revised 3 November 2012; accepted 11 November 2012. In this article, kx, ky, and kz represent frequency encod- DOI 10.1002/mrm.24579 ing, in-plane phase encoding and slice phase encoding Published online in Wiley Online Library (wileyonlinelibrary.com). in a Cartesian 3D k-space. VC 2012 Wiley Periodicals, Inc. 1 2 Li et al. encoding number of each group is equal to the slice number. In the last group, however, it has less encoding number than the slice number (red group). Of note, groups with approximate CPEOs may collect more than one phase encoding at the same kz coordinate (green and purple groups). In such groups, according to the CPEO, the encodings on the same row should be acquired completely before collecting the next sample (numbers 3 and 4 in the green group and numbers 1 and 2 in the purple group). This is defined as pseudo-centric phase encoding order for CS-3D MERGE. FIG. 1. Sequence diagram of a 3D MERGE sequence. An MSDE 3D CS Reconstruction black-blood preparation with a length of TM, consists of a 90- 180-180-90 hard RF pulses and motion sensitizing gradients. For 3D MRI, after one-dimensional inverse Fourier trans- formation along kx, the signal s at each x position is 3D MERGE Sequence obtained and can be expressed as: The 3D MERGE black-blood sequence consists of a 3D s ¼ Fm þ n; ½1 spoiled segmented fast low angle shot sequence and an MSDE preparation (1) (Fig. 1). The MSDE black-blood where s is the signal vector, F is the undersampled Fou- preparation consists of a 90 x hard RF pulse, two 180 y rier operator obtained by a measurement matrix. A refocusing hard RF pulses, a 90 Àxhard RF pulse and Monte-Carlo method is used to construct the measure- four motion sensitizing gradients. Within the sequence, ment matrix (14). m is the unknown image estimation spoiler gradients are applied to crush residual transverse and n is a vector representing independent and identi- magnetization and fat suppression is used to generate cally distributed (i.d.d.) additive white gaussian noise. optimal delineation of the outer vessel wall. The imaging Thus, it is probable that m can be exactly reconstructed sequence is a fast low angle shot sequence with centric if m is sparse in a transform domain by solving the phase-encoding order (CPEO). following ‘1-norm optimization problem: F 2 l F l ; A Pseudo-Centric Phase Encoding Order for Maintaining minimize jj m À sjj2 þ Wjj mjj1 þ TVTVðmÞ ½2 Black-Blood Contrast in CS-3D MERGE where c is the sparsifying transform, TV is the total varia- In a 3D-MERGE sequence, maximal blood suppression tion of m, lW is the regularization weight for the sparsify- occurs immediately following the black-blood prepara- ing transform and lTV is the TV regularization term. The tion. Thus, only a limited amount of phase encoding total variation is the ‘1-norm of the finite differences: samples can be collected after preparation. The acquisi- X qffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffiffi tion order of these phase encoding samples should be 2 2 TVðxÞ¼ ðxiþ1;j À xi;jÞ þðxi;jþ1 À xi;jÞ ; ½3 arranged in CPEO with a symmetrical low-high order. i;j Therefore, the full 3D k-space is usually separated into several groups or segments to fill k-space in this order. where x is a image matrix. In the undersampled k-space of CS-3D MERGE, the acquisition order of those random samples also needs to be arranged so as to be consistent with the CPEO. As illustrated in Figure 2, the 3D phase encoding loop structure in a 3D-MERGE sequence is a centric kz (slice) loop nested within a sequential ky (phase) loop, and the number of acquisitions following one MSDE preparation is equal to the number of slice. In Figure 2, the bold numbers on the left side of the k-space represent the filling sequence in a con- ventional CPEO for full sampling, and the colored solid circles are the random samples in the undersampled k- space. The colored solid circles linked in a line represent a group of samples acquired after one black-blood preparation. FIG. 2. Schematic diagram of pseudo-centric phase encoding First, random samples with positions that perfectly order. The bold numbers on the left side of the 3D k-space repre- sent the filling sequence in a conventional CPEO, and the colored match the CPEO along kz are grouped into segments (blue and orange groups in Fig. 2). In this case, the solid circles are the random samples in the 3D k-space. The blue and orange groups perfectly match the CPEO. The green, purple, encoding number of each segment is equal to the slice and red groups approximately coincide with the centric order. The number. The numbers in the colored solid circles show numbers in the colored solid circles show the order in which that the order in which that group is filled.
Recommended publications
  • Info Fair Resources
    ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out
    [Show full text]
  • White Rabbit Education 2012
    White rabbit education 2012 Published on Nov 21, Check out the website: For the Newsletter: email. Independent education in law, banking, and other interesting stuff. * whiterabbiteducation@ * Facebook Groups "White Rabbit Trust" (For Law and. Si Spaniard from the White Rabbit Education group returns to Lawful Rebellion is here, the Controllers are here, and finally, is here. White Rabbit Workshop. Saturday 28th April 10am – 6pm. The Music Café, 23a New Park Street, LE3 5NH. The truth is we live in a very complicated. have culture too.” The focus of education at the. White Rabbit Gallery has been shaped by the vision of Judith. Neilson, the owner of the White. Rabbit Collection. Posts: Joined: Mon Dec 03, pm White Rabbit Education, also known as ' the Spaniard', has quite a few videos on this site. Posts: Joined: Mon May 14, pm: Location: Sarrrrf London The White rabbit has gone underground for a while to try something important. could be a dedicated website with tailored educational 'program. Click the WhiteRabbit The time has come. To seek that which is just, fair and reasoned. The time is now. Recognise the gift. Dwell not “in” the past and fear not. Collection of Holes in Rules, Eindhoven Classification Model. FOR QUOTATION USE (APA). Tiggelen, K. B. van (). Following the white rabbit: Rule users'. July 9th, by Bernadette. June. This month, my lovely friend Matt Feerick joined me, doing acts of kindness every day whilst on holiday in Toronto. He also. unDisclosed discovery trail Education Kit Card. Jeffrey Smart: Master of White Rabbit – Contemporary Chinese Art Collection Education Resource.
    [Show full text]
  • Ted Sarandos Chief Content Officer Netflix One of Time Magazine's 100
    Ted Sarandos Chief Content Officer Netflix One of Time Magazine's 100 Most influential People of 2013, Ted Sarandos has led content acquisition for Netflix since 2000. With more than 20 years’ experience in the home entertainment business, Ted is recognized as a key innovator in the acquisition and distribution of films and television programs. From its roots as a U.S. DVD subscription rental company, Netflix is now the world’s leading Internet television network with more than 50 million members in nearly 50 countries. With the 2013 releases of "House of Cards," "Hemlock Grove," "Arrested Development," "Orange is the New Black," “Turbo F.A.S.T.,” “Derek,” and “Lilyhammer,” Ted has led the transformation of Netflix into an original content powerhouse that is changing the rules of how serialized television is produced, released and distributed globally. In its first two years of releasing original series, documentary films and comedy specials, Netflix has been recognized by the film and TV industries with 45 Emmy nominations and 10 Emmy wins; an Oscar nomination; 6 Golden Globe nominations and a win; 2 Peabody Awards; 2 AFI Awards and recognition from all of the major guilds. Ted has also been producer or executive producer of several award winning and critically acclaimed documentaries and independent films, including the Emmy nominated "Outrage," and "Tony Bennett: The Music Never Ends." He is a Henry Crown Fellow at the Aspen Institute and serves on the board of Exploring The Arts, a nonprofit focused on arts in schools. He also serves on the Film Advisory Board for Tribeca and Los Angeles Film Festival, is an American Cinematheque board member and is an Executive Committee Member of the Academy of Television Arts & Sciences.
    [Show full text]
  • 1 April 22Nd, 2013 Dear Fellow Shareholders, in Q1, We Added
    April 22nd, 2013 Dear Fellow Shareholders, In Q1, we added over 3 million streaming members, bringing us to more than 36 million, who collectively enjoyed on Netflix over 4 billion hours of films and TV shows. Our summary results for Q1 2013 follow: (in millions except per share data) Q1 '12 Q2 '12 Q3 '12 Q4 '12 Q1 '13 Domestic Streaming: Net Additions 1.74 0.53 1.16 2.05 2.03 Total Members 23.41 23.94 25.10 27.15 29.17 Paid Members 22.02 22.69 23.80 25.47 27.91 Revenue $ 507 $ 533 $ 556 $ 589 $ 639 Contribution Profit* $ 72 $ 87 $ 96 $ 113 $ 131 Contribution Margin* 14.3% 16.4% 17.2% 19.2% 20.6% International Streaming: Net Additions 1.21 0.56 0.69 1.81 1.02 Total Members 3.07 3.62 4.31 6.12 7.14 Paid Members 2.41 3.02 3.69 4.89 6.33 Revenue $ 43 $ 65 $ 78 $ 101 $ 142 Contribution Profit (Loss) $ (103) $ (89) $ (92) $ (105) $ (77) Domestic DVD: Total Members 10.09 9.24 8.61 8.22 7.98 Revenue $ 320 $ 291 $ 271 $ 254 $ 243 Contribution Profit $ 146 $ 134 $ 131 $ 128 $ 113 Global: Revenue $ 870 $ 889 $ 905 $ 945 $ 1,024 Operating Income (Loss) $ (2) $ 16 $ 16 $ 20 $ 32 Net Income (Loss)** $ (5) $ 6 $ 8 $ 8 $ 3 Net Income Excluding Debt Extinguishment Loss $ - $ - $ - $ - $ 19 EPS** $ (0.08) $ 0.11 $ 0.13 $ 0.13 $ 0.05 EPS Excluding Debt Extinguishment Loss $ - $ - $ - $ - $ 0.31 Free Cash Flow $ 2 $ 11 $ (20) $ (51) $ (42) Shares (FD) 55.5 58.8 58.7 59.1 60.1 *Contribution profit & margin for prior periods reflect reclassification of marketing overhead costs to G&A **Net Income/EPS includes a $25m loss on extinguishment of debt ($16m net of tax) 1 Domestic Streaming Our U.S.
    [Show full text]
  • Kod Nazwa 337975 Smartfon Samsung A705f
    KOD NAZWA 337975 SMARTFON SAMSUNG A705F Galaxy A70 Czarny 337974 SMARTFON SAMSUNG A705F Galaxy A70 Niebieski 337977 SMARTFON SAMSUNG A705F Galaxy A70 Biały 337976 SMARTFON SAMSUNG A705F Galaxy A70 Koralowy 336924 CHLODZ-ZAMR.LG GBB72PZDFN $ 322761 PRALKO-SUSZ. SAMSUNG WD80 M4A43 JW $ 338748 TV LG 55" 55UM7400 UHD, webOS Smart TV, Active HDR 337876 TV SKYMASTER 50" 50SUA2505 UHD AndroidTV 337362 TV THOMSON 40" 40FD3306 FHD 336035 TV SAMSUNG 50" UE50RU7402 UHD, Smart, HDR 341361 Laptop LENOVO IP 330-15ICH i5-8300H W10H 81FK00D1PB 339885 CHLODZ-ZAMR. RCNA406E43ZXB 339088 PRALKA EW6T4262P TV PHILIPS 65" 65PUS6804 UHD, AndroidTV, Ambilight, 338927 HDR10+ TV PHILIPS 50" 50PUS6804 UHD, SmartTV, Ambilight, 338899 HDR10+ 338403 CHLODZ-ZAMR.LG GBB72SAEFN $ 338051 CHLODZ-ZAMR SAMSUNG RB37 J502 VSA $ 337819 PIEKARNIK BOSCH HBA5370B0 Szczoteczka soniczna PHILIPS HX6511/35 Sonicare EasyClean 337465 DuoPack ^ 337011 ZMYWARKA EES47320L 336996 PIEKARNIK EOE5C71Z 336886 SMARTFON HUAWEI P30 Aurora Niebieski 336848 SMARTFON SAMSUNG A505F Galaxy A50 Czarny 336044 TV SAMSUNG 55" UE55RU7402 UHD, Smart, HDR 336043 TV SAMSUNG 65" QE65Q60RAT QLED, Smart, HDR 336041 TV SAMSUNG 55" QE55Q60RAT QLED, Smart, HDR 335474 SMARTFON SAMSUNG G975F Galaxy S10+ Prism White 335472 SMARTFON SAMSUNG G975F Galaxy S10+ Prism Black 335466 SMARTFON SAMSUNG G973F Galaxy S10 Prism Black 335263 ROBOT SPRZĄTAJĄCY ROBOJET DUEL 3^ Laptop Acer Nitro 5 A515-52-726U 15,6" i7 / 8 GB /512GB 335209 SSD / GeForce gtx1050 / W10 Laptop ASUS FX505GM-AL292T 15.6" i7-8750H / 8GB / 334952 geforce GTX1060 / 256GB SSD / W10 334086 SUSZARKA DH8634GX $ 332174 PRALKA SAMSUNG WW70 K42101 W 331226 PROSTOWNICA REMINGTON S8598 KERATIN PROTECT 331218 SUSZARKA REMINGTON AC8820 KERATIN PROTECT 328261 PIEKARNIK FLEX NV75 N5621 RB 327519 CHLODZ-ZAMR.
    [Show full text]
  • Lhcb Prepares for RICH Physics
    I n t e r n at I o n a l J o u r n a l o f H I g H - e n e r g y P H y s I c s CERN COURIERV o l u m e 47 n u m b e r 6 J u ly/a u g u s t 2 0 07 LHCb prepares for RICH physics NEUTRINOS LHC FOCUS InSIDE STORY Borexino starts On the trail of At the far side to take data p8 heavy flavour p30 of the world p58 CCJulAugCover1.indd 1 11/7/07 13:50:51 Project1 10/7/07 13:56 Page 1 CONTENTS Covering current developments in high- energy physics and related fields worldwide CERN Courier is distributed to member-state governments, institutes and laboratories affiliated with CERN, and to their personnel. It is published monthly, except for January and August. The views expressed are not necessarily those of the CERN management. Editor Christine Sutton CERN CERN, 1211 Geneva 23, Switzerland E-mail [email protected] Fax +41 (0) 22 785 0247 Web cerncourier.com Advisory board James Gillies, Rolf Landua and Maximilian Metzger Laboratory correspondents: COURIERo l u m e u m b e r u ly u g u s t V 47 N 6 J /A 20 07 Argonne National Laboratory (US) Cosmas Zachos Brookhaven National Laboratory (US) P Yamin Cornell University (US) D G Cassel DESY Laboratory (Germany) Ilka Flegel, Ute Wilhelmsen EMFCSC (Italy) Anna Cavallini Enrico Fermi Centre (Italy) Guido Piragino Fermi National Accelerator Laboratory (US) Judy Jackson Forschungszentrum Jülich (Germany) Markus Buescher GSI Darmstadt (Germany) I Peter IHEP, Beijing (China) Tongzhou Xu IHEP, Serpukhov (Russia) Yu Ryabov INFN (Italy) Barbara Gallavotti Jefferson Laboratory (US) Steven Corneliussen JINR
    [Show full text]
  • TELÉFONOS 7870-9639 Y 7879-7787
    OFERTA DE SERIES ANIMADAS TELÉFONOS 7870-9639 y 7879-7787 LLAMAR DESPUÉS DE LAS 10am HASTA LAS 8pm DE LUNES A SÁBADO SI NO ESTAMOS LE DEVOLVEREMOS LA LLAMADA PARA GRABAR EN MEMORIA Y DISCO DURO DIRÍJASE A LA CALLE BELASCOAIN # 317 BAJOS, ESQUINA A SAN RAFAEL. ESTA ABIERTO DESDE LAS 10am HASTA LAS 8pm. NUESTRO PLACER ES COMPLACER A NUESTROS CLIENTES. PRECIOS EN MEMORIA O DISCO DURO. 1 $ EN MONEDA NACIONAL POR CAPITULO MENSAJERIA GRATIS A TODOS LOS MUNICIPIOS DE LA HABANA Llevamos pedidos a su casa sin costo adicional siempre y cuando su pedido sea de 175 $ MN en adelante. ¡Gratis! la actualización del Antivirus. LLÁMENOS YA AL 78-70-96-39 Y AL 78-79-77-87 VISITE NUESTRO SITIO WEB seriesroly.com South Park [ADULTOS] País(es): USA Género(s): Comedia Sinopsis: South Park es una serie PARA ADULTOS de comedia animada distribuida por WarnerBros. Trata sobre las aventuras de cuatro niños que viven en el pequeño pueblollamado South Park, Colorado. South Park hace sátira y crítica de muchos aspectosde la cultura estadounidense y eventos históricos recientes, reta a las firmescreencias, y los tabúes y muy frecuentemente hace uso del humor negro. DOBLADA Temporada 1-6(13+18+17+17+14+17 Capítulos)[1997-*] Temporada 18(10 Capítulos)[2014] Temporada 21-23(10+10+10 Capítulos)[2017-2019] SUBTITULADA Temporada 7-16(15+14+14+14+14+14+14+14+14+14 Capítulos)[*-2011] Temporada 17-23(10+10+10+10+10+10+10 Capítulos)[2013-2019] Star Wars The Clone Wars País(es): USA Género(s): Fantástico, Comedia, Drama, Ciencia Ficción, Aventuras Sinopsis: Situada entre Star Wars Episodio II: El ataque de los clones y Star Wars Episodio III:La venganza de los Sith.
    [Show full text]
  • Mary Consetta Glumb
    Mary Consetta Glumb Cell: (260) 452-4162 | H: (260) 497-0852 [email protected] Portfolio: http://www.maryglumb.com 1420 Holly Ridge Run, Fort Wayne IN, 46845 Work Experience: DreamWorks Animation, Glendale, CA Marketing Services Intern May 2016 – August 2016 o Managed artwork and theatrical assets for the Boss Baby and Trolls “Art Of” Books o Managed and delivered requests for theatrical assets to studio partners o Created and organized asset library for the Boss Baby “Art Of” Book o Selected key graphics and assets for use in Trolls and Boss Baby marketing campaigns o Responsible for key publicity still images for 20th Century Fox marketing campaigns DreamWorks Animation, Glendale, CA Marketing Services Intern September 2015 – December 2015 o Selected key graphics for use in Kung Fu Panda 3 theatrical marketing campaigns o Edited and composed still images using Photoshop from Dragons Race to the Edge, Dinotrux, Turbo Fast, and Dawn of the Croods o Led a small team of interns in developing a Trolls marketing campaign Education: Purdue University, Indianapolis Campus (IUPUI), Indianapolis, IN Bachelor of Science Degree in Computer Graphics Technology GPA: 3.96/4.00 Expected Graduation Date: December 2017 o Graphic Design Officer of SIGGRAPH IUPUI Chapter o IUPUI Dean of Faculties Scholarship and Sam H. Jones Service Scholarship o Experience instructing middle and high school students about graphic design o IUPUI Dean’s List Recipient all previous semesters Freelance Experience: Creative Treasures Preschool, Fort Wayne, IN Graphic Designer May 2013 - Present o Designed and implemented marketing tools, including logos and brochures Technical Expertise: Experienced with Adobe Photoshop / Premiere / After Effects / Illustrator / Bridge / DreamWeaver, Maya, HTML5, CSS, JavaScript, Linux o Proficient in G-Mail, Google Docs, Microsoft Word, Excel, PowerPoint o Knowledge of ticketing systems, such as JIRA o Knowledge of AV and video production o Works well in a fast-paced environment o Excellent organizational and communication skills, detail-oriented .
    [Show full text]
  • Jan 2014 Earnings Letter.Docx
    January 22, 2014 Fellow Shareholders, We ended 2013 with over 44 million members. We had higher domestic net additions than in 2012, growing international success, and an impressive first slate of original series. We expect to end Q1 with 48 million members. Our summary results, and forecast for Q1, are below. (in millions except per share data) Q4 '12 Q1 '13 Q2 '13 Q3 '13 Q4 '13 Q1 '14 Forecast Domestic: Net Additions 2.05 2.03 0.63 1.29 2.33 2.25 Total Members 27.15 29.17 29.81 31.09 33.42 35.67 Paid Members 25.47 27.91 28.62 29.93 31.71 34.26 Revenue $ 589 $ 639 $ 671 $ 701 $ 741 $ 796 Contribution Profit $ 113 $ 131 $ 151 $ 166 $ 174 $ 198 Contribution Margin 19.2% 20.6% 22.5% 23.7% 23.4% 24.9% International: Net Additions 1.81 1.02 0.61 1.44 1.74 1.60 Total Members 6.12 7.14 7.75 9.19 10.93 12.53 Paid Members 4.89 6.33 7.01 8.08 9.72 11.52 Revenue $ 101 $ 142 $ 166 $ 183 $ 221 $ 267 Contribution Profit (Loss) $ (105) $ (77) $ (66) $ (74) $ (57) $ (42) Contribution Margin -103.2% -54.2% -39.7% -40.6% -25.9% -15.7% Total (including DVD): Revenue $ 945 $ 1,024 $ 1,069 $ 1,106 $ 1,175 Operating Income $ 20 $ 32 $ 57 $ 57 $ 82 Net Income $ 8 $ 3 $ 29 $ 32 $ 48 $ 48 EPS $ 0.13 $ 0.05 $ 0.49 $ 0.52 $ 0.79 $ 0.78 Free Cash Flow $ (51) $ (42) $ 13 $ 7 $ 5 Shares (FD) 59.1 60.1 60.6 61.0 61.3 1 Domestic Domestic net additions in Q4 of 2.33 million were 14% higher than prior year Q4 at 2.05 million.
    [Show full text]
  • Netflix's Original Programming and Its Impact On
    Home Blogs Reviews Cartoons Multimedia Features The Magazine About Campbell's Condensed Satisfy your hunger to stay up to date with pop culture trends and underground secrets. Grab your spoon and get the scoop on some of the hottest TV shows, music and movies before they boil over. Dig in for all of that ...and...and soso muchmuch more!more! NETFLIX’S ORIGINAL PROGRAMMING AND ITS Contact Rachel at IMPACT ON NETWORK [email protected] TELEVISION or follow Written by Rachel Campbell on 11 September 2013. Posted in Campbell's Condensed @rachelcmpbl In 2013, we have numerous ways of getting our television entertainment. You can watch it on just that – a television – live, pre-recorded via DVR or purchased in the form of a DVD box set. You can also stream those shows originally aired on TV on subscription services like Netflix or Hulu on your computer, smartphone or again, on your TV. Some of the newly launched TV shows that you can only get on Netflix are raising some questions in the entertainment industry. Are they even actually "TV shows"? You could be watching these cable or network shows on your TV, but that's not the medium they originally began in, so why are they making waves in places like the Primetime Emmy Awards? Who needs network television when you can binge-watch a show just as good in one sitting? Netflix has been launching items exclusive to their subscription service since 2009, but more so during the past year. "Splatter" was a horror webisode that allowed viewers to vote on which characters would survive, and it hit Netflix in October 2009 as the first series whose production was paid for by the company.
    [Show full text]
  • NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
    NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22.
    [Show full text]
  • Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
    November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes.
    [Show full text]