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WG Sebald and Outsider
Writing from the Periphery: W. G. Sebald and Outsider Art by Melissa Starr Etzler A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in German and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Winfried Kudszus, Chair Professor Anton Kaes Professor Anne Nesbet Spring 2014 Abstract Writing from the Periphery: W. G. Sebald and Outsider Art by Melissa Starr Etzler Doctor of Philosophy in German and the Designated Emphasis in Film Studies University of California, Berkeley Professor Winfried Kudszus, Chair This study focuses on a major aspect of literature and culture in the later twentieth century: the intersection of psychiatry, madness and art. As the antipsychiatry movement became an international intervention, W. G. Sebald’s fascination with psychopathology rapidly developed. While Sebald collected many materials on Outsider Artists and has several annotated books on psychiatry in his personal library, I examine how Sebald’s thought and writings, both academic and literary, were particularly influenced by Ernst Herbeck’s poems. Herbeck, a diagnosed schizophrenic, spent decades under the care of Dr. Leo Navratil at the psychiatric institute in Maria Gugging. Sebald became familiar with Herbeck via the book, Schizophrenie und Sprache (1966), in which Navratil analyzed his patients’ creative writings in order to illustrate commonalities between pathological artistic productions and canonical German literature, thereby blurring the lines between genius and madness. In 1980, Sebald travelled to Vienna to meet Ernst Herbeck and this experience inspired him to compose two academic essays on Herbeck and the semi-fictionalized account of their encounter in his novel Vertigo (1990). -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
OIL MILL GAZETTEER Official Organ of the National Oil Mill Superintendents’ Association
OIL MILL GAZETTEER Official Organ of the National Oil Mill Superintendents’ Association. VOL. X V Ii., NO. 10. WHARTON, TEXAS, APRIL, 1916. PRICE TEN CENTS From Secretary-Treasurer Morris It is unnecessary for me to go into details vention, and certainly hope I will succeed much concerning our next convention, for President better. Leonard’s letter in the March issue was to the Let everybody boost for the convention and point and brings out in full everything connect be sure to be on hand yourself. Yours to ed with our next meeting. However, I want to serve, F. P. MORRIS, impress upon the minds of all members that in Secretary-Treasurer. order to succeed as we have planned, you must * * * attend. Let’s make this our banner meeting BIG FIRE LOSS AT TYLER year. I have letters from superintendents from California to North Carolina expressing their Tyler, Texas, March 17.— The Tyler Oil desire to be there, and if nothing prevents, you Company and the Tyler Ice Company suffered a will see them. Now then, let’s all who live, fire loss last night of between $25,000 and closer be on hand. The meeting has been ad $30,000. The oil company lost its big seed house, vertised throughout all cotton growing states, in which there was no seed, and its hull house, and I will continue to do so from now until the in which was stored a large quantity of hulls. convention meets. If President Leonard and The damage to the walls of the large mill build myself, assisted very ably by our never tiring ing will amount to several thousand dollars. -
Franz A. Birgel Muhlenberg College
Werner Herzog's Debt to Georg Buchner Franz A. Birgel Muhlenberg College The filmmaker Wemcr Herzog has been labeled eve1)1hing from a romantic, visionary idealist and seeker of transcendence to a reactionary. regressive fatalist and t)Tannical megalomaniac. Regardless of where viewers may place him within these e:-..1reme positions of the spectrum, they will presumably all admit that Herzog personifies the true auteur, a director whose unmistakable style and wor1dvie\v are recognizable in every one of his films, not to mention his being a filmmaker whose art and projected self-image merge to become one and the same. He has often asserted that film is the art of i1literates and should not be a subject of scholarly analysis: "People should look straight at a film. That's the only \vay to see one. Film is not the art of scholars, but of illiterates. And film culture is not analvsis, it is agitation of the mind. Movies come from the count!)' fair and circus, not from art and academicism" (Greenberg 174). Herzog wants his ideal viewers to be both mesmerized by his visual images and seduced into seeing reality through his eyes. In spite of his reference to fairgrounds as the source of filmmaking and his repeated claims that his ·work has its source in images, it became immediately transparent already after the release of his first feature film that literature played an important role in the development of his films, a fact which he usually downplays or effaces. Given Herzog's fascination with the extremes and mysteries of the human condition as well as his penchant for depicting outsiders and eccentrics, it comes as no surprise that he found a kindred spirit in Georg Buchner whom he has called "probably the most ingenious writer for the stage that we ever had" (Walsh 11). -
Filmar As Sensações
UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE FILOSOFIA PROGRAMA DE PÓS-GRADUAÇÃO EM FILOSOFIA Luiz Roberto Takayama Filmar as sensações: Cinema e pintura na obra de Robert Bresson São Paulo 2012 Luiz Roberto Takayama Filmar as sensações: Cinema e pintura na obra de Robert Bresson Tese apresentada ao programa de Pós-Graduação em Filosofia do Departamento de Filosofia da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo, para obtenção do título de Doutor em Filosofia sob a orientação do Prof. Dr. Luiz Fernando B. Franklin de Matos. São Paulo 2012 Ao pequeno Hiro, grande herói, dedico esse trabalho. “Tão longe que se vá, tão alto que se suba, é preciso começar por um simples passo.” Shitao. Agradecimentos À CAPES, pela bolsa concedida. À Marie, Maria Helena, Geni e a todo o pessoal da secretaria, pela eficiência e por todo o apoio. Aos professores Ricardo Fabbrini e Vladimir Safatle, pela participação na banca de qualificação. Ao professor Franklin de Matos, meu orientador e mestre de todas as horas. A Jorge Luiz M. Villela, pelo incentivo constante e pelo abstract. A José Henrique N. Macedo, aquele que ama o cinema. Ao Dr. Ricardo Zanetti e equipe, a quem devo a vida de minha esposa e de meu filho. Aos meus familiares, por tudo e sempre. RESUMO TAKAYAMA, L. R. Filmar as sensações: cinema e pintura na obra de Robert Bresson. 2012. 186 f. Tese (Doutorado) – Faculdade de Filosofia, Letras e Ciências Humanas. Departamento de Filosofia, Universidade de São Paulo, São Paulo, 2012. -
Metaphysics and the Moving Image Trevor Mowchun a Thesis in The
Metaphysics and the Moving Image Trevor Mowchun A Thesis In the Humanities Program For the Degree of Doctor of Philosophy (Humanities (Fine Arts)) at Concordia University July 2018 © Trevor Mowchun, 2018 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Trevor Mowchun Entitled: Metaphysics and the Moving Image and submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy (Humanities (Fine Arts)) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Kristina Huneault External Examiner Dr. George Toles External to Program Dr. Nathan Brown Examiner Dr. Andre Furlani Examiner Dr. Justin E. H. Smith Thesis Supervisor Dr. Martin Lefebvre Approved by Dr. Erin Manning, Graduate Program Director December 10, 2018 Dr. Rebecca Taylor Duclos, Dean Faculty of Fine Arts iii ABSTRACT Metaphysics and the moving image Trevor Mowchun, Ph.D. Concordia University, 2018 The various forms of cross-pollination and encounter between film and philosophy have generated thought experiments which make it possible to think beyond what the two fields can do for each other to what they can do together. My guiding intuition in this thesis is that the distinct historical evolutions of film and philosophy intersect in the speculative domain of the Western metaphysical paradigm, as the film medium technologically and aesthetically reestablishes conditions for “truth” within -
The Indians of Los Angeles County
The Indians of Los Angeles County Hugo Reid at Rancho Santa Anita. SOUTHWEST MUSEUM PAPERS NUMBER TWENTY-ONE The Indians of Los Angeles County Hugo Reid's Letters of 1852 Edited and Annotated by ROBERT E. HEIZER SOUTHWEST MUSEUM HIGHLAND PARK, LOS ANGELES, CALIFORNIA 90042 1968 Copyright 1968 SOUTHWEST MUSEUM LOS ANGELES, CALIF. Library of Congress Catalog Card Number: 68-8964 The Indians of Los Angeles County http://www.loc.gov/resource/calbk.007 Printed by SOUTHLAND PRESS, INC. v CONTENTS FORWORD, by Carl Schaefer Dentzel vii INTRODUCTION, by Robert F. Heizer 1 THE HUGO REID LETTERS (I - XXII) 7 NOTES 105 REFERENCES 137 ILLUSTRATIONS Hugo Reid at Rancho Santa Anita Frontispiece The Hugo Reid Adobe in 1938 xii Rogerio Rocha, Gabrielino Indian 6 Mrs. James Rosemyre, Gabrielino Indian 10 Jose Salvideo, Gabrielino Indian 18 Gabrielino Baskets 28 Gabrielino Throwing Sticks 62 Gabrielino Artifacts as Illustrated by Hoffman 104 MAP Territories of the Gabrielino and Adjoining Tribes End papers vii Foreword THE YEAR 1969 WILL MARK THE BICENTENNIAL OF THE settling of Alta California. Few areas on the face of the earth have witnessed changes as great as those made in California in the past 200 years. From an insignificant colony on the perimeter of the tremendous Spanish Empire in the New World, California has emerged as one of the most famous and significant spots on the entire globe -- a far cry from its humble beginnings in 1769. Of all the areas settled by Spain in North, Central and South America, California has undergone the greatest transformation. Not only has the state become first in population of the 50 United States of America, but several of its counties and cities are among the first in population and affluence as The Indians of Los Angeles County http://www.loc.gov/resource/calbk.007 well. -
Miranda, 15 | 2017, « Lolita at 60 / Staging American Bodies » [En Ligne], Mis En Ligne Le 18 Septembre 2017, Consulté Le 16 Février 2021
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 15 | 2017 Lolita at 60 / Staging American Bodies Édition électronique URL : http://journals.openedition.org/miranda/10470 DOI : 10.4000/miranda.10470 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Miranda, 15 | 2017, « Lolita at 60 / Staging American Bodies » [En ligne], mis en ligne le 18 septembre 2017, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/10470 ; DOI : https:// doi.org/10.4000/miranda.10470 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE Les 60 ans de Lolita Introduction Marie Bouchet, Yannicke Chupin, Agnès Edel-Roy et Julie Loison-Charles Nabokov et la censure Julie Loison-Charles Lolita, le livre « impossible » ? L'histoire de sa publication française (1956-1959) dans les archives Gallimard Agnès Edel-Roy Fallait-il annoter Lolita? Suzanne Fraysse The patterning of obsessive love in Lolita and Possessed Wilson Orozco Publicités, magazines, et autres textes non littéraires dans Lolita : pour une autre poétique intertextuelle Marie Bouchet Solipsizing Martine in Le Roi des Aulnes by Michel Tournier: thematic, stylistic and intertextual similarities with Nabokov's Lolita Marjolein Corjanus Les « Variations Dolores » - 2010-2016 Nouvelles lectures-réécritures de Lolita Yannicke Chupin Staging American Bodies Staging American Bodies – Introduction Nathalie Massip Spectacle Lynching and Textual Responses Wendy Harding Bodies of War and Memory: Embodying, Framing and Staging the Korean War in the United States Thibaud Danel Singing and Painting the Body: Walt Whitman and Thomas Eakins’ Approach to Corporeality Hélène Gaillard “It’s so queer—in the next room”: Docile/ Deviant Bodies and Spatiality in Lillian Hellman’s The Children’s Hour Sarah A. -
Love, Death and the Search for Community in William Gaddis And
Histoire(s) of Art and the Commodity: Love, Death, and the Search for Community in William Gaddis and Jean-Luc Godard Damien Marwood Submitted for the Degree of Doctor of Philosophy Discipline of English and Creative Writing The University of Adelaide December 2013 Table of Contents Abstract ................................................................................................................................................... iii Declaration............................................................................................................................................... iv Acknowledgements ................................................................................................................................... v Introduction ............................................................................................................................................... 3 Methodology ......................................................................................................................................... 7 Topography ........................................................................................................................................ 11 Godard, Gaddis .................................................................................................................................. 17 Commodity, Catastrophe: the Artist Confined to Earth ........................................................................... 21 Satanic and Childish Commerce / Art and Culture ............................................................................ -
Au Hazard Balthazar 1966
21 MARCH 2006, XII:9 ROBERT BRESSON: Au hazard Balthazar 1966. 95 min. Directed by Robert Bresson Written by Robert Bresson Produced by Mag Bodard Original Music by Jean Wiener Non-Original Music by Franz Schubert (from "Piano Sonata No.20") Cinematography by Ghislain Cloquet Film Editing by Raymond Lamy Animal trainer: Guy Renault Anne Wiazemsky....Marie François Lafarge....Gérard Philippe Asselin....Marie's father Nathalie Joyaut....Marie's mother Walter Green....Jacques Jean-Claude Guilbert....Arnold Pierre Klossowski....Merchant François Sullerot ....Baker Marie-Claire Fremont....Baker's wife Jean Rémignard.... Notary ROBERT BRESSON (25 September 1901, Bromont-Lamothe, Puy-de-Dôme, Auvergne, France—18 December 1999, Paris, natural causes) directed 14 films and wrote 17 screenplays. The films he directed were L'Argent/Money (1983), Le Diable probablement/The Devil Probably (1977), Lancelot du lac (1974), Quatre nuits d'un rêveur/Four Nights of a Dreamer (1971), Une femme douce/A Gentle Woman (1969), Mouchette (1967), Au hasard Balthazar/Balthazar (1966), Procès de Jeanne d'Arc/Trial of Joan of Arc (1962), Pickpocket (1959), A Man Escaped (1956), Journal d'un curé de campagne/Diary of a Country Priest (1951), Les Dames du Bois de Boulogne/Ladies of the Park (1945), Les Anges du péché/Angels of the Street (1943) and Les Affaires publiques/Public Affairs (1934). Ghislain Cloquet (18 April 1924, Antwerp, Belgium--November 1981) shot 55 films, among them Four Friends (1981), The Secret Life of Plants (1979), Tess (1979, won Oscar), Love and Death (1975), Mouchette (1967), Loin du Vietnam/Far from Vietnam (1967), Mickey One (1965), Le Trou (1960), Nuit et brouillard/Night and Fog (1955). -
1975 Iamsure.Pdf
l AM SURE The Autobiography of a Theistic Parson by BASIL VINEY (F>oreword by John Rowland) /' THE LINDSEY PRESS The Lindsey Press, Essex Hall, 1-6 Essex Street, CONTENTS London WC2R 3HY Chapter Page Ftoreword by John Rowland . 1. On Becloming One's Self ... 2. The Delscent to Boyhood ... 3. Dilsgruntled Clerk ... 0 Basil Viney 1975 4. Freshman (on the Farm . First Published, 1975 5. My First Palstorate .. ... 6. Going North-east ... 7. Into the Mountainls ... .. 8. Cumbri'an Folk . Potato Pie Three Thousand Feet The Local Patriot The Strange Shepherd Magic Glasses The Rustic Conservative Ullswater Inscription Fairplay in the Graveyard Upland Toads Resurrection in Ennerdale Megalopolis Again-and Beyond . ... Animals we have known . ... ... Beyond tlhe Celtic Curtain . ... ... Amevican Journey . ... ... ... Cover by David Embry Italian Venture ... ... ... Semi-retirement in Sussex .. ... ... Designed by John Rowland, and set in Helvetica, 10 on 11 pt. The Worlld Changes-for Better or Worse ? Unita~ria~nCrisis ... On the C~llecti~ngHobby .. ... ... Printed by David Macdonald Ltd., 29 Albany Street, Edinburgh, Epilogue S.. ... a.. EH1 3QN. FOREWORD This is a true picture of a man lof eighty, looking back over a life that htas been characterised by devotion to m.any good causes. Not all those causes will be shared by all wlho read the pages which follow. They will not be read only by vegetarians, not only by those who ldislike professional sport, not only by t.ho.se who have a lurking mistrust of some of the fashionable tendencies of 0u.r time. For Basil Viney, during most od his life, ha,s felt strongly about many issues on which thoughtful opinion is divided. -
Cinema 11 Journal of Philosophy and the Moving Image Revista De Filosofia E Da Imagem Em Movimento
CINEMA 11 JOURNAL OF PHILOSOPHY AND THE MOVING IMAGE REVISTA DE FILOSOFIA E DA IMAGEM EM MOVIMENTO FILM AND ETHICS edited by CINEMA E ÉTICA editado por Patrícia Castello Branco Susana Viegas CINEMA 11 EDITORS Patrícia Silveirinha Castello Branco (IFILNOVA) Sérgio Dias Branco (University of Coimbra/CEIS20) Susana Viegas (IFILNOVA/Deakin University) EDITORIAL ADVISORY BOARDD. N. Rodowick (University of Chicago) Francesco Casetti (Catholic University of the Sacred Heart/Yale University) Georges Didi-Huberman (School for Advanced Studies in the Social Sciences) Ismail Norberto Xavier (University of São Paulo) João Mário Grilo (Nova University of Lisbon/IFILNOVA) Laura U. Marks (Simon Fraser University) Murray Smith (University of Kent) Noël Carroll (City University of New York) Patricia MacCormack (Anglia Ruskin University) Raymond Bellour (New Sorbonne University - Paris 3/CNRS) Stephen Mulhall (University of Oxford) Thomas E. Wartenberg (Mount Holyoke College) INTERVIEWS EDITOR Susana Nascimento Duarte (School of Arts and Design, Caldas da Rainha/IFILNOVA) BOOK REVIEWS EDITOR Maria Irene Aparício (Nova University of Lisbon/IFILNOVA) CONFERENCE REPORTS EDITOR William Brown (University of Roehampton) ISSN 1647-8991 CATALOGS Directory of Open Access Journals (DOAJ) Emerging Sources Citation Index, Clarivate Analytics (ESCI) Web of Science TM European Reference Index for the Humanities and the Social Sciences (ERIH PLUS) Regional Cooperative Online Information System for Scholarly Journals from Latin America, the Caribbean, Spain and Portugal