DOCSLIB.ORG

YCP 5Th Film Fest.Cdr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
YCP 5Th Film Fest.Cdr Yashwant Intl. Film Festival 2015 Yashwantrao Chavan The birth centenary of Shri Yashwantrao Chavan (1913 - 1984) was celebrated last year in a befitting manner by the Government of Maharashtra and the Yashwantrao Chavan Pratishthan, Mumbai. It was an acknowledgement of his stellar contribution as first Chief Minister to the making of modern Maharashtra, as a State with progressive policies and a decentralized democratic set up of administration. In November, 1962, he became the Defence Minister in the aftermath of the India-China conflict. He worked hard to restore the morale of the armed forces and to enhance his strength through modern weapons, better equipment, organisational changes and a harmonious relationship with the armed forces. The efforts paid off in the India- Pakistan conflict in 1965. Subsequently, he held the high offices of Union Home Minister, Union Finance Minister and Foreign Minister of India. In 1979, he became the Deputy Prime Minister of India. He was a freedom fighter, effective parliamentarian and an astute administrator. He was a connoisseur of fine arts, a great lover of books and an author of acknowledged literary merit. He was very fond of watching good films, plays and stage performances of folk-art. The 'Yashwant' International Film Festival is a tribute to the outstanding personay of Yashwantrao Chavan. Yashwant Intl. Film Festival 2015 Yashwantrao Chavan Pratishthan Presents Jointly with: Supported by: Government of Maharashtra Yashwant Intl. Film Festival 2015 Foreword It is a matter of great satisfaction that the 5th Yashwant International Film Festival is being organized from 17th to 23rd January, 2015, at the Chavan Center by the Yashwantrao Chavan Pratishthan, Mumbai, in collaboration with the Pune Film Foundation, and financial support from the Government of Maharashtra. In the course of seven days, about 75 films will be exhibited in various halls in the Chavan Center. These will include 40 films in the category of global cinema, 5 retrospective, 7 country focus, 5 Indian films, 5 Marathi films and 10 in the category of student competition. As usual the endeavor will be to bring some of the best films for the discerning audience in Mumbai. The film which gets a top ranking in the Pune International Film Festival will be shown on the first day, after the inaugural function is over. As a fitting climax to the Festival the film on the life of late Shri Yashwantrao Chavan, will be shown on 23rd January, 2015. I hope film lovers in Mumbai will give an enthusiastic response to the Film Festival which will present a varied fare from renowned directors, portraying a wide range of social and political perspectives. My best wishes for the success of the 5th Yashwant International Film Festival. Sharad Pawar President Yashwantrao Chavan Pratishthan, Mumbai Yashwant Intl. Film Festival 2015 Message Since the inception of the Yashwant International Film Festival (YIFF) four years ago, we have made sure to offer a unique experience to all those who are a part of this festival. We are proud of the fact that YIFF as a festival is able to distinguish itself and stand out as a favorite amongst filmmakers and delegates alike. The festival is a great opportunity for film enthusiasts and filmmakers to interact with each other and enrich one another with their thoughts, ideas and stories. The world always has its share of problems, but a world where people watch films and continue to love cinema is a world where there is always hope for the future. At the Yashwant International Film Festival and Pune International Film Festival this year we remember two events that shook the world - 2014 saw the centenary of the First World War and it has also been 25 years since the fall of the Berlin wall. These two events were vastly different in nature - one left a deadly trail of death and destruction in its wake and the other brought people together. However, both have something in common - they gave rise to an enormous amount of literature and art. It is through such creative endeavours that humans try to comprehend the world around them and build bridges with people. If human beings try to love each other instead of fighting each other, the world will be a much better place. Cinema is one such medium that makes it possible to encompass the entire humanity, to tell stories about humankind and to thus spread a message of universal peace, love and tolerance. Being a technology-driven medium, Cinema also shows how modern technology and innovation can bring people together in a kindred spirit. At YIFF, we are presenting exclusive four films regarding humanity and world peace. We would like to encourage all our participants to make connections with people all over the world through this magical medium we all love! On behalf of team YIFF, I welcome you to the 5th edition of the festival and do hope that you enjoy yourself as much as we have in presenting this festival to you. Dr. Jabbar Patel Director 5th Yashwant International Film Festival Yashwant Intl. Film Festival 2015 Acknowledgments CREDITS Golden Publicity CATALOGUE PRINTERS Shri Sharad Pawar PRESIDENT Ad-Mission Graphic House DELEGATE CARDS Shri Arun Gujarathi VICE PRESIDENT Dr. Prakash Joshi PHOTO EXHIBITION Smt. Supriya Sule CHAIRPERSON Staff of Yashwantrao Chavan Pratishthan, Mumbai Shri Hemant Takle LOGISTICS TREASURER ACKNOWLADGEMENTS Shri Sharad Kale GENERAL SECRETARY Ahmed Abd Rahaman, Embassy of Arab Republic of Egypt Dr. Jabbar Patel FESTIVAL DIRECTOR Reghu Devaraj, Embassy of France in India Shri Samar Nakhate CREATIVE DIRECTOR Igor Korablev Shri Santosh Unecha Zdenek Tyc ASSOCIATE FESTIVAL DIRECTOR PTOT Films Shri Satish Alekar Shri Makrand Sathe Paulina Jaroszewicz, Shri Abhijeet Ranadive New Europe Film Sales SELECTION COMMITTEE Ihor Podolchak Ms. Aditi Akkalkotkar Rok Secen FESTIVAL COORDINATOR Montse , Eddie saeta Shri Mangesh Mardhekar Shri Prasad Khatu Patrizia Gambarotta, Shri Jaising Londhe Istituto Italiano di Cultura di Mumbai PROGRAMMER Fabrizio Ferrari, Shri Vishal Shinde Rome Independent FF ASSISTANT PROGRAMMER & PRINTUNIT INCHARGE TECC Shri Shubhanand Jog Antipode COVER DESIGN Ray, EZ films Shri Mahesh Chavan Urban Distribution Shri Arun Shinde Shri Sanjay Bansode Embassy of Switzerland FESTIVAL ASSOCIATES Viktoria Rampal Dzurenko Shri Datta Balsaraf Shri Nilesh Raut Natalia Arshavskaya Shri Parag Patil PUBLICITY & Pablo Ceaser SOCIAL MEDIA PUBLICITY Saloni Zaveri-Ahluwalia, Smt. Smita Raikar Embassy of Sweden, New Delhi Shri Shailesh Chavan Helmut Groschup OFFICE ADMINISTRATION Ernst Gossner Yashwant Intl. Film Festival 2015 Index OPENING FILM FRENCH GRAND CLASSICS Like the wind 11 The Big Day 59 CLOSING FILM Golden Marie 60 Yashwantrao Chavan - Bakhar eka vadalachi 13 The Grand Illusion 61 Children of Paradise 62 WORLD CINEMA The Umbrellas of Cherbourg 63 The Gods of Water 15 The Earrings of Madame de.. 64 Between black and red land 16 Pépé le Moko 65 Like Never Before 17 Pickpocket 66 Uncle Viktor 18 The Madman 67 Not my Day 19 The 400 Blows 68 The Last Leaf 20 Zero for conduct 69 Elementary Love 21 It’s Gonna Take A Miracle 22 COUNTRY FOCUS - EGYPT La terra e il vento 23 The Land 71 The owners 24 Thief and Dogs 72 Rocks in My Pockets 25 Cairo Station 73 Above us All 26 Fools Alley 74 Kebab & Horoscope 27 Rags & Tatters 75 Test 28 The Mummy 76 The Tree 29 How Do You See Me? 77 Falling Star 30 Shana - The wolf's music 31 VOLKSWAGEN INTERNATIONAL STUDENT Sister 32 COMPETITION Lovely Louise 33 Juliet's 34 Mythopolis 79 Consequences 35 Sleeping with the Fishes 79 Delirium 36 Harald 79 Brothers the Final Confession 37 The Skin Factory 79 Fisker 80 INDIAN CINEMA Mirvattes Closet 80 Munnariyippu 39 Crochet Noir 80 The Punishment 40 Magarwasi 80 Njaan 41 The Awakening 81 Swapaanam 42 Two (2) 81 Wire Cutters 81 MARATHI CINEMA Ab Ovo 81 1000 Rupee Note 44 Group Photo 82 Obstacle 45 Hoop Diaries 82 Salute 46 I am Emmanuel 82 Delusion 47 Screw You 83 Given in Exchange 83 WAR AGAINST WAR Sunny 83 The Woods are still Green 49 Tightrope 84 Global Warning 50 Song we wrote 84 The Silent Mountain 51 Manorath 84 Lacrime delle Dolomiti di Sesto 52 Silenced 85 A Dream Animal 85 KALEIDOSCOPE Color Water 86 Avalon 54 The Kid in the Closet 86 Behind Blue Skies 55 Palme 56 The Last Sentence 57 Yashwant Intl. Film Festival 2015 Index MTDC SHORT FILM COMPETITION Gateway To The Incredible Konkan - Chiplun 88 The enigma of Lonar 88 Nighol 88 The Silver - Golden Beach 89 Radhanagari - Land of the Gaur 89 Kedareshwar Temple 90 Rapan 90 Serendipity 90 Amruteshwar 91 Adorable Little Hamlet- Wai 91 Festival of Happiness 92 Inspiration of Kolhapur 92 Odyssey - Unfolding Maharashtra 92 Sangeet Govind Gaurav 93 Sawantwadi Days 93 OPENING FILM LIKE THE WIND Yashwant Intl. COME IL VENTO Film Festival 2015 Synopsis: Lodi, 1989: Armida Miserere is one of the first women to become a prison warden; Director: Marco Puccioni Umberto Mormile is an educator at the penitentiary in Milan. They share a house Italy-France / 2013 / Col. / 110' midway between the two cities. One spring day, Umberto is killed on his way to work, and Armida's life falls apart. Now that she has nothing to lose, she chooses Producer: to work on the front line at the most dangerous facilities. She never bows to Giampietro Preziosa, Marco Puccioni, Sauro pressure and applies the laws, while doing her best to remain human and keep Falchi, Anna Falchi, Patrice Nezan looking for love. Milan, 2001: Armida learns the truth: Umberto was killed for refusing to be bribed by the underworld. His name is dragged through the mud by Screenplay: police collaborators, and it's all too much for her.
Load more

Recommended publications
  • Alternative Digital Movies As Malaysian National Cinema A
    Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof.
    [Show full text]
  • Co-Production Forum
    CO-PRODUCTION FORUM 1 CONTENT PITCH SESSION : GAP FINANCING SESSIONS PITCHER BAYO BAYO BABY KANAKI FILMS - SPAIN 4 by Amaia Remírez & Raúl de la Fuente PITCHER BIRDS DON’T LOOK BACK SPECIAL TOUCH STUDIOS - 5 by Nadia Nakhlé FRANCE DIRTY LAND PITCHER BRO CINEMA - PORTUGAL 6 by Luis Campos PITCHER DREAMING OF LIONS PERSONA NON GRATA 7 by Paolo Marinou-Blanco PORTUGAL PITCHER AN ENEMY POKROMSKI STUDIO - POLAND 8 by Teresa Zofia Czepiec PITCHER FIRES CODE BLUE PRODUCTION D.O.O. - 9 by Nikola Ljuca MONTENEGRO PITCHER THE GLASS HOUSE DIRECTORY FILMS - UKRAINE 10 by Taras Dron PITCHER OUR FATHER THIS AND THAT PRODUCTIONS 11 by Goran Stankovic SERBIA PITCHER SOULS ON TAPE VILDA BOMBEN FILM AB 12 by Carl Javér SWEDEN PITCH SESSION : UP : UP-AND-COMING PRODUCERS PITCHER ARTURO’S VOICE MATRIOSKA - ITALY 14 by Irene Dionisio PITCHER AUTONAUTS OF THE COSMOROUTE IKKI FILMS - FRANCE 15 by Olivier Gondry & Leslie Menahem PITCHER CLEAN CARTOUCHE BVBA - BELGIUM by Koen Van Sande 16 PITCHER THE FURY RINGO MEDIA - SPAIN 17 by Gemma Blasco GROUND ZERO PITCHER RADAR FILMS - UKRAINE 18 by Zhanna Ozirna PINOT FILMS - POLAND PITCHER IN BETWEEN 19 by Piotr Lewandowski PITCHER SHINY NEW WORLD MAKE WAY FILM - NETHERLANDS 20 by Jan van Gorkum THREE SONGS CORTE A FILMS - SPAIN PITCHER 21 by Adrià Guxens PITCHER THE VIRGIN AND THE CHILD PLAYTIME FILMS - BELGIUM 22 by Binevsa Berivan PITCHER ZEJTUNE (UNTITLED GHANA PROJECT) LUZZU LTD - MALTA 23 by Alex Camilleri TIMETABLE 24 PITCH SESSION : GAP FINANCING SESSIONS 3 BAYO BAYO BABY - FICTION SPAIN Every night Aminata patrols the streets of Freetown searching for girls being exploited by pimps.
    [Show full text]
  • Deepa Mehta (See More on Page 53)
    table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region.
    [Show full text]
  • List of Films Considered the Best
    Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics.
    [Show full text]
  • Healthcare Protection Policies During the COVID-19 Pandemic: Lessons Towards the Implementation of the New Egyptian Universal Health Insurance Law
    American University in Cairo AUC Knowledge Fountain Faculty Journal Articles 1-31-2021 Healthcare Protection Policies during the COVID-19 Pandemic: Lessons towards the Implementation of the New Egyptian Universal Health Insurance Law Alaa Ghannam Ayman Sebae Follow this and additional works at: https://fount.aucegypt.edu/faculty_journal_articles Part of the Civic and Community Engagement Commons, Community-Based Research Commons, Emergency and Disaster Management Commons, Health Policy Commons, Medicine and Health Commons, Policy Design, Analysis, and Evaluation Commons, Politics and Social Change Commons, Social Policy Commons, and the Social Welfare Commons Recommended Citation APA Citation Ghannam, A. & Sebae, A. (2021). Healthcare Protection Policies during the COVID-19 Pandemic: Lessons towards the Implementation of the New Egyptian Universal Health Insurance Law. Social Protection in Egypt: Mitigating the Socio-Economic Effects of the COVID-19 Pandemic on Vulnerable Employment, https://fount.aucegypt.edu/faculty_journal_articles/876 MLA Citation Ghannam, Alaa, et al. "Healthcare Protection Policies during the COVID-19 Pandemic: Lessons towards the Implementation of the New Egyptian Universal Health Insurance Law." Social Protection in Egypt: Mitigating the Socio-Economic Effects of the COVID-19 Pandemic on Vulnerable Employment, 2021, https://fount.aucegypt.edu/faculty_journal_articles/876 This Research Article is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Faculty Journal Articles by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. Healthcare Protection Policies during the COVID-19 Pandemic: Lessons towards the Implementation of the New Egyptian Universal Health Insurance Law Alaa Ghannam1 and Ayman Sabae2 January 31st, 2021 1 Right to Health Program Director at the Egyptian Initiative for Personal Rights (EIPR).
    [Show full text]
  • Conflict and Controversy in Small Cinemas
    Part 3: Stereotypes and Social Polarities Janina Falkowska and Krzysztof Loska - 9783631755174 Downloaded from PubFactory at 09/25/2021 09:49:45PM via free access Janina Falkowska and Krzysztof Loska - 9783631755174 Downloaded from PubFactory at 09/25/2021 09:49:45PM via free access Jadwiga Hučková Instytut Sztuk Audiowizualnych, Uniwersytet Jagielloński, Poland 11. Exposed and concealed Roma conflict: Representation of contemporary Roma conflicts in Czech Republic, Slovakia, Poland and Hungary Abstract: Roma conflict is one of the dominant issues that societies and cinemas of Eastern Europe should face. Recently, a variety of deeply touching films have been created such as Just the Wind (dir. Benedek Fliegauf) and Judgement in Hungary (dir. Eszter Hajdú). While the films show disgruntlement or even large-scale protests and riots, the films’ plots rarely present the causes of such events. Documentary film projects with sociological ambitions, however, stand out above these films, they are knowledgeable and insightful but their range is only local. There are some exceptional cases that overthrow this rule, such as Moving a Settlement or The Roma King (dir. Viliam Poltikovič). On the other hand, the superproductions such as Koza (dir. Ivan Ostrochovský) or The Queen of Silence (dir. Agnieszka Zwiefka) mainly concentrate on the formal side at the expense of the simplification of the film’s content. My purpose is to present various variants of the representation of Roma conflict in these films. Keywords: Roma, Central Europe, film, politics “Roma Issue” has progressed to become one of the most serious areas related to Central Europe since the beginning of 1990s. The time of political transformation has created a new context for the issue present in the collective consciousness for many decades.
    [Show full text]
  • For Immediate Release Tribeca Film Festival® Announces
    FOR IMMEDIATE RELEASE TRIBECA FILM FESTIVAL® ANNOUNCES FEATURE FILM LINE UP FOR THE COMPETITION, SPOTLIGHT, VIEWPOINTS AND MIDNIGHT SECTIONS OF THE 16TH ANNUAL FESTIVAL APRIL 19-30 ProgrAm Includes Artistic Gems, Comedies, Complex Artistic PortrAits, And PoliticAl And Social Action Films that will Engage, Inspire and Entertain New York, NY [MArch 2, 2017] – An exciting slate of films that showcases the breadth of contemporary filmmaking across a range of styles will premiere at the 2017 Tribeca Film Festival, presented by AT&T. The Festival today announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, supported by The Lincoln Motor Company, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, supported by EFFEN® Vodka, featuring the best in psychological thriller, horror, sci-fi, and cult cinema. After receiving a record number of entries, the Festival’s seasoned team of programmers, led by Cara Cusumano in her new role as Director of Programming and Artistic Director Frédéric Boyer, carefully curated an edgy, entertaining and provocative program. The 16th Annual Tribeca Film Festival takes place April 19 – 30. Today’s announcement includes 82 of the 98 feature-length titles in the Festival. In a year of record high submissions, the Festival’s curators chose to reduce the size of the overall program by 20%, making this the most selective and focused festival slate yet. The Competition section features 32 films: 12 documentaries, 10 U.S. narratives and 10 international narratives.
    [Show full text]
  • Exposition & Soirée Rencontre Exceptionnelle
    16/ 4 14/ 6 Exposition & Soirée rencontre exceptionnelle Du 16 avril au 14 juin 2014, YellowKorner rend hommage à Jacques Après une large recherche des meilleurs éléments originaux à Tati en exposant des photographies extraites de ses plus grands films travers les archives personnelles de Jacques Tati, les réseaux de grâce auxquels il a su s’imposer parmi les cinéastes burlesques les cinémathèques, les Archives françaises du film et les différents stocks plus originaux et les plus inventifs de sa génération. Éditée d’après les des laboratoires, chaque film a été numériquement restauré avec les éléments originaux restaurés photochimiquement et numériquement, meilleurs outils actuels. Tout en veillant à respecter les montages, cette sélection exceptionnelle de prises de vues révèle certaines des les formats, la qualité de l’image et le travail extraordinairement scènes les plus marquantes de sa filmographie, souvent devenues minutieux du son, les restaurations ont permis de stabiliser l’image, cultes aujourd’hui. de nettoyer tous les défauts, tâches, rayures et éclats liés au vieillis- Si la sortie de Jour de fête en 1949 enthousiasme tout d’abord sement de la pellicule et de retrouver la colorimétrie originale. le public par son caractère novateur, ce sont Les Vacances de Le patrimoine de Jacques Tati n’a jamais été aussi accessible et Monsieur Hulot (1952) et Mon Oncle (1958) qui permettront à Tati vivant qu’aujourd’hui avec une large diffusion en festivals internatio- de recueillir de nombreuses distinctions en France et dans le monde naux, des évènements culturels réguliers et de nouvelles créations entier (Oscar du meilleur film étranger en 1959).
    [Show full text]
  • Ƴ•È˜​Ç´¢Ç“¦Â·Æ​Œé​¯Ç¦​Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    法è˜ç​ ´¢ç“¦Â·æœ​ é¯​ ç¦ ​ 电影 串行 (大全) The Man Who Loved https://zh.listvote.com/lists/film/movies/the-man-who-loved-women-1195396/actors Women The Soft Skin https://zh.listvote.com/lists/film/movies/the-soft-skin-1219569/actors Une Visite https://zh.listvote.com/lists/film/movies/une-visite-1304330/actors Such a Gorgeous Kid https://zh.listvote.com/lists/film/movies/such-a-gorgeous-kid-like-me-1305672/actors Like Me A Story of Water https://zh.listvote.com/lists/film/movies/a-story-of-water-1306407/actors Small Change https://zh.listvote.com/lists/film/movies/small-change-1765162/actors The Wild Child https://zh.listvote.com/lists/film/movies/the-wild-child-477707/actors Love at Twenty https://zh.listvote.com/lists/film/movies/love-at-twenty-568518/actors Confidentially Yours https://zh.listvote.com/lists/film/movies/confidentially-yours-759324/actors 最後地下éµ​ https://zh.listvote.com/lists/film/movies/%E6%9C%80%E5%BE%8C%E5%9C%B0%E4%B8%8B%E9%90%B5-1049604/actors 隔牆花 https://zh.listvote.com/lists/film/movies/%E9%9A%94%E7%89%86%E8%8A%B1-1117460/actors 騙婚記 https://zh.listvote.com/lists/film/movies/%E9%A8%99%E5%A9%9A%E8%A8%98-1168045/actors ç¶ å±‹ https://zh.listvote.com/lists/film/movies/%E7%B6%A0%E5%B1%8B-1171341/actors 奪命佳人 https://zh.listvote.com/lists/film/movies/%E5%A5%AA%E5%91%BD%E4%BD%B3%E4%BA%BA-1211737/actors 四百擊 https://zh.listvote.com/lists/film/movies/%E5%9B%9B%E7%99%BE%E6%93%8A-162331/actors 兩個英國女å​‐ https://zh.listvote.com/lists/film/movies/%E5%85%A9%E5%80%8B%E8%8B%B1%E5%9C%8B%E5%A5%B3%E5%AD%A9%E8%88%87%E6%AD%90%E9%99%B8-
    [Show full text]
  • The Societal Context of the State of Women
    THE SOCIETAL CONTEXT OF THE STATE OF WOMEN Chapter Six CULTURE Introduction it is important to recall that, in Islamic history, religious culture is not built on sacred texts of This chapter considers social patterns that indisputable authority but, rather, on differing Religious culture is contribute to shaping the position of women interpretations of the content, substance, not built on sacred in Arab societies today. It focuses on the forms and views of multiple writings and impact of two central sources of influence: sayings in the collective memory of society. It texts of indisputable cultural and especially religious heritage and is also based on customs and traditions that authority but, Arab intellectual production. have been consolidated to preserve a specific Culture plays a pervasive role in order for the family and society. Furthermore, rather, on differing composing the social context of women’s religious culture reflects the different schools interpretations of the position in the Arab world, and religious of thought that have emerged at various stages interpretations provide a field for conflict over of history (Arkoun, in French, 1984, 12; Jid‘an, content, substance, the position of women in public perception in Arabic, 1985, 442). forms and views of and general behavioural patterns. Religious If the message of Islam comprises a heritage, above all, is a key determinant of number of major rules concerning the order multiple writings the cultural norms underpinning the position of the universe and of society, it follows that and sayings in the of women in the Arab world. there is more than one facet to these general Arab intellectual production, as it rules since the recipient’s interpretations are collective memory of arose during the Arab Renaissance, also subject to the historical evolution of society society.
    [Show full text]
  • Jour De Fête De Jacques Tati
    Jour de Fête de Jacques Tati Générique Jacques Tati Quelques caractéristiques du cinéma de Tati L’école du regard Le comique de Tati Le Film La question de la couleur Genèse du film Les personnages Structure dramatique Le son La musique Les dialogues Analyse de séquences Le vol du frelon L'installation du mât Document réalisé par Laurent Godel – [email protected] 1 Générique Durée 1h19 ( en 1949 : 1h16) Sortie le 4 mai 1949 et le 11 janvier 1995 Scénario de Jacques Tati et Henri Marquet Restauré en 1994 par Sophie Tattischeff, fille de Tati et François Ede, le chef-opérateur de l’époque. Jacques Tati Né le 9 octobre 1907. Père d’origine russe. Jacques Tati est passionné de rugby. Premières pantomimes de 1930 à 1934 qui deviendront en 1935 un spectacle : Les Impressions sportives. Au cinéma il débute en écrivant et en interprétant en 1932 Oscar champion du monde. puis avec le clown Rhum On demande une brute 1934, Gai dimanche 1935, Soigne ton gauche 1936 réalisé par René Clément. En 1943, il s’installe près de Sainte-Sévère-sur Indre avec son ami Henri Marquet. De là nait le scénario de L’école des facteurs (1946) que Tati va réaliser. Vrai succès qui obtint le prix Max Linder en 1949. En 1947, il débute son premier long métrage, extension de ce court-métrage précédent. Le film ne sera distribué qu’en 1949. Tati réalise 6 longs métrages : Jour de fête 1949 Les vacances de Monsieur Hulot 1953 Mon oncle 1958 Playtime 1967 Trafic 1971 Parade 1974 On retrouve dans Les vacances de Monsieur Hulot tout l’art de Tati de fondre son héros théorique parmi les anonymes, de donner la possibilité à chaque personnage d’occuper l’espace le temps d’un gag.
    [Show full text]
  • A MAN CALLED OVE a Film by Hannes Holm
    presents A MAN CALLED OVE A film by Hannes Holm 116 min | Sweden | 2016 | PG-13 | 2.35 In Swedish with English subtitles Official Website: http://www.musiCboxfilms.Com/ove Press Materials: http://www.musiCboxfilms.Com/ove-press New York/National Press Contacts: Sophie GluCk & AssoCiates Sophie GluCk: [email protected] | 212-595-2432 Aimee Morris: [email protected] | 212-595-2432 Los Angeles Press Contacts: Marina Bailey Film PubliCity Marina Bailey: [email protected] | 323-962-7511 Sara Tehrani: [email protected] | 323-962-7511 Music Box Films Contacts Regional Publicity Bianca Costello | [email protected] | 312-508-5362 Marketing & Social Media BeCky SChultz| [email protected] | 312-508-5360 Theatrical Booking Brian Andreotti | [email protected] | 312-508-5361 Exhibition Materials David Cook | [email protected] | 312-508-5363 AWARDS AND FESTIVALS Sweden's OffiCial Foreign Language Submission - 89th ACademy Awards® Winner - Audience Award, Best Actor (Rolf Lassgård), Best Make-Up (Love Larson & Eva Von Bahr), 2016 Guldbagge Awards (Sweden’s ACademy Awards) Winner – Best Actor (Rolf Lassgård), 2016 Seattle International Film Festival Winner - Audience Award, 2016 Mill Valley Film Festival Winner - Audience Award, 2016 Traverse City Film Festival Winner - Special Recognition, 2016 Stony Brook Film Festival Opening Night SeleCtion - 2016 Minneapolis St. Paul International Film Festival SYNOPSIS Stepping from the pages of Fredrik Backman’s international best-selling novel, Ove is the quintessential angry old man next door. An isolated retiree with striCt prinCiples and a short fuse, who spends his days enforCing bloCk assoCiation rules that only he Cares about, and visiting his wife’s grave, Ove has given up on life.
    [Show full text]