Γ\:) Logy Logy Often Adopt Acoustic Measurement Techniques Elaborated in Experi- \./・ Mental Phonetics in Order to Analyse More Exactly and Perhaps More ・\、ー_
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The Cambridge Companion to Modern Japanese Culture Edited by Yoshio Sugimoto Index More Information
Cambridge University Press 978-0-521-88047-3 — The Cambridge Companion to Modern Japanese Culture Edited by Yoshio Sugimoto Index More Information Index 1955 system 116, 168 anti-Americanism 347 anti-authoritarianism 167 Abe, Kazushige 204–6 anti-globalisation protests 342–3 Abe, Shinzo¯ 59, 167, 172, 176, 347 anti-Japanese sentiment abortion 79–80, 87 in China 346–7 ‘Act for the Promotion of Ainu Culture & in South Korea 345, 347 Dissemination of Knowledge Regarding Aoyama, Nanae 203 Ainu Traditions’ 72 art-tested civility 170 aged care 77, 79, 89, 136–7, 228–9 Asada, Zennosuke 186 ageing population 123, 140 Asian identity 175–6, 214 participation in sporting activities 227–8 asobi (play) 218 aidagara (betweeness) 49 Astro Boy (Tetsuwan Atomu) 243 Ainu language 71–2 audio-visual companies, export strategies Ainu people 362 banning of traditional practices 71 definition of 72 Balint, Michael 51 discrimination against 23 Benedict, Ruth 41 homeland 71 birthrate 81–5, 87, 140, 333–4 as hunters and meat eaters 304 Bon festival 221 overview 183 brain drain 144 Akitsuki, Risu 245 ‘bubble economy’ 118 All Romance Incident 189 Buddha (manga) 246 amae 41–2, 50–1 Buddhism 57, 59, 136 Amami dialects 63 background 149 Amami Islands 63 disassociation from Shinto under Meiji Amebic (novel) 209 152–6 The Anatomy of Dependence 40 effects of disassociation 153, 155–6 ancestor veneration 160–1 moral codes embodied in practice anime 15, 236 157 anime industry problems in the study of 151–2 criticisms of 237–8 as a rational philosophy 154 cultural erasure -
Troe-MV Ea/£VA- H7\Ytbr Author (Full Names)
UNIVERSITY OF LONDON See over for Abstract o f Thesis notes on completion . , TRoE-MV Ea/£VA- H7\yTBR_ Author (full names).......................................................................... ...... Title of thesis ^ I *i3 o ± Jc^cwueve,\C K £ > i pTcA -\ »-v\ ....}.. Degree This thesis presents an analysis of Japanese modernist texts from the 1930s, with an emphasis on the writings of Takami Jun (1907-1965), Ishikawa Jun (1899-1987) and Dazai Osamu (1909- 1948). Rather than discuss these experiments within the problematic of influence and see them as secondary gestures imitating the techniques of Gide or Joyce, I attempt to show that Japanese modernist fiction is deeply implicated in its cultural, political and technological moment. I begin with a mapping of the historical and discursive forces behind the so-called cultural revival ( bungei fukkO) and the revolt against the epistemic regime of Westernized modernity: its soulless positivism, its logic of instrumentality which objectified nature and the historical teleologies which inevitably relegated Japan to a secondary place. I examine the works of Takami, Ishikawa and Dazai in this context, against close-ups of specific materia! and discursive developments. The transgressions and dislocations of linear narrative in Takami Jun’s novelShould Auld Acquaintance Be Forgot (Kokyu wasureu beki, 1936) are read as radical deconstructions of the deeply ideological discourse oftenkd (the official term for the political conversion of leftists) as a regeneration of the self, as the return to a natural organic Japaneseness. The narrative of Ishikawa Jun’s Fugen (Fugen, 1936) is structured by dualistic tropes which can be seen as configurations of mediation and unity; I explore the meaning of these narrative strategies against the collapse of political mediation in the mid-1930s and the swell of fascist longings for oneness with the emperor. -
Correlation Between Voicing and Nasalization of Japanese Obstruents
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kobe Shoin Women's University Repository KARASHI-DANE Correlation between Voicing and Nasalization of Japanese Obstruents 著者 黒木 邦彦 著者別名 KUROKI Kunihiko journal or トークス = Theoretical and applied linguistics publication title at Kobe Shoin : 神戸松蔭女子学院大学研究紀要言 語科学研究所篇 number 20 page range 61-68 year 2017-03-05 URL http://doi.org/10.14946/00001962 Correlation between Voicing and Nasalization of Japanese Obstruents ∗ KUROKI, Kunihiko Kobe Shoin Women’s University Institute for Linguistic Sciences kujonjaroo9215[at]shoin.ac.jp Abstract In this paper I clarify how voicing and nasalization correlate with each other in Japanese obstruents in an effort to reconstruct the phonemic system of Old Japanese. Japanese obstruents are phonologically divided into two distinctive cat- egories: seion (清音; lit. ‘clear sound’) and dakuon (濁音; lit. ‘muddy sound’). This phonological distinction is based on voicedness for the most part but also on nasality in some cases. The seion p, s, t, and k and the dakuon b, z, d, and g are respectively voiced and nasalized immediately after vowels in Modern Japanese dialects spoken in the Northeastern and Southwestern regions (Tohoku¯ and Kyush¯ u).¯ Taking these geographic variations of sei-daku opposition into con- sideration, some researchers argue that both voicing of seion and nasalization of dakuon occur immediately after vowels in Old Japanese. According to this argu- ment, there are two types of sei-daku opposition based on both voicedness and nasality in Old Japanese obstruents. In order to develop the theory about sei- daku opposition in Old Japanese, I elucidate the following two points concerning the geographic variations of sei-daku opposition. -
Prosodic Structures of Different Japanese Dialects and the Universality of the Syllable
Prosodic structures of different Japanese dialects and the universality of the syllable Wan-Lung David LI Student number 10620133 Supervisor: Silke Hamann Thesis submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (MA) in the Programme Master of Arts in General Linguistics Graduate School of Humanities © David Li 2014 University of Amsterdam 2014 Acknowledgments I would like to express my gratitude and appreciation for some persons who have helped me during the process of writing this thesis. First of all, much of the gratitude goes to my supervisor Silke Hamann, who has guided and helped me a lot in my study throughout my master programme. Without her valuable comments the completion of this thesis would not have been possible. Thank you a lot for giving me many opinions not only about this thesis, but also about my study and my future. I also want to thank Jeroen Breteler for giving me many important insights in the formalizations. The discussion I have had with you was really helpful. Besides those helping me during the writing of this thesis, I would like to express my gratitude to all other teachers who have taught me in this year. It has been difficult for me to pursue in linguistics since I did not get my bachelor degree in linguistics, so I really appreciate all study opportunities I have got in this programme. My special gratitude goes to Kees Hengeveld and Enoch Aboh, who allowed me to sit in the course Perspective of Universals I and taught me a lot, although I was not registered for the course. -
Tsugaru Shamisen and Modern Japanese Identity
TSUGARU SHAMISEN AND MODERN JAPANESE IDENTITY GERALD T. McGOLDRICK A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MARCH 2017 © Gerry McGoldrick, 2017 ABSTRACT The shamisen, a Japanese plucked lute dating back to the seventeenth century, began to be played by blind itinerant male performers known as bosama in the late nineteenth century in the Tsugaru region, part of present-day Aomori prefecture in northern Japan. By the early twentieth century it was used by sighted players to accompany local folk songs, and from the 1940s entirely instrumental versions of a few of the folk songs were being performed. In the late 1950s the term Tsugaru shamisen was coined and the genre began to get national attention. This culminated in a revival in the 1970s centred on Takahashi Chikuzan, who had made a living as a bosama in the prewar period. In the wake of the 70s boom a contest began to be held annually in Hirosaki, the cultural capital of the Tsugaru region. This contest nurtured a new generation of young players from all over Japan, eventually spawning other national contests in every corner of the country. Chikuzan’s death in 1998 was widely reported in the media, and Yoshida Ryōichirō and Yoshida Kenichi, brothers who had stood out at the contests, were cast as the new face of Tsugaru shamisen. From about 2000 a new Tsugaru shamisen revival was under way, and the music could be heard as background music on Television programs and commercials representing a modern Japan that had not lost its traditions. -
Kanshi by Mori Ōgai Hokuyū Nichijō and Go Hokuyū Nichijō (Part 1)
Kanshi by Mori Ōgai Hokuyū nichijō and Go Hokuyū nichijō (Part 1) John Timothy Wixted, Harbert, Michigan The diaries Hokuyū nichijō 北游日乘 (Journal of an Excursion to the North) and Go Hokuyū nichijō 後北游日乘 (Journal of a Subsequent Excursion to the North) were written by Mori Ōgai when he was twenty years old.1 They record his first expeditions as a military officer, treating respectively the forty-six days between February 2 and March 29, 1882, and the fifty-two days between September 27 and November 17, 1882.2 Each of the two journals includes twenty-nine kanshi,3 which are the fo- cus of this study. There are twenty-five zekku 絶句 quatrains and four koshi 古詩 ancient-style poems in Hokuyū nichijō, and twenty-eight zekku and one koshi in Go Hokuyū nichijō. No risshi 律詩 regulated verses appear in either of the two works.4 Both expeditions north were military operations of roughly twenty men that went under the rubric of recruitment missions.5 Ōgai’s position was 1 Ōgai was nineteen over the first four days of the earlier journal; see n. 50. 2 Counting both departure and arrival days (and adding a day to the last entry of the first journal). A short paragraph about a later reunion of the group concludes the second journal, nominally extending it three months to February 17, 1883. 3 Treating HN #15 as two zekku, HN #15A–B. The poems (and material that is presented about them) are referred to by number, respectively as “HN #1,” etc. and as “GHN #1,” etc. -
The University of Chicago the Stink of the Earth
THE UNIVERSITY OF CHICAGO THE STINK OF THE EARTH: REORIENTING DISCOURSES OF TSUGARU, FURUSATO, AND PLACE A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF EAST ASIAN LANGUAGES AND CIVILIZATIONS BY JOSHUA LEE SOLOMON CHICAGO, ILLINOIS JUNE 2017 TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………..……………..iii ABSTRACT……………………………………………………………………….…………….vii INTRODUCTION………………………………………………………………………………...1 CHAPTER 1: SMELLING MUSIC: NEW APPROACHES TO TSUGARU MUSIC………………………...31 CHAPTER 2: YOU CAN’T GO HOME AGAIN: TERAYAMA SHŪJI’S RADICAL REINVENTION OF FURUSATO…………...…………...104 CHAPTER 3: TSUGARU VERNACULAR LITERATURE AND THE PRACTICE OF PLACE CONSCIOUSNESS…………….…………………....….148 MUSUBI…….………………………………………………………………………………….228 BIBLIOGRAPHY………………………………………………………………………………235 ii ACKNOWLEDGEMENTS As I reflect upon the long process of study, research, and writing that went into this dissertation, I cannot help but feel a deep sense of gratitude and profound respect for the many people who have contributed in many different ways along the journey. Over the years, I have found myself constantly surprised, and sometimes awed, by the consistent thoughtfulness, generosity, creativity, and geniality of the academic community, nowhere more so than in the Department of East Asian Languages and Civilizations at the University of Chicago. This is exceptionally true in the case of Michael Bourdaghs, my primary advisor and dissertation committee chair, who for reasons I can only imagine decided to accept a student with little more than a B.A. from a vanishingly small liberal arts college and a research interest barely amounting to “something to do with Tsugaru-jamisen.” He contributed to the development of my project not only through teaching thought-provoking seminars and carefully reading many of my various drafts, but also by acting as a veritable font of knowledge, always ready to introduce me to a book or three pertinent to my project. -
Revitalizing the Regions
VOL. 117 FEBRUARY 2018 REVITALIZING THE REGIONS 6 12 Essential Points for Regional The Lure of a Kyoto Fishing Village Revitalization Ine, a fishing village in Kyoto Prefecture, is An interview with Professor Hiroya leveraging its unique scenery as a tourism Masuda, a member of the Council on resource to revive the local economy and Overcoming Population Decline and reverse the trend of depopulation. Vitalizing Local Economy 8 Nurturing Leaders to “Create the Future” A new college in Tono, Iwate Prefecture, is on a mission to develop human resources that will catalyze regional development in the aftermath of the Great East Japan Earthquake. 14 Adventures on Fields of Drifting Features Snow Aomori’s Drifting Snow Tour takes advantage of the unusual local blizzards to attract tourists. 10 Changing Agriculture Yabu City in Hyogo Prefecture is introducing unprecedented agricultural reforms. 4 22 24 PRIME MINISTER’S SCIENCE & TECHNOLOGY MY WAY DIARY Cosmic-Ray Particles Shed Building Bridges through Poetry Also Light on Pyramid’s Secrets COPYRIGHT © 2018 CABINET OFFICE OF JAPAN WHERE TO FIND US The views expressed in this magazine by the interviewees Tokyo Narita Airport terminals 1 & 2 ● JR East Travel Service Center (Tokyo Narita Airport) ● JR Tokyo and contributors do not necessarily represent the views of Station Tourist Information Center ● Tokyo Tourist Information Center (Haneda Airport, Tokyo Metropolitan the Cabinet Office or the Government of Japan. No article Government Building, Keisei Ueno Station) ● Niigata Airport ● Chubu Centrair International Airport Tourist or any part thereof may be reproduced without the express Information & Service ● Kansai Tourist Information Center (Kansai Int'l Airport) ● Fukuoka Airport Tourist permission of the Cabinet Office. -
Sign on Taketomi Island Reading “This Way”, Fieldwork 2017
ISBN 978-94-92910-26-4 © John L. A. Huisman 2021 Printed and bound by Ipskamp Printing Cover photo: Sign on Taketomi Island reading “This way”, fieldwork 2017. Variation in form and meaning across the Japonic language family with a focus on the Ryukyuan languages Proefschrift ter verkrijging van de graad van doctor aan de Radboud Universiteit Nijmegen op gezag van de rector magnificus prof. dr. J.H.J.M. van Krieken, volgens besluit van het college van decanen in het openbaar te verdedigen op dinsdag 30 maart 2021 om 10.30 uur precies door Johan Leonardus Antonius Huisman geboren op 1 november 1987 te Kerkrade Promotoren Prof. dr. A. Majid Prof. dr. R. W. N. M. van Hout Prof. dr. A. P. J. van den Bosch Manuscriptcommissie Prof. dr. H. de Hoop Prof. dr. A.M. Backus (Tilburg University) Dr. P. Heinrich (Università Ca' Foscari, Italië) Dr. A. Kopecka (Université Lumière Lyon 2, Frankrijk) Prof. dr. P.C. Muysken The research reported in this was supported by the Nederlandse Organisatie voor Wetenschappelijk Onderzoek (grant number: 322-70-009). To my parents, José and Peter 556726-L-sub01-bw-Huisman Processed on: 2-3-2021 Contents Acknowledgements xiii Abbreviations xvi 1 General introduction 1.1 Background 3 1.2 Linguistic diversification 5 1.2.1 Processes of linguistic diversification 5 1.2.2 Drivers of linguistic diversification 6 1.3 The study of linguistic variation 8 1.3.1 The language vs. dialect problem 9 1.3.2 Quantitative measures of linguistic variation 10 1.4 The study of meaning 12 1.4.1 Colour 14 1.4.2 Parts of the body 16 1.4.3 -
Source: Japanese Studies Review, Vol. X (2006), Pp. 31-57
ISSN: 1500-0713 ______________________________________________________________ Article Title: Meaning and Representation of Traditional Craft: The Case for a Local Japanese Lacquerware Author(s): Anthony Rausch Source: Japanese Studies Review, Vol. X (2006), pp. 31-57 Stable URL: https://asian.fiu.edu/projects-and-grants/japan- studies-review/journal-archive/volume-2006/rausch-lacquerware- final.pdf MEANING AND REPRESENTATION OF TRADITIONAL CRAFT: THE CASE FOR A LOCAL JAPANESE LACQUERWARE1 Anthony Rausch Hirosaki University Introduction Together with the Tsugaru dialect, Tsugaru shamisen music, and Tsugaru kogin stitching, Tsugaru lacquerware is an important part of the representation of the Tsugaru District of Aomori Prefecture, Japan.2 In addition to the local connection by place-name designation, Tsugaru nuri, as the lacquerware is known, is a commodity both commonplace, and highly valued within Tsugaru. As will be detailed in this paper, Tsugaru nuri can be found in the vast majority of households in the Tsugaru District in one form or another, even if nothing more than a pair of lacquered chopsticks. It is also highly regarded as a gift object, an act of great social importance in Japan, and can be purchased at a number of Tsugaru nuri specialty shops in Hirosaki City, the principal city of the Tsugaru District, as well as in area department stores throughout the prefecture. Tsugaru nuri is also an important tourist commodity, cast as the primary traditional craft of Tsugaru at most tourist centers and shops throughout the area.3 As such, 1 This research reflects a continuation of research reported on in the author’s chapters “Tradition and Modernity in Tsugaru Nuri Lacquerware: Perspectives of Preservation and Promotion, Production and Consumption,” in Christopher S. -
Gabriel Rodriguez Thesis Final Draft Revised April 13
THE ENREGISTERMENT OF DIALECTS IN JAPANESE YOUTUBE COMMENTS: A COMPARATIVE ANALYSIS A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Masters of Arts in Linguistics By Gabriel R Rodriguez, B.A. Washington, DC March 29, 2018 Copyright 2018 by Gabriel Rodriguez All Rights Reserved ii THE ENREGISTERMENT OF DIALECTS IN JAPANESE YOUTUBE COMMENTS: A COMPARATIVE ANALYSIS Gabriel Rodriguez, B.A. Thesis Advisor: Anastasia Nylund, PhD. ABSTRACT This study attempts to contextualize the explosive valorization and commodification of dialect in Japan since the 1980s, the dialect boom, in terms of Japanese social and economic issues and the growing public interest within Japan in Japan’s internal diversity. While the dialect boom has been widely studied in sociolinguistics, little work has related the growing valorization of dialect to the growing valorization of diversity, and most recent work has focused primarily on the Kansai dialect. To these ends, I conduct an analysis of the enregisterment of six Japanese dialects, those of Osaka, Hakata, Nagoya, Aomori, Okinawa, and Kōshū. I analyze a corpus of YouTube comments responding to videos of dialect usage, using stance theory (DuBois 2007) to break down the social acts that produce enregisterment (Agha 2003). I draw on the theories of sociolinguistic indexicality (Johnstone and Kiesling 2008, Eckert 2008) and the discourse analytic concept of dialect performance (Schilling-Estes 1998, Coupland 2007) as guides to interpreting the micro-social interactions I observe, connecting them to a macro-social context through the theories of Standard Language Ideology (Lippi-Green 1997), identity construction (Bucholtz & Hall 2005), and folklorization (Fishman 1987). -
Kokeshi: Continued and Created Traditions (Motivations for a Japanese Folk Art Doll)
KOKESHI: CONTINUED AND CREATED TRADITIONS (MOTIVATIONS FOR A JAPANESE FOLK ART DOLL) by Jennifer E. McDowell B.S. in Anthropology, University of California Riverside, 1997 M.A. in Anthropology, California State University Fullerton, 2000 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in Anthropology University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Jennifer E. McDowell It was defended on April 27, 2011 and approved by Andrew J. Strathern, PhD, Andrew W. Mellon Professor, Anthropology Richard Scaglion, PhD, Professor, Anthropology Gabriella Lukacs, PhD, Assistant Professor, Anthropology Martha Chaiklin, PhD, Assistant Professor, History Dissertation Advisor: Andrew J. Strathern, PhD, Andrew W. Mellon Professor, Anthropology ii Copyright © by Jennifer E. McDowell 2011 iii KOKESHI: CONTINUED AND CREATED TRADITIONS (MOTIVATIONS FOR A JAPANESE FOLK ART DOLL) Jennifer E. McDowell, PhD University of Pittsburgh, 2011 This study will concentrate on the transformative nature of culturally specific folk art objects, and how they are contextualized within narratives of national tradition and regionalism. Utilizing the Japanese wooden folk art doll kokeshi as a vivid example, I will explore how tradition becomes embodied in objects, and in turn how the image of the kokeshi is actively used to define perceived traditional spaces under the umbrella of cultural nationalism and nostalgia. The establishment of folk art categories like kokeshi reflects the deeper dynamics of Japanese nation building, and the role that the Tōhoku region (the production area for kokeshi) plays in national cohesiveness. Tōhoku and the products within it act as perceived repositories of tradition and self-discovery in what are defined as furusato (hometown) spaces.