Cardinal Johann Eberhard Nithard (1607–81)
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Preamble. His Excellency. Most Reverend Dom. Carlos Duarte
Preamble. His Excellency. Most Reverend Dom. Carlos Duarte Costa was consecrated as the Roman Catholic Diocesan Bishop of Botucatu in Brazil on December !" #$%&" until certain views he expressed about the treatment of the Brazil’s poor, by both the civil (overnment and the Roman Catholic Church in Brazil caused his removal from the Diocese of Botucatu. His Excellency was subsequently named as punishment as *itular bishop of Maurensi by the late Pope Pius +, of the Roman Catholic Church in #$-.. His Excellency, Most Reverend /ord Carlos Duarte Costa had been a strong advocate in the #$-0s for the reform of the Roman Catholic Church" he challenged many of the 1ey issues such as • Divorce" • challenged mandatory celibacy for the clergy, and publicly stated his contempt re(arding. 2*his is not a theological point" but a disciplinary one 3 Even at this moment in time in an interview with 4ermany's Die 6eit magazine the current Bishop of Rome" Pope Francis is considering allowing married priests as was in the old time including lets not forget married bishops and we could quote many Bishops" Cardinals and Popes over the centurys prior to 8atican ,, who was married. • abuses of papal power, including the concept of Papal ,nfallibility, which the bishop considered a mis(uided and false dogma. His Excellency President 4et9lio Dornelles 8argas as1ed the Holy :ee of Rome for the removal of His Excellency Most Reverend Dom. Carlos Duarte Costa from the Diocese of Botucatu. *he 8atican could not do this directly. 1 | P a g e *herefore the Apostolic Nuncio to Brazil entered into an agreement with the :ecretary of the Diocese of Botucatu to obtain the resi(nation of His Excellency, Most Reverend /ord. -
Tables of Contemporary Chronology, from the Creation to A. D. 1825
: TABLES OP CONTEMPORARY CHUONOLOGY. FROM THE CREATION, TO A. D. 1825. \> IN SEVEN PARTS. "Remember the days of old—consider the years of many generations." 3lorttatttt PUBLISHED BY SHIRLEY & HYDE. 1629. : : DISTRICT OF MAItfE, TO WIT DISTRICT CLERKS OFFICE. BE IT REMEMBERED, That on the first day of June, A. D. 1829, and in the fifty-third year of the Independence of the United States of America, Messrs. Shiraey tt Hyde, of said District, have deposited in this office, the title of a book, the right whereof they claim as proprietors, in the words following, to wit Tables of Contemporary Chronology, from the Creation, to A.D. 1825. In seven parts. "Remember the days of old—consider the years of many generations." In conformity to the act of the Congress of the United States, entitled " An Act for the encouragement of learning, by securing the copies of maps, charts, and books, to the authors and proprietors of such copies, during the times therein mentioned ;" and also to an act, entitled "An Act supplementary to an act, entitled An Act for the encouragement of learning, by securing the copies of maps, charts and books, to the authors and proprietors of such copies, during the times therein mentioned ; and for extending the benefits thereof to the arts of designing, engraving, and etching historical and other prints." J. MUSSEV, Clerk of the District of Maine. A true copy as of record, Attest. J MUSSEY. Clerk D. C. of Maine — TO THE PUBLIC. The compiler of these Tables has long considered a work of this sort a desideratum. -
To Pray Again As a Catholic: the Renewal of Catholicism in Western Ukraine
To Pray Again as a Catholic: The Renewal of Catholicism in Western Ukraine Stella Hryniuk History and Ukrainian Studies University of Manitoba October 1991 Working Paper 92-5 © 1997 by the Center for Austrian Studies. Permission to reproduce must generally be obtained from the Center for Austrian Studies. Copying is permitted in accordance with the fair use guidelines of the US Copyright Act of 1976. The the Center for Austrian Studies permits the following additional educational uses without permission or payment of fees: academic libraries may place copies of the Center's Working Papers on reserve (in multiple photocopied or electronically retrievable form) for students enrolled in specific courses: teachers may reproduce or have reproduced multiple copies (in photocopied or electronic form) for students in their courses. Those wishing to reproduce Center for Austrian Studies Working Papers for any other purpose (general distribution, advertising or promotion, creating new collective works, resale, etc.) must obtain permission from the Center. The origins of the Ukrainian Catholic Church lie in the time when much of present-day Ukraine formed part of the Polish-Lithuanian Commonwealth. It was then, in 1596, that for a variety of reasons, many of the Orthodox bishops of the region decided to accept communion with Rome.(1) After almost four hundred years the resulting Union of Brest remains a contentious subject.(2) The new "Uniate" Church formally recognized the Pope as Head of the Church, but maintained its traditional Byzantine or eastern rite, calendar, its right to ordain married men as priests, and its right to elect its own bishops. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
THE CONFESSOR's AUTHORITY the Catholic Church Meets
CHAPTER THREE THE CONFESSOR'S AUTHORITY The Catholic Church meets people's need for authority and abso lution with its doctrine on the penance sacrament and its teaching that the priest possesses divine qualities to administer the sacrament and exercise moral authority. During the ceremony of ordination, God Himself has made a priest the instrument of His power in this world. Thus, the priest is endowed with a character indelebilis which distinguishes him from all secular persons and qualifies him to carry out his mission as intercessor between God and Man, indeed even to deputize for God among mortals. A Catholic writer has said that the priest shows his extraordinary qualities as director of souls by his "apostolic zeal, knowledge of God's ways and supernatural wisdom". 1 But those gifts are not enough for a priest when he officiates in the penance sacrament. They could have their effect also outside that sacrament. As administrator of the sacrament he possesses a special and divine instinct: this shows him the way when he instructs penitents on remedies for their sins and gives them guidance on their future conduct. 2 Such an image of the priest's high office is inculcated in Catholics by their creed itself. A good Catholic accepts a priest's authority; consequently he is prepared in advance to follow confessional advice and to comply in all matters with directions as to his way of life. 3 This maintenance of clerical authority has an integral place in the structure of Roman Catholic doctrine. It is connected there both with the concept of the Church as a whole and with teaching on the sacraments. -
Relationship of Trust Between Confessor and Confessant
CHAPTER FOUR RELATIONSHIP OF TRUST BETWEEN CONFESSOR AND CONFESSANT From what we have now observed, the confessant's trust m his confessor-obviously an essential element in any serious confession may be said to depend on an authority which the confessor possesses in some exterior way, also on his entirely personal attributes and individual conduct. Having dealt in the last chapter more particularly with the part played by external authority, we ought now to examine specially the nature and importance of the confessor's personal qualities. First, we may note that the confessor should acquire what could be called an inner authority through his own involvement, through his willingness to comprehend and enter into the confes sant's troubles : such authority of the confessor is rooted in the confessant's mental situation, and thus he can exercise a profound influence on it. In what follows, we shall study the evidence of a confessant's trustful attitude founded on authority of the kind. Let us, to begin with, turn to confession in the Catholic Church and see what significance is attached to the personal element there. The confession we meet with might of course seem to be of a purely institutional kind : in principle it should function ex opere operato and thus have its effect whatever the confessor's personal attributes and manner of proceeding; so the personal factors ought really to be of no consequence. But closer investigation shows this to be a rather superficial view, applicable only when Catholic confession is practised in a routine fashion. The actual situation is that, even if the penance sacrament is objective in principle, the personal element seems to have asserted itself and broken through the institutional framework. -
Autograph Collection
http://oac.cdlib.org/findaid/ark:/13030/c8pv6ps6 No online items Autograph Collection Mario A Gallardo, Clay Stalls William H. Hannon Library Loyola Marymount University One LMU Drive, MS 8200 Los Angeles, CA 90045-8200 Phone: (310) 338-5710 Fax: (310) 338-5895 Email: [email protected] URL: http://library.lmu.edu/ © 2015 Loyola Marymount University. All rights reserved. Autograph Collection 007 1 Autograph Collection Collection number: 007 William H. Hannon Library Loyola Marymount University Los Angeles, California Processed by: Mario A Gallardo, Clay Stalls Date Completed: July 2015 Encoded by: Mario A Gallardo, Clay Stalls © 2015 Loyola Marymount University. All rights reserved. Descriptive Summary Title: Autograph collection Dates: 1578-1959 Collection number: 007 Collector: Charlotte E. Field Collection Size: 4 autograph albums Repository: Loyola Marymount University. Library. Department of Archives and Special Collections. Los Angeles, California 90045-2659 Abstract: This collection consists of autographs of ecclesiastical figures, presidents, entertainers, and other personages, from the late sixteenth century to the mid twentieth century. Languages: Languages represented in the collection: English Access Collection is open to research under the terms of use of the Department of Archives and Special Collections, Loyola Marymount University. Publication Rights Materials in the Department of Archives and Special Collections may be subject to copyright. Unless explicitly stated otherwise, Loyola Marymount University does not claim ownership of the copyright of any materials in its collections. The user or publisher must secure permission to publish from the copyright owner. Loyola Marymount University does not assume any responsibility for infringement of copyright or of publication rights held by the original author or artists or his/her heirs, assigns, or executors. -
Saint Maximus the Confessor and His Defense of Papal Primacy
Love that unites and vanishes: Saint Maximus the Confessor and his defense of papal primacy Author: Jason C. LaLonde Persistent link: http://hdl.handle.net/2345/bc-ir:108614 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2019 Copyright is held by the author, with all rights reserved, unless otherwise noted. Love that Unites and Vanishes: Saint Maximus the Confessor and his Defense of Papal Primacy Thesis for the Completion of the Licentiate in Sacred Theology Boston College School of Theology and Ministry Fr. Jason C. LaLonde, S.J. Readers: Fr. Brian Dunkle, S.J., BC-STM Dr. Adrian Walker, Catholic University of America May 3, 2019 2 Introduction 3 Chapter One: Maximus’s Palestinian Provenance: Overcoming the Myth of the Greek Life 10 Chapter Two: From Monoenergism to Monotheletism: The Role of Honorius 32 Chapter Three: Maximus on Roman Primacy and his Defense of Honorius 48 Conclusion 80 Appendix – Translation of Opusculum 20 85 Bibliography 100 3 Introduction The current research project stems from my work in the course “Latin West, Greek East,” taught by Fr. Brian Dunkle, S.J., at the Boston College School of Theology and Ministry in the fall semester of 2016. For that course, I translated a letter of Saint Maximus the Confessor (580- 662) that is found among his works known collectively as the Opuscula theologica et polemica.1 My immediate interest in the text was Maximus’s treatment of the twin heresies of monoenergism and monotheletism. As I made progress -
A Cura Di Giovanna Curcio, Nicola Navone, Sergio Villari
Università della Svizzera italiana Accademia di architettura Archivio del Moderno Studi su Domenico Fontana a cura di Giovanna Curcio, Nicola Navone, Sergio Villari Mendrisio Academy Press 01 Orchestra_pp I-XVI.qxp:Prime_Atti_F.qxp 11/9/11 8:36 AM PageI Archivio del Moderno / Saggi 19 Collana diretta da Letizia Tedeschi 01 Orchestra_pp I-XVI.qxp:Prime_Atti_F.qxp 11/9/11 8:36 AM PageIII Studi su Domenico Fontana 1543-1607 A cura di Giovanna Curcio, Nicola Navone, Sergio Villari Mendrisio Academy Press / 01 Orchestra_pp I-XVI.qxp:Prime_Atti_F.qxp 11/9/11 8:36 AM PageIV Questo volume trae origine dal convegno internazionale di studi «Cosa è architetto». Domenico Fontana tra Melide, Roma e Napoli (1543-1607) (Mendrisio, 13-14 settembre 2007) ed è stato realizzato nell’ambito del progetto di ricerca Domenico Fontana (1543-1607): architettura e ingegneria agli albori del Barocco, diretto da Nicola Navone (Archivio del Moderno, Accademia di architettura, USI, Mendrisio) e Sergio Villari (Facoltà di architettura, Università degli Studi di Napoli “Federico II”), promosso dall’Archivio del Moderno (Accademia di architettura, USI) e dall’Università degli Studi di Napoli “Federico II”. Coordinamento editoriale Tiziano Casartelli Redazione Marta Valdata Impaginazione e gestione immagini Sabine Cortat La pubblicazione ha avuto il sostegno del Comune di Melide In copertina Giovanni Guerra (dis.), Natale Bonifacio (inc.), Disegno, nel quale si rappresenta l’ordine tenuto in alzar la Guglia…, 1586, particolare. Tavola tratta da J. Blaeu, Theatrum civitatum et admirandorum Italiae, pars altera, Amstelaedami 1663. © 2011 Fondazione Archivio del Moderno, Mendrisio 01 Orchestra_pp I-XVI.qxp:Prime_Atti_F.qxp 11/9/11 8:36 AM PageV Sommario VII Problemi di architettura 91 Cantieri d’inchiostro. -
CONFESSIONAL METHOD the Confessor's Ability to Inspire
CHAPTER FIVE CONFESSIONAL METHOD The confessor's ability to inspire confidence is evidently connected with the method he uses for confession and spiritual guidance. It is clear, too, that a confessor endowed with special personal qualifi cations will create a confessional method worth following. He does so sua sponte, without reflecting closely on his course of action. Later, however, he may derive a system with clearly framed rules from his experience. We might study the methods of some prominent confes sors, basing our examination either on clear and systematic state ments, when such exist, or on what may be deduced from how those confessors practised : this should supply us with more information than can be gleaned by merely directing our attention at the confes sor's personal virtues or "intuitive capacity". One of the great figures in the Catholic cure of souls is-as we have already stressed-Fran9ois de Sales. We ought to find that such an exemplary confessor had an ideal method for confession in its Catholic form. His ideas about spiritual healing are still valid and have a normalizing importance in the Catholic Church.1_ By examining his method we should consequently make a somewhat closer approach to how he could get his penitents to rely so completely on his direction -in, for example, such cases as those of Jean-Pierre Camus and Madame de Chantal. The basic principle of Saint Fran9ois' spiritual leadership is, we perceive, that the confessor should not force orders and regulations on the penitent. Fran9ois de Sales assumes that his penitent has a strong desire to attain moral perfection, a desire which should be supported by the confessor's instructions. -
Rome in Bernini's Footsteps
Rome in Bernini’s Footsteps – La Voce di New York 11/25/17, 10:19 AM Roma bike tours - Choose the best guided tour Enjoy with us the squares, the monuments, and the streets of the genuine Rome. leadingroma.com Sections Close DONATE VNY PROUD Arts Commenta per primoShared: 6!"#$%& Rome in Bernini’s Footsteps Afer seeing ”Bernini” at the Villa Borghese, follow this itinerary to visit this exceptional artist's other masterpieces around Rome by Lucy Gordan Elephant and Obelisk by Bernini Nov 20 2017 At the Villa Borghese in Rome several of Bernini's sculptures are on permanent exhibit, but his heritage is to be found in more sites in Rome. An easier but not chronological route, which takes about 2 hours on foot (or by hopping on and off the no. 62 bus) not including visiting time, starts at the church of Santa Maria della Vittoria with his Ecstasy of St. Teresa and ends in St. Peter’s Square. Utilizziamo i cookie per offrirti servizi e informazioni in linea con le tue preferenze. Continuando a scorrere e a navigare ne consenti l'uso. OK Maggiori informazioni http://www.lavocedinewyork.com/en/arts/2017/11/20/rome-in-the-berninis-footsteps/ Page 1 of 10 Rome in Bernini’s Footsteps – La Voce di New York 11/25/17, 10:19 AM Gianlorenzo Bernini Gian Lorenzo Bernini, the most famous and important sculptor in 17th century Europe, but also a recognized architect, painter, events organizer, poet and playwright, was born in Naples on December 7, 1598 to a Mannerist sculptor, Pietro Bernini, originally from near Florence, and Angelica Galante, a Neapolitan, the sixth of their thirteen children. -
A Handful of Images Is As Good As an Armful of Arguments
John Murphy Critical Approaches to Art History Fall 05 Pozzo’s Perspective: Visual Hagiography in the Church of St. Ignatius, Rome The Order of the Society Jesus was among the foremost creators and commissioners of Counter-Reformation Baroque art. Founded in 1534 by St. Ignatius of Loyola, the Jesuits came to be regarded as one of the most potent forces of the Counter-Reformation, due at least in part to the order’s high visibility through their worldwide network of building projects. Part of art history’s continuing fascination with the Jesuits involves the controversial search for a “Jesuit Style” of art, an approach to image production that is immediately identifiable as Jesuitical. Though a thorough discussion of the Jesuit style is outside the limits of this paper, the Jesuit worldview (including the Jesuit perception of the role of art) is central to interpreting how artists were employed in constructing Jesuit self-identity. Nowhere is this process of identity-construction more apparent than in The Church of St. Ignatius in Rome, built to celebrate both Ignatius and the active ministry of his order throughout the globe. Andrea Pozzo’s monumental ceiling fresco, The Worldwide Mission of the Society of Jesus (fig. 1), painted in the central nave of the church, exhibits a typical Baroque-era complexity. The fresco is visually opulent, filled with swirling figures, illusionist architecture, and an intricate, allegory-based iconography. The image is certainly hagiographical—Ignatius is shown ascending to heaven on a cloud, surrounded by celestial figures and beckoned by the figure Christ himself—but is it an example of coercive Jesuit propaganda or of a sincere religiosity derived from Pozzo’s close personal 2 association with the Jesuit order? Pozzo’s fresco proves that the two motives are not mutually exclusive.