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101807125547Pm1192704947666 Tanned Tin Castelló 2007 tendrá lugar en Castellón, los próximos 1, 2 y 3 de noviembre (con actividades complementarias el día 31 de octubre y el 4 de noviembre). Si el año pasado supuso la consolidación total y un éxito de público y prensa, éste 2007 se apostará por una mayor implicación de la ciudad, siendo 4 los escenarios en los que actuarán los grupos. El miércoles 31 de octubre se inaugura el festival en el Centro Municipal de Cultura. Además, recuperamos el moderno y magnífico Auditori i Palau de Congressos para la noche del jueves 1 de noviembre. Los días 2, 3 y 4 de noviembre, el centro neurálgico del festival continuará siendo el impresionante Teatre Principal de Castelló, que tanto impactó (por su estética y sobre todo su sobresaliente acústica) el año pasado y que se encuentra cerca de los hoteles, restaurantes y resto de servicios. Y no nos podíamos olvidar de otro de los éxitos del año pasado, ya que volvemos a insistir en una fórmula casi única en los festivales independientes, como son las dos matinales a las 13:00 horas en el Casino Antiguo los días 2 y 3 de noviembre. La idea fundamental del Tanned Tin Castelló consiste en ofrecer un menú degustación de lo que consideramos lo más interesante del panorama independiente internacional. Este festival de las distancias cortas es una decidida apuesta por acercar a nuestro país propuestas innovadoras y emocionantes o, simplemente, las más hermosas y sinceras de lo que tanto el pop, el rock y el folk como la electrónica y sus combinaciones menos previsibles ofrecen. Creemos que en la edición del 2007 ofrecemos el mejor cartel de la historia del festival (¡habrá sorpresas!), y desde luego un buen número de nombres que merece la pena investigar, disfrutar y apoyar. Las entradas por días (no existen los abonos) están a la venta a través de www.generaltickets.com Información: www.tannedtin.com www.myspace.com/tannedtin Contacto: [email protected] CONCIERTOS POR DIAS MIÉRCOLES 31 Oct Centro Municipal de Cultura (Apertura de puertas: 20 h) Half Asleep The Third Eye Foundation JUEVES 1 Nov Auditori i Palau de Congressos (Apertura de puertas: 19.30 h) Mia Doi Todd Sandro Perri Spain David Thomas Broughton Xiu Xiu The Ex Deerhunter Acid Mothers Temple VIERNES 2 Nov Casino Antiguo (Mañana. Apertura de puertas: 12.30 h) Laura Gibson The Floorbirds La Jr VIERNES 2 Nov Teatre Principal de Castelló (Noche. Apertura de puertas: 19.30 h) Dirty Projectros Refree Asobi Seksu Califone Frog Eyes Norfolk and Western The Sea and Cake Raccoo-oo-oon Wolf Eyes SÁBADO 3 Nov Casino Antiguo (Mañana. Apertura de puertas: 12.30 h) Grouper Arborea SJ Esau SÁBADO 3 Nov Teatre Principal de Castelló (Noche. Apertura de puertas: 19.30 h) Numbers Tarentel Damien Jurado Dolorean For Against Boy Omega Bracken Thee More Shallows Lisabö DOMINGO 4 Nov Teatre Principal de Castelló (Tarde. Apertura de puertas: 16.30 h) Ral Partha Vogalbacher Bird by Snow Wildbirds and Peacedrums Chris Broakaw and Geoff Farina Jonquil Za versus Les Aus Two Dollar Guitar GRUPOS ACID MOTHERS TEMPLE Liderados por la mano del carismático guitarrista Kawabata Makoto, la música de los japoneses Acid Mothers Temple recorre paisajes donde el barrido de los amplificadores se funde con el eco de cada riff de guitarra, donde el sonido se transforma en pesadas y resplandecientes nubes salidas de una jam sesión. Con su última reencarnación en Acid Mothers Temple & The Melting Paraiso UFO y el legado del reciente Crystal Rainbow Pyramid Under The Stars (Important Records, 07), su cita con el Tanned Tin Castelló 2007 promete un viaje electrizante por pasajes de ambientes cargados de mística y un embrujo alucinado. www.myspace.com/acidmotherstemple www.acidmothers.com ARBOREA Desde algún lugar en el norte de Maine, las guitarras de los hermanos Shanti y Buck Curran suenan remotas. Sus melodías funden la tradición folk británica con los ritmos primitivos de los Apalaches en una mezcla que sabe a barro y avispas, a banjos y timbales enganchados en las ramas de Wayfaring Summer (Summer Street, 06), un disco que latía por debajo del suelo, subterráneo, dejando una pista débil hacia senderos en los que desaparecer. Y es que detrás de cada acorde puntiagudo, de cada palabra afilada, parece encarnarse el pasado de todo un pueblo, que susurra y avisa, como una llamada a la oportunidad para escapar hacia otra vida. www.myspace.com/arborea2 ASOBI SEKSU Asobi Seksu son de Nueva York, mitad japoneses, mitad americanos. Con la herencia de My Bloody Valentine o Lush en la espalda y una frente que suda frescura, los pedales y teclados inflan capas y capas de ambientes como campanas de algún gas donde la gravedad no afecta. Un vacío que Yuki Chikudate (voz, teclados), James Hanna (guitarra), Hari (bajo) y Ben Shapiro (batería) han sabido contener entre el pulso del ritmo y la pegada de melodías encandiladoras, junto a la ayuda del productor Chris Zane en Citrus (Friendly Foe, 06), un álbum donde el vaho se funde en estribillos confitados por los que Sofia Coppola se alegra de haber resucitado a Kevin Shields. www.myspace.com/asobiseksu http://www.asobiseksu.com/ BIRD BY SNOW Bird By Snow es Fletcher Tucker, que canta y toca cualquier instrumento sobre cintas grabadas en su casa al norte de California. A Tucker le hace gracia el lenguaje de nuestro tiempo, un lenguaje que disfrazaría su música con palabras como indie lo-fi o quizás freak folk, o con el que puede que las tiendas de discos más atrevidas se lanzarían a inventar más etiquetas como grunge de playa y trascendental o dub psíquico y de montaña, palabras que troquelar en cubetas con las que ordenar Sky (Kning Disk, 07) o Antlers And The Sun And All The Things That Grow Old And Pass Away (Gnome Life, 06). Dos discos que él mismo define simplemente como "aquello en lo que creo” www.myspace.com/birdbysnow http://www.birdbysnow.com/ BOY OMEGA Martin Gustafsson es el chico debajo del antifaz de Boy Omega, un nombre usado para cantar las canciones que siempre le hubiera gustado escuchar. Martin lleva tatuados en el abdomen los planos de un pop limpio y cautivador desde que era un alumno de primaria, un sonido que después de varios discos grabados en su habitación ha cobrado toda su plenitud en Hope On The Horizon (Acuarela, 07), un trabajo que nada entre la luminosidad del catálogo de Labrador y el deje canalla de Afghan Wighs, repleto de arreglos grandilocuentes y un poco de drama post-adolescente, una mezcla que promete desplegar todo su esplendor en su noche en el Tanned Tin Castelló 2007. www.boyomega.com www.myspace.com/boyomega BRACKEN We Know About The Need (Anticon, 2007) es el debut de Chris Adams en solitario tras haber dejado en coma a Hood, un nombre imprescindible en el panorama pop de la última década. Once canciones levantadas sobre el pulso de un dub sintético, cargadas de inercia, cuerdas retorcidas y la voz entrecortada de Adams, que parece respirar cada palabra antes de soltarla. Bracken es una ventana hacia nuevas posibilidades de producción que combinan retazos de electrónica y el dominio de la grabación en cinta analógica con la presencia de baterías y teclados tratados para parir un ritmo colosal que lo invade todo yque va del ambient al hip hop más libre, con una intuición infalible. www.myspace.com/brackenmusic CALIFONE Las raíces de Califone, Red Red Meat, antigua banda de Tim Rutili, Ben Massarella y de su inseparable productor Brian Deck, salieron a la superficie junto a todo lo que estaban dispuestos a conquistar en Roots & Crowns (Thrill Jockey, 06), un disco que enseñaba la ambición y los mejores logros de esta banda de Chicago, renacida y excelente, dispersa entre miles de kilómetros y con la mente en blanco tras la resaca de una exitosa gira que casi acabó con ellos tras Heron King Blues (Thrill Jockey, 04). Ahora, contagiados de esa nueva calma y alumbrados por un repertorio brillante y deforme a partes iguales, darán rienda suelta al rock cálido y dolido que les han dado fama. www.myspace.com/califonemusic http://www.pastrysharp.com/ CHRIS BROKAW + GEOFF FARINA De todas las cosas que Chris Brokaw y Geoff Farina tienen en común, lo que les ha llevado a juntarse sobre un escenario ha sido la necesidad de explorar el origen de la música que llevan dentro: el blues de entreguerras. Una pareja inquieta, cuyos nombres han sangrado desde algunas de las bandas que fueron la crema del indie norteamericano hace poco más de una década como Come, Karate o Codeine, y que ahora define los límites de un rock paisajístico, que cambia de forma en manos de Brokaw bajos discos propios como Incredible Love (Acuarela, 05) o desenterrando aquí viejas baladas en cada uno de sus conciertos junto al genial y ubicuo Farina. www.myspace.com/thechrisbrokawrockband http://www.chrisbrokaw.com/ DAMIEN JURADO La habilidad con la que este cantautor de Seattle irrumpe en la intimidad de los demás con su voz y una guitarra acústica donde cada acorde suena como un abanico rasgado, le ha coronado como un héroe anónimo y desesperanzado. Damien Jurado nunca ha buscado encumbrar su nombre junto a la larga lista de leyendas vivas entre la tradición y lo exquisito del nuevo country alternativo, pero la rotunda belleza de obras como On My Way To Abscence (Secretly Canadian,05) o And Now That I'm In Your Shadow (Secretly Canadian,06) parece empeñarse en olvidar toda modestia. Desde un punto de vista tímido y desgarrado a la vez, ya no se limita a emocionar.
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