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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Sound of Ruins: Sigur Rós' Heima and the Post
CURRENT ISSUE ARCHIVE ABOUT EDITORIAL BOARD ADVISORY BOARD CALL FOR PAPERS SUBMISSION GUIDELINES CONTACT Share This Article The Sound of Ruins: Sigur Rós’ Heima and the Post-Rock Elegy for Place ABOUT INTERFERENCE View As PDF By Lawson Fletcher Interference is a biannual online journal in association w ith the Graduate School of Creative Arts and Media (Gradcam). It is an open access forum on the role of sound in Abstract cultural practices, providing a trans- disciplinary platform for the presentation of research and practice in areas such as Amongst the ways in which it maps out the geographical imagination of place, music plays a unique acoustic ecology, sensory anthropology, role in the formation and reformation of spatial memories, connecting to and reviving alternative sonic arts, musicology, technology studies times and places latent within a particular environment. Post-rock epitomises this: understood as a and philosophy. The journal seeks to balance kind of negative space, the genre acts as an elegy for and symbolic reconstruction of the spatial its content betw een scholarly w riting, erasures of late capitalism. After outlining how post-rock’s accommodation of urban atmosphere accounts of creative practice, and an active into its sonic textures enables an ‘auditory drift’ that orients listeners to the city’s fragments, the engagement w ith current research topics in article’s first case study considers how formative Canadian post-rock acts develop this concrete audio culture. [ More ] practice into the musical staging of urban ruin. Turning to Sigur Rós, the article challenges the assumption that this Icelandic quartet’s music simply evokes the untouched natural beauty of their CALL FOR PAPERS homeland, through a critical reading of the 2007 tour documentary Heima. -
The Dictators Reviews
The Great Dictators | Arts | The Harvard Crimson 5/11/12 8:40 PM NEWS OPINION MAGAZINE SPORTS ARTS MEDIA FLYBY ABOUT US ADVERTISING TWITTER FACEBOOK RSS MOBILE SUBSCRIBE CLASSIFIEDS CAMBRIDGE, MA WEATHER: 44F The Great Dictators MOST READ By PETEY E. MENZ, CRIMSON STAFF WRITER 1. The Fallacy of Tuna Fish Economics Published: Thursday, April 05, 2012 2. The Delphic Renamed "The Dolphin" 3. Letter: What PBK Really Means 2 retweet 2 retweet 1 COMMENT EMAIL PRINT 4. Shielding the Vomlet 2 retweet 5. Alexander J. P. Kunkel '12 Finding High Fidelity My punk-rock years were unexpected. I grew up an hour away from Manhattan and decades away from the mid-seventies, and there was a time when these circumstances seemed the greatest tragedy of my life. That was when I spent all of my money on records and CDs, when I spent days listening to Patti Smith and Richard Hell, when there was a thrilling sense of danger in the band names “Dead Boys” and “Sex Pistols.” Punk was about disaffection, but I loved it with unfettered and unironic enthusiasm. Every band had something distinctive to listen to, and every band was amazing for it. It was during this manic stage of exploration that I discovered the Dictators, a short-lived group of Noo Yawk punks who cheerfully endorsed hamburgers, cheesy pop hits, and the suburban lifestyle. Fourteen years after they broke up, I was born, and fourteen years after that I discovered and soon fell in love with their debut album, “Go Girl Crazy.” I had purchased the record on vinyl during my freshman year, which meant I could only listen to it in my family’s living room, where my mother’s record player was permanently installed. -
Mustang Daily, April 2, 2008
Volume LXXI Wednesday Number 112 Mu stan g Da ily April 2,2008 mustangdaily.net INSIDE Energy drinks NEWS Cesar Chavez lives on under increased scrutiny TifFane Stuckenschneider THE POLY POST (CAL POLY POMONA) Read the answers to today's question: How Red Bull promises to “give you wings,” would you describe your Rockstar encourages you to “party like a rock- underwear drawer? star” and Monster tells you to “unleash the p a g e 3 beast.” The Food and Drug Administration, health ARTS experts and a state legislature, however, are scru tinizing energy drink advertisements for not informing consumers of risky stimulants, ac cording to Boston University’s The Daily Free Press. Stimulants found in energy drinks such as guarana and synephrine, alternatives to FDA- banned ephedra, do not require FDA approval. In February, Kentucky legislator Danny Ford proposed minors should not be allowed to pur The new “Blade Runner chase energy drinks. (Final Cut)” reinforces the “My parents always said cigarettes weren’t visionary intent of director a big deal 20 years ago. Then everyone started Ridley Scott. getting cancer,” said Nick Spagnola, a political p a g e 5 science junior whose drink of choice is Red Bull. “I don’t know what long-term effects SPORTS RYAN POLEI MUSTANG DAILY those drinks will have.” Cesar Chavez supporters inarch from Dexter Lawn to the University Union Tuesday in support of Last April, the FDA tightened its regulations the Dream Act, chanting his motto “Si, se puede” and promoting fair treatment of farm laborers. when Redux Beverages began pushing a prod uct called Cocaine Energy Drink. -
Difficult Viewing and Listening
May / June 2018 special events NEW WORLD DOCUMENTARIES Ask the Sexpert Difficult Viewing Canadian & International Features and Listening: The Green Fog An Experimental Animation Retrospective www.winnipegcinematheque.com May 2018 WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 2 3 4 5 6 Ask the Sexpert / 7 pm Ask the Sexpert / 7 pm African Movie Festival: African Movie Festival: Ask the Sexpert / 3 pm Jane / 9 pm Ben & Ara / 7 pm Congo! The Silence of Jane / 5 pm & 7 pm the Forgotten Crimes / 11 am Uprize / 2 pm Greetings from Moruroa / 6:30 pm The Lucky Specials / 8:30 pm 9 10 11 12 13 Ask the Sexpert / 7 pm Jane / 7 pm Transformation: Terril Calder’s Ask the Sexpert / 3 pm Ask the Sexpert / 3 pm Ask the Sexpert / 9 pm Animated Shorts / 7 pm Jane / 5 pm Metric: Dreams So Real / 5 pm & 7 pm Ask the Sexpert / 9 pm Transformation: The Lodge / 7 pm Metric: Dreams So Real / 9 pm 16 17 18 19 20 Ask the Sexpert / 7 pm Difficult Viewing and Punjabi Cinema: The Young Karl Marx / 3 pm & 9 pm The Young Karl Marx / / 3 pm & 7 pm Listening / 7 pm Bhaji on the Beach / 7 pm Boom For Real / 5 pm & 7 pm Boom For Real / 5:15 pm Boom For Real / 9 pm The Young Karl Marx / 9 pm 23 24 25 26 27 Loveless / 7 pm Loveless / 7 pm The Young Karl Marx / 7 pm The Young Karl Marx / 3 pm Loveless / 3 pm The Young Karl Marx / 9:30 pm Star Robot / 9:15 pm Loveless / 6 pm Boom For Real / 7 pm Boom For Real / 9 pm 30 31 Loveless / 7 pm McDonald at the Movies: Being John Malkovich / 7 pm Boom For Real / 9:15 pm June 2018 WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 1 2 3 Loveless -
Masterarbeit / Master's Thesis
d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1. -
History Report Freiburg HOT 03.02.2016 00 Through 09.02.2016 23
History Report Freiburg_HOT 03.02.2016 00 through 09.02.2016 23 Air Date Air Time Cat RunTime Artist Keyword Title Keyword Mi 03.02.2016 00:05 SRO 04:11 Purple Souls There Goes The Fear Mi 03.02.2016 00:09 EKR 02:28 Bondage Fairies Clone Mi 03.02.2016 00:12 DPR 03:10 ANSA Foto Mi 03.02.2016 00:15 RCK 04:34 David Bowie Rebel Rebel Mi 03.02.2016 00:19 EKR 03:59 Delphic Doubt Mi 03.02.2016 00:23 RCK 03:04 The Rural Alberta Advantage Terrified Mi 03.02.2016 00:26 RCK 03:08 Eating Pebble Wrestling The Radio Mi 03.02.2016 00:30 NAC 01:41 EFFI Lovefiles Mi 03.02.2016 00:31 ARO 03:42 Foals Birch Tree Mi 03.02.2016 00:35 EKR 08:05 Ry/Frank Wiedemann Howling Mi 03.02.2016 00:43 SRO 04:18 Søjus1 003 (feat. i Am Halo) Mi 03.02.2016 00:47 POP 03:31 Kakkmaddafakka Forever Alone Mi 03.02.2016 00:51 DPR 03:08 Niels Frevert Das mit dem Glücklichsein ist relativ Mi 03.02.2016 00:54 RCK 03:52 The white stripes My Doorbell Mi 03.02.2016 00:58 ARO 02:40 JAIN Come Mi 03.02.2016 00:61 EKR 03:27 Darkstar Amplified Ease Mi 03.02.2016 00:64 POP 03:18 Monta all the luck in the world Mi 03.02.2016 00:67 NAC 04:25 William Fitzsimmons When I Come Home Mi 03.02.2016 00:72 NAC 04:00 Willard Grant Conspiracy Mary Of The Angels Mi 03.02.2016 01:05 NAC 04:43 Badly drawn boy Year of the Rat Mi 03.02.2016 01:10 J 00:02 Flüsterer_Ids1 Mi 03.02.2016 01:10 RCK 03:24 Givers Up Up UP Mi 03.02.2016 01:13 ARO 03:07 Lilith Ai Hang Tough Mi 03.02.2016 01:16 POP 04:18 Elliott Smith Cant Make A Sound Mi 03.02.2016 01:21 NAC 07:22 Sigur Rós Svo Hljótt Mi 03.02.2016 01:28 POP 03:58 The -
April 2018 04月份
Follow China Intercontinental Press Us on Advertising Hotline WeChat Now 城市漫步珠 国内统一刊号: 三角英文版 that's guangzhou that's shenzhen CN 11-5234/GO APRIL 2018 04月份 that’s PRD 《城市漫步》珠江三角洲 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 11th Floor South Building, Henghua lnternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing http://www.cicc.org.cn 社长 President: 陈陆军 Chen Lujun 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui 编辑 Editor: 朱莉莉 Zhu Lili 发行 Circulation: 李若琳 Li Ruolin Editor-in-Chief Matthew Bossons Shenzhen Editor Adam Robbins Guangzhou Editor Daniel Plafker Shenzhen Digital Editor Bailey Hu Senior Staff Writer Tristin Zhang Digital Editor Katrina Shi National Arts Editor Erica Martin Contributors Lena Gidwani, Bryan Grogan, Mia Li, Kheng Swe Lim, Benjamin Lipschitz, Erica Martin, Noelle Mateer, Dominic Ngai, Katrina Shi, Alexandria Williams, Dominique Wong HK FOCUS MEDIA Shanghai (Head Office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 传真 : Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路 42 号大院 2 号楼 610 室 邮政编码 : 510095 Rm 610, No. 2 Building, Area 42, Luyuan Lu, Guangzhou 510095 电话 : 020-8358 6125 传真 : 020-8357 3859 - 816 Shenzhen 深圳联络处 深圳市福田区彩田路星河世纪大厦 C1-1303 C1-1303, Galaxy Century Building, Caitian Lu, Futian District, Shenzhen 电话 : 0755-8623 3220 传真 : 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街 48 号东方银座 C 座 G9 室 邮政编码 -
Populärmusik, Konstmusik Eller Bara Musik?
Christian Berndalen Populärmusik, konstmusik eller bara musik? En undersökning av konstmusikaliska inslag i tre populärmusikaliska verk Popular Music, Classical Music or Just Music? A study of elements from Classical Music in three pieces of popular music Examensarbete 15 hp Lärarprogrammet Datum: 2012-03-20 Handledare: Dan Olsson 1 Musikhögskolan Ingesund 671 91 Arvika Tfn 0570-385 00 Fax 0570- 804 38 [email protected] www.imh.kau.se Innehåll Sammanfattning ............................................................................................................................... 3 Abstract ............................................................................................................................................ 4 1 Inledning ........................................................................................................................................ 5 1.1 Konstmusik och populärmusik - två djupt rotade begrepp .................................................... 5 1.2 Syfte, frågeställningar och avgränsning ................................................................................. 6 2.1 Konstmusik och populärmusik - några definitioner ............................................................... 8 2.2 Hur och när uppstod begreppen? En begreppshistoria ......................................................... 10 2.3 Distinktionen konstmusik - klassisk musik .......................................................................... 11 2.4 Intentioner i och med ett musikaliskt verk .......................................................................... -
NEWS34-Gd7m.Pdf
news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm. -
T T LJ I Republic/Universal's Flaw Sees C R E a T O R O F a L
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) aw a zW MA!' THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT, JUNE 22, 2002 BMG's Zomba Buy Sets Calder Free As BMG Absorbs Mandatory Deal, Industry Ponders Zomba Co- Founder's Plans BY GORDON MASSON Calder for more than 30 years, corn- ness," one former Calder associate LONDON-While the music industry ments, "I've always found it ex- notes. "Whatever he does next, I'm comes to terms with Zomba chair - tremely difficult to think of Clive not sure it'll be a phenomenal success." man/CEO Clive Calder's decision to sell doing anything. Having known him Calder was unavailable for com- out to BMG and the resulting mam- since the 1960s and having worked ment, but in a statement he said: moth payout, the most intrigu- "With its outstanding execu- ing part of the news for many tives and creative talent, Zom- lies in what the reclusive South SMG ba should add a lot of value to African plans to do next. With a Bertelsmann's music division, reputed $2.8 billion check soon BMG. While the exercise of heading his way from Bertelsmann's with him all those years, I can't this option will undoubtedly be a German headquarters in Gütersloh, believe he'll do nothing. But I don't surprise to many in the music Calder is not exactly in need of a job. have any idea what would be in his industry, this is a natural culmina- But those who know the man do not mind -I guess that's going to exer- tion of many years of close business believe he is about to simply retire. -
Sunset Rubdown Random Spirit Lover
SUNSET RUBDOWN RANDOM SPIRIT LOVER The Mending Of The Gown The woven lyrics and singular songwriting style heard in Sunset Rubdown invoke a mythological Magic Vs. Midas world, where magical narratives and tiny metaphors give shape to ordinary objects in the room; Up On Your Leopard, Upon The End sometimes beautiful, sometimes beastly. The moniker was first born to bear the solo bedroom Of Your Feral Days recordings of Spencer Krug, but has since evolved into a full-fledged band, involving the vital The Courtesan Has Sung contributions of fellow Montreal residents Jordan Robson Cramer, Michael Doerksen, and Camilla Wynne Ingr. Winged/Wicked Things Colt Stands Up, Grows Horns Now enter Sunset Rubdown’s third full-length record, Random Spirit Lover, featuring twelve songs Stallion that bleed in and out of each other, mixing portents with theatrics, confusions with conversions. For The Pier (And Dead Shimmering) The dark glamour of the music beneath the half-baked revelations in rhyme creates a tone of high The Taming Of The Hands That drama, blown-out and overt, but the stage is wild and the roles aren’t clear, so the sincerity of the Came Back To Life work and the spontaneity of the recordings can’t help but shine through the formality of structure. In short, listening to Random Spirit Lover is like watching schoolchildren in a dress rehearsal for the Setting Vs. Rising annual Easter play. And though they aren’t old enough to know the occasion is anything more than Trumpet, Trumpet, Toot! Toot! pastel-painted eggs and edible bunnies, they wear the fake beards with confidence and style.