DOCSLIB.ORG

The Cd Central Staff

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 WELL, HELLO! It’s been another fun year at CD Central! Certainly one filled with ups and downs (thinking about the Limestone road project here) but the bottom line is we’ve enjoyed bringing some great music to Lexington, both live and on disc. This booklet is our annual recap of some of the year’s brightest musical highlights. One of the great things we can look back at this year is our participation in Local First Lexington. All of the members of LFL are locally-owned, independent businesses who do great things for our community. These are the businesses that make Lexington a unique place among a sea of national chain stores. Please make it one of your New Year’s resolutions to “Think Local First” when making your buying decisions in the coming year. It feels good to shop local and it makes Lexington a better place. Thanks! Happy Holidays, the cd central staff For more info, visit www.localfirstlexington.com! TOP 12 KENTUCKY RELEASES OF 2009 1. Chico Fellini - Chico Fellini 2. Everyone Lives Everyone Wins - In This Moment We Are Infinite 3. Alegionnaire - Realms 4. Goldenrod - Paintings for Prophets 5. Very Emergency - The Getaway 6. Tee Dee Young - I’ve Got to Move 7. Jack - Giants’ Newground 8. Englishman - Taxidermy 9. Spooky Q’s - Winterband 10. Rudies - Rudies 11. Robbert Bobbert & the Bubble Machine - Self-Titled 12. Brassknuckle Boys - Appalachian Industry In August, Those Darlins played at CD Central. MATT G’S TOP 10 10. Flaming Lips: "Embryonic" are creating some of the most pleasantly Some people have the misconception that interesting music beyond most of their indie the Flaming Lips are a pop band, and it's rock peers. simply not true. The Flaming Lips are a weirdo band, they always have been, and 7. James Blackshaw: "The Glass "Embryonic" is their newest reminder of that Bead Game" often-overlooked fact. Instead of resting in "The Glass Bead Game" is composed of the hipster-harvesting fields of indie-rock, five absolutely gorgeous instrumentals fea- the Lips have taken a trip further out into turing Blackshaw mainly on acoustic guitar, the mind-space where sound textures trump but also piano, playing intricate songs with traditional melodies. They haven't given up a passionate instrumental lyricism. The all of their funkiness, there are a hand-full accompanying string sections fill out the of jams on the album, but "Embryonic" is sound beautifully, and the all-acoustic per- designed as a full listening experience, formance comes across with great clarity. instead of a collection of singles. Three The album builds to its crescendo in "Arc," cheers to the Flaming Lips for continuing a swirling luminescent piece for piano and their musical evolution into the stratosphere strings that will leave you reeling. Black- and being about the coolest dudes ever. shaw conveys complex emotions in "The Glass Bead Game" that most popular music 9. Om: "God Is Good" cannot even approach. The heaviest Peace you can find, Om jam out another slab of righteous meditation- 6. Deerhunter: "Microcastle / metal on "God Is Good." Their first full- Weird Era Continued" length with new drummer Emil Amos of I slept on this one for a couple of months Grails was again recorded immaculately by after it came out, but as soon as I tuned Steve Albini at Electrical Audio. "Thebes" in, I was glad to find out what I had been is the long-player of the album, starting off missing. "Microcastle" is one of the coolest, slow, just sitar drones and soft bass, adding most-fun albums of the year. It's not over- a new layer of hippie-bliss on the already- the-top sweet or under-the-covers intimate chill stoner jam. Soft sung vocals persist but a good mix of the two. If I use the word and lull for many minutes. Fuzzed-out "dreamy" too many times it will start to bass kicks in around minute 8, and then the sound weird, but really that's the best word heavy side of Om comes out. Al Cisneros for it. The melodies are catchy but not trite, riffs with big, thick bass textures while Amos and the band experiments just enough to lays heavy on the ride and changes it up keep things interesting. Plus it comes with on snare. In "Cremation Ghat I" a funky a whole extra album, "Weird Era Contin- bass line leads into middle-eastern rhythms ued," which is awesome as well. "Micro- and shows heavy Grails influence. With castle" is my have-fun pick of the year. its diverse sounds and influences, "God Is Good" provides peace for the metalheads 5. Lightning Bolt: "Earthly De- and excitement for the gurus. lights" One of the most adventurous bands of our 8. Grizzly Bear: "Veckatimest" time, Lightning Bolt released another sonic "Veckatimest" emerges from an aura of explosion of crushing riffs and atom-smash- mystery and leads the listener out into a ing beats in their fourth full-length, "Earthly blissful, friendly landscape with angelic Delights." Few other groups can match this vocals designed to draw you in. The band bass & drums duo for intensity and unpre- plays with such measured reservation dictable jaw-dropping jams. Brian Chippen- that even the slightest movements create dale's drumming defies all traditional rhythm noticable mini-crescendos. Grizzly Bear or reason, and Brian Gibson's overdriven bass lines shred and shift continuously. "Earthly Delights" will rock you in ways you pick-of-the-year for 2007, and "Set 'Em didn't know existed. Wild, Set 'Em Free" continues their mystic quest into the great unkown. Drawing from 4. Earth - "Radio Live" 2007-2008 influences as disparate as Aphex Twin and Earth understands the significant nuances Jimi Hendrix (and the cover making an obvi- of the live album better than most bands. ous reference to Sly and the Family Stone), They provide unique variations from the Akron/Family succeeds in synthesising dif- album versions of songs, and by "varia- ferent elements to make it all sound familiar tions" I mean that unlike just about any and exciting. There's real emotional sensi- other band, when Earth plays live, they play tivity captured here, and repeated listenings their songs EVEN SLOWER. There were no elicit richer and richer rewards. accolades too lofty to bestow upon 2008's near-perfect "The Bees Made Honey In 1. SunnO))) - "Monoliths & Di- The Lion's Skull," and Earth gives dynamic, mensions" passionate live renditions of four of those SunnO))) exist in the far, uncharted ter- songs (including the still vinyl-only track ritories of the musical spectrum where "Junkyard Priest") on "Radio Live." Randall heavy metal, avant-garde and drone music Dunn handles the live sound brilliantly, his meet. Widely regarded as the loudest band ears sharply honed after handling Earth's in the world (at least by anyone who has last few studio recordings. "Omens and seen them), SunnO))) have also made a Portents II: Carrion Crow" is played with reputation for conveying their heaviness glacial slowness, each note ringing out to tape. The riffs are massive, the choirs in full heart-wrenching purity. "The Bees are haunting, and the strings and horns are Made Honey..." has extended pauses that gorgeous. Atilla Csihar's vocals are super- seem to last aeons, but the band retains its human and the input from Oren Ambarchi, exceptional tightness. "Radio Live" is heavy Steve Moore, Stuart Dempster and Eyvind with passionate instrumental expression Kang bring these complex ideas to their and shines with a glorious light. full potential. "Monoliths & Dimensions" is SunnO)))'s masterpiece, the result of artists 3. Converge - "Axe To Fall" confidently achieving their unique artistic Converge stopped being just another goal. Plus the packaging and artwork are Boston hardcore band in 2001 when they immaculate. No detail is overlooked to released their career-defining album, create a perfect physical representation of "Jane Doe." Its mix of intense speed and the one of the most ambitious albums of anguished vocals paired with a fearless the decade. Look deep into the blackness; and energetic live show set Converge apart find texture in the void. And don't forget: from a sea of immitators. "Axe To Fall," the MAXIMUM VOLUME YIELDS MAXIMUM group's third full-length since, is their best RESULTS. work in years. Insane riffs crash and shift over a relentless percussive assault from Top 10 Shows of 2009: one of the best drummers in metal. Jacob 10. Zoroaster/Bongripper - the Dame Bannon's vocals are as indecipherable and 9. Mission of Burma - Busters visceral as ever. "Axe To Fall" admits more 8. Pauline Oliveros - Big Ears Festival - heavy metal influences than their earlier Knoxville, TN hardcore releases, but the sound is decid- 7. Evelyn Glennie with Lexington Philhar- edly 100% Converge. Their rich combi- monic - Singletary Center nation of innovative talent and insatiable 6. Akron/Family - 21c Hotel - Louisville, KY passion keep Converge at the top of the 5.
Recommended publications
  • Hank Friedmann CV

    Hank Friedmann CV

    HANK FRIEDMANN Los Angeles, California • [email protected] • hankf.com Member of the Motion Picture Editors Guild (IATSE Local 700) & CSATF Safety Pass certified ____________________________________________________________________________ EDITOR - TELEVISION/STREAMING Title Directors Distributor Santa, Inc (stop motion television show, in production) - Harry Chaskin HBO Max Simpsons (stop motion couch gag) - John Harvatine IV Fox Global Citizen Countdown to the Prize 2020 - Various NBC & Int’l Gloop World (animatic editor 5 eps, editor 15 eps) - Helder Sun (created by Justin Roiland) Quibi The Real Bros of Simi Valley (5 eps, season 3) - Jimmy Tatro Facebook Watch Between Two Ferns: The Movie - Scott Aukerman Netflix Blackspiracy (Comedy Pilot) - Stoney Sharp TruTV Can You Beat Yamaneika? (Game Show Pilot) - Lauren Quinn TruTV Between Two Ferns (Jerry Seinfeld & Cardi B.) - Scott Aukerman Funny or Die Michael Bolton’s Big Sexy Valentine’s Day Special - Akiva Schaffer & Scott Aukerman Netflix Comedy Bang Bang (110 episodes) - B. Berman, S. Sharp, D. Jelinek IFC How to Lose Weight in 4 Easy Steps (Sundance) - Ben Berman Jash Snatchers (Season 3) - Michael Lukk Litwak Warner/go90 Please Understand Me (5 episodes) - Ahamed Weinberg & Steven Feinartz Facebook Watch End Times Girls Club (Pilot) - Stoney Sharp TruTV Flulanthropy - The Director Brothers Seeso Cool Dad (TV Special) - Alex Kavutskiy & Ariel Gardner Adult Swim Crossroads of History “Lincoln” - Marko Slavnic History American Idol Season 10 & 11 - Remote packages Ford/Fremantle GOP Presidential Online Internet Cyber Debate - Various Yahoo!/FoD ____________________________________________________________________________ EDITOR - COMMERCIALS Brand Info Directors Client Reebok - Allen Iverson/Question Mid Double Cross - Roundhouse Reebok Reebok - Gigi Hadid “Wild is Wherever” - Roundhouse Reebok Reebok - FW19 Trail - Roundhouse Reebok Reebok - “Cardi B: Aztrek” - Eric Notarnicola Reebok Reebok - “Cardi B vs.
  • Katrina Kills 55, Death Toll Rising They Choose to Pump Gas Before Hurricane Floods the Gulf Coast, and the Attics As the Floodwaters Rose Around Them

    Katrina Kills 55, Death Toll Rising They Choose to Pump Gas Before Hurricane Floods the Gulf Coast, and the Attics As the Floodwaters Rose Around Them

    WHAT’S THE WORD OF THE DAY? | PAGE 9 TUESDAY Mostly sunny August 30, 2005 Volume 112, Number 8 High: 72 | Low: 43 More weather Page 2 �THE STUDENT�������� VOICE OF WASHINGTON STATE UNIVERSITY SINCE 1896 www.dailyevergreen.com Gas Thefts due to rise in prices Drive-offs at gas stations are common and more are expected with the recent flux of people in Pullman. Rachelle Flynn Contributing writer Local gas stations expect the theft of gasoline to increase with the return of students. “It goes through its spurts,” said Darcy Wilson, manager of Stinker Station No. 38 in Moscow. “With gas prices being as high as they are, you really have to pay attention.” Wilson said in the past week they have had two drive-offs, one with diesel and one with gas fuel. She worries about diesel, at almost $3 a gallon, being stolen more than anything. “One got caught and came back and paid,” she said. “They’ll say, ‘Oh, I thought I put my card in.’ The funny thing is, there’s no JOHN BAZEMORE/THE ASSOCIATED PRESS card reader in the diesel.” Garron Lenaz recovers an American flag from the rubble in front of his home in Gulfport, Miss., after Hurricane Katrina To catch the drive-offs, struck the Gulf Coast Monday. gas stations will track a thief’s license plate number by writing it down or with cameras. They keep track of the cars more if Katrina kills 55, death toll rising they choose to pump gas before Hurricane floods the Gulf Coast, and the attics as the floodwaters rose around them.
  • Daughter Not to Disappear

    Daughter Not to Disappear

    Release Date: January 15th 2016 Daughter Not To Disappear Nearly three years after the release of their debut If You Leave, Daughter – the London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella – will return in 2016 with a new album entitled Not To Disappear. Produced by Haefeli and Nicolas Vernhes (Animal Collective, Deerhunter, The War On Drugs) and recorded over the course of a ‘The World Is Spinning Around’ painting by Sarah Shaw summer in New York, at Vernhes’ Rare Book Room studio in Greenpoint, Brooklyn, Not To Disappear finds Daughter evolving in TRACKLISTING 1. New Ways interesting ways with confident strides forward both sonically and 2. Numbers lyrically. Profoundly ruminative and lugubrious, bold and direct, 3. Doing The Right Thing it’s arguably even more assertive and compelling than its much- 4. How lauded predecessor. There are the usual intricate dynamics at 5. Mothers play – Tonra’s gauzy, fragile voice, delivering powerful, anguished 6. Alone/With You 7. No Care words detailing her inner turmoil, fusing seamlessly with Haefeli’s 8. Belong tight, melodic guitar and Aguilella’s rolling drums – but the sound, 9. Fossa oozing depth and resonance, feels infinitely richer. 10. Made Of Stone UK TOUR DATES As the trio have matured as musicians so has their collective November creative eye toward visuals. Daughter invited filmmakers Iain 16th – GLASGOW, Art School 18th – BRISTOL, Trinity Forsyth & Jane Pollard (directors of the Nick Cave film 20,000 th Days on Earth, and Daughter’s own 4AD Session and ‘Still’ video) 19 – LONDON, St. John-at-Hackney SOLD OUT to create three films for Not To Disappear.
  • Producer Spotlight: Kurt Ballou

    Producer Spotlight: Kurt Ballou

    Producer Spotlight: Kurt Ballou An analysis of the chosen producer or production style. This will include a discussion of the historical/musical/cultural/technological context of the production style, as evidenced in existing literature; at least three case studies that identify the musical/sonic/aesthetic concerns of specific recorded works through a combination of original analysis/scholarship and reference to existing literature; and a discussion of your findings. Table of Contents Introduction .................................................................................................................................. 3 Literature Review.......................................................................................................................... 3 Methodology ................................................................................................................................ 5 Case Studies .................................................................................................................................. 6 Interview – Kurt Ballou ................................................................................................................. 9 Conclusions ................................................................................................................................... 9 Appendix A – Timelines............................................................................................................... 12 Appendix B.................................................................................................................................
  • Black Metal and Brews

    Black Metal and Brews

    Review: Roadburn Friday 20th April 2018 By Daniel Pietersen Day Two at Roadburn ‘18 and already Never wandering off into too-loose the bar is raised pretty high, with sets jam-band territory, the quartet unleash from Black Decades, Kælan Mikla and some of the best heads-down psych- Servants of the Apocalyptic Goat Rave rock I’ve seen and the crowd absolutely being my personal highlights from the lap it up over the set’s two-hour (two day before. We’ve a lot to get through, hours!) duration. though, and these bands won’t watch themselves. The Ruins of Beverast unleash a black metal stormcloud, all martial drums and lightning-strike guitars sweeping scythe-like over the field of nodding heads in a packed Green Room. It’s a ferocious, scathing display made all the more intense by the devastatingly tight musicianship. An immense start to the Panopticon (Paul Verhagen) day and that’s Roadburn in a nutshell; What Jeremy Bentham, the 18th even the first band on one of the century English philosopher who smaller stages are world class. developed the concept of the Panopticon, would think of his creation’s musical namesake is, sadly, impossible to know. I like to think that, even if the music were beyond him, the passionate social reformer would appreciate the politically relevant sentiments of the band, something which is made most obvious on their opening selection of country- influenced tracks. Banjo and mandolin Motorpsycho (Paul Verhagen) blend with mournful voices, singing of Next door, on the Main Stage, lost families and failing factories, into Motorpsycho are working up their songs that wouldn’t be out of place on groove and creating the kind of sounds, a Steve Earle record.
  • Verirrte Stutzer

    Verirrte Stutzer

    Kultur Auch ohne die gängigen Rockerunifor- Ezra Koenig, der wie seine drei Partner POP men haben sie zusammen mit ihren beiden 23 ist, aber auch problemlos als 16-Jähriger Kollegen Rostam Batmanglij und Chris durchginge, setzt sich sehr aufrecht hin, Verirrte Stutzer Baio ein unlängst veröffentlichtes Debüt- wenn er nach Simon gefragt wird, und sagt album eingespielt, das als eines der aufre- verdächtig behutsam und etwas zu freund- Die Jungs von der New gendsten Ereignisse dieser Saison gilt. lich, dass alle in der Band dieses „sehr, sehr Im Internet versetzen sie seit Monaten respektieren“ würden, dass es aber ein Yorker Band Vampire Weekend die Welt der Musikblogs in Aufruhr, und in nervtötender Reflex sei, wenn alle Welt an widersprechen allen den einschlägigen Feuilletons amerikani- Paul Simon denke, sobald Nichtafrikaner gängigen Rock’n’Roll-Klischees. scher und englischer Zeitungen zeigen sich sich an afrikanischer Musik versuchten. die Experten angetan. Bereits im vergange- „Wir haben einfach den Zauber der afri- zra Koenig und Christopher Tomson, nen Sommer feierte ein Autor der „New kanischen Musik entdeckt und beschlos- die in einer fensterlosen Rumpelkam- York Times“ die erste Single des Quartetts sen, das mit unseren eigenen Ideen zu Emer ihrer Plattenfirma sitzen, trinken als „eines der beeindruckendsten Debüts kreuzen“, entgegnet er leicht entnervt. Ab- Mineralwasser ohne Kohlensäure und Cola des Jahres“. gesehen davon scheinen sich dieser Tage ohne Zucker und sehen eher nicht so aus, „Wir staunen nur, dass die Hallen, in de- immer mehr nachgewachsene Rockabenteu- wie man sich junge, gefeierte Rockmusiker nen wir spielen, immer größer und voller rer von sogenannter Weltmusik inspirie- aus New York vorstellt.
  • ALBUMS CHART: P.20 APRIL 25,1981 0 N the Record of the Future

    ALBUMS CHART: P.20 APRIL 25,1981 0 N the Record of the Future

    SINGLES CHART: P.9: ALBUMS CHART: P.20 APRIL 25,1981 The record of the future mugENwa a 1 n 0 EXHIBITORS' STANDS are filling up fast for the 3rd annual Dealer Tour, organised by Music & Video Week and scheduled to visit seven regional centres during THE COMPACT disc, lipped by its developing companies as the record of the September. Europe's leading music business paper 90p future, seen alongside a conventional LP and the Sony and Philips CD players. Judging by (he bookings coming in, it looks as if dealers Dealer asks attending the shows will be able to meet exhibitors when is RRP THE LASER BEAM from large and small record companies as well as the newly opened not RRP? video companies. A DISPUTE over whether telling Note the dates in your the public what they can "expect COMPACT DISC to pay" for a record is the same diary now: September 15, as re-imposing RRP has been Bristol Holiday Inn; aired by dealers who object to September 17, price stickers on two recent WEA Birmingham, Albany releases. The Saxon picture disc of And MAKES ITS BOW Hotel; September 21 The Bad Played On, and the Newcastle, Gosforth Park SALZBURG: The compact the compact disc's development, to be no more expensive than a Hotel; September 22 Echo and the Bunnymen describe these as "revolutionary conventional high-class record Crocodiles 12-inch four-track disc digital audio system was improvements" which, coupled with player. J. J. G. Ch. van Tilburg of Glasgow, Albany Hotel; single, were both stickered by introduced to the September 24 Leeds, WEA with the wording "expect "substantially better sound Philips expressed confidence that to pay around £1.05".
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self

    MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self

    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
  • Hot Topic Presents the 2011 Take Action Tour

    Hot Topic Presents the 2011 Take Action Tour

    For Immediate Release February 14, 2011 Hot Topic presents the 2011 Take Action Tour Celebrating Its 10th Anniversary of Raising Funds and Awareness for Non-Profit Organizations Line-up Announced: Co-Headliners Silverstein and Bayside With Polar Bear Club, The Swellers and Texas in July Proceeds of Tour to Benefit Sex, Etc. for Teen Sexuality Education Pre-sale tickets go on sale today at: http://tixx1.artistarena.com/takeactiontour February 14, 2011 – Celebrating its tenth anniversary of raising funds and awareness to assorted non-profit organizations, Sub City (Hopeless Records‟ non-profit organization which has raised more than two million dollars for charity), is pleased to announce the 2011 edition of Take Action Tour. This year‟s much-lauded beneficiary is SEX, ETC., the Teen-to-Teen Sexuality Education Project of Answer, a national organization dedicated to providing and promoting comprehensive sexuality education to young people and the adults who teach them. “Sex is a hot topic amongst Take Action bands and fans but rarely communicated in a honest and accurate way,” says Louis Posen, Hopeless Records president. “Either don't do it or do it right!" Presented by Hot Topic, the tour will feature celebrated indie rock headliners SILVERSTEIN and BAYSIDE, along with POLAR BEAR CLUB, THE SWELLERS and TEXAS IN JULY. Kicking off at Boston‟s Paradise Rock Club on April 22nd, the annual nationwide charity tour will circle the US, presenting the best bands in music today while raising funds and awareness for Sex, Etc. and the concept that we can all play a part in making a positive impact in the world.

  • URMC V118n83 20091210.Pdf (9.241Mb)

    THE ROCKY MOUNTAIN Fort Collins, Colorado COLLEGIAN Volume 118 | No. 8 T D THE STUDENT VOICE OF COLORADO STATE UNIVERSITY SINCE 1891 B ASCS ICE, ICE, BABY BOG Leg. a airs director wants student voice on governing board B KIRSTEN SIVEIRA The Rocky ountain Collegian After CSU’s governing board decided to ban concealed weapons on campus, spark- TODAYS IG ing intense controversy student leaders said Wednesday that there must be a student vot- 25 degrees ing member on the board because its mem- bers refuse to listen to students. So far this season, CSU To secure that voting member, Associ- has received a total of 44.2 ated Students of CSU Director of Legislative inches of snow with fi ve full YEAR SEASONA Affairs Matt Worthington drafted a resolu- months of the snow season TOTA IN INCES tion that would allow state leaders to appoint still ahead, according to re- a student to vote on the CSU System Board search from the Department 1 9 9 9 - 2 0 0 0 : 3 . of Governors. The ASCSU Senate moved his of Atmospheric Science. 2 0 0 0 - 2 0 0 1 : 5 resolution to committee Wednesday night. Even if the city receives 2 0 0 1 - 2 0 0 2 : 4 4 .1 ASCSU President Dan Gearhart and CSU- no more snow this winter, 2 0 0 2 - 2 0 0 3 : 1. Pueblo student government President Steve Fort Collins has already re- 2 0 0 3 - 2 0 0 4 : 9 .1 Titus both currently sit on the BOG as non- ceived more snow than in six 2 0 0 4 - 2 0 0 5 : 5 .
  • Concerts from the Library of Congress 2012-2013

    Concerts from the Library of Congress 2012-2013

    Concerts from the Library of Congress 2012-2013 LIBRARY LATE ACME & yMusic Friday, November 30, 2012 9:30 in the evening sprenger theater Atlas performing arts center The McKim Fund in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson; the fund supports the commissioning and performance of chamber music for violin and piano. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, ALARM WATCHES, OR OTHER NOISE-MAKING DEVICES THAT WOULD DISRUPT THE PERFORMANCE. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. THE LIBRARY OF CONGRESS Atlas Performing Arts Center FRIDAY, NOVEMBER 30, 2012, at 9:30 p.m. THE mckim Fund In the Library of Congress American Contemporary Music Ensemble Rob Moose and Caleb Burhans, violin Nadia Sirota, viola Clarice Jensen, cello Timothy Andres, piano CAROLINE ADELAIDE SHAW Limestone and Felt, for viola and cello DON BYRON Spin, for violin and piano (McKim Fund Commission) JOHN CAGE (1912-1992) String Quartet in Four Parts (1950) Quietly Flowing Along Slowly Rocking Nearly Stationary Quodlibet MICK BARR ACMED, for violin, viola and cello Intermission *Meet the Artists* yMusic Alex Sopp, flutes Hideaki Aomori, clarinets C.J.
  • 1 Loghaven Artist Residency Launches with Announcement Of

    1 Loghaven Artist Residency Launches with Announcement Of

    Loghaven Artist Residency Launches with Announcement of Inaugural Artists and Completion of 90-Acre Campus First Artists in Residence Include Ann Carlson, Amy Lam, Jennifer Wen Ma, Daniel Bernard Roumain, Wendy Red Star, and Many Others Loghaven Facilities Include Purpose-Built Studios, New Equipment, and Artist Housing in Rehabilitated, Historic Log Cabins Open Call for Applications for 2021 Residencies to Begin June 1, 2020 Knoxville, TN – January 22, 2020 – Loghaven Artist Residency, a newly created residency for emerging and established artists in the fields of visual art, dance, music, writing, theater, and interdisciplinary work, announces its first group of artists and the completion of its campus. The launch of Loghaven Artist Residency is the culmination of years of planning, research, design, and input from artists, arts leaders, and the Alliance of Artist Communities. The residency features artist housing in historic, rehabilitated log cabins, as well as a newly constructed Performing Arts Studio and Visual Arts Studio, and a 3,900-square-foot Gateway Building with additional studio space and facilities for artists—all located on 90 acres of woodland, minutes from downtown Knoxville, Tennessee. Loghaven Artist Residency offers: • Facilities for dancers and theater makers—there are limited residencies that offer dancers and theater makers the facilities that are essential for their work. Loghaven has a professionally designed Performing Arts Studio and a Multidisciplinary Studio to support these practitioners. • Spaces for collaborative artist groups—the number of artists working collaboratively has grown significantly, and few residences are designed to accommodate this type of practice. Loghaven’s studio spaces serve the needs of collaborative teams: all are large enough for group work, and three of the artist cabins are suited for an intensive live/work experience for a collaborative team.