Daughter Not to Disappear

Total Page：16

File Type：pdf, Size：1020Kb

Release Date: January 15th 2016 Daughter Not To Disappear Nearly three years after the release of their debut If You Leave, Daughter – the London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella – will return in 2016 with a new album entitled Not To Disappear. Produced by Haefeli and Nicolas Vernhes (Animal Collective, Deerhunter, The War On Drugs) and recorded over the course of a ‘The World Is Spinning Around’ painting by Sarah Shaw summer in New York, at Vernhes’ Rare Book Room studio in Greenpoint, Brooklyn, Not To Disappear finds Daughter evolving in TRACKLISTING 1. New Ways interesting ways with confident strides forward both sonically and 2. Numbers lyrically. Profoundly ruminative and lugubrious, bold and direct, 3. Doing The Right Thing it’s arguably even more assertive and compelling than its much- 4. How lauded predecessor. There are the usual intricate dynamics at 5. Mothers play – Tonra’s gauzy, fragile voice, delivering powerful, anguished 6. Alone/With You 7. No Care words detailing her inner turmoil, fusing seamlessly with Haefeli’s 8. Belong tight, melodic guitar and Aguilella’s rolling drums – but the sound, 9. Fossa oozing depth and resonance, feels infinitely richer. 10. Made Of Stone UK TOUR DATES As the trio have matured as musicians so has their collective November creative eye toward visuals. Daughter invited filmmakers Iain 16th – GLASGOW, Art School 18th – BRISTOL, Trinity Forsyth & Jane Pollard (directors of the Nick Cave film 20,000 th Days on Earth, and Daughter’s own 4AD Session and ‘Still’ video) 19 – LONDON, St. John-at-Hackney SOLD OUT to create three films for Not To Disappear. Author Stuart Evers WEBLINKS: was commissioned to write three short stories – ‘Dress’, ‘Window’ www.ohdaughter.com and ‘5,040’ – based on select Not To Disappear tracks. Iain & www.facebook.com/ohdaughter Jane’s videos are adaptations of those tales; ‘Doing The Right www.twitter.com/ohdaughter Thing’ (based on the story ‘Dress’) is the first of the visual trilogy www.4ad.com/artists/daughter and can be seen here - https://youtu.be/bU5F-DvGLkA PRESS CONTACT: Annette Lee at 4AD Starting life in 2010, Daughter released two EPs His Young Heart [email protected] and The Wild Youth before joining 4AD in 2012. In their short +44 (0)20 8870 9724 career, Daughter has gained a loyal fanbase, playing to sold-out venues around the world. Their first album, the silver selling If You Leave was released in 2013 and debuted in the Top 20 of the UK album chart. For Press Information: Contact Annette at 4AD ([email protected] - 020 8870 9912) .

Copy Link

Recommended publications

Výroční Zpráva Za Rok 2016
Deai (Setkání) z.s. Výroční zpráva za rok 2016 Obsah 1. Slovo úvodem ...................................................................................................................... 3 2. Základní údaje ...................................................................................................................... 3 3. Přehled činností.................................................................................................................... 3 4. Podpora projektů -prostory ................................................................................................... 4 5. Více o programech v r. 2016 ................................................................................................ 4 6. Experimentální prostor Roxy/Nod ......................................................................................... 4 6.1. Dramaturgie Roxy .................................................................................................... 4 6.2. Dramaturgie NoD ................................................................................................... 41 6.3. Dramaturgie Events NoD ....................................................................................... 44 6.4. Dramaturgie Galerie NoD ....................................................................................... 47 6.5. Dramaturgie Galerie Video NoD ............................................................................. 51 7. Komunikační prostor Školská ............................................................................................
[Show full text]
ALBUMS CHART: P.20 APRIL 25,1981 0 N the Record of the Future
SINGLES CHART: P.9: ALBUMS CHART: P.20 APRIL 25,1981 The record of the future mugENwa a 1 n 0 EXHIBITORS' STANDS are filling up fast for the 3rd annual Dealer Tour, organised by Music & Video Week and scheduled to visit seven regional centres during THE COMPACT disc, lipped by its developing companies as the record of the September. Europe's leading music business paper 90p future, seen alongside a conventional LP and the Sony and Philips CD players. Judging by (he bookings coming in, it looks as if dealers Dealer asks attending the shows will be able to meet exhibitors when is RRP THE LASER BEAM from large and small record companies as well as the newly opened not RRP? video companies. A DISPUTE over whether telling Note the dates in your the public what they can "expect COMPACT DISC to pay" for a record is the same diary now: September 15, as re-imposing RRP has been Bristol Holiday Inn; aired by dealers who object to September 17, price stickers on two recent WEA Birmingham, Albany releases. The Saxon picture disc of And MAKES ITS BOW Hotel; September 21 The Bad Played On, and the Newcastle, Gosforth Park SALZBURG: The compact the compact disc's development, to be no more expensive than a Hotel; September 22 Echo and the Bunnymen describe these as "revolutionary conventional high-class record Crocodiles 12-inch four-track disc digital audio system was improvements" which, coupled with player. J. J. G. Ch. van Tilburg of Glasgow, Albany Hotel; single, were both stickered by introduced to the September 24 Leeds, WEA with the wording "expect "substantially better sound Philips expressed confidence that to pay around £1.05".
[Show full text]
Sonntags Im Bistro Grottino, Sommer 2015 (16.59H Bis Ca
Sonntags im Bistro Grottino, Sommer 2015 (16.59h bis ca. 19.08h) Set vom 7.6. Real Estate: Past Lives Department of Eagles: No One Does It Like You Unknown Mortal Orchestra: So Good… Ruby Suns: Oh Mojave The Congos: Fisherman The Upsetters: Big Gal Sally Beastie Boys: Song for the Man Captain Beefheart: Abba Zaba Destroyer: Del Monton Magnetic Fields: The Luckiest Guy… Beck: Black Tambourine Can: Halleluhwah Dorothy Collins: Lightworks (Raymond Scott) Erykah Badu: Soldier Digable Planets: Black Ego Calexico: Not Even Stevie Nicks Avey Tare's Slasher Flicks: Little Fang Panda Bear: Boys Latin Deerhoof: Super Duper Rescue Head Daniel Johnston: The Sun Shines Down Gil Scott Heron: Home Is Where the Hatred Is Timmy Thomas: Why Can't We Live Together The Four Tops: Baby I Need Your Loving Matthew E. White: Golden Robes William Onyeabor: Atomic Bomb Connan Mockasin: Megumi the Milkyway Above Django Django: Found You Atlas Sound: Walkabout Islands: Jogging Gorgeous Summer Tame Impala: Let it Happen The Notwist: Gloomy Planets Dan Deacon: Feel the Lightning Tocotronic: Spiralen Destroyer: Kaputt Set vom 14.6. Simone White: Flowers in May Beach House: Walk in the Park Peaking Lights: All the Sun That Shines The Slits: Man Next Door Jaako Eino Kalevi: Deeper Shadows Sisyphus: Lion's Share The Soundcarriers: So Beguiled Toro y Moi: Empty Nesters Kyu Sakamoto: Sukiyaki Homeboy Sandman: Holiday (Kosi Edit) Real Estate: Crime Devendra Banhart: Won't You Come Over Yo La Tengo: Automatic Doom Caribou: Melody Day Chris Cohen: Don't Look Today Unknown Mortal Orchestra: Can't Keep Checking My Phone John Cale: Hanky Panky Nohow Mac DeMarco: Let Her Go Girls: Oh So Protective One Stereolab: Fuses Beck: Tropicalia Cloud One: Atmosphere Strut Remix 1979 Cliff King Solomon: But Officer! Ariel Pink: Baby Frank Ocean: Forrest Gump Animal Collective: Rosie Oh Alexis Taylor: Am I Not A Soldier? Freddie Gibbs & Madlib: Shame (Instrumental) Arthur Russell: That's Us / Wild Combination The Streets: Never Went to Church Jacques Palminger: Wann strahlst Du? Dick Justice: Henry Lee Set vom 21.6.
[Show full text]
Earwax Final.Indd
page 22 the paper november 18, 2009 it shrugs its shoulders.” Easing the acerbity, she repeats these lines to end the record peace- fully, its storm having passed. With this consistent mix of tur- bulence and sweetness, Holy Ghost! sustains a simple rich- ness throughout, seamlessly meandering between folk and soul, fast and slow, and melan- choly and playful. LIL’ WAYNE No Ceilings by Alex Blalock “Okay! No ceilings! Moth- er fucker good mornin’! Dick in your mouth while you’re yawnin’, I’m goin’ in!” These opening lines off the track Namaste. We’re back to 33 unreleased tracks by artists of course, the timeless 3/4-4/4 of strings culminate as Laura “Watch My Shoes” set the normal here at the ‘Wax, and (some famous, others not so polyrhythm. This is cultural ap- tests her larynx’s limits by the mood for Lil’ Wayne’s newest because Fearwax had no new much) primarily in the Highlife propriation done right: a blend- chorus. Punctuated pauses dra- mixtape, No Ceilings. Sched- releases, we have a backlog of genre. Highlife is a combination ing of all of the best bits of the matize her voice as it trills up- uled to drop on Halloween, the new material to get to. Yours of traditional African music and popular musical lexicon of the wards, and violins whine with mixtape was leaked on sites truly staked claim to the lead American funk with a distinctly time rolled up into one neat and a guitar riff that seems to tell such as Datpiff and Biggy Jiggy article this time around, re- Afro-Cuban sentimentality.
[Show full text]
A&R Update December 1-2-3-4 GO! RECORDS 423
A&R Update December 1-2-3-4 GO! RECORDS 423 40th St. Ste. 5 Oakland, CA 94609 510-985-0325 E-mail: [email protected] Web: www.1234gorecords.com 4AD RECORDS 17-19 Alma Rd. London, SW 18, 1AA, UK E-mail: [email protected] Web: www.4ad.com Roster: Blonde Redhead, Anni Rossi, St. Vincent, Camera Obscura Additional locations: 304 Hudson St., 7th Fl. New York, NY 10013 2035 Hyperion Ave. Los Angeles, CA 90027 825 RECORDS, INC. Brooklyn, N.Y. 917-520-6855 E-mail: [email protected] Web: www.825Records.com Styles/Specialties: Artist development, solo artists, singer-songwriters, pop, rock, R&B 10TH PLANET RECORDS P.O. Box 10114 Fairbanks, AK 99710 E-mail: [email protected] Web: www.10thplanet.com 21ST CENTURY RECORDS Silver Lake, CA 323-661-3130 E-mail: [email protected] Web: www.21stcenturystudio.com Contact: Burt Levine 18TH & VINE RECORDS ALLEGRO MEDIA GROUP 20048 N.E. San Rafael St. Portland, OR 97230 503-491-8480, 800-288-2007 Website: www.allegro-music.com Genres: jazz, bebop, soul-jazz 21ST CENTURY STUDIO Silver Lake, CA 323-661-3130 Email Address: [email protected] Website: www.21stcenturystudio.com Genres: rock, folk, ethnic, acoustic groups, books on tape, actor voice presentations Burt Levine, A&R 00:02:59 LLC PO Box 1251 Culver City, CA 90232 718-636-0259 Website: www.259records.com Email Address: [email protected] 4AD RECORDS 2035 Hyperion Ave. Los Angeles, CA 90027 Email Address: [email protected] Website: www.4ad.com Clients: The National, Blonde Redhead, Deerhunter, Efterklang, St.
[Show full text]
Barocke Dunkelheit
# 2019/02 dschungel https://jungle.world/artikel/2019/02/barocke-dunkelheit »Why Hasn’t Everything Already Disappeared?« - Das neue Album von Deerhunter Barocke Dunkelheit Von Maik Bierwirth Das achte Album der Indierock-Band Deerhunter klingt nach Baroque Pop aus den sechziger Jahren. Bradford Cox und seiner Band Deerhunter ist mit »Why Hasn’t Everything Already Disappeared?« ein kurzweiliges Album gelungen. Auf dem achten Longplayer der Band aus Athens, Georgia, verfeinern Anleihen aus dem Baroque Pop den versponnenen, stets von den Sixties inspirierten Indierock der Gruppe. Bereits bei der Vorabsingle »Death in Midsummer« dominiert nicht die Gitarre, sondern ein markantes Cembalo (gespielt von der walisischen Musikerin und Produzentin Cate Le Bon), das so klingt, als wolle sich die Band in Richtung von The Left Banke verbeugen, deren Popsongs mit Cembalo und Streicherarrangements vor gut 50 Jahren erstmals das Attribut »barock« zugesprochen wurde. Daraus entstand ein ganzes Genre aus mal opulentem, mal subtilerem Orchestereinsatz in der Musik zwischen Mitte der sechziger und Mitte der siebziger Jahre, wie man ihn bei zahlreichen Stücken der Beatles und Beach Boys aus dieser Zeit hören kann, aber ebenso bei psychedelischen Rockbands wie den Zombies und den Kinks. Scott Walker prägte auf seinen Soloalben ab 1967 einen besonderen Kammerpop und reizte die orchestralen Möglichkeiten in der Popmusik wohl am weitesten (und brillantesten) aus. Im Übrigen ist diese Spielart nicht zu verwechseln mit all den grauenvollen Anbiederungsversuchen aus der kommerziellen klassischen Musik in Richtung Populärkultur, Stichwort »Classic meets Rock«. Der Begriff Baroque Pop als retrospektive Stilbezeichnung setzte sich indessen erst Jahrzehnte später durch. Der morbide Titel des Albums liefert das Leitmotiv für alle Texte.
[Show full text]
The Cd Central Staff
CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 WELL, HELLO! It’s been another fun year at CD Central! Certainly one filled with ups and downs (thinking about the Limestone road project here) but the bottom line is we’ve enjoyed bringing some great music to Lexington, both live and on disc. This booklet is our annual recap of some of the year’s brightest musical highlights. One of the great things we can look back at this year is our participation in Local First Lexington. All of the members of LFL are locally-owned, independent businesses who do great things for our community. These are the businesses that make Lexington a unique place among a sea of national chain stores. Please make it one of your New Year’s resolutions to “Think Local First” when making your buying decisions in the coming year. It feels good to shop local and it makes Lexington a better place.
[Show full text]
Autolux – Transit Transit 1
DEC. 2010 • VOL. 21 ISSUE # 264 • ALWAYS FREE • SLUGMAG.COM SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 21• Issue # 264 •December 2010 • slugmag.com Publisher: Eighteen Percent Gray [email protected] Editor: Angela H. Brown Jemie Sprankle Managing Editor: [email protected] Jeanette D. Moses Shauna Brennan Editorial Assistant: Ricky Vigil [email protected] Action Sports Editor: Marketing: Ischa Buchanan, Jea- Adam Dorobiala nette D. Moses, Jessica Davis, Billy Copy Editing Team: Jeanette D. Ditzig, Hailee Jacobson, Stephanie Moses, Rebecca Vernon, Ricky Buschardt, Giselle Vickery, Veg Vollum, Vigil, Esther Meroño, Liz Phillips, Katie Josh Dussere, Chrissy Hawkins, Emily Panzer, Rio Connelly, Joe Maddock, Burkhart, Rachel Roller, Jeremy Riley. Alexander Ortega, Mary Enge, Kolbie SLUG GAMES Coordinators: Mike Stonehocker, Cody Kirkland, Hannah Brown, Jeanette D. Moses, Mike Reff, Christian. Sean Zimmerman-Wall, Adam Doro- Daily Calendar Coordinator: biala, Jeremy Riley, Katie Panzer, Jake Jessica Davis Vivori, Brett Allen, Chris Proctor, Dave [email protected] Brewer, Billy Ditzig. Social Networking Coordinator: Distribution Manager: Eric Granato Katie Rubio Distro: Eric Granato, Tommy Dolph, Cover Photo: “Drawn” by Jake Garn Tony Bassett, Joe Jewkes, Jesse See page 18 Hawlish, Nancy Burkhart, Adam Heath, Design Interns: Adam Dorobiala, Adam Okeefe, Manuel Aguilar, Chris Eric Sapp Proctor, David Frohlich. Ad Designers: Todd Powelson, Office Interns: Jessica Davis, Jeremy Kent Farrington,
[Show full text]
Nicolas Vernhes Complete CV
Nicolas Vernhes Producer/Mixer New York based producer Nicolas Vernhes is internationally recognized for his work with artists such as Animal Collective, Dirty Projectors and Deerhunter and more recently 1,2,3. As the founder of Rare Book Room Studios in Brooklyn, he has also introduced a record label of the same name, which has recently released the self-titled debut album from Banjo Or Freakout. Atlas Sound “Parallax” Co-Prod/Mix Sondre Lerche “Sondre Lerche” Co-Prod/ Mix Jesper Mortensen Forthcoming EP Prod/ Mix Small Black Forthcoming Album Mix So So Glos Forthcoming EP Prod/ Mix Dirty Projectors/Bjork “Mount Wittenberg Orca”/ Album Prod/ Mix Spoon “Transference” / Album Eng/Mix Talk Normal “Sugarland”/ Album Prod/ Mix Banjo Or Freakout Forthcoming Album Prod/ Mix Lights “Rites”/ Album Prod Black Dice “Repo’ / Album Prod Deerhunter “Rainwater Cassette Exchange”/ Album Prod White Rabbits “It’s Frightening” / Album Eng Spoon “Got Nuffin’”/ Album Prod Mike Bones “Fool For Everyone”/ Album Mix Fischerspooner “Entertainment”/ Allbum Prod/ Prog Dirty Projectors “Bitte Orca”/ Album Prod/ Mix Jay Reatard “Matador singles ‘08” Prod Animal Collective “Water Curses”/ EP Mix Deerhunter “Microcastle”/ Album Prod/ Mix Animal Collective “Strawberry Jam”/ Album Prod/ Mix Black Dice “Load Blown”/ Album Prod/ Mix Deerhunter “Fluorescent Grey”/ EP Mix Deerhunter “Cryptograms”/ Album Mix Oakley Hall “Second Guessing”/ Album Prod/ Mix Oneida “Happy New Year”/ Album Prod/ Mix Oneida “The Wedding”/ Album Prod/ Mix Levy “Rotten Love”/ Album Mix Fischerspooner
[Show full text]
The Rise of Geofilters Coverfeature
06–07 Tools NY:LON Connect 08-09 Campaigns Gorillaz, Ed Sheeran, Kygo, Skepta 10-14 Behind The Campaign Little Mix JANUARY 18 2017 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 171 THE RISE OF GEOFILTERS COVERFEATURE THE RISE OF AROUND THE WORLD GEOFILTERS When we spoke to marketing teams at the end of last year, we asked them to pick the one tool that really came into its own for them in 2016. Many named geofilters – particularly those on Snapchat – as the standout tool of the year. So we decided to speak to them in terms of both how and why they are using them. Cost and accessibility are big factors as acts of any size can use Geofilters without breaking the bank. Deploying them around concerts seems to be the current trend for most, although everyone is keen to find a variety of use cases for them. Fans clearly like them, but those not totally sold on the idea say their success and value is often implied rather than measurable. That said, they will only become more commonplace this year and the hype around them will only get louder. n 2017, location, location, location is not level; but new location-based filters in Foremost among these new tools are that can be submitted to Snapchat for local just your estate agent’s most wearying digital tools are allowing them to take this Snapchat Geofilters, a special overlay for landmarks and public places; and On- Iadvice; it is also a mantra for digital to ever-more granular levels, right down your Snaps that can only be accessed in Demand Geofilters, which businesses can music marketers.
[Show full text]
The Gospel Side of Specialty Records – the Post-War Period
The Gospel Side of Specialty Records – The Post-War Period by Opal Louis Nations A historical backdrop: It is generally acknowledged that almost from the start of Art Rupe’s involvement in the country’s popular vernacular musics, gospel and spiritual expressions were among his keenest passions. He would often drop in on a church gospel program and sometimes shed a tear when moved by a particular jubilee quartet spinning on a phonograph. Rupe told me that during his boyhood he was exposed to gospel music emanating from the open windows in the summer from the African American Baptist church in his hometown neighborhood in Pennsylvania. Rupe did not fit the stereotypical hard-nosed, cash-driven, stogie-stompin’ record mogul. He was an intelligent, quiet, analytical and compassionate character who not only got involved in disseminating black talent to make a quick buck but genuinely enjoyed the musics he put out. At the close of gospel’s golden age, when the 1960s came around, the popular music industry began to transform itself into one that conjoined politics with culture. 1964 saw the advent of “The British Invasion.” A year later rock & roll had fully matured into rock and its separate audiences had blended into one and, says Philip H. Ennis in his 1992 book, The Seventh Stream (the seven different types of popular __________________________________________________________ The Gospel Side of Specialty Records, p./1 © 2011 Opal Louis Nations music, published by Wesleyan University Press), the musical materials and performers from the separate streams were combined to form a new and different idiom with its own artists and music.
[Show full text]
Lyricsfandom Release 0.1
lyricsfandom Release 0.1 May 22, 2020 Getting Started 1 Getting Started 1 2 Examples 3 3 lyricsfandom 5 4 lyricsfandom.music 15 5 Indices and tables 23 Python Module Index 25 Index 27 i ii CHAPTER 1 Getting Started 1.1 Installation Install lyricsfandom package from PyPi: pip install lyricsfandom Or from GitHub: git clone https://github.com/arthurdjn/scrape-lyricwiki 1.2 Usage You can use the simpliﬁed API to look for lyrics and music. Example: from lyricsfandom import LyricWiki # Connect to the API wiki= LyricWiki() # Search for an artist. `LyricsFandom` is not case sensitive. artist= wiki.search_artist('london grammar') artist Output: Artist: London Grammar Then, you can search for albums too. Example: 1 lyricsfandom, Release 0.1 # Search for an album album= wiki.search_album('london grammar','if you wait') album Output: London Grammar: Album "If You Wait" (2013), Songs: 17 Finally, you can scrape for songs. Example: # Search for an album song= wiki.search_song('london grammar','strong') song Output: London Grammar: "Strong" from Album "If You Wait" (2013) . and scrape lyrics. Example: # Search for an album lyrics= song.get_lyrics() print(lyrics) Output: Excuse me for a while While I'm wide eyed And I'm so damn caught in the middle I've excused you for a while While I'm wide eyed And I'm so down caught in the middle And a lion, a lion roars Would you not listen? If a child, a child cries Would you not forgive them? [...] 2 Chapter 1. Getting Started CHAPTER 2 Examples The requests should be made from the API.
[Show full text]