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Daughter Not to Disappear
Release Date: January 15th 2016 Daughter Not To Disappear Nearly three years after the release of their debut If You Leave, Daughter – the London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella – will return in 2016 with a new album entitled Not To Disappear. Produced by Haefeli and Nicolas Vernhes (Animal Collective, Deerhunter, The War On Drugs) and recorded over the course of a ‘The World Is Spinning Around’ painting by Sarah Shaw summer in New York, at Vernhes’ Rare Book Room studio in Greenpoint, Brooklyn, Not To Disappear finds Daughter evolving in TRACKLISTING 1. New Ways interesting ways with confident strides forward both sonically and 2. Numbers lyrically. Profoundly ruminative and lugubrious, bold and direct, 3. Doing The Right Thing it’s arguably even more assertive and compelling than its much- 4. How lauded predecessor. There are the usual intricate dynamics at 5. Mothers play – Tonra’s gauzy, fragile voice, delivering powerful, anguished 6. Alone/With You 7. No Care words detailing her inner turmoil, fusing seamlessly with Haefeli’s 8. Belong tight, melodic guitar and Aguilella’s rolling drums – but the sound, 9. Fossa oozing depth and resonance, feels infinitely richer. 10. Made Of Stone UK TOUR DATES As the trio have matured as musicians so has their collective November creative eye toward visuals. Daughter invited filmmakers Iain 16th – GLASGOW, Art School 18th – BRISTOL, Trinity Forsyth & Jane Pollard (directors of the Nick Cave film 20,000 th Days on Earth, and Daughter’s own 4AD Session and ‘Still’ video) 19 – LONDON, St. John-at-Hackney SOLD OUT to create three films for Not To Disappear. -
ALBUMS CHART: P.20 APRIL 25,1981 0 N the Record of the Future
SINGLES CHART: P.9: ALBUMS CHART: P.20 APRIL 25,1981 The record of the future mugENwa a 1 n 0 EXHIBITORS' STANDS are filling up fast for the 3rd annual Dealer Tour, organised by Music & Video Week and scheduled to visit seven regional centres during THE COMPACT disc, lipped by its developing companies as the record of the September. Europe's leading music business paper 90p future, seen alongside a conventional LP and the Sony and Philips CD players. Judging by (he bookings coming in, it looks as if dealers Dealer asks attending the shows will be able to meet exhibitors when is RRP THE LASER BEAM from large and small record companies as well as the newly opened not RRP? video companies. A DISPUTE over whether telling Note the dates in your the public what they can "expect COMPACT DISC to pay" for a record is the same diary now: September 15, as re-imposing RRP has been Bristol Holiday Inn; aired by dealers who object to September 17, price stickers on two recent WEA Birmingham, Albany releases. The Saxon picture disc of And MAKES ITS BOW Hotel; September 21 The Bad Played On, and the Newcastle, Gosforth Park SALZBURG: The compact the compact disc's development, to be no more expensive than a Hotel; September 22 Echo and the Bunnymen describe these as "revolutionary conventional high-class record Crocodiles 12-inch four-track disc digital audio system was improvements" which, coupled with player. J. J. G. Ch. van Tilburg of Glasgow, Albany Hotel; single, were both stickered by introduced to the September 24 Leeds, WEA with the wording "expect "substantially better sound Philips expressed confidence that to pay around £1.05". -
Sonntags Im Bistro Grottino, Sommer 2015 (16.59H Bis Ca
Sonntags im Bistro Grottino, Sommer 2015 (16.59h bis ca. 19.08h) Set vom 7.6. Real Estate: Past Lives Department of Eagles: No One Does It Like You Unknown Mortal Orchestra: So Good… Ruby Suns: Oh Mojave The Congos: Fisherman The Upsetters: Big Gal Sally Beastie Boys: Song for the Man Captain Beefheart: Abba Zaba Destroyer: Del Monton Magnetic Fields: The Luckiest Guy… Beck: Black Tambourine Can: Halleluhwah Dorothy Collins: Lightworks (Raymond Scott) Erykah Badu: Soldier Digable Planets: Black Ego Calexico: Not Even Stevie Nicks Avey Tare's Slasher Flicks: Little Fang Panda Bear: Boys Latin Deerhoof: Super Duper Rescue Head Daniel Johnston: The Sun Shines Down Gil Scott Heron: Home Is Where the Hatred Is Timmy Thomas: Why Can't We Live Together The Four Tops: Baby I Need Your Loving Matthew E. White: Golden Robes William Onyeabor: Atomic Bomb Connan Mockasin: Megumi the Milkyway Above Django Django: Found You Atlas Sound: Walkabout Islands: Jogging Gorgeous Summer Tame Impala: Let it Happen The Notwist: Gloomy Planets Dan Deacon: Feel the Lightning Tocotronic: Spiralen Destroyer: Kaputt Set vom 14.6. Simone White: Flowers in May Beach House: Walk in the Park Peaking Lights: All the Sun That Shines The Slits: Man Next Door Jaako Eino Kalevi: Deeper Shadows Sisyphus: Lion's Share The Soundcarriers: So Beguiled Toro y Moi: Empty Nesters Kyu Sakamoto: Sukiyaki Homeboy Sandman: Holiday (Kosi Edit) Real Estate: Crime Devendra Banhart: Won't You Come Over Yo La Tengo: Automatic Doom Caribou: Melody Day Chris Cohen: Don't Look Today Unknown Mortal Orchestra: Can't Keep Checking My Phone John Cale: Hanky Panky Nohow Mac DeMarco: Let Her Go Girls: Oh So Protective One Stereolab: Fuses Beck: Tropicalia Cloud One: Atmosphere Strut Remix 1979 Cliff King Solomon: But Officer! Ariel Pink: Baby Frank Ocean: Forrest Gump Animal Collective: Rosie Oh Alexis Taylor: Am I Not A Soldier? Freddie Gibbs & Madlib: Shame (Instrumental) Arthur Russell: That's Us / Wild Combination The Streets: Never Went to Church Jacques Palminger: Wann strahlst Du? Dick Justice: Henry Lee Set vom 21.6. -
WEGART NOVINKY – DECEMBER 2010 – 2. Časť
WEGART NOVINKY – DECEMBER 2010 – 2. čas ť Brian Eno – Small Craft On A Milk Sea (Warp) Brian Eno a Warp sa kone čne spojili. Obe mená majú rovnaké miesto na panteóne elektronickej hudby, takže je to úplne logické pretnutie. Eno tento žáner definoval a Warp zmapovali to najdôležitejšie z elektronickej scény za posledné 2 dekády. Nový album je výsledkom nieko ľkoro čnej spolupráce Ena s 2 mladými skladate ľmi, Jonom Hopkinsom a Leom Abrahamsom. Je to atmosferická nahrávka, ktorá prechádza od Enových charakteristických ambientno-éterických zvukov až k dynamickejším polohám s dominujúcou gitarou. Tento kohézny album by sa mal po čúva ť ako celok, v ktorom sa dá postupne vystopova ť zrete ľná emocionálna trajektória každej skladby. CD 16,00 € (482 SK) Kat. č. WARPCD207 Peter Broderick – Music For Falling FromTrees (Erased Tapes) 30-minútová kompozícia, ktorú Peter Broderick zložil pre projekt sú časného tanca londýnskej choreografky Adrienne Hart. Tanec rozpráva príbeh muža v psychiatrickej lie čebni, ktorý bojuje o zachovanie vlastnej identity. Ke ďže Adrienne h ľadala soundrack založený na klavíri a slákoch, Peter odložil gitaru a spev a sústredil sa výhradne na tieto nástroje: "Rozhodol som sa vzia ť to doslovne a vytvoril som pravidlo nepouži ť žiadny iný nástroj. Ak bol v scenári napriklad zvuk tikania hodín, vytvoril som ho búchaním na telo huslí svojimi nechtami." Výsledok ponúka hudbu, ktorá je miestami melancholická, miestami hravá či chaotická, no v prevedení zvolenej kombinácie nástrojov je vždy plná krásy, vážnosti a úžasu. CD 15 € (452 Sk) Kat. č. ERATP015CD Wildbirds & Peacedrums – The Snake (The Leaf Label) Už debutový album experimentálneho švédskeho dua Wildbirds & Peacedrums priniesol skupine pozitívny ohlas, ako aj prestížne ocenenie Jazz In Sweden za najlepší jazzový akt roka 2008. -
ALSO INSIDE: in Memorium: P.J.—Warrior Dash Comes to the 979
VOL.3 MARCH 2011 — ISSUE3 ALSO INSIDE: In Memorium: P.J.—Warrior Dash Comes To the 979—Brazos County Metal News— GeekBiz 101—Dahli Rama—Reading Rocks—CD Reviews—Concert Calendar—Spoo—More Spoo 979 Represent 2 In Memorium: PJ A lot of us gripe about living in B/CS. Not enough to do, too many uptight people, etc... Growing up for the most part in this town, I like most people, couldn't wait to get the hell out of here. And I did. Then I came 979Represent is a local magazine back. It happens. My perspective of this community has really changed over the last 10 years that we have for the discerning dirtbag. been back here. I have come to really embrace the good friends I have made here, my family being close by, and the fun things we have come up with to stay busy. My perspective has, again, Editorial bored changed. Kelly Minnis—Atarimatt—Niki Pistols February 21, 2011 my oldest nephew Bobby 'PJ' Williams passed away. He truly was one of the sweetest kids I have ever known and I am so glad that he and I were close. He always had a smile on his face and a big hug for everyone that he loved. He was fiercely Art Splendidness protective of his family and friends and always showed it. He was Wonko The Sane the kind of person that would do anything to help someone else out and expect nothing in return, simply because he loved you. Distributrix I am sure I don't have to say how devastated my entire family is by his death. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
Earwax Final.Indd
page 22 the paper november 18, 2009 it shrugs its shoulders.” Easing the acerbity, she repeats these lines to end the record peace- fully, its storm having passed. With this consistent mix of tur- bulence and sweetness, Holy Ghost! sustains a simple rich- ness throughout, seamlessly meandering between folk and soul, fast and slow, and melan- choly and playful. LIL’ WAYNE No Ceilings by Alex Blalock “Okay! No ceilings! Moth- er fucker good mornin’! Dick in your mouth while you’re yawnin’, I’m goin’ in!” These opening lines off the track Namaste. We’re back to 33 unreleased tracks by artists of course, the timeless 3/4-4/4 of strings culminate as Laura “Watch My Shoes” set the normal here at the ‘Wax, and (some famous, others not so polyrhythm. This is cultural ap- tests her larynx’s limits by the mood for Lil’ Wayne’s newest because Fearwax had no new much) primarily in the Highlife propriation done right: a blend- chorus. Punctuated pauses dra- mixtape, No Ceilings. Sched- releases, we have a backlog of genre. Highlife is a combination ing of all of the best bits of the matize her voice as it trills up- uled to drop on Halloween, the new material to get to. Yours of traditional African music and popular musical lexicon of the wards, and violins whine with mixtape was leaked on sites truly staked claim to the lead American funk with a distinctly time rolled up into one neat and a guitar riff that seems to tell such as Datpiff and Biggy Jiggy article this time around, re- Afro-Cuban sentimentality. -
Dossier De Prensa
Dossier de Prensa NOS PRIMAVERA SOUND EDICIÓN 2016 CARTEL 2016 PARQUE DA CIDADE ORGANIZACIÓN Y COLABORADORES ENTRADAS Y PUNTOS DE VENTA EDICIÓN 2012 EDICIÓN 2013 EDICIÓN 2014 EDICIÓN 2015 CONTACTOS BIOGRAFÍAS 2 NOS PRIMAVERA SOUND NOS Primavera Sound es el homólogo portugués del festival Primavera Sound que se celebra en Barcelona desde hace 15 años. La ciudad de Oporto acogerá por quinto año consecutivo la edición lusa, que se celebrará entre el 9 y el 11 de junio en el Parque da Cidade. El cartel de NOS Primavera Sound contará con una amplia selección de artistas internacionales, así como una significativa representación de artistas de la escena musical portuguesa. La línea artística sigue las mismas directrices que el de Barcelona, que se distingue por la variedad de estilos y por su apuesta por nuevos valores, destacando tanto la escena musical local como a artistas con largas y respetadas carreras. Tras consolidar su éxito en la quinta edición, NOS Primavera Sound se ha convertido en parada obligatoria dentro del circuito de festivales del la Europa. La excelente localización geográ ca de Oporto, lo bien comunicada que está con el resto de Europa y la distinción del festival dentro del panorama musical portugués contribuyen al crecimiento de la ciudad, a su proyección como capital cultural y a su dinamización internacional como destino turístico. 3 EDICIÓN 2016 NOS Primavera Sound acaba de dar a conocer el cartel completo de su quinta edición. Tras anunciar la presencia del dúo francés Air, autores de notables discos como “Moon Safari o la BSO de “Las Virgenes Suicidas”, el festival revela los nombres que, entre el 9 y el 11 de junio, pasarán por el emblemático Parque da Cidade de Oporto. -
Constellation
CONSTELLATION La critica musicale ha spesso identificato alcuni generi musicali con le città nelle quali si erano sviluppati, arrivando a far coincidere musica e toponomastica come nel caso del Canterbury sound o del Madchester. In realtà di solito si è trattato di un tentativo di semplificare la realtà per rendere intelligibili fenomeni la cui complessità sarebbe stata di difficile comprensione alla maggioranza dei lettori delle varie riviste del settore; basti pensare alla San Francisco psichedelica, al country di Nashville, all'elettronica berlinese, alla Seattle grunge o a Londra per il punk, ecc. Detto ciò, in pochi avrebbero immaginato che nel novero di queste “capitali” musicali sarebbe apparso il nome di Montreal, principale città del Quebec canadese. Eppure se dovessimo cercare una città con la quale identificare il post- rock degli anni Duemila non potremmo che guardare verso questa metropoli di più di un milione e mezzo di abitanti, se non altro per l’etichetta discografica indipendente Constellation records che vi ha sede. Nata nel 1997, la Constellation si è fin da subito caratterizzata per le “ostiche” scelte musicali e di marketing, dimostrando negli anni un'ammirevole coerenza che le ha permesso di intercettare le espressioni più avanzate e innovative del movimento post-rock canadese – ovvero il meglio del post-rock tout-court –, distinguendosi commercialmente dalle tante etichette indipendenti grazie a confezioni in digipack dominate da colori tenui e da un’originalità grafica e iconografica che diventa determinante nel trasmettere anche visivamente i contenuti musicali. Ma forse per comprendere il percorso qui proposto occorre partire dall’inizio, ovvero dalla definizione di Post-rock. -
Barocke Dunkelheit
# 2019/02 dschungel https://jungle.world/artikel/2019/02/barocke-dunkelheit »Why Hasn’t Everything Already Disappeared?« - Das neue Album von Deerhunter Barocke Dunkelheit Von Maik Bierwirth Das achte Album der Indierock-Band Deerhunter klingt nach Baroque Pop aus den sechziger Jahren. Bradford Cox und seiner Band Deerhunter ist mit »Why Hasn’t Everything Already Disappeared?« ein kurzweiliges Album gelungen. Auf dem achten Longplayer der Band aus Athens, Georgia, verfeinern Anleihen aus dem Baroque Pop den versponnenen, stets von den Sixties inspirierten Indierock der Gruppe. Bereits bei der Vorabsingle »Death in Midsummer« dominiert nicht die Gitarre, sondern ein markantes Cembalo (gespielt von der walisischen Musikerin und Produzentin Cate Le Bon), das so klingt, als wolle sich die Band in Richtung von The Left Banke verbeugen, deren Popsongs mit Cembalo und Streicherarrangements vor gut 50 Jahren erstmals das Attribut »barock« zugesprochen wurde. Daraus entstand ein ganzes Genre aus mal opulentem, mal subtilerem Orchestereinsatz in der Musik zwischen Mitte der sechziger und Mitte der siebziger Jahre, wie man ihn bei zahlreichen Stücken der Beatles und Beach Boys aus dieser Zeit hören kann, aber ebenso bei psychedelischen Rockbands wie den Zombies und den Kinks. Scott Walker prägte auf seinen Soloalben ab 1967 einen besonderen Kammerpop und reizte die orchestralen Möglichkeiten in der Popmusik wohl am weitesten (und brillantesten) aus. Im Übrigen ist diese Spielart nicht zu verwechseln mit all den grauenvollen Anbiederungsversuchen aus der kommerziellen klassischen Musik in Richtung Populärkultur, Stichwort »Classic meets Rock«. Der Begriff Baroque Pop als retrospektive Stilbezeichnung setzte sich indessen erst Jahrzehnte später durch. Der morbide Titel des Albums liefert das Leitmotiv für alle Texte. -
The Cd Central Staff
CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 WELL, HELLO! It’s been another fun year at CD Central! Certainly one filled with ups and downs (thinking about the Limestone road project here) but the bottom line is we’ve enjoyed bringing some great music to Lexington, both live and on disc. This booklet is our annual recap of some of the year’s brightest musical highlights. One of the great things we can look back at this year is our participation in Local First Lexington. All of the members of LFL are locally-owned, independent businesses who do great things for our community. These are the businesses that make Lexington a unique place among a sea of national chain stores. Please make it one of your New Year’s resolutions to “Think Local First” when making your buying decisions in the coming year. It feels good to shop local and it makes Lexington a better place. -
Democrats Triumph? 3929 Julie D
Property of the Watertown Historical Society watertownhistoricalsociety.org TTimee C Coverage Of News In The Fastest Growing Community In Litchfield County a> in Vol.'41 No. 44 SUBSCRIPTION PRICE $12.00' PER'YEAR Car. Rl, P.S. PRICE 30 CENTS Nov. 6/4986. Election Scoreboard ••.,'fl Hem. Vk. Judson Swift Polk Total (68-01) (68-02) (68-03) (76-04) GOVERNOR •William A. O'Ncill (D> 1397 514 856 1162 Democrats Triumph? 3929 Julie D. llclaga. (R) 1055 424 S19 703 2701 Font l.onjjn (Ut 44 15 29 46 134 Republicans. Ousted -'From U.S. SENATOR, 'Christopher J. Dodd (»)• 1404 514 (W5 1217 4020 Koger W. Eddy <R> 1030 425 483 661 2599 Local State House Seats Eduaid J. McCaUuin Jr. TO 1,5 4 9 10 38 CONGRESS, SIXTH DISTRICT portion in the 76th district that ousted the one-terra incumbent Paul S. Amenta (D) 860 2,97 598 S4(, 2601 Mclaughlin Wins •Nancy I,-.. Johnson (HI 1574 638 760 i«28 4000 fro in office. STATE SENATOR, 32nd DISTRICT Walertown and Oakvi'lle went, Local voters followed the stale so 1 id I, y be h i n d Re pu b I i c a n i n - Joseph AX". Rod (Dt 750 261 536 793 ,2340 trend arid helped, rclurn incumbent Mamie McLaiiRihlin (Rl 1687 671 S2.2 2103 .5283 cumbcnls- Nancy L. Johnson, the Democrats Gov. William A. Sixth District congresswonian fro in .STATE REPRESENTATIVE. 68th DISTRICT O'Neill and U.S. Senator Chris- New Britain, and Jamie (68-01) (68-02) (68-03) Wcndbury Total topher J.