ALSO INSIDE: in Memorium: P.J.—Warrior Dash Comes to the 979
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Daily Egyptian, February 10, 2011
Southern Illinois University Carbondale OpenSIUC February 2011 Daily Egyptian 2011 2-10-2011 The Daily Egyptian, February 10, 2011 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_February2011 Volume 96, Issue 98 This Article is brought to you for free and open access by the Daily Egyptian 2011 at OpenSIUC. It has been accepted for inclusion in February 2011 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. / t .. ,; .. ,i~:';Thurscay,Febru~y 10, 2011 . ;, ... <.~! . I' I~eit1}S,~1;~~,w~11~:~~~(tt~~. ~t~Jri1~Y.ff'~§Cl~ JULIE SWENSON -: .. · . compllatJoru,Jro:n pulmomry 6brods. · un!vM!ty's puslng or the tultlon rati Dally Egyptian • . ., ,;' '. ~ . a Jung d1seuc., Th« Rmto~ r.atlvuc- .. rrcai wt .year, stU PmlJ~t Glenn ·· ·'-cdvcdboth,lmhdorofSdcncedcgrce~.Poshardhid.;.,, l_.~ -·;·· <, ,. .-' The Board ur Trustttt announced a and a Mute\' of Sdcnc.e In. spfflh and, .· '. , Sanden a:1d h!J wif'c. Carol. mated mrmorW scnicc will be hdd for for•' psyrhology from SIUC. and he iermJa, , .· the Keith and Carol Sande:, Alumni mer trustee Keith Sffldcn at l p.m. dean or the College or Mass CommurJ- ·, : Scholanhlp for hlgh-achlcvlng. low• Friday In Shryock Aud1torlwn with a cation and Fine Arts from 1983 to 1989. · Income Franklin ~ midcnt~ ,IG rcccptlon afterward. SanC:crs' mwion was to ensure aC- they could attend SlUC:- Mc:morfab Sanden, who WU 71, scrnd on the .rordabic hlghu education wu an.llable an be don,t~ to th.it hind at the SIU board since 2004. He ~- Jan. -
Obenchain Travelled to “Year After Year, the Rites of Soon
TODAY’s WEATHER LIFE SPORTS Check out the review of Q&A with John Jenkins about his recent Cut Copy’s new album performance and the Commodores “Zonoscope” performance away from home SEE PAGE 5 SEE PAGE 6 Chance of rain 68 / 40 THE VANDERBILT HUSTLER THE VOICE OF VANDERBILT SINCE 1888 FRIDAY, FEBRUARY 18, 2011 WWW .INSIDEVANDY.COM 123RD YEAR, NO. 17 CAMPUS NEWS Music Group STUDENT NEWS announces Rites Student uses pearl of Spring lineup profits to clean water CHRIS MCDONALD Senior combines Staff Writer business and Kid Cudi and The National will headline this year’s Rites of humanitarian efforts Spring music festival, the Music Group announced Thursday to bring clean water to night. Joining the headliners is an Bangladesh. array of other acts representing a wide variety of genres. KID CUDI LAUREN JANSEN “The Music Group works Staff Writer hard to bring a top-notch line- hop group, the legendary Public up of artists to campus for their Enemy will also perform. While most Vanderbilt students peers and the community,” said The full line-up and further enjoyed a relaxing fall break among Xiaoyu Qi and Lauren Richman, details, including the festival’s friends and family this past October, co-chairs for the Music Group. schedule, will be announced senior Tommy Obenchain travelled to “Year after year, the Rites of soon. Rites of Spring will take the country of Bangladesh to oversee Spring Music Festival delivers place this year on Friday, April the installation of a pilot water filtration something for everyone 15 and Saturday, April 16. -
The Beacon, October 21, 2009 Florida International University
Florida International University FIU Digital Commons The aP nther Press (formerly The Beacon) Special Collections and University Archives 10-21-2009 The Beacon, October 21, 2009 Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/student_newspaper Recommended Citation Florida International University, "The Beacon, October 21, 2009" (2009). The Panther Press (formerly The Beacon). 373. https://digitalcommons.fiu.edu/student_newspaper/373 This work is brought to you for free and open access by the Special Collections and University Archives at FIU Digital Commons. It has been accepted for inclusion in The aP nther Press (formerly The Beacon) by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. A Forum for Free Student Expression at Florida International University Vol. 22, Issue 31 www.fiusm.com Wednesday, October 21, 2009 Learn grandma’s Spanish Rocky Horror Picture Show lentils for upcoming winter comes to FIU this week PAGE 5 PAGE 7 SPOTLIGHT SGC-MMC AT thE BAY PAGE 5 Students get to talk about relation- ships, sex, cheating at the Women’s Resolution Center forum, and everyone is welcome! PRETTY IN PINK opiNioN PAGE 6 calling for Volleyball team really ‘digs’ helping cancer foundation restructure of Getting Schooled: Students should visit universities in order to learn JULIA CARDENUTO “This wouldn’t have been possible without SGA passes more about prospective programs. News Director them,” Tomic said. All of the proceeds will be donated to the opiNioN PAGE 6 FRANCISCO MARADIAGA Susan G. Komen for the Cure Foundation, which In light of his progress in the econo- The women’s volleyball team will “dig pink” Staff Writer my, foreign policy and health care, this Friday by helping raise money for breast the volleyball players have already volunteered does Obama make the grade? cancer awareness during the match against and worked for. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
Lonnie Holley a Voice from Another Time
For Immediate Release 14 November 2017 Contact: Jodi Joseph Director of Communications 413.664.4481 x8113 [email protected] Lonnie Holley A voice from another time NORTH ADAMS, MASSACHUSETTS — Artist and musician Lonnie Holley recorded his first album in 2012 at age 62 after making home recordings for more than two decades. Holley’s music, like his art, defies classification — haunting vocals, keyboards, and new renditions of songs with every performance. He has collaborated with musicians such as Dirty Projectors, Animal Collective, Bill Callahan, and Bon Iver. Holley’s medium is the moment. On Saturday, December 2, at 8pm, he’s here with a new band, playing new arrangements and new songs: you’ll only hear it once. Currently featured in the exhibition Thumbs Up For the Mothership, Alabama-born artist Holley has devoted his life to the practice of improvisational creativity since 1979. Born in 1950 as the 7th of 27 children, his art and music came out of struggle, hardship, and, perhaps most importantly, furious curiosity and biological necessity. His art has manifested itself in drawing, painting, sculpture, photography, performance, and sound. Self-taught, he started carving sculptures from discarded sandstone when he was 29, eventually broadening his material to anything and everything, often collected on long rambling walks. These objects, already imbued with cultural and artistic metaphor, combine into narrative pieces that commemorate places, people, and events, often delving into issues of ecology and social justice. His sculptures exist almost as three-dimensional sketches for ideas and stories, influencing the songs he writes. Similar to the spontaneous nature of his sculptures, Holley’s music is somewhere between — and perhaps beyond — Sun Ra and spoken-word poetry. -
Earwax Final.Indd
page 22 the paper november 18, 2009 it shrugs its shoulders.” Easing the acerbity, she repeats these lines to end the record peace- fully, its storm having passed. With this consistent mix of tur- bulence and sweetness, Holy Ghost! sustains a simple rich- ness throughout, seamlessly meandering between folk and soul, fast and slow, and melan- choly and playful. LIL’ WAYNE No Ceilings by Alex Blalock “Okay! No ceilings! Moth- er fucker good mornin’! Dick in your mouth while you’re yawnin’, I’m goin’ in!” These opening lines off the track Namaste. We’re back to 33 unreleased tracks by artists of course, the timeless 3/4-4/4 of strings culminate as Laura “Watch My Shoes” set the normal here at the ‘Wax, and (some famous, others not so polyrhythm. This is cultural ap- tests her larynx’s limits by the mood for Lil’ Wayne’s newest because Fearwax had no new much) primarily in the Highlife propriation done right: a blend- chorus. Punctuated pauses dra- mixtape, No Ceilings. Sched- releases, we have a backlog of genre. Highlife is a combination ing of all of the best bits of the matize her voice as it trills up- uled to drop on Halloween, the new material to get to. Yours of traditional African music and popular musical lexicon of the wards, and violins whine with mixtape was leaked on sites truly staked claim to the lead American funk with a distinctly time rolled up into one neat and a guitar riff that seems to tell such as Datpiff and Biggy Jiggy article this time around, re- Afro-Cuban sentimentality. -
Dossier De Prensa
Dossier de Prensa NOS PRIMAVERA SOUND EDICIÓN 2016 CARTEL 2016 PARQUE DA CIDADE ORGANIZACIÓN Y COLABORADORES ENTRADAS Y PUNTOS DE VENTA EDICIÓN 2012 EDICIÓN 2013 EDICIÓN 2014 EDICIÓN 2015 CONTACTOS BIOGRAFÍAS 2 NOS PRIMAVERA SOUND NOS Primavera Sound es el homólogo portugués del festival Primavera Sound que se celebra en Barcelona desde hace 15 años. La ciudad de Oporto acogerá por quinto año consecutivo la edición lusa, que se celebrará entre el 9 y el 11 de junio en el Parque da Cidade. El cartel de NOS Primavera Sound contará con una amplia selección de artistas internacionales, así como una significativa representación de artistas de la escena musical portuguesa. La línea artística sigue las mismas directrices que el de Barcelona, que se distingue por la variedad de estilos y por su apuesta por nuevos valores, destacando tanto la escena musical local como a artistas con largas y respetadas carreras. Tras consolidar su éxito en la quinta edición, NOS Primavera Sound se ha convertido en parada obligatoria dentro del circuito de festivales del la Europa. La excelente localización geográ ca de Oporto, lo bien comunicada que está con el resto de Europa y la distinción del festival dentro del panorama musical portugués contribuyen al crecimiento de la ciudad, a su proyección como capital cultural y a su dinamización internacional como destino turístico. 3 EDICIÓN 2016 NOS Primavera Sound acaba de dar a conocer el cartel completo de su quinta edición. Tras anunciar la presencia del dúo francés Air, autores de notables discos como “Moon Safari o la BSO de “Las Virgenes Suicidas”, el festival revela los nombres que, entre el 9 y el 11 de junio, pasarán por el emblemático Parque da Cidade de Oporto. -
Cut Copy Bright Like Neon Love Mp3, Flac, Wma
Cut Copy Bright Like Neon Love mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Bright Like Neon Love Country: US Released: 2004 Style: Leftfield, House, Electro, Disco MP3 version RAR size: 1694 mb FLAC version RAR size: 1913 mb WMA version RAR size: 1701 mb Rating: 4.4 Votes: 767 Other Formats: MIDI RA AC3 DMF WMA MPC MMF Tracklist Hide Credits 1 Time Stands Still 4:34 2 Future 5:12 3 Saturdays 3:37 4 Saturdays (Reprise) 1:38 5 Going Nowhere 3:40 6 DD-5 0:26 7 That Was Just A Dream 2:33 8 Zap Zap 2:41 9 The Twilight 5:24 Autobahn Music Box 10 4:30 Acoustic Guitar [Original] – Dougal Binns 11 Bright Neon Payphone 3:52 12 A Dream 3:45 Companies, etc. Distributed By – Alternative Distribution Alliance Phonographic Copyright (p) – Modular Recordings Copyright (c) – Modular Recordings Recorded At – The Soft Centre Recorded At – Capitol Studios, Paris Mixed At – Capitol Studios, Paris Mastered At – The Exchange Credits Artwork, Design – Alter Bass [Original] – Bennett Foddy Drums [Live] – Mitchell Scott Guitar [Original], Bass, Noises – Tim Hoey Handclaps – Fredo*, Julien*, Philippe* Mastered By – Mike Marsh Mixed By – Jeff Dominguez (tracks: 3 to 5), Julien Delfaud (tracks: 7 to 10, 12), Philippe Zdar (tracks: 1, 2, 11) Mixed By [Assisted By] – Frédo Nlandu*, Pierrick Devin Producer, Written-By, Synth, Drum Machine, Guitar, Vocals, Bass – Dan Whitford Recorded By – Chris Scallan* Barcode and Other Identifiers Barcode (Text): 8 98926 00012 5 Matrix / Runout: Z24175 4 MOD2 1-2 01 MOS1 Mould SID Code: IFPI 2U8K Other versions -
Barocke Dunkelheit
# 2019/02 dschungel https://jungle.world/artikel/2019/02/barocke-dunkelheit »Why Hasn’t Everything Already Disappeared?« - Das neue Album von Deerhunter Barocke Dunkelheit Von Maik Bierwirth Das achte Album der Indierock-Band Deerhunter klingt nach Baroque Pop aus den sechziger Jahren. Bradford Cox und seiner Band Deerhunter ist mit »Why Hasn’t Everything Already Disappeared?« ein kurzweiliges Album gelungen. Auf dem achten Longplayer der Band aus Athens, Georgia, verfeinern Anleihen aus dem Baroque Pop den versponnenen, stets von den Sixties inspirierten Indierock der Gruppe. Bereits bei der Vorabsingle »Death in Midsummer« dominiert nicht die Gitarre, sondern ein markantes Cembalo (gespielt von der walisischen Musikerin und Produzentin Cate Le Bon), das so klingt, als wolle sich die Band in Richtung von The Left Banke verbeugen, deren Popsongs mit Cembalo und Streicherarrangements vor gut 50 Jahren erstmals das Attribut »barock« zugesprochen wurde. Daraus entstand ein ganzes Genre aus mal opulentem, mal subtilerem Orchestereinsatz in der Musik zwischen Mitte der sechziger und Mitte der siebziger Jahre, wie man ihn bei zahlreichen Stücken der Beatles und Beach Boys aus dieser Zeit hören kann, aber ebenso bei psychedelischen Rockbands wie den Zombies und den Kinks. Scott Walker prägte auf seinen Soloalben ab 1967 einen besonderen Kammerpop und reizte die orchestralen Möglichkeiten in der Popmusik wohl am weitesten (und brillantesten) aus. Im Übrigen ist diese Spielart nicht zu verwechseln mit all den grauenvollen Anbiederungsversuchen aus der kommerziellen klassischen Musik in Richtung Populärkultur, Stichwort »Classic meets Rock«. Der Begriff Baroque Pop als retrospektive Stilbezeichnung setzte sich indessen erst Jahrzehnte später durch. Der morbide Titel des Albums liefert das Leitmotiv für alle Texte. -
De Første Fantastiske Navne Er Klar Til Northside 2018
2017-09-12 12:30 CEST De første fantastiske navne er klar til NorthSide 2018 Billetsalget til den niende udgave af NorthSide startede i fredags, og allerede nu er nogle af de første hovednavne klar til næste års festival. Det er fem stærke og højaktuelle amerikanske navne, der spænder vidt og samtidig udstikker en spændende retning for næste års program. - Det går rigtig hurtigt lige nu, siger talsmand for NorthSide, John Fogde, og fortsætter: - Efterspørgslen efter Early Bird-billetter var meget højere end i tidligere år, og der har i det hele taget været meget større interesse for NorthSide siden sommerens udsolgte festival, end vi har set før. Derfor er vi også virkelig glade for, at vi allerede nu kan sætte fem fantastiske navne på plakaten. Så selvom 2017 var noget helt særligt, kan jeg allerede nu garantere, at der er masser at glæde sig til i 2018. De fem første navne til NorthSide 2018 er: The National Den højaktuelle amerikanske gruppe har netop udsendt sit syvende album, ”Sleep Well Beast”, der som de foregående plader er blevet rost til skyerne af anmeldere både i udlandet og herhjemme, hvor BT, Soundvenue og GAFFA gav fem stjerner. Det samme var tilfældet, da The National tidligere på året var hovednavn på Haven Festival, hvor GAFFA også tildelte fem stjerner efter koncerten. Festivalen er skabt i samarbejde med Dessner-brødrene fra bandet og viser, at The National har et helt særligt forhold til Danmark. Vi skal dog helt tilbage til 2014, siden de sidst gæstede NorthSide, så derfor er det en kæmpe fornøjelse, at de har sagt ja til at vende tilbage til næste år. -
The Cd Central Staff
CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CEN- TRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 CD CENTRAL BEST OF 2009 WELL, HELLO! It’s been another fun year at CD Central! Certainly one filled with ups and downs (thinking about the Limestone road project here) but the bottom line is we’ve enjoyed bringing some great music to Lexington, both live and on disc. This booklet is our annual recap of some of the year’s brightest musical highlights. One of the great things we can look back at this year is our participation in Local First Lexington. All of the members of LFL are locally-owned, independent businesses who do great things for our community. These are the businesses that make Lexington a unique place among a sea of national chain stores. Please make it one of your New Year’s resolutions to “Think Local First” when making your buying decisions in the coming year. It feels good to shop local and it makes Lexington a better place. -
Autolux – Transit Transit 1
DEC. 2010 • VOL. 21 ISSUE # 264 • ALWAYS FREE • SLUGMAG.COM SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 21• Issue # 264 •December 2010 • slugmag.com Publisher: Eighteen Percent Gray [email protected] Editor: Angela H. Brown Jemie Sprankle Managing Editor: [email protected] Jeanette D. Moses Shauna Brennan Editorial Assistant: Ricky Vigil [email protected] Action Sports Editor: Marketing: Ischa Buchanan, Jea- Adam Dorobiala nette D. Moses, Jessica Davis, Billy Copy Editing Team: Jeanette D. Ditzig, Hailee Jacobson, Stephanie Moses, Rebecca Vernon, Ricky Buschardt, Giselle Vickery, Veg Vollum, Vigil, Esther Meroño, Liz Phillips, Katie Josh Dussere, Chrissy Hawkins, Emily Panzer, Rio Connelly, Joe Maddock, Burkhart, Rachel Roller, Jeremy Riley. Alexander Ortega, Mary Enge, Kolbie SLUG GAMES Coordinators: Mike Stonehocker, Cody Kirkland, Hannah Brown, Jeanette D. Moses, Mike Reff, Christian. Sean Zimmerman-Wall, Adam Doro- Daily Calendar Coordinator: biala, Jeremy Riley, Katie Panzer, Jake Jessica Davis Vivori, Brett Allen, Chris Proctor, Dave [email protected] Brewer, Billy Ditzig. Social Networking Coordinator: Distribution Manager: Eric Granato Katie Rubio Distro: Eric Granato, Tommy Dolph, Cover Photo: “Drawn” by Jake Garn Tony Bassett, Joe Jewkes, Jesse See page 18 Hawlish, Nancy Burkhart, Adam Heath, Design Interns: Adam Dorobiala, Adam Okeefe, Manuel Aguilar, Chris Eric Sapp Proctor, David Frohlich. Ad Designers: Todd Powelson, Office Interns: Jessica Davis, Jeremy Kent Farrington,