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Malpaso Dance Company Is Filled with Information and Ideas That Support the Performance and the Study Unit You Will Create with Your Teaching Artist
The Joyce Dance Education Program Resource and Reference Guide Photo by Laura Diffenderfer The Joyce’s School & Family Programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council; and made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Special support has been provided by Con Edison, The Walt Disney Company, A.L. and Jennie L. Luria Foundation, and May and Samuel Rudin Family Foundation, Inc. December 10, 2018 Dear Teachers, The resource and reference material in this guide for Malpaso Dance Company is filled with information and ideas that support the performance and the study unit you will create with your teaching artist. For this performance, Malpaso will present Ohad Naharin’s Tabla Rasa in its entirety. Tabula Rasa made its world premiere on the Pittsburgh Ballet Theatre on February 6, 1986. Thirty-two years after that first performance, on May 4, 2018, this seminal work premiered on Malpaso Dance Company in Cuba. Check out the link here for the mini-documentary on Ohad Naharin’s travels to Havana to work with Malpaso. This link can also be found in the Resources section of this study guide. A new work by company member Beatriz Garcia Diaz will also be on the program, set to music by the Italian composer Ezio Bosso. The title of this work is the Spanish word Ser, which translates to “being” in English. I love this quote by Kathleen Smith from NOW Magazine Toronto: "As the theatre begins to vibrate with accumulated energy, you get the feeling that they could dance just about any genre with jaw-dropping style. -
Motivating Your Mind Inspiring Your Spirit
Motivating your Mind Inspiring your Spirit Motivating your Mind Inspiring your Spirit 2019 e-book Wishing you an inspiring 2019 from Kevin Cottam Dear Reader This e-book has been created from the generosity of 90 Australian, New Zealand, German, Irish, Canadian, American, Asian, South African and United Arab Emirates based authors and industry experts we have known in the MICE* industry starting in the 1980's. Our 2019 e-book writers have over 2,600 years of business experience and 3,850 years in helping others. As colleagues and industry friends, they are innovative, responsible, intelligent and exceptionally talented in their areas of expertise. E-book Purpose Since 2009, our e-books have been created for clients, customers and global readers to enjoy. I trust the stories; insights and case studies can help your business or enhance your personal and professional education. Contributing writers are invited based on their immeasurable value as topic experts and character attributes they have displayed over many years. I deeply appreciate their knowledge and spirit of collegiality in giving to this year's e-book. As a complimentary gift and value added resource from this alliance of contributors, this e-book is FREE. Share it with colleagues, business contacts, friends and those you feel will enjoy the IQ and EQ stories to enhance their knowledge. You can send the e-book via e-mail, a link, through your social media posts, blogs or your mobile device. Download it to your e-reader or lap top to read stories while travelling on a plane, metro train, bus or on your next vacation. -
Daughter Not to Disappear
Release Date: January 15th 2016 Daughter Not To Disappear Nearly three years after the release of their debut If You Leave, Daughter – the London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella – will return in 2016 with a new album entitled Not To Disappear. Produced by Haefeli and Nicolas Vernhes (Animal Collective, Deerhunter, The War On Drugs) and recorded over the course of a ‘The World Is Spinning Around’ painting by Sarah Shaw summer in New York, at Vernhes’ Rare Book Room studio in Greenpoint, Brooklyn, Not To Disappear finds Daughter evolving in TRACKLISTING 1. New Ways interesting ways with confident strides forward both sonically and 2. Numbers lyrically. Profoundly ruminative and lugubrious, bold and direct, 3. Doing The Right Thing it’s arguably even more assertive and compelling than its much- 4. How lauded predecessor. There are the usual intricate dynamics at 5. Mothers play – Tonra’s gauzy, fragile voice, delivering powerful, anguished 6. Alone/With You 7. No Care words detailing her inner turmoil, fusing seamlessly with Haefeli’s 8. Belong tight, melodic guitar and Aguilella’s rolling drums – but the sound, 9. Fossa oozing depth and resonance, feels infinitely richer. 10. Made Of Stone UK TOUR DATES As the trio have matured as musicians so has their collective November creative eye toward visuals. Daughter invited filmmakers Iain 16th – GLASGOW, Art School 18th – BRISTOL, Trinity Forsyth & Jane Pollard (directors of the Nick Cave film 20,000 th Days on Earth, and Daughter’s own 4AD Session and ‘Still’ video) 19 – LONDON, St. John-at-Hackney SOLD OUT to create three films for Not To Disappear. -
Slang in American and British Hip-Hop/Rap Song Lyrics
LEXICON Volume 5, Number 1, April 2018, 84-94 Slang in American and British Hip-Hop/Rap Song Lyrics Tessa Zelyana Hidayat*, Rio Rini Diah Moehkardi Universitas Gadjah Mada, Indonesia *Email: [email protected] ABSTRACT This research examines semantic changes and also the associative patterns of slang, focusing primarily on common topics, i.e., people and drugs. The data were slang terms taken from the lyrics of hip-hop/rap songs sung by four singers, two from the U.S.A and two from the U.K. A total of 105 slang terms were found, 45 of which belong to the people category and 16 to the drugs category in the American hip-hop/rap song lyrics, and in the British hip-hop/rap song lyrics, 26 of which belong to the people category and 18 to the drugs category. Bitch and nigga were found to be the most frequently used slang terms in the people category. In terms of semantic changes, broadening, amelioration, and narrowing were found, and in terms of associative patterns, effect, appearance, way of consuming, constituent, and container associative patterns were found. In addition, a new associative pattern was found, i.e., place of origin. Keywords: associative patterns, people and drugs slang, semantic change, slang. mislead people outside their group. Then, the INTRODUCTION usage of Cant began to slowly develop. Larger “This party is just unreal!” Imagine a person groups started to talk Cant in their daily life. It saying this sentence in the biggest New Year’s Eve was even used for entertainment purposes, such as party in his/her town, with the largest crowd, the in literature. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Výroční Zpráva Za Rok 2016
Deai (Setkání) z.s. Výroční zpráva za rok 2016 Obsah 1. Slovo úvodem ...................................................................................................................... 3 2. Základní údaje ...................................................................................................................... 3 3. Přehled činností.................................................................................................................... 3 4. Podpora projektů -prostory ................................................................................................... 4 5. Více o programech v r. 2016 ................................................................................................ 4 6. Experimentální prostor Roxy/Nod ......................................................................................... 4 6.1. Dramaturgie Roxy .................................................................................................... 4 6.2. Dramaturgie NoD ................................................................................................... 41 6.3. Dramaturgie Events NoD ....................................................................................... 44 6.4. Dramaturgie Galerie NoD ....................................................................................... 47 6.5. Dramaturgie Galerie Video NoD ............................................................................. 51 7. Komunikační prostor Školská ............................................................................................ -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Grime + Gentrification
GRIME + GENTRIFICATION In London the streets have a voice, multiple actually, afro beats, drill, Lily Allen, the sounds of the city are just as diverse but unapologetically London as the people who live here, but my sound runs at 140 bpm. When I close my eyes and imagine London I see tower blocks, the concrete isn’t harsh, it’s warm from the sun bouncing off it, almost comforting, council estates are a community, I hear grime, it’s not the prettiest of sounds but when you’ve been raised on it, it’s home. “Grime is not garage Grime is not jungle Grime is not hip-hop and Grime is not ragga. Grime is a mix between all of these with strong, hard hitting lyrics. It's the inner city music scene of London. And is also a lot to do with representing the place you live or have grown up in.” - Olly Thakes, Urban Dictionary Or at least that’s what Urban Dictionary user Olly Thake had to say on the matter back in 2006, and honestly, I couldn’t have put it better myself. Although I personally trust a geezer off of Urban Dictionary more than an out of touch journalist or Good Morning Britain to define what grime is, I understand that Urban Dictionary may not be the most reliable source due to its liberal attitude to users uploading their own definitions with very little screening and that Mr Thake’s definition may also leave you with more questions than answers about what grime actually is and how it came to be. -
Premises Licence
London Borough of Lambeth Public Protection 2 Herne Hill Road London SE24 0AU Tel: 020 7926 6108 Licensing Act 2003 Premises Licence Premises Licence Number 10/01265/PRMTRN/318 Part 1 – Premises Details Postal address of premises, or if none, ordnance survey map reference or description, including Post Town, Post Code Brixton Academy 211 Stockwell Road London SW9 9SL Telephone number 020 7771 3000 Where the licence is time limited the dates - Licensable activities authorised by the licence Films Performances of Dance Supply of Alcohol Live Music Late Night Refreshment Provision of facilities for Making Music Music and Dance of similar description Recorded Music Plays Provision of facilities for Dancing Provision of Entertainment facilities Times the licence authorises the carrying out of licensable activities Films Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Performances of Dance Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 1 Supply of Alcohol Friday & Saturday 11:00 - 04:00 Sunday - Thursday 11:00 - 03:00 Live Music Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Late Night Refreshment Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Provision of facilities for Making Music Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Music and Dance of similar description Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Recorded Music Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Plays Friday & Saturday 11:00 - 06:00 Sunday - Thursday -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
METRO in Focus 「The Dark Side to Being a Star in a Pop Brand」
12 METRO Tuesday, June 3, 2014 METRO in focus AKB48 are a Japanese girl band with a revolving roster of 140 The band play a members across gig at their own The band has several teams theatre The dark side to sold more than 30m almost every day records The group’sroup’s firstfirst 23 singleses all went to being a star in No.1 in thethe JapaneseJapanese charts.harts. 18 Auditions to join of themm have sold AKB48 are held moree than 1m1m twice ccopiesopies a pop brand a year T WAS a bloody intrusion into the world A week ago, two members of Japanese pop of bright and shiny pop that – in the eyes group AKB48 were injured by an attacker of Japanese teen fans – was akin to the armed with a saw at a meet and greet for stars of One Direction or Little Mix fans. But what makes this girl band – which being put in the firing line. has 140 members – so successful and so ITwo members of girl band AKB48 – Rina controversial? ROSS McGUINNESS reports... Kawaei, 19, and Anna Iriyama, 18 – were injured by an attacker wielding a saw during a meet and greet. and creepy J-Pop phenomenon – so carefully They were treated for wounds to their head contrived, it makes Simon Cowell’s stable of and hands and a 24-year-old was arrested on manufactured pop acts look like free-wheel- AKB is short for Akihabara, suspicion of attempted murder. ing rock ‘n’ rollers. the area of Tokyo where But as the group’s young followers got over Let’s start with the band’s latest single – their theatre is based. -
Discourse and Identity: Representations of Women in Little Mix’S Songs
DISCOURSE AND IDENTITY: REPRESENTATIONS OF WOMEN IN LITTLE MIX’S SONGS BY ALYA AISYAH BINTI AMRAN INTERNATIONAL ISLAMIC UNIVERSITY MALAYSIA 2020 DISCOURSE AND IDENTITY: REPRESENTATIONS OF WOMEN IN LITTLE MIX’S SONGS BY ALYA AISYAH BINTI AMRAN A Final Year Project submitted in fulfilment of the requirement for the degree of English for International Communications Kulliyyah of Languages and Management International Islamic University Malaysia JANUARY 2020 ABSTRACT Discrimination against women is a global issue and has been for years. Even in developing countries women experience biasness on the basis of their gender. The study aims to identify the different social roles and traits of women that can be found in song lyrics. Past studies explored various issues of what women face in their daily lives whether it be in education, social relationships and decision making in context of gender discrimination that are present in the media and songs. This is an exploratory study on representations of women in songs. The artist chosen for this study is the United Kingdom’s all female group, Little Mix. A qualitative research approach was used to fulfill the objectives of this research. A total of 29 Little Mix songs were chosen as the data and Membership Categorization Analysis was used as the framework of this research. Based on the analyses, a total of five social roles and three traits were found shared among women that were present in the songs. Women were represented both positively and negatively in Little Mix’s songs. The study may contribute to future studies that uses Membership Categorization Analysis as their framework of study.