The Changing Nature of Audience Participation in Mainstream Entertainment Programming

Total Page:16

File Type:pdf, Size:1020Kb

The Changing Nature of Audience Participation in Mainstream Entertainment Programming MM From Props to Products The Changing Nature of Audience Participation in Mainstream Entertainment Programming Have you ever been a member of a Media audiences of the past are often 1967-1975). As with many quiz and game shows characterised as being passive recipients of of the time, members of the public took part as studio audience, for the recording of a the information and entertainment that was competitors. The true stars of these shows were, radio sketch show, a TV sitcom, Strictly handed down by media institutions. In our however, the presenters. Bob Monkhouse was modern media world, audiences are thought the first presenter of The Golden Shot and was or Buzzcocks? Once upon a time, you to be much more active and media institutions massively popular with contemporary audiences. might have thought that would be actively encourage audience participation. To The original host of BBC’s long-running Saturday the closest you’d get to involvement; some this is an indication of a new, democratised tea-time audience participation show, The state where the power traditionally held by Generation Game (BBC: 1971-2007) was Bruce but in fact audience participation has media institutions is being shared with audiences Forsyth (1971-1977 and 1990-1994), who long been a feature of ‘old media’ who are able to participate in the construction is astonishingly still a household name, as he and development of media texts. currently presents Strictly Come Dancing (BBC: entertainment programming. Steph This view, however, can hide the fact that 2004 onwards). Hendry considers the role of the audience participation is not a new idea. From Both Monkhouse and Forsyth had a the earliest days of television broadcasting (and background in Variety theatre and light audience in TV past and present. even earlier), audience participation has been entertainment. Both were comedians, and a crucial element of mainstream entertainment Forsyth was well known as a song and dance programming. Yet even though it is not a new man whilst Monkhouse had had some success phenomenon, it is clear that the role of the as a film actor. They both had a range of talents; audience and the way they participate has but what made them popular in their primetime changed over the years. shows was their ability to put members of the public at ease and, when necessary, encourage The Audience as ‘Props’ entertaining performances from them. However, Traditional forms such as quiz shows, vox pops the presenters were undoubtedly the stars of in news broadcasting and documentaries which the shows. Although the participation of the follow the normal lives of regular people have audience members was crucial to the success always required audience participation. of both programmes, they were there largely In the 1960s and 70s one of the most popular to allow the presenters to demonstrate their shows on TV was ITV’s The Golden Shot (ATV: wit and to be the foil for jokes and routines. 36 MediaMagazine | February 2012 | english and media centre MM diversion and were put on TV doing their ‘party pieces’ or demonstrating some quirky aspect to their personalities. The presenters of That’s Life could be quite patronising at times when dealing with the public and, as in the game shows of the time, a clear line was drawn between the amateur audience members and the professional presenters and hosts. shows often provide a global insight into funny Whether ‘props’ or ‘curiosities’, the audience pets and YouTube provides a worldwide library members in this show were there simply to be of videos of people falling over. As the number looked at. of available videos is increasing all the time, presumably these shows have enough material The Audience as ‘Content’ to continue broadcasting for many years. More A popular prime time Saturday night show in importantly they will appeal to producers as they the 1980s was Game for a Laugh (LWT: 1981- are exceptionally cheap to produce. 1985) which played extravagant practical jokes on members of the general public. The format of The Audience as ‘Subjects’ this show was based on a U.S. programme called Another popular format in the 1990s was a Candid Camera (which itself was a television development of the documentary format into development from the 1940s radio show Candid the ‘fly on the wall’ series, sometimes called Audience members could participate and take Microphone). ‘docusoap’ due to the integration of soap opera- part in quizzes and games – some even won The joke was watching ordinary people react like narrative conventions within observational prizes; but largely they were there as props for to extreme situations they found themselves ‘documentary’ programmes. Many of these shows the host to work with. in, whilst being secretly filmed. Jeremy Beadle focussed on work environments; amongst the was one of the presenters and he went on to most successful examples of this format are The Audience as ‘Curiosities’ host other massively popular programmes that Driving School (1997) and Airport (1996-2008). Another phenomenally successful programme relied on audience participation, Beadle’s About Both featured break-out characters: Maureen of the 1970s based around audience participation (LWT: 1986-1996) and You’ve Been Framed (ITV: Rees (Driving School), a seemingly hopeless was That’s Life (BBC 1973-1994) presented 1990-1997). Beadle’s About was another hidden- learner driver whose incompetence made great by Esther Rantzen. The programme was a camera/practical joke programme, whilst You’ve TV, and Jeremy Spake from Airport. Jeremy magazine-style blend of songs and humour; but Been Framed was based around home videos was a slightly camp character whose matter-of- its main purpose was to investigate consumer that had been submitted by audience members fact approach to some of the bizarre characters or health and safety issues. The humorous – perhaps an early ‘old media’ precursor of and situations he encountered as part of his job side of the show created ‘celebrities’ of its YouTube. endeared him to the viewers. Jeremy went on to own – most famously a talking dog who could In all these programmes the participating present other light entertainment programmes (apparently) say ‘sausages’ and ‘Esther’ (perhaps audience members provided the content of the and Maureen released a cover of Madness’s pre-empting some of the more successful show. The videos in You’ve Been Framed often ‘Driving in my Car’, and was part of a road safety YouTube memes of recent years...) and an elderly showed people falling over, or pets and children campaign. From audience members participating lady named Annie who was a regular contributor doing odd, funny and cute things. This format is in a TV programme, Maureen and Jeremy went to the programme via a street-based vox pop. still highly successful; YouTube is now another on to become celebrities themselves; they are She would offer an enthusiastic response to source for videos of this type, and the internet early examples of what may now be a common whatever questions the reporters asked her. site has been used to provide content for many expectation. It is now a convention of reality Here the public were presented as a humorous TV clip shows (e.g. Robert’s Web C4: 2010). These television that some participants will find the english and media centre | February 2012 | MediaMagazine 37 MM format provides them with the platform to move other companies involved in the infrastructure participation’ programmes. Contestants who were from being an audience member to being a used to allow the participation. In its most successful in the auditions (like The X Factor) were celebrity. successful years Big Brother was sponsored by taken to boot camp (like The X Factor) and each O2, Talk Talk, Carphone Warehouse and Virgin week they have to complete a specific task (like The Audience as ‘Stars’ Mobile. No coincidence that the sponsors were The Apprentice) which usually culminates in having Contemporary Reality TV can be seen as the telecommunications companies who would benefit a photograph taken (like Next Top Model) which genre that heralded in a new era of audience from the volume of phone calls and texts used is then judged by the expert panel before one participation. Big Brother began on Channel 4 in during the voting process. contestant is rejected and sent home (like Next 2000. Not only did the programme ‘star’ audience Top Model). Signed by Katie Price makes it clear members, but audience members were invited The Audience as ‘Product’ the contestants are ‘managed’ in a way that will along once a week to take part in the Friday night A more recent development in the way audience deliberately create conflict. For example, when eviction programme; and the audience also had participation is being used by media producers is placing contestants in teams, past conflicts and some control over the way the programme would in the way participants are being turned into a problems are openly discussed on camera; and develop through its run by phoning in to evict one product that the institution can sell in some way. contestants who recently had a stand-up row were of the contestants (or housemates). Big Brother In Sky Living’s Signed by Katie Price (2011) the paired up to see ‘how well they can work together’. also drew in the participation of another audience audience participate as contestants. ‘Real’ people The show is at least very open about the fact that as the conflicts and relationships, the scandals and auditioned for the opportunity to go through a the participants can expect to be rewarded if they the tantrums became an integral part of summer process where the winner would be signed to Katie show themselves to be marketable.
Recommended publications
  • Sponsored by the National Security Group Play It Safe
    TWENTIETH ANNUAL NOVEMBER 20, 2020 - CRAMTON BOWL MONTGOMERY, ALABAMA SPONSORED BY THE NATIONAL SECURITY GROUP PLAY IT SAFE. ACCIDENTS HURT. NATIONAL SECURITY HELPS. CALL 1.800.798.2515 WWW.NATIONALSECURITYGROUP.COM 2020 AISA STATE CHAMPIONSHIP FOOTBALL The #1 team in each region will host the #4 team from the other region. The #2 team from each region will host the #3 team from the other region. Semi-finals: The highest ranked teams advancing will host the semi-final games. PLAY-OFF BRACKET CLASS A November 6 November 13 November 20 (12:00 P.M.) Crenshaw (H) 64 Region I #1 Crenshaw (H) 53 Pickens 14 Region II #4 Crenshaw (H) Sparta (H) 41 Region II #2 Sparta 29 Lowndes 2 Region I #3 STATE 12:00p.m. Jackson (H) 54 CHAMPIONS Region II #1 Jackson (H) 20 Lakeside 14 Region I #4 Abbeville Abbeville (H) 63 Region I #2 Abbeville 28 South Choctaw 21 Region II #3 2020 AISA STATE CHAMPIONSHIP FOOTBALL The #1 team in each region will host the #4 team from the other region. The #2 team from each region will host the #3 team from the other region. Semi-finals: The highest ranked teams advancing will host the semi-final games. PLAY-OFF BRACKET CLASS AA November 6 November 13 November 20 (3:30 P.M.) Chambers (H) 43 Region I #1 Chambers (H) 51 Autauga 3 Region II #4 Chambers (H) Patrician (H) 34 Region II #2 Edgewood 20 Edgewood 35 Region I #3 3:30p.m. STATE Escambia (H) 48 CHAMPIONS Region II #1 Escambia (H) 54 Springwood 8 Region I #4 Escambia Macon East (H) 28 Region I #2 Macon East 13 Wilcox 25 Region II #3 2020 AISA STATE CHAMPIONSHIP FOOTBALL The #1 team in each region will host the #4 team from the other region.
    [Show full text]
  • Motivating Your Mind Inspiring Your Spirit
    Motivating your Mind Inspiring your Spirit Motivating your Mind Inspiring your Spirit 2019 e-book Wishing you an inspiring 2019 from Kevin Cottam Dear Reader This e-book has been created from the generosity of 90 Australian, New Zealand, German, Irish, Canadian, American, Asian, South African and United Arab Emirates based authors and industry experts we have known in the MICE* industry starting in the 1980's. Our 2019 e-book writers have over 2,600 years of business experience and 3,850 years in helping others. As colleagues and industry friends, they are innovative, responsible, intelligent and exceptionally talented in their areas of expertise. E-book Purpose Since 2009, our e-books have been created for clients, customers and global readers to enjoy. I trust the stories; insights and case studies can help your business or enhance your personal and professional education. Contributing writers are invited based on their immeasurable value as topic experts and character attributes they have displayed over many years. I deeply appreciate their knowledge and spirit of collegiality in giving to this year's e-book. As a complimentary gift and value added resource from this alliance of contributors, this e-book is FREE. Share it with colleagues, business contacts, friends and those you feel will enjoy the IQ and EQ stories to enhance their knowledge. You can send the e-book via e-mail, a link, through your social media posts, blogs or your mobile device. Download it to your e-reader or lap top to read stories while travelling on a plane, metro train, bus or on your next vacation.
    [Show full text]
  • Additional Submission to the Leveson Inquiry – February 2012
    TRANS MEDIA WATCH – ADDITIONAL SUBMISSION TO THE LEVESON INQUIRY – FEBRUARY 2012 A. Introduction Trans Media Watch (TMW) wishes to make this additional submission to the Leveson Inquiry into press standards, ethics and culture. It follows the submission made by TMW to the Inquiry in January 20121, and the oral evidence given by Helen Belcher to the Inquiry on behalf of TMW on 8 February 2012. In our original submission, TMW explained some of the various ways that the press uses to misrepresent the trans and intersex communities, including themes such as “trans as fraud”, “trans as undeserving” and “trans as deviant”. We feel it will be useful for the Inquiry to review the coverage of trans issues in the press, specifically but not exclusively from The Sun and the Mail newspapers, since 8 February. In summary: The press has published two main stories featuring trans people over the past two weeks, both appearing on front pages. This is in addition to the standard low level coverage that trans issues get in the mainstream media. With both there are significant concerns over misrepresentation, with corresponding effects on public perception of the issues. With both there are significant concerns over placing vulnerable people, including innocent children, at risk of physical violence. The key issue is the complete lack of respect shown to trans people. Far from mending their ways and reporting trans stories more sensitively, as claimed in person before the Inquiry2, the press has shown a distasteful rush to objectify and sensationalise these stories in a way that places real people in real danger.
    [Show full text]
  • Roy Williams Avid Offline Editor
    Roy Williams Avid Offline Editor Profile Roy is a fantastic editor with the benefit of having a facilities background and experience across a broad range of genres. With an easy going and relaxed nature he is very easy to work with – nothing seems to phase him. He has a great sense of narrative, he can find a story in amongst hours of rushes and is incredibly organised. Roy is also known for his creative edge. Long-form Credits *Currently Cutting* “Motorhoming” 1 x 60min. The series follows comic couple Paul Merton and Suki Webster as they immerse themselves in the world of Motorhoming bringing the audience the ultimate A-Z guide to having an epic Great British Adventure, on four wheels. Curve Media for Channel 5 “For The Love of Kitchens” In this 8-part series, deVOL, an England-based furniture manufacturer will work with talented craftspeople to design stunning kitchens and interiors for clients. Betty TV for Discovery and Magnolia Network “Weekend Escapes with Greg Wallace” 2 x 60min. (Venice & Rome) Travelogue series which sees Wallace exploring various cities in search of the ideal weekend. In each city he’ll be experiencing the culture, exploring the history and, of course, indulging in the local cuisine. Rumpus Television for Channel 5 “Children in Need: 40 Fabulous Years” Special episode hosted by Ade Adepitan MBE, the programme will celebrate the previous appeal shows in 40 bite-sized chunks, including the funniest and the greatest moments from the last four decades. BBC One “Eastenders” Reversions of Britain’s most famous soap opera.
    [Show full text]
  • The Impact of Role Models on Sun Protective Behaviours: Expert Paper Lynne Eagle, Gill Kemp, Simon Jones, Julia Verne
    Expert paper 6: The impact of role models on sun protection behaviours The Impact of Role Models on Sun Protective Behaviours: Expert Paper Lynne Eagle, Gill Kemp, Simon Jones, Julia Verne The impact of media image on body satisfaction and self esteem has been the subject of a large body of research across areas such as eating disorders, sexualisation, smoking initiation and gender stereotyping (Fabrianesi et al., 2008; Jones & Rossiter, 2008; Sargent 2005; Ogden & Sherwood, 2005) as well as sun exposure. We cannot locate any specific content analyses for television programmes or websites either in the UK or internationally relating to sun tanning, sun exposure risks or effective sun protection, however the portrayal of sun-related behaviours in all media forms is likely to have some influence on perceptions of desirable body image. The magnitude of this effect across different media forms is un-researched, as is the actual or potential impact on the effectiveness of sun protection interventions. Two major content analyses of print media from Australia and the USA respectively (Dixon et al., 2007, Miner & Baker, 1994) indicate that deep tanning is glamorised in magazines, poor sun-protective behaviours are commonly shown and a substantial quantity of implicit messages are misleading or contradictory. Younger age groups, particularly females, appear to be more influenced by media images. By the age of 8, girls are aware of societal images of female beauty and the use of media images to compare self image with the media portrayal of ideal increase markedly between the ages of 8 – 12 and leads to dissatisfaction (Bessenof, 2006; Dohnt & Tiggemann, 2006).
    [Show full text]
  • BFI Press Release: Missing Believed Wiped Bumper Christmas Stocking
    For Immediate Release: Tuesday 7 November 2017, London. The BFI’s Missing Believed Wiped returns to BFI Southbank this December to present British television rediscoveries, not seen by audiences for decades, since their original transmission dates. The exciting, bespoke line-up of TV gems feature some of our most-loved television celebrities and iconic characters including Alf Garnett in Till Death Us Do Part: Sex Before Marriage, Cilla Black in her eponymous BBC show featuring Dudley Moore , Jimmy Edwards in Whack-O!, a rare interview with Peter Davison about playing Doctor Who and a significant screen debut from a young Pete Postlethwaite. Lost for 50 years and thought only to survive in part, Till Death Us Do: Sex Before Marriage, originally broadcast on 2 January, 1967 on BBC1, sees Warren Mitchell’s Alf Garnett rail against the permissive society, featuring guest star John Junkin alongside regular cast members Dandy Nichols, Anthony Booth and Una Stubbs. Although the existence of this missing episode from the 2nd series has been known for some years, previous attempts to screen the episode had been refused with the print in the hands of a private collector. Having recently changed hands, MBW is delighted that access has been granted for this special one off screening, for one of 1960s best known and controversial UK television characters. Following last year’s successful screening of a previously lost episode of Jimmy Edwards’s popular 1950s BBC school-themed comedy romp Whack-O!, this year’s MBW programme includes a 1959 episode entitled The Empty Cash Box. Written by Frank Muir and Dennis Norden and starring Jimmy Edwards as the cane-happy headmaster, this episode was originally broadcast on the BBC on 1st December 1959.
    [Show full text]
  • METRO in Focus 「The Dark Side to Being a Star in a Pop Brand」
    12 METRO Tuesday, June 3, 2014 METRO in focus AKB48 are a Japanese girl band with a revolving roster of 140 The band play a members across gig at their own The band has several teams theatre The dark side to sold more than 30m almost every day records The group’sroup’s firstfirst 23 singleses all went to being a star in No.1 in thethe JapaneseJapanese charts.harts. 18 Auditions to join of themm have sold AKB48 are held moree than 1m1m twice ccopiesopies a pop brand a year T WAS a bloody intrusion into the world A week ago, two members of Japanese pop of bright and shiny pop that – in the eyes group AKB48 were injured by an attacker of Japanese teen fans – was akin to the armed with a saw at a meet and greet for stars of One Direction or Little Mix fans. But what makes this girl band – which being put in the firing line. has 140 members – so successful and so ITwo members of girl band AKB48 – Rina controversial? ROSS McGUINNESS reports... Kawaei, 19, and Anna Iriyama, 18 – were injured by an attacker wielding a saw during a meet and greet. and creepy J-Pop phenomenon – so carefully They were treated for wounds to their head contrived, it makes Simon Cowell’s stable of and hands and a 24-year-old was arrested on manufactured pop acts look like free-wheel- AKB is short for Akihabara, suspicion of attempted murder. ing rock ‘n’ rollers. the area of Tokyo where But as the group’s young followers got over Let’s start with the band’s latest single – their theatre is based.
    [Show full text]
  • The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
    The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class.
    [Show full text]
  • Hello? Goodbye! Marriage and Divorce Amongst Celebrities Rehna Azim and Harry Benson the Marriage Foundation, November 2012
    Hello? Goodbye! Marriage and divorce amongst celebrities Rehna Azim and Harry Benson The Marriage Foundation, November 2012 • For many people, marriage is Celebrity weddings ending in divorce now the glitzy celebration that (by years married) comes after having a baby and 50% moving in together. Hello! and Celeb divorce rate (3 year ave) other celebrity magazines 40% reinforce this focus on the UK divorce rate (actual) event. 30% • But marriage is far more than a wedding: it is the commitment, 20% the development of relationship skills and the working through issues together. 10% • The ingredients of marital 0% success, however, are not 2 4 6 8 10 dramatic or newsworthy. After the wedding it tends to be only the rows and splits that make the news. • At the launch of the Marriage Foundation, Family Court judge Sir Paul Coleridge raised concerns about the image of 'Hello! weddings' and the experience of seeing many couples in court soon after the big day. Our research confirms that the glamour of celebrity weddings is a poor indicator of future marital success. • Marriage Foundation has tracked 572 better-known celebrity couples whose weddings have taken place since 2000. • Despite all the comforts and advantages of fame and wealth, these celebrities divorce at twice the rate of the UK population. After ten years of marriage, the divorce rate for celebrities is 40%, compared to 20% for the rest of us. Rehna Azim is a barrister specializing in family law, as well as freelance journalist and writer. Harry Benson is a relationship educator and Director of Communications for The Marriage Foundation.
    [Show full text]
  • The X Factor and Media Concepts
    Love it or loathe it, The X Factor is a modern media phenomenon. In an In the UK (at least) the show broadcasts discussion shows after the main age of fragmented niche audiences, The X Factor’s success cannot be programme (ITV 2 – The Xtra Factor), it becomes a talking point in overlooked. Coronation Street, which used to unite the population in tabloid newspapers and magazines and uses Y ouTube, its own website and consensus viewing, considers it a success if a special episode attracts 13 other emedia technology to provide clips and additional information to its million viewers – 5-6 million is a more realistic weekly target which is a internet audience. The show generates two singles which are available as sharp decrease on its 80s heyday of upwards of 25 million. The recent downloads or physical purchases during its run or just after - a charity prime ministerial debates managed to average out at approximately 9.5 single performed by all the finalists and the winner’s single. Both of which million viewers for the first debate and it was noted that ‘only soaps, can usually be expected to sell far more units than a non-X Factor release. reality shows such as Britain's Got Talent and major live sporting events Fans of the show can relive their favourite moments on DVD, gain further attract these sort of figures on a regular basis nowadays, with the insight from X Factor books and play the X Factor games as well as fragmentation of viewing across hundreds of digital channels’ (The purchase a whole array of merchandise items.
    [Show full text]
  • Quiz Twelve Answers Food and Drink – Cakes and Chocolate
    Quiz Twelve Answers Food and Drink – Cakes and Chocolate 1. Roald Dahl 2. W. Somerset Maughan 3. Patisserie 4. Kit-Kat 5. The Searchers 6. Coronation St. 7. Ferraro Rocher 8. Shanks & Bigfoot 9. Battenburg 10. Mr. Kipling Cats and Dogs ! 1. Four 2. Puma, cougar or panther 3. Jane Fonda 4. Chihuahua 5. Charles Darwin 6. Visconti 7. Frederick Forsyth 8. Felix The Cat 9. Suffragettes 10. W H Auden Geography – Mountains of the World 1. Mt. Kilimanjaro 2. Andes 3. Himalayas 4. Sir Edmund Hilary 5. Mt. Ararat 6. Ben Nevis 7. New Zealand 8. K2 9. Sherpa Tensing Norgay 10. Appalachians History – the 1960’s 1. 1969 2. Herman’s Hermits 3. Malaysia 4. Twiggy 5. Jim Reeves 6. Coventry 7. Lord Denning 8. William Shakespeare 9. 1961 10. Colgate 11. John F Kennedy 12. 1962 13. Harold Wilson 14. Jean Shrimpton 15. Eagle 16. Rhodesia 17. Charles Manson 18. Edward Kennedy 19. Golda Meir 20. Czechoslovakia Sport – The Olympic Games 1. c. horseshoes 2. A diploma 3. Canada 4. Literature, for his song 'Ode to sport' 5. The ancient games in Greece 6. 21 7. a. win gold in both a summer and winter olympiad (boxing and 4 man bob) 8. d. Jim Thorpe Town (in Penn. USA) 9. a. attacked his opponent with a dagger 10. Sir Arthur Conan Doyle Art and Literature 1. Botticelli 2. Gotham City 3. Douglas Adams 4. The Longest Day 5. Rudyard Kipling 6. Brendan Behan 7. Barbara Cartland 8. Unto 9. McGregor 10. Biggles 11. Hamlet 12. Penthouse 13.
    [Show full text]
  • An Afternoon Remembering Dora Bryan on Talking Pictures TV
    Talking Pictures TV Highlights for week www.talkingpicturestv.co.uk beginning Monday SKY 328 | FREEVIEW 81 14th October 2019 FREESAT 306 | VIRGIN 445 An afternoon remembering Dora Bryan on Talking Pictures TV From 3.30pm on the afternoon of Saturday 17th October we bring you Paul O’Grady and Rita Tushingham as they celebrate the life and career of their dear friend Dora Bryan. Paul O’Grady was great friends with Dora, who was also very close to Rita Tushingham, having worked with her on A Taste of Honey. Both share memories and tell stories about her life, work, sad and happy times and everything in between. One of Britain’s most versatile performers, she was at home in revues, comedies and musicals and equally comfortable in dramatic roles. With her breezy and engaging personality, Dora Bryan had the gift of appealing to every audience. She won an Olivier Award in 1996, and was given an OBE in the same year. Mon 14th Oct 14:35 Tues 15th Oct 22:00 The Franchise Affair (1951) Girl With Green Eyes (1964) Crime Drama, directed by: Drama, directed by Desmond Lawrence Huntington Davis. Stars Peter Finch, Stars: Michael Denison, Dulcie Gray. Rita Tushingham, Lynn Redgrave. A young lawyer is called on in des- Kate Brady, an Irish farm girl, and peration by two women, mother and her best friend move to Dublin daughter, who live in a large isolated where they meet a worldly writer. house called The Franchise. Accused Although both are interested in of kidnapping and ill-treating a young him, it is Kate who pursues him.
    [Show full text]