DOCSLIB.ORG

Quiz Twelve Answers Food and Drink – Cakes and Chocolate

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Quiz Twelve Answers Food and Drink – Cakes and Chocolate Quiz Twelve Answers Food and Drink – Cakes and Chocolate 1. Roald Dahl 2. W. Somerset Maughan 3. Patisserie 4. Kit-Kat 5. The Searchers 6. Coronation St. 7. Ferraro Rocher 8. Shanks & Bigfoot 9. Battenburg 10. Mr. Kipling Cats and Dogs ! 1. Four 2. Puma, cougar or panther 3. Jane Fonda 4. Chihuahua 5. Charles Darwin 6. Visconti 7. Frederick Forsyth 8. Felix The Cat 9. Suffragettes 10. W H Auden Geography – Mountains of the World 1. Mt. Kilimanjaro 2. Andes 3. Himalayas 4. Sir Edmund Hilary 5. Mt. Ararat 6. Ben Nevis 7. New Zealand 8. K2 9. Sherpa Tensing Norgay 10. Appalachians History – the 1960’s 1. 1969 2. Herman’s Hermits 3. Malaysia 4. Twiggy 5. Jim Reeves 6. Coventry 7. Lord Denning 8. William Shakespeare 9. 1961 10. Colgate 11. John F Kennedy 12. 1962 13. Harold Wilson 14. Jean Shrimpton 15. Eagle 16. Rhodesia 17. Charles Manson 18. Edward Kennedy 19. Golda Meir 20. Czechoslovakia Sport – The Olympic Games 1. c. horseshoes 2. A diploma 3. Canada 4. Literature, for his song 'Ode to sport' 5. The ancient games in Greece 6. 21 7. a. win gold in both a summer and winter olympiad (boxing and 4 man bob) 8. d. Jim Thorpe Town (in Penn. USA) 9. a. attacked his opponent with a dagger 10. Sir Arthur Conan Doyle Art and Literature 1. Botticelli 2. Gotham City 3. Douglas Adams 4. The Longest Day 5. Rudyard Kipling 6. Brendan Behan 7. Barbara Cartland 8. Unto 9. McGregor 10. Biggles 11. Hamlet 12. Penthouse 13. Tropic of Cancer and Capricorn 14. In the Beginning 15. Delilah 16. Long John Silver 17. Tattoos 18. My Struggle 19. Armada 20. Romeo And Juliet TV Game Shows 1. Robert Robinson 2. John Virgo 3. Terry Wogan, Les Dawson and Lily Savage 4. Blockbusters 5. Bullseye 6. Call My Bluff 7. Countdown (Also the first programme shown on channel 4) 8. Richard O'Brien and Edward Tudor Pole. 9. Fifteen To One 10. Ant and Dec (Ant McPartlin and Declan Donnelly) 11. Jeremy Beadle, Matthew Kelly, Henry Kelly, Sarah Kennedy. 12. Isla St Clair 13. Give Us A Clue 14. Paul Merton and Ian Hislop. 15. It’s A Knockout 16. Mastermind 17. Jonathan Ross 18. Gordon Burns 19. Lloyd Grossman & Gary Rhodes 20. Dusty Bin Music 1. Ella Fitzgerald 2. Six Answers a. The Fool On The Hill (Beatles), b. Running Up That Hill (Kate Bush), c. Blueberry Hill (Fats Domino), d. The Hills Are Alive (Julie Andrews), e. Over The Hills And Far Away (Trad), f. Red Hill Mining Town (U2) 3. Ten answers: a. Get it on (Bang a gong) or Bang a gong (Get it on) in the USA (T Rex), b. While my guitar gently weeps (Beatles), c. Piano man (Billy Joel), d. Hurdy Gurdy man (Donavan), e. Mr Tambourine man (Bob Dylan), f. My green tambourine (Lemon Pipers), g. The guitar man (Bread), h. Mandolin wind (Rod Stewart), i. Hell's bells (ACDC), j. Squeeze box (The Who) 4. Six answers: a. Go Now, b. Mr. Tambourine Man, c. I Got You Babe, d. With A Girl Like You, e. Something In The Air, f. In The Year 2525 5. Nine answers: a. Take the long way home (Supertramp), b. Green green grass of home (Tom Jones), c. Daddy's home (Cliff Richard), d. Better be home soon (Crowded House), e. Sweet home Alabama (Lynyrd Skynyrd), f. Homeward bound (Simon and Garfunkel), g. 2000 light years from home (Rolling Stones), h. She's leaving home (Beatles), i. Bring it on home to me (Sam Cooke) 6. Seven answers: a. Emerson Lake and Palmer, b. Alan Price, c. David Bowie, d. Kinks, e. Blur, f. The Doors, g. Kinks 7. Sir Charlie Chaplin 8. Orchestra 9. Four answers: a. The Police, b. Gary Numan, c. Roxy Music, d. Kate Bush 10. In - A - Gadda - Da - Vida (instead of 'In The Garden Of Eden' from Iron Butterfly) 11. An encore. ("Elvis has left the building") 12. Making Your Mind Up (Bucks Fizz is orange juice and champagne) 13. Six answers: a. Sugar Me (Linsey De Paul), b. Brown Sugar (Rolling Stones), c. A Spoonful of Sugar (Julie Andrews), d. Sugar Sugar (The Archies), e. Sugar Mountain (Neil Young), f. Sugar Town (Nancy Sinatra) .
Load more

Recommended publications
  • BFI Press Release: Missing Believed Wiped Bumper Christmas Stocking
    For Immediate Release: Tuesday 7 November 2017, London. The BFI’s Missing Believed Wiped returns to BFI Southbank this December to present British television rediscoveries, not seen by audiences for decades, since their original transmission dates. The exciting, bespoke line-up of TV gems feature some of our most-loved television celebrities and iconic characters including Alf Garnett in Till Death Us Do Part: Sex Before Marriage, Cilla Black in her eponymous BBC show featuring Dudley Moore , Jimmy Edwards in Whack-O!, a rare interview with Peter Davison about playing Doctor Who and a significant screen debut from a young Pete Postlethwaite. Lost for 50 years and thought only to survive in part, Till Death Us Do: Sex Before Marriage, originally broadcast on 2 January, 1967 on BBC1, sees Warren Mitchell’s Alf Garnett rail against the permissive society, featuring guest star John Junkin alongside regular cast members Dandy Nichols, Anthony Booth and Una Stubbs. Although the existence of this missing episode from the 2nd series has been known for some years, previous attempts to screen the episode had been refused with the print in the hands of a private collector. Having recently changed hands, MBW is delighted that access has been granted for this special one off screening, for one of 1960s best known and controversial UK television characters. Following last year’s successful screening of a previously lost episode of Jimmy Edwards’s popular 1950s BBC school-themed comedy romp Whack-O!, this year’s MBW programme includes a 1959 episode entitled The Empty Cash Box. Written by Frank Muir and Dennis Norden and starring Jimmy Edwards as the cane-happy headmaster, this episode was originally broadcast on the BBC on 1st December 1959.
    [Show full text]
  • Lita Morkos and Louis Posner
    P. O. Box 407, Bonaire, Dutch Caribbean, Phone 786-6518, 786-6125, www.bonairereporter.com email: [email protected] Since 1994 In the photo: Chris Morkos (Piscatur), Lita Morkos and Louis Posner Wilna Gronenboom photo This Week’s Stories onaire has or a delightful and Top SCUBA Awards 2 B once again F delicious experience Chez Nous Opens 2 swept top honors dine at The Chez Nous Netherlands News 3 Letters to the Editor– Online Kudos, restaurant. Chez Nous is receiving 17 dif- Magic Aquifer, No Helmets Mandatory5 ferent awards in part of the high school’s 2012 Picture Yourself Winners 6 Scuba Diving culinary arts training facil- The Fool On the Hill –Helmet 6 Magazine’s Read- ity. Dinners are scheduled TCB: 2012 Tourism Up 1.4% 7 ers’ Choice to be served every Per Magnusson Obit 7 Awards, more Wednesday from now Fukabo Schedule 7 than any other through the end of Febru- Anneke Turtle Is Home 8 destination in the ary. All dinners consist of Bonaire Coral Puzzle #9 region, including three courses, elegantly Moorings 9 SGB photo Farmers’ Market 11 five #1 ratings, David Colvard photo served. The price for this Computer Glasses 12 proving the island's dinner is $20 excluding Where to find The Reporter 13 dominance as the premiere dive destination in the Caribbean and drinks/tips. Since the dining room is small there are only a limited Looking For Bonaire– around the world. For the 20th consecutive year, Bonaire has taken number of places available (maximum 12 guests), you must book in Guest Editorial 17 first place for the #1 Shore Diving Destination.
    [Show full text]
  • The Changing Nature of Audience Participation in Mainstream Entertainment Programming
    MM From Props to Products The Changing Nature of Audience Participation in Mainstream Entertainment Programming Have you ever been a member of a Media audiences of the past are often 1967-1975). As with many quiz and game shows characterised as being passive recipients of of the time, members of the public took part as studio audience, for the recording of a the information and entertainment that was competitors. The true stars of these shows were, radio sketch show, a TV sitcom, Strictly handed down by media institutions. In our however, the presenters. Bob Monkhouse was modern media world, audiences are thought the first presenter of The Golden Shot and was or Buzzcocks? Once upon a time, you to be much more active and media institutions massively popular with contemporary audiences. might have thought that would be actively encourage audience participation. To The original host of BBC’s long-running Saturday the closest you’d get to involvement; some this is an indication of a new, democratised tea-time audience participation show, The state where the power traditionally held by Generation Game (BBC: 1971-2007) was Bruce but in fact audience participation has media institutions is being shared with audiences Forsyth (1971-1977 and 1990-1994), who long been a feature of ‘old media’ who are able to participate in the construction is astonishingly still a household name, as he and development of media texts. currently presents Strictly Come Dancing (BBC: entertainment programming. Steph This view, however, can hide the fact that 2004 onwards). Hendry considers the role of the audience participation is not a new idea.
    [Show full text]
  • 1 Stairway to Heaven Led Zeppelin 1971 2 Hey Jude the Beatles 1968
    1 Stairway To Heaven Led Zeppelin 1971 2 Hey Jude The Beatles 1968 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Jailhouse Rock Elvis Presley 1957 5 Born To Run Bruce Springsteen 1975 6 I Want To Hold Your Hand The Beatles 1964 7 Yesterday The Beatles 1965 8 Peggy Sue Buddy Holly 1957 9 Imagine John Lennon 1971 10 Johnny B. Goode Chuck Berry 1958 11 Born In The USA Bruce Springsteen 1985 12 Happy Together The Turtles 1967 13 Mack The Knife Bobby Darin 1959 14 Brown Sugar Rolling Stones 1971 15 Blueberry Hill Fats Domino 1956 16 I Heard It Through The Grapevine Marvin Gaye 1968 17 American Pie Don McLean 1972 18 Proud Mary Creedence Clearwater Revival 1969 19 Let It Be The Beatles 1970 20 Nights In White Satin Moody Blues 1972 21 Light My Fire The Doors 1967 22 My Girl The Temptations 1965 23 Help! The Beatles 1965 24 California Girls Beach Boys 1965 25 Born To Be Wild Steppenwolf 1968 26 Take It Easy The Eagles 1972 27 Sherry Four Seasons 1962 28 Stop! In The Name Of Love The Supremes 1965 29 A Hard Day's Night The Beatles 1964 30 Blue Suede Shoes Elvis Presley 1956 31 Like A Rolling Stone Bob Dylan 1965 32 Louie Louie The Kingsmen 1964 33 Still The Same Bob Seger & The Silver Bullet Band 1978 34 Hound Dog Elvis Presley 1956 35 Jumpin' Jack Flash Rolling Stones 1968 36 Tears Of A Clown Smokey Robinson & The Miracles 1970 37 Addicted To Love Robert Palmer 1986 38 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 39 Layla Derek & The Dominos 1972 40 The House Of The Rising Sun The Animals 1964 41 Don't Be Cruel Elvis Presley 1956 42 The Sounds Of Silence Simon & Garfunkel 1966 43 She Loves You The Beatles 1964 44 Old Time Rock And Roll Bob Seger & The Silver Bullet Band 1979 45 Heartbreak Hotel Elvis Presley 1956 46 Jump (For My Love) Pointer Sisters 1984 47 Little Darlin' The Diamonds 1957 48 Won't Get Fooled Again The Who 1971 49 Night Moves Bob Seger & The Silver Bullet Band 1977 50 Oh, Pretty Woman Roy Orbison 1964 51 Ticket To Ride The Beatles 1965 52 Lady Styx 1975 53 Good Vibrations Beach Boys 1966 54 L.A.
    [Show full text]
  • Strategic Intertextuality in Three of John Lennonâ•Žs Late Beatles Songs
    STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. This may at first seem entirely obvious, especially since nowadays such a practice has been adopted routinely by many songwriters and producers, and is in fact the prevailing compositional strategy within certain pop and rock genres, rap being probably the most blatant example. Many rap artists are well known for their so-called “rap versions,” as Tim Hughes has described them, in which a distinctive element of a pre-existing song is lifted out of its original context—typically via digital sampling—and used as the foundation upon which a new song is built.1 Will Smith’s hit “Wild Wild West” (1999), for example, is composed around a sample of the bass-driven main groove from Stevie Wonder’s funk classic “I Wish” (1976); and Eminem’s hit “Like Toy Soldiers” * This essay is based in part on the first chapter of my dissertation, “British Pop-Rock Music in the Post-Beatles Era” (Ph.D. dissertation, Yale University, 2001). An earlier version was presented at the annual meeting of the Society for Music Theory, Columbus, in November 2002.
    [Show full text]
  • The 40 Biggest Hits by the Beatles--Together and Apart"
    ,,, ....... * * ,11tfeRiC'!l.a... ~"TOP._. •• PRESS AND ADVERTISING MATERIALS 10 for A Special & Exclusive Countdown "THE 40 BIGGEST HITS OF JOHN, PAUL, GEORGE, AND RINGO - AS THE BEATLES, AND ON THEIR OWN." July 4th Weekend As you know, Casey Kasem has been promoting a Special Countdown of the greatest hits of the Beatles - together and apart - for several weeks on AMERICAN TOP 40. The Special Countdown rolls around the weekend of July 4th. In order to promote the Special on a local level, we are supplying you with a sheet of repro paper on which are printed the graphics for you to use in newspaper ads. Print ads for the Special Countdown should be built from these elements. The boxed announcement of the Snecial is designed as a two-column newspaper ad. However, it may be "blown up" to suit your needs. We have provided you with an AMERICAN TOP 40 logo and Casey Kasem's name in case you want to take a crack at designing a Special announcement yourself. Your own art department or the layout person at the publication will know what to do when you present these raw materials. You, of course, will be required to add such pertinent information as your call letters, your own logo, dial position and dates and times. A Sample Press Release "The 40 Biggest Hits of John, Paul, George, and Ringo ... as the Beatles, and On Their Own" will be featured in a special edition of the weekly radio program "American Top 40." The four-hour tribute to the musical genius of the Beatles is hosted by Casey Kasem and can be heard on station (calls) on (day and/or date) at (time).
    [Show full text]
  • The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
    Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien.
    [Show full text]
  • On Air No 99 Fcover
    JULY/AUGUST2004 Issue 99 The Official Journal of the Hospital Broadcasting Association in this issue ... HEY YOU! Yes, I mean YOU. Please don’t turn over the page The Autumn Conference ...................................................... 2 and think that this is nothing to do with you. Committee Report ................................................................ 3 The Changing Face of Charity Law .................................... 4 Did you realise that the next issue of On Air will be Radio Redhill at the South of England Show .................. 7 our 100th and to mark the event we want to publish June’s Travels ............................................................................ 8 a very special edition and include as many stations as HBA Announcements ............................................................ 9 possible. If every station could appoint someone to Asbestos at Work Regulations ............................................ 9 scribe a few words and send me a photograph or two News in Brief.......................................................................... 10 of any recent special event or perhaps what type of News from the Stations ...................................................... 11 programmes you broadcast, if you are on Patientline Who Wants to be a Volunteer? ...................................... 12 or similar, what you do for fundraising ... or indeed 35 Years and Still Going Strong! ...................................... 13 anything you think may interest our readers, I would Launch of
    [Show full text]
  • KLOS June 7Th 2015
    1 Playlist June 7th 2015 OPEN 2 The Beatles - Magical Mystery Tour - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocals: Paul and John When Paul McCartney was in the U.S. in early April 1967 he came up with the idea for a Beatles television film about a mystery tour on a bus. During the April 11 flight back home he began writing lyrics for the title song and sketching out some ideas for the film. Upon his arrival in London, Paul pitched his idea to Brian Epstein who happily approved. Paul then met with John to go over the details and the two began work on the film’s title track. The title track was written primarily by Paul but was not finished when McCartney brought the song in to be recorded on April 25, 1967. John helped with the missing pieces during the session. On U.S. album: Magical Mystery Tour - Capitol LP The Beatles - The Fool On The Hill - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocal: Paul Sitting alone at the piano, Paul McCartney recorded a mono two-track demo of “The Fool On the Hill” on September 6, 1967. A more proper recording would take place September 25. On the 25th three takes of the basic rhythm track were recorded, including harmonicas played by John and George. Paul first brought the song to John’s attention in mid-March while the two were working on the lyrics for “With A Little Help From My Friends.” John said to write down the lyrics so he wouldn’t forget them.
    [Show full text]
  • Apple Label Discography
    Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD.
    [Show full text]
  • Strategic Intertextuality in Three of John Lennonâ•Žs Late Beatles Songs
    Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 2 Issue 1 Article 11 July 2009 Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs Mark Spicer Hunter College and City University of New York., [email protected] Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Music Commons Recommended Citation Spicer, Mark (2009) "Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 2 : Iss. 1 , Article 11. Available at: https://trace.tennessee.edu/gamut/vol2/iss1/11 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part I), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs.
    [Show full text]
  • KLOS BWTB Jan. 19Th 2014
    1 PLAYLIST JANUARY 19TH 2014 BROADCAST LIVE FROM THE KOBE STEAKHOUSE SEAL BEACH, CA 1 2 9AM The Beatles - Magical Mystery Tour - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocals: Paul and John When Paul McCartney was in the U.S. in early April 1967 he came up with the idea for a Beatles television film about a mystery tour on a bus. During the April 11 flight back home he began writing lyrics for the title song and sketching out some ideas for the film. Upon his arrival in London, Paul pitched his idea to Brian Epstein who happily approved. Paul then met with John to go over the details and the two began work on the film’s title track. The title track was written primarily by Paul but was not finished when McCartney brought the song in to be recorded on April 25, 1967. John helped with 2 3 the missing pieces during the session. The Beatles - The Fool On The Hill - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocal: Paul Sitting alone at the piano, Paul McCartney recorded a mono two-track demo of “The Fool On the Hill” on September 6, 1967. A more proper recording would take place September 25. On the 25th three takes of the basic rhythm track were recorded, including harmonicas played by John and George. Paul first brought the song to John’s attention in mid-March while the two were working on the lyrics for “With A Little Help From My Friends.” John said to write down the lyrics so he wouldn’t forget them.
    [Show full text]