Lita Morkos and Louis Posner
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1 Stairway to Heaven Led Zeppelin 1971 2 Hey Jude the Beatles 1968
1 Stairway To Heaven Led Zeppelin 1971 2 Hey Jude The Beatles 1968 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Jailhouse Rock Elvis Presley 1957 5 Born To Run Bruce Springsteen 1975 6 I Want To Hold Your Hand The Beatles 1964 7 Yesterday The Beatles 1965 8 Peggy Sue Buddy Holly 1957 9 Imagine John Lennon 1971 10 Johnny B. Goode Chuck Berry 1958 11 Born In The USA Bruce Springsteen 1985 12 Happy Together The Turtles 1967 13 Mack The Knife Bobby Darin 1959 14 Brown Sugar Rolling Stones 1971 15 Blueberry Hill Fats Domino 1956 16 I Heard It Through The Grapevine Marvin Gaye 1968 17 American Pie Don McLean 1972 18 Proud Mary Creedence Clearwater Revival 1969 19 Let It Be The Beatles 1970 20 Nights In White Satin Moody Blues 1972 21 Light My Fire The Doors 1967 22 My Girl The Temptations 1965 23 Help! The Beatles 1965 24 California Girls Beach Boys 1965 25 Born To Be Wild Steppenwolf 1968 26 Take It Easy The Eagles 1972 27 Sherry Four Seasons 1962 28 Stop! In The Name Of Love The Supremes 1965 29 A Hard Day's Night The Beatles 1964 30 Blue Suede Shoes Elvis Presley 1956 31 Like A Rolling Stone Bob Dylan 1965 32 Louie Louie The Kingsmen 1964 33 Still The Same Bob Seger & The Silver Bullet Band 1978 34 Hound Dog Elvis Presley 1956 35 Jumpin' Jack Flash Rolling Stones 1968 36 Tears Of A Clown Smokey Robinson & The Miracles 1970 37 Addicted To Love Robert Palmer 1986 38 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 39 Layla Derek & The Dominos 1972 40 The House Of The Rising Sun The Animals 1964 41 Don't Be Cruel Elvis Presley 1956 42 The Sounds Of Silence Simon & Garfunkel 1966 43 She Loves You The Beatles 1964 44 Old Time Rock And Roll Bob Seger & The Silver Bullet Band 1979 45 Heartbreak Hotel Elvis Presley 1956 46 Jump (For My Love) Pointer Sisters 1984 47 Little Darlin' The Diamonds 1957 48 Won't Get Fooled Again The Who 1971 49 Night Moves Bob Seger & The Silver Bullet Band 1977 50 Oh, Pretty Woman Roy Orbison 1964 51 Ticket To Ride The Beatles 1965 52 Lady Styx 1975 53 Good Vibrations Beach Boys 1966 54 L.A. -
Quiz Twelve Answers Food and Drink – Cakes and Chocolate
Quiz Twelve Answers Food and Drink – Cakes and Chocolate 1. Roald Dahl 2. W. Somerset Maughan 3. Patisserie 4. Kit-Kat 5. The Searchers 6. Coronation St. 7. Ferraro Rocher 8. Shanks & Bigfoot 9. Battenburg 10. Mr. Kipling Cats and Dogs ! 1. Four 2. Puma, cougar or panther 3. Jane Fonda 4. Chihuahua 5. Charles Darwin 6. Visconti 7. Frederick Forsyth 8. Felix The Cat 9. Suffragettes 10. W H Auden Geography – Mountains of the World 1. Mt. Kilimanjaro 2. Andes 3. Himalayas 4. Sir Edmund Hilary 5. Mt. Ararat 6. Ben Nevis 7. New Zealand 8. K2 9. Sherpa Tensing Norgay 10. Appalachians History – the 1960’s 1. 1969 2. Herman’s Hermits 3. Malaysia 4. Twiggy 5. Jim Reeves 6. Coventry 7. Lord Denning 8. William Shakespeare 9. 1961 10. Colgate 11. John F Kennedy 12. 1962 13. Harold Wilson 14. Jean Shrimpton 15. Eagle 16. Rhodesia 17. Charles Manson 18. Edward Kennedy 19. Golda Meir 20. Czechoslovakia Sport – The Olympic Games 1. c. horseshoes 2. A diploma 3. Canada 4. Literature, for his song 'Ode to sport' 5. The ancient games in Greece 6. 21 7. a. win gold in both a summer and winter olympiad (boxing and 4 man bob) 8. d. Jim Thorpe Town (in Penn. USA) 9. a. attacked his opponent with a dagger 10. Sir Arthur Conan Doyle Art and Literature 1. Botticelli 2. Gotham City 3. Douglas Adams 4. The Longest Day 5. Rudyard Kipling 6. Brendan Behan 7. Barbara Cartland 8. Unto 9. McGregor 10. Biggles 11. Hamlet 12. Penthouse 13. -
Strategic Intertextuality in Three of John Lennon╎s Late Beatles Songs
STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. This may at first seem entirely obvious, especially since nowadays such a practice has been adopted routinely by many songwriters and producers, and is in fact the prevailing compositional strategy within certain pop and rock genres, rap being probably the most blatant example. Many rap artists are well known for their so-called “rap versions,” as Tim Hughes has described them, in which a distinctive element of a pre-existing song is lifted out of its original context—typically via digital sampling—and used as the foundation upon which a new song is built.1 Will Smith’s hit “Wild Wild West” (1999), for example, is composed around a sample of the bass-driven main groove from Stevie Wonder’s funk classic “I Wish” (1976); and Eminem’s hit “Like Toy Soldiers” * This essay is based in part on the first chapter of my dissertation, “British Pop-Rock Music in the Post-Beatles Era” (Ph.D. dissertation, Yale University, 2001). An earlier version was presented at the annual meeting of the Society for Music Theory, Columbus, in November 2002. -
The 40 Biggest Hits by the Beatles--Together and Apart"
,,, ....... * * ,11tfeRiC'!l.a... ~"TOP._. •• PRESS AND ADVERTISING MATERIALS 10 for A Special & Exclusive Countdown "THE 40 BIGGEST HITS OF JOHN, PAUL, GEORGE, AND RINGO - AS THE BEATLES, AND ON THEIR OWN." July 4th Weekend As you know, Casey Kasem has been promoting a Special Countdown of the greatest hits of the Beatles - together and apart - for several weeks on AMERICAN TOP 40. The Special Countdown rolls around the weekend of July 4th. In order to promote the Special on a local level, we are supplying you with a sheet of repro paper on which are printed the graphics for you to use in newspaper ads. Print ads for the Special Countdown should be built from these elements. The boxed announcement of the Snecial is designed as a two-column newspaper ad. However, it may be "blown up" to suit your needs. We have provided you with an AMERICAN TOP 40 logo and Casey Kasem's name in case you want to take a crack at designing a Special announcement yourself. Your own art department or the layout person at the publication will know what to do when you present these raw materials. You, of course, will be required to add such pertinent information as your call letters, your own logo, dial position and dates and times. A Sample Press Release "The 40 Biggest Hits of John, Paul, George, and Ringo ... as the Beatles, and On Their Own" will be featured in a special edition of the weekly radio program "American Top 40." The four-hour tribute to the musical genius of the Beatles is hosted by Casey Kasem and can be heard on station (calls) on (day and/or date) at (time). -
The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. -
KLOS June 7Th 2015
1 Playlist June 7th 2015 OPEN 2 The Beatles - Magical Mystery Tour - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocals: Paul and John When Paul McCartney was in the U.S. in early April 1967 he came up with the idea for a Beatles television film about a mystery tour on a bus. During the April 11 flight back home he began writing lyrics for the title song and sketching out some ideas for the film. Upon his arrival in London, Paul pitched his idea to Brian Epstein who happily approved. Paul then met with John to go over the details and the two began work on the film’s title track. The title track was written primarily by Paul but was not finished when McCartney brought the song in to be recorded on April 25, 1967. John helped with the missing pieces during the session. On U.S. album: Magical Mystery Tour - Capitol LP The Beatles - The Fool On The Hill - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocal: Paul Sitting alone at the piano, Paul McCartney recorded a mono two-track demo of “The Fool On the Hill” on September 6, 1967. A more proper recording would take place September 25. On the 25th three takes of the basic rhythm track were recorded, including harmonicas played by John and George. Paul first brought the song to John’s attention in mid-March while the two were working on the lyrics for “With A Little Help From My Friends.” John said to write down the lyrics so he wouldn’t forget them. -
Apple Label Discography
Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD. -
Strategic Intertextuality in Three of John Lennon╎s Late Beatles Songs
Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 2 Issue 1 Article 11 July 2009 Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs Mark Spicer Hunter College and City University of New York., [email protected] Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Music Commons Recommended Citation Spicer, Mark (2009) "Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 2 : Iss. 1 , Article 11. Available at: https://trace.tennessee.edu/gamut/vol2/iss1/11 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part I), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. -
KLOS BWTB Jan. 19Th 2014
1 PLAYLIST JANUARY 19TH 2014 BROADCAST LIVE FROM THE KOBE STEAKHOUSE SEAL BEACH, CA 1 2 9AM The Beatles - Magical Mystery Tour - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocals: Paul and John When Paul McCartney was in the U.S. in early April 1967 he came up with the idea for a Beatles television film about a mystery tour on a bus. During the April 11 flight back home he began writing lyrics for the title song and sketching out some ideas for the film. Upon his arrival in London, Paul pitched his idea to Brian Epstein who happily approved. Paul then met with John to go over the details and the two began work on the film’s title track. The title track was written primarily by Paul but was not finished when McCartney brought the song in to be recorded on April 25, 1967. John helped with 2 3 the missing pieces during the session. The Beatles - The Fool On The Hill - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocal: Paul Sitting alone at the piano, Paul McCartney recorded a mono two-track demo of “The Fool On the Hill” on September 6, 1967. A more proper recording would take place September 25. On the 25th three takes of the basic rhythm track were recorded, including harmonicas played by John and George. Paul first brought the song to John’s attention in mid-March while the two were working on the lyrics for “With A Little Help From My Friends.” John said to write down the lyrics so he wouldn’t forget them. -
Corkscrew Pointe
Corkscrew Pointe Artist Title Disc Number Track # 10,000 Maniacs More Than This 10218 master 2 These Are The Days 10191 Master 1 Trouble Me 10191 Master 2 10Cc I'm Not In Love 10046 master 1 The Things We Do For Love 10227 Master 1 112 Dance With Me (Radio Version) 10120 master 112 12 Gauge Dunkie Butt 10104 master 12 1910 Fruitgum Co. 1, 2, 3 Red Light 10124 Master 1910 2 Live Crew Me So Horny 10020 master 2 We Want Some P###Y 10136 Master 2 2 Pac Changes 10105 master 2 20 Fingers Short #### Man 10120 master 20 3 Doors Down Away From The Sun 10131 master 3 Be Like That (Radio Version) 10210 master 3 Kryptonite May 06 2010 3 Loser 10118 master 3 311 All Mixed Up Mar 23 2010 311 Down 10209 Master 311 Love Song 10232 master 311 38 Special Caught Up In You 10203 38 Rockin' Into The Night 10132 Master 38 Teacher, Teacher 10130 Master 38 Wild-eyed Southern Boys 10140 Master 38 3Lw No More (Baby I'ma Do Right) (Radio 10127 Master 1 Version) 4 Non Blondes What's Up 10217 master 4 42Nd Street (Broadway Version) 42Nd Street 10227 Master 2 1 of 216 Corkscrew Pointe Artist Title Disc Number Track # 42Nd Street (Broadway Version) We're In The Money Mar 24 2010 14 50 Cent If I Can't 10104 master 50 In Da Club 10022 master 50 Just A Lil' Bit 10136 Master 50 P.I.M.P. (Radio Version) 10092 master 50 Wanksta 10239 master 50 50 Cent and Mobb Deep Outta Control (Remix Version) 10195 master 50 50 Cent and Nate Dogg 21 Questions 10105 master 50 50 Cent and The Game How We Do (Radio Version) 10236 master 1 69 Boyz Tootsee Roll 10105 master 69 98° Give Me Just One Night (Una Noche) 10016 master 4 I Do (Cherish You) 10128 Master 1 A Chorus Line What I Did For Love (Movie Version) 10094 master 2 A Flock Of Seagulls I Ran (So Far Away) May 04 2010 1 A Perfect Circle Judith 10209 Master 312 The Hollow 10198 master 1 A Taste Of Honey Boogie Oogie Oogie 10213 master 1 A Taste Of Honey Sukiyaki 10096 master 1 A Teens Bouncing Off The Ceiling (Upside Down) 10016 master 5 A.B. -
My Memories of the Beatles
My memories of the Beatles Guy Kortsarz August 27, 2019 1 Before I start speaking I want to say something (Grau- cho Marx) 1.1 Best songs(?) Ranking songs. What stupid and fun thing to do, As an initial exercise, I wrote the first 20 songs that came to my head among those I like most. I found in the web countless lists (over 30 for sure) choosing the best 100 songs of all times. Here is a comparison of (the average) of these rankings and my chosen songs. 1. Night in white satin Moody Blues. 2. Something The Beatles 3. The sound of silence Simon and Gurfinkel 4. Will you still love me tomorrow The Shirlies 5. Greenfields The four brothers 6. Let it be The Beatles 7. Loosing my religion REM 8. Knock on heavens door Bob Dylan 9. God only knows The Beach Boys 10. Nothing compares to you Sihead O'Connor 1 11. Haleluya Leonard Cohen. 12. Daniel Elton Jon 13. Creep Radiohead 14. Are you going to Scarborough Fair Simon and Garfunkel 15. Hotel California The eagles 16. Stairway to Heaven Led Zeppelin 17. Stand by me B E King. 18. Say a little pray for you Aretha Franklin 19. All I have to do is dream. The Beverly Brothers. 20. Tears on my Pillow Little Anthony Here is what I found: 1. Night in white satin, Will you still love me tomorrow, Greenfields, Scarborough Fair and Daniel, 25 percent of the songs I chose, did not appear in any of those lists! And I read over 30 lists for sure. -
Books, Essays & Articles
WORKS CITED Books, Essays & Articles Axelrod, Mitchell (1999): BeatleToons. The Real Story Behind the Car- toon Beatles, Pickens. Badley, Linda (1996): Writing Horror and the Body. The Fiction of Stephen King, Clive Barker, and Anne Rice, Westport. Badman, Keith (2001): The Beatles Diary. Volume 2: After the Break- Up. 1970-2001, London. Baird, Julia/Giuliano, Geoffrey (1988): John Lennon, My Brother. Fore- word by Paul McCartney, New York. Barrow, Tony (1999): The Making of The Beatles’ Magical Mystery Tour, London. Barta, Tony (Hg.) (1998): Screening the Past. Film and the Representa- tion of History, Westport. Barta, Tony (1998a): “Screening the Past: History Since the Cinema”. In: Screening the Past. Film and the Representation of History, hg. v. Tony Barta, Westport, S. 1-17. Barta, Tony (1998b): “Introduction”. In: Screening the Past. Film and the Representation of History, hg. v. Tony Barta, Westport, S. ix-xi. Barthes, Roland (1977). “Change of the Object Itself. Mythology To- day”. In: Image-Music-Text., hg. v. Stephen Heath, London, S. 160- 172. Baxter, Lew (2003): Allan Williams is...The Fool On The Hill...how the beat went on after his BIG BEATLES blunder, Wirral. Beatles, The (2000): The Beatles Anthology, München. Benson, Ross (1992). Paul McCartney. Die Biographie, München. Best, Pete/Doncaster, Patrick (2001): Beatle! The Pete Best Story, Lon- don. Biguell, Jonathan (1997): Media Semiotics, Manchester. Black, Johnny (1996): “The Making of The Rutles-All You Need Is Cash”. In: Q 113, S. 58-59. Bordwell, David/Thompson, Kristin (1979): Film Art, London. Brodax, Al (2004): Up Periscope Yellow. The Making of The Beatles Yellow Submarine, New York.