VARIOUS ARTISTS Two Niles to Sing a Melody: the Violins & Synths of Sudan NO EXPORT to UK/EU/JPN

Total Page:16

File Type:pdf, Size:1020Kb

VARIOUS ARTISTS Two Niles to Sing a Melody: the Violins & Synths of Sudan NO EXPORT to UK/EU/JPN VARIOUS ARTISTS Two Niles to Sing a Melody: The Violins & Synths of Sudan NO EXPORT TO UK/EU/JPN KEY SELLING POINTS • Ostinato’s next compilation after the best-selling, Grammy-nominated “Sweet As Broken Dates” • First compilation covering the golden eras of Sudanese music from 1970 - 1997 • Rare recordings of orchestral violin music of the 1970s and synthesizer music of the 1980s and 90s; none have been reissued before • Contains legendary singers like Mohammed Wardi, Saied Khalifa, and Zaidan Ibrahim, widely considered musical royalty across Africa • Ethiopian and Somali music both heavily influenced by Sudanese music • Music was largely repressed by the government in Sudan from 1983- 1995 and has not had a chance to be heard outside of Sudan and Africa, until now DESCRIPTION In Sudan, the political and cultural are inseparable. In 1989, a coup brought a ARTIST: Various Artists hardline religious government to power. Music was violently condemned. Many TITLE: Two Niles to Sing a Melody: The Violins & Synths of musicians and artists were persecuted, tortured, forced to flee into exile — and Sudan even murdered, ending one of the most beloved music eras in all of Africa and CATALOG: L-OST005 / CD-OST005 largely denying Sudan’s gifted instrumentalists, singers, and poets, from strutting LABEL: Ostinato Records their creative heritage on the global stage. What came before in a special era that protected and promoted the arts was one of the richest music scenes anywhere GENRE: World/Funk in the world. Although Sudanese styles are endlessly diverse, this compilation BARCODE: 843563105658 / 843563106013 celebrates the golden sound of the capital, Khartoum. Each chapter of the FORMAT: 3XLP / 2XCD cosmopolitan city’s tumultuous musical story is covered through 16 tracks: from the hypnotic violin and accordion-driven orchestral music of the 1970s that captured RELEASE: 9/14/2018 the ears and hearts of Africa and the Arabic-speaking world, to the synthesizer and LIST PRICE: $34.98 / RF / $19.98 / AT drum machine music of the 1980s, and the music produced in exile in the 1990s. The deep kicks of tum tum and Nubian rhythms keep the sound infectious. TRACKLISTING (Click Tracks In Blue To Preview Audio) Sudan of old had music everywhere: roving sound systems and ubiquitous bands 1. Al Bareedo Ana (The One I Love) — Emad Youssef and orchestras kept Khartoum’s sharply dressed youth on their feet. Live music was 2. Ma Kunta Aarif Yarait (I Wish I Had Known) — Abdel El Aziz integral to cultural life, producing a catalog of concert recordings. In small arenas Al Mubarak and large outdoor venues, musical royalty of the day built Khartoum’s reputation 3. Min Ozzalna Seebak Seeb (Forget Those That Divide Us) — as ground zero for innovation and technique that inspired a continent. Musicians Kamal Tarbas in Ethiopia and Somalia frequently point to Sudan’s biggest golden era stars as 4. Arraid Arraid Ya Ahal (Love, Love Family) — Madjzoub Ounsa idols. Mention Mohammed Wardi — a legendary Sudanese singer and activist akin 5. Malo Law Safeetna Inta (What If You Resolve What’s Between to Fela Kuti in stature and impact in his music and politics — and they often look Us?) — Khojali Osman to the heavens. 6. Ma Hammak Azabna (You Don’t Care About My Suffering) (Live) — Zaidan Ibrahim Such is the reputation of Sudanese music, particularly in the “Sudanic Belt,” a 7. Igd Allooli (The Pearl Necklace) — Saied Khalifa cultural zone that stretches from Djibouti all the way west to Mauritania, covering 8. Ma Aarfeen Nagool Shino! (We Don’t Know What to Say!) — much of the Sahara and the Sahel, lands where Sudanese artists are household Taj Makki names and Sudanese poems are regularly used as lyrics until today to produce the 9. Alamy Wa Shagiya (My Pain and Suffering) (Live) — Hanan latest hits. Sudanese cassettes often sold more in Cameroon and Nigeria than at Bulu Bulu home. But years of anti-music sentiment have made recordings in Sudan difficult to 10. Droob A Shoag (Paths to Love) — Abdelmoniem Ekhaldi source. Ostinato’s team traveled to Ethiopia, Somalia, Djibouti, and Egypt in search 11. Galbi La Tahwa Tani (My Heart, Don’t Fall in Love Again) — of the timeless cultural artifacts that hold the story of Africa’s most mesmerizing Samira Dunia cultures. That these cassette tape and vinyl recordings were mainly found in 12. Al Sourah (The Photo) — Mohammed Wardi Sudan’s neighbors is a testament to Sudanese music’s widespread appeal. 13. Al Zaman Zamanak (It’s Your Time) — Abdullah Abdelkader 14. Al Wilaid Al Daif (The Youth Who Came as a Guest) — Mustafa With our Sudanese partner and co-compiler Tamador Sheikh Eldin Gibreel, a once Modawi & Ibrahim El Hassan famous poet and actress in ’70s Khartoum, Ostinato’s fifth album, following our 15. Elhabeeb Wain? (Where is My Sweetheart?) — Composed by Grammy-nominated “Sweet As Broken Dates,” revives the enchanting harmonies, Ibrahim El Kashif haunting melodies, and relentless rhythms of Sudan’s brightest years, fully 16. Al Mursal (The Messenger) — Mohammed Wardi restored, remastered and packaged luxuriously in a triple LP gatefold and double CD bookcase to match the regal repute of Sudanese music. A 20,000-word liner note booklet gives voice to the singers silenced by an oppressive regime. Take a sail down the Blue and White Nile as they pass through Khartoum, carrying with them an ancient history and a never-ending stream of poems and songs. It takes two Niles to sing a melody. PROUDLY DISTRIBUTED BY FAT BEATS DISTRIBUTION | 8930 ETON AVE. CANOGA PARK, CA 91304 | DISTRIBUTION.FATBEATS.COM UNDERGROUND SYSTEM What Are You CD BUMPED TO 9/28 KEY SELLING POINTS • This project is packed for the producer needing INSTANT inspirational material with instrumentation including Rhodes Mark II, live bass, live drums, analog vintage synths, organ, and much more • 2 more bonus compositions not on digital version • Bonus tracks w/o drums for ultimate sampling experience DESCRIPTION ARTIST: Underground System Underground System is an ever-evolving convergence of musical and TITLE: What Are You cultural influences. The female-fronted group of global dance music CATALOG: L-SCRLP03 deconstructionists have cultivated a sound as inimitable as its members. LABEL: Soul Clap Something familiar and referential that simultaneously projects a GENRE: World/Electronic BARCODE: 659123112819 fiercely original energy, the band synthesizes elements of afrobeat, FORMAT: LP new wave, dance music, and contemporary classical performance, HOME MARKET: Brooklyn, NY seen through the international lens of a New York City band in 2018. RELEASE: 9/14/2018 LIST PRICE: $19.98 / CR Peter Matson, bandleader/producer, comments, “Our music is heavily influenced by the context that is projected by the New York underground. TRACKLISTING (Click Tracks In Blue To Preview Audio) As much as we are rooted in afrobeat and other well recognized musical styles, we pay homage to the way these sounds were combined and 1. Three’s A Charm progressed over the years by pushing to find our own original voice. 2. Interlude 3. Go 4. Rent Party 5. What Are You 6. Just A Place 7. Sebben (La Lega) 8. State Of Mind 9. What’s It Gonna Take 10. Nmani PROUDLY DISTRIBUTED BY FAT BEATS DISTRIBUTION | 8930 ETON AVE. CANOGA PARK, CA 91304 | DISTRIBUTION.FATBEATS.COM MONIQUEA All The Time b/w His Lady KEY SELLING POINTS • Production from XL Middleton • October 2018 Europe tour dates (Paris, Rome, Milan, Barcelona, more cities to be confirmed) DESCRIPTION ARTIST: Moniquea Just in time for the summer, Moniquea is back with a future glass house TITLE: All The Time b/w His Lady staple entitled “All The Time.” Riding thick, squiggly production from XL CATALOG: F-MOFUNK020 Middleton, modern funk’s first lady delivers declarations of dominance LABEL: MoFunk Records that might make you want to stand up, pop and lock, or have a seat and GENRE: Modern Funk BARCODE: 659123106016 slam dominoes on the table top. The b-side, “His Lady,” is a future roller FORMAT: 7” skate staple featuring an instrumental culled from the mid 2000’s vaults HOME MARKET: Los Angeles of XL Middleton. The track still sounds fresh nearly a decade and a half RELEASE: 9/14/2018 later thanks to Moniquea’s timeless songwriting and silky delivery. LIST PRICE: $10.98 / CI TRACKLISTING (Click Tracks In Blue To Preview Audio) A. All The Time B. His Lady PROUDLY DISTRIBUTED BY FAT BEATS DISTRIBUTION | 8930 ETON AVE. CANOGA PARK, CA 91304 | DISTRIBUTION.FATBEATS.COM POLYESTER THE SAINT Wazzup feat. Jay Worthy b/w Modern Funk Dub Version KEY SELLING POINTS • Polyester The Saint has been a staple on the underground LA hip-hop scene ever since his 2010 debut, with multiple releases thereafter • Has previously worked with Dom Kennedy, Freddie Gibbs, Kurupt, Krondon, G Perico, Jay Worthy, Dam Funk, and more • Produced by XL Middleton • First vinyl release DESCRIPTION ARTIST: Polyester The Saint “Wazzup” was featured on Polyester The Saint’s album American Muscle TITLE: Wazzup feat. Jay Worthy b/w Modern Funk Dub Version 5.0 and was regarded as the one of the standout cuts on the project. CATALOG: F-CVSNDS03 Featuring production from XL Middleton, it was XL who arranged to LABEL: Cavi Sounds release this stellar modern G-funk cut on vinyl through his own Cavi GENRE: Modern Funk BARCODE: 659123106115 Sounds imprint, a spin off label of MoFunk Records, which seeks to keep FORMAT: 7” the west coast tradition of g-funk music alive and well. HOME MARKET: Los Angeles RELEASE: 9/14/2018 LIST PRICE: $10.98 / CI CASE QTY: 220/1 TRACKLISTING (Click Tracks In Blue To Preview Audio) A. Wazzup (feat. Jay Worthy & Moniquea) B.
Recommended publications
  • Representations: Doing Asian American Rhetoric
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@USU Utah State University DigitalCommons@USU All USU Press Publications USU Press 2008 Representations: Doing Asian American Rhetoric LuMing Mao Morris Young Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Rhetoric and Composition Commons Recommended Citation Mao, LuMing and Young, Morris, "Representations: Doing Asian American Rhetoric" (2008). All USU Press Publications. 164. https://digitalcommons.usu.edu/usupress_pubs/164 This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. REPRESENTATIONS REPRESENTATIONS Doing Asian American Rhetoric edited by LUMING MAO AND MORRIS YOUNG UTAH STATE UNIVERSITY PRESS Logan, Utah 2008 Utah State University Press Logan, Utah 84322–7800 © 2008 Utah State University Press All rights reserved Manufactured in the United States of America Cover design by Barbara Yale-Read Cover art, “All American Girl I” by Susan Sponsler. Used by permission. ISBN: 978-0-87421-724-7 (paper) ISBN: 978-0-87421-725-4 (e-book) Library of Congress Cataloging-in-Publication Data Representations : doing Asian American rhetoric / edited by LuMing Mao and Morris Young. p. cm. ISBN 978-0-87421-724-7 (pbk. : alk. paper) -- ISBN 978-0-87421-725-4 (e-book) 1. English language--Rhetoric--Study and teaching--Foreign speakers. 2. Asian Americans--Education--Language arts. 3. Asian Americans--Cultural assimilation.
    [Show full text]
  • By Paul Hodgins
    DÉRIVE OPENS IN PASADENA JASPER JOHNS AT THE BROAD BLACK PANTHER REIGNS ® FEBRUARY 1622, 2018 / VOL. 40 / NO. 13 / LAWEEKLY.COM ONSTAGE ACTIVISM George Takei, Thor Steingraber and Tim Robbins bring stories of immigration, refugees and persecution to L.A. theaters BY PAUL HODGINS | 2 | WEEKLY ACOBY EYERS LA J INJURY& LAWYERSM // , 2018 AUTO & TRUCK ACCIDENTS • MOTORCYCLE ACCIDENTS • PERSONAL INJURY America’s Most Trusted Law Firm For over 40 years, Jacoby & Meyers has been “ protecting injury victims and their families. “ www.laweekly.com www.laweekly.com - 22 16 // February Call us today for a free confidential consultation. - LEONARD JACOBY Founding Attorney OVER ONE BILLION DOLLARS IN VERDICTS & SETTLEMENTS Our experienced team of lawyers is here to help you navigate the complex legal system and fight for you. WHY CHOOSE US? PEOPLE We will not charge you a penny until your case is won Since 1972, we have helped hundreds of Injured people and their families HIRE US We assign an experienced team of lawyers and injury professionals to every case BECAUSE Avoid advertising hype: We have recovered over $1 Billion Dollars for our clients If you need help, call us 24/7 for a no obligation free legal consultation WE WIN. Don’t sign your rights away. Let our 40 years of experience work for you PERSONAL INJURY HOTLINE 1-800-992-2222 www.JacobyandMeyers.com © 2018 Jacoby & Meyers - All rights reserved. Lawyer Advertising. Prior results do not constitute a guarantee, warranty, or prediction regarding the outcome of your legal matter. See website for full disclaimer. We look forward to helping you.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title BODYSCRIPTS: Mami Wata, Diaspora, and Circum-Atlantic Performance Permalink https://escholarship.org/uc/item/4fd1f2b1 Author Hill, Elyan Jeanine Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles BODYSCRIPTS: Mami Wata, Diaspora, and Circum-Atlantic Performance A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Culture and Performance by Elyan Jeanine Hill 2013 © Copyright by Elyan Jeanine Hill 2013 ABSTRACT OF THE THESIS BODYSCRIPTS: Mami Wata, Diaspora, and Circum-Atlantic Performance by Elyan Jeanine Hill Master of Arts in Culture and Performance University of California, Los Angeles, 2013 Professor Allen Fraleigh Roberts, Co-Chair Professor Mary Nooter Roberts, Co-Chair By examining the uses to which the pan-African water goddess Mami Wata is put in Eve Sandler’s art installation entitled “Mami Wata Crossing” (2008), Kimberly Mullen’s dance Yemanja, Mother of the Deep (2012) , and Chris Abani’s novel GraceLand (2004), I present these mediums as important but overlooked means of history-making and expressions of diaspora that are often excluded from written histories. Through attention to three specific works, this thesis attends to the roles that the iconography of Mami Wata and her Caribbean sister Yemanja play in framing “artistic genealogies.” I employ oral interviews with textual and performance analysis to explore Mami Wata as a sign for intercultural exchange. This thesis begins with an examination of how worship practices honoring Mami Wata intervene in current scholarship on the black Atlantic.
    [Show full text]
  • Corpus Antville
    Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr.
    [Show full text]
  • 101807125547Pm1192704947666
    Tanned Tin Castelló 2007 tendrá lugar en Castellón, los próximos 1, 2 y 3 de noviembre (con actividades complementarias el día 31 de octubre y el 4 de noviembre). Si el año pasado supuso la consolidación total y un éxito de público y prensa, éste 2007 se apostará por una mayor implicación de la ciudad, siendo 4 los escenarios en los que actuarán los grupos. El miércoles 31 de octubre se inaugura el festival en el Centro Municipal de Cultura. Además, recuperamos el moderno y magnífico Auditori i Palau de Congressos para la noche del jueves 1 de noviembre. Los días 2, 3 y 4 de noviembre, el centro neurálgico del festival continuará siendo el impresionante Teatre Principal de Castelló, que tanto impactó (por su estética y sobre todo su sobresaliente acústica) el año pasado y que se encuentra cerca de los hoteles, restaurantes y resto de servicios. Y no nos podíamos olvidar de otro de los éxitos del año pasado, ya que volvemos a insistir en una fórmula casi única en los festivales independientes, como son las dos matinales a las 13:00 horas en el Casino Antiguo los días 2 y 3 de noviembre. La idea fundamental del Tanned Tin Castelló consiste en ofrecer un menú degustación de lo que consideramos lo más interesante del panorama independiente internacional. Este festival de las distancias cortas es una decidida apuesta por acercar a nuestro país propuestas innovadoras y emocionantes o, simplemente, las más hermosas y sinceras de lo que tanto el pop, el rock y el folk como la electrónica y sus combinaciones menos previsibles ofrecen.
    [Show full text]
  • July 11, 2020 Grand Performances Presents Mia Doi Todd Cola 2020
    FOR IMMEDIATE RELEASE Grand Performances presents MIA DOI TODD COLA 2020 Fellowship Feature Presentation Saturday July 11th at 5pm PST https://www.youtube.com/watch?v=dSmZSN_ORGk Los Angeles - Grand Performances (GP), the longest-running presenter of high quality free ​ programs in downtown LA, is proud to announce Mia Doi Todd’s COLA 2020 Individual Artist Fellowship Feature Presentation, premiering on YouTube and Facebook on Saturday July 11th, ​ ​ ​ ​ ​ ​ 2020 at 5:00pm PST. This cinematic music experience is the first installment of Grand Performances’ Summer 2020 series of online Feature Presentations, continuing the organization's mission to inspire ​ ​ community, celebrate diversity, and unite Los Angeles through free access to global performing arts. Mia Doi Todd’s performance is part of GP’s long-standing history of collaboration with COLA (City of Los Angeles) Department of Cultural Affairs, which honors creative artists with distinguished records of innovation and experimentation. This summer, due to restrictions on public gatherings, GP has pivoted its programming online with a series of weekly livestream Artist TAKEOVERS on Facebook and Instagram featuring intimate performances from artists at home during quarantine. In addition to the livestreams, Grand Performances is also showcasing Feature Presentations, a series of cinematic music ​ ​ experiences beginning with Mia Doi Todd and continuing next Saturday July 18th with spoken word poet Steven Reigns. Mia Doi Todd’s performance features 5 new songs, filmed by GP’s Creative Director Azul Amaral and Director of Photography Eric Coleman, which explore her deeply personal experiences and reflections on motherhood, nature, memory, injustice, tragedy, resilience, and hope. Over the last 20 years, Mia Doi Todd has released a dozen solo albums and appeared on countless recordings with other artists, including Saul Williams, The Folk Implosion, and David J of Bauhaus.
    [Show full text]
  • Alice Coltrane Ooit Voort- Bracht
    SEPTEMBER 2007 - 31 MAANDELIJKSE KRANT ROND NIEUWE (POP)MUZIEK EEN GRATIS UITGAVE VAN (K-RAA-K)3 VZW HEERNISLAAN 81 B-9000 GENT WWW.KRAAK.NET (K-RAA-K)3 presenteert www.kraak. Zaterdag 22 September - KC Belgie, Hasselt | 19u00 12-15EUR 3 MONDE EXTÉRIEUR (K-RAA-K) PSYCHIC TV [uk/us] TRAD GRAS OCH STENAR [se] PSYCHIC ILLS [us] YOKE & YOHS [dk] CHRIS FORSYTH [us] BABILS [b] MOHA! [no] Donderdag 25 Oktober - Argos, Brussel | 20u30 5EUR impro JUNKO [jp] + MATTIN [uk] + MICHEL HENRITZI [fr] TETUZI AKIYAMA [jp] + JOZEF VAN WISSEM [nl] Donderdag 29 November > Zaterdag 1 December - Vooruit, Gent PAUZE FESTIVAL Met steun van de Vlaamse Gemeenschap en Provincie Oost-Vlaanderen IGNATZ (K-RAA-K)3 II cd/lp T-SHIRT "impassioned mantras of faith and S-M-L-XL devotion from behind the crackled veil of a prewar blues 78.... handmade bricks again gloriously shaped, baked, and thrown." -PITCHFORK KISS THE ANUS TUK OF A BLACK CAT Shallow Water Blackout | CD An Interlude To the Outermost | CD "Much like labelmate Ignatz, who "De conclusie van dit alles mag constantly reimagine and reinvent duidelijk zijn. An Interlude to the Appalachia and Delta blues, Outermost is een aanwinst voor creating a whole new sound, Tuk do iedereen die van zeer intense, something similar with electronic hartverscheurende muziek houdt. music, coming up with a sound that Jaarlijsten zijn zo triviaal, dit is een is neither cold nor unemotional, not album dat die eer waarschijnlijk dance-y or really in any way groovy, overschrijdt. Zeer bijzonder.” but instead is some weird futuristic - KINDAMUZIK mood music, weirdly emotional mysteriously ominous and so so lovely.
    [Show full text]
  • 2013 Performing Arts Grantees – 23 Projects, Representing 36 Artists
    2013 Performing Arts Grantees – 23 projects, representing 36 artists Kyle Abraham Brooklyn, NY Project Title: The Social Performing Arts: Dance The Social is a reflective, evening-length dance work that explores social dance and the memories associated with attending your first school dance, church function or house party. Facilitating an open environment for audiences to get up and dance before and after the show, the work embodies what those experiences were like for the viewer and performer alike. The sound score for The Social will range from 70s funk/soul classics to electronic breakbeats. Kyle Abraham’s accolades and awards for his dance and choreography includes a US Artists grant (2012), a MANCC residency (2012), a National Dance Project grant (2012), a Bessie Award for Outstanding Performance in Dance (for his work in The Radio Show, 2010), a Princess Grace Award for Choreography (2010), a BUILD grant and an individual artist fellowship from the New York Foundation for the Arts, a Jerome Foundation Travel and Study Grant, and a Pennsylvania Council for the Arts Fellowship. In 2009, Abraham was honored as one of Dance Magazine’s “25 To Watch,” and in 2011, he was heralded by OUT Magazine as the “best and brightest creative talent to emerge in New York City in the age of Obama.” His choreography has been presented throughout the United States and abroad, most recently at The Kitchen, Jacob’s Pillow Dance Festival, Danspace Project, Dance Theater Workshop, Bates Dance Festival, Harlem Stage, Fall for Dance Festival at New York's City Center, REDCAT, Dublin’s Project Arts Center and The Andy Warhol Museum.
    [Show full text]
  • National Journalism Awards
    Chelsea Handler Diane Warren Angela Lansbury The Luminary The Visionary The Legend Award Award Award 2016 NINTH ANNUAL NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB 9TH ANNUAL National Arts & Entertainment Journalism Awards Los Angeles Press Club Awards for Editorial Excellence in A non-profit organization with 501(c)(3) status Tax ID 01-0761875 2015 and 2016, Honorary Awards for 2016 4773 Hollywood Boulevard Los Angeles, California 90027 Phone: (323) 669-8081 Fax: (310) 464-3577 The Visionary Award E-mail: [email protected] Emily Shur For Humanitarian Work Website: www.lapressclub.org DIANE WARREN PRESS CLUB OFFICERS PRESIDENT: Robert Kovacik Introduced by Catherine Hardwicke NBC4 SoCal VICE PRESIDENT: Cher Calvin KTLA TREASURER: Christopher Palmeri Bloomberg News SECRETARY: Adam J. Rose The Luminary Award CBS Interactive For Career Achievement EXECUTIVE DIRECTOR: Diana Ljungaeus International Journalist CHELSEA HANDLER BOARD MEMBERS Joe Bell Bruno, The Hollywood Reporter Elizabeth Espinosa, KFI Mariel Garza, Los Angeles Times Saul Gonzalez, KCRW Peggy Holter, Investigation Discovery Channel The Legend Award Gabriel Kahn, USC Annenberg For Lifetime Achievement and Eric Neel, ESPN Contributions to Society Elisa Ross, Telemundo Network Ben Sullivan, ScienceBlog.com ANGELA LANSBURY Gloria Zuurveen, Pace News Introduced by David Michaels and STUDENT BOARD MEMBERS Interviewed by Robert Kovacik Ande Richards, Collegian Times HONORARY BOARD MEMBERS Alex Ben Block Emcee Jack Maxwell Ted Johnson with hosts, Will Lewis Patt Morrison Cher Calvin and Robert Kovacik ADVISORY BOARD Eli Broad Constance L. Rice Rick J. Caruso Hon. Richard J. Madeline Di Nonno Riordan David W. Fleming Ramona Ripston Sunday, December 4, 2016 Bill Imada Angelica Salas Sabrina Kay Carol Schatz The Biltmore Bowl Kat Kramer Gary L.
    [Show full text]
  • KPCC-KUOR-KVLA-KJAI APR-JUNE 2016.Xlsx
    Southern California Public Radio- FCC Quarterly Programming Report April 1- June 30,2016 KPCC-KUOR-KJAI-KVLA-K227BX-K210AD START TIME Duration min:sec Public Affairs Issue 2 Show & Segment Guests /Hosts /Reporter FRIDAY, APRIL 1, 2016 Take Two: Foster Care Vouchers: Facing a dearth of foster parents in California, a new statewide budget proposal aims to provide better childcare options in an effort to entice more couples to enter the program. The $31 million plan, organized by Los Angeles County Board of Supervisor Sheila Kuehl, would provide emergency childcare vouchers for foster parents caring for children ages 0 to 3. Alex Cohen talks to 9:11 7:30 Youth/Children's Issues/ Family Economics and Business Kuehl about the plan. Sheila Kuehl, Alex cohen Take Two: LA Dodgers Manager: The Dodgers Home Opener is on April 12th. It will be the national stage debut for manager Dave Roberts who, save one day working for the San Diego Padres, has never really managed a team before. A Martinez caught up with him while still in Arizona for Spring Training and talked to him about the new 9:26 6:00 Sports gig. Dave Roberts, A Martinez Take Two: Tesla Folo: Our motor critic, The Wheel Thing's Susan Carpenter, gives us her update on last night's unveiling of the Tesla Model 3, an electric car the company hopes 9:32 7:30 Transportation Computers/Internet/IT will be the first to appeal to the masses. Sue Carpenter, Alex Cohen Take Two: The Heavy: The British band's new album Hurt and the Merciless drops April 1.
    [Show full text]
  • Gilmore Thea
    SUMMER 2006 a women in music compendium wears the trousers thea gilmoreon making her marx plus: lisa germano, juana molina, the dresden dolls, the cardigans, joan as policeman, wopsapp, broadcast & lots more wears the trousers ust when you thought that magazine summer had pretty much gone and shoved its head under a www.thetrousers.co.uk www.myspace.com/wearsthetrousers blanket of cloud for another ten J months, here’s something that will 17B Church Crescent Muswell Hill hopefully warm your hearts and London N10 3NA minds – the very sorrily delayed, +44 (0)20 8444 1853 so-called ‘summer’ issue of Wears [email protected] The Trousers. Yay! We haven’t just been twiddling our collective thumbs, Editor Alan Pedder in case you were wondering. This issue comes with a distinctly British flavour as we went undercover to seek Deputy Editor out interviews with some of the UK’s brightest songwri- Trevor Raggatt ting talent. There’s so much out there! Singer-songwriter Associate Editors showcases are springing up all over the country and the Clare Byrne, Stephen Collings sheer volume of activity at grass roots level is astonishing. & Rod Thomas A quick scan through the London listings papers shows that the scene is thriving at a rate perhaps not seen since Wears The Trousers magazine is a completely free, not-for-profit, blood, the big ol’ folk club boom of the mid-Sixties. Of course, sweat and tears included resource those rare little diamonds will insist on sitting in amongst for all that is new, essential and downright exciting about the the rough, but you’re in the best place to get your heels contribution of women worldwide pointed in the general direction of rightness.
    [Show full text]
  • Press Dossier Primavera Soun
    THE FESTIVAL LINE UP PARC DEL FÒRUM ADDITIONAL ACTIVITIES PRIMAVERA A LA CIUTAT ORGANIZATION AND PARTNERS TICKETS GRAPHIC CAMPAIGN PRESS QUOTES HISTORY CONTACT ANNEX I: PRIMAVERAPRO ANNEX II: BIOGRAPHY OF THE ARTISTS THE FESTIVAL Primavera Sound has always concentrated all its eforts on uniting the latest musical proposals from the independent scene together with already well-established artists, while embracing any style or genre in the line up, fundamentally looking for quality and essentially backing pop and rock as well as underground elec- tronic and dance music. Over the last twelve years, the festival has had the most diverse range of artists. Some of those who have been on stage are Arcade Fire, Queens of the Stone Age, The National, Nine Inch Nails, Kendrick Lamar, Pixies, Aphex Twin, Neil Young, Sonic Youth, Portishead, Pet Shop Boys, Pavement, Echo & The Bunnymen, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Cat Power, Public Ene- my, Grinderman, Franz Ferdinand, Television, Devo, Enrique Morente, The White Stripes, LCD Soundsys- tem, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Swans, Melvins, Psychic TV, Spiritualized, The Cure, Bon Iver, La Buena Vida, Death Cab For Cutie, Iggy & The Stooges, De La Soul, Marianne Faithfull, Mazzy Star, Blur, Wu-Tang Clan, Phoenix, The Jesus and Mary Chain or Tame Impala amongst many others. Primavera Sound has consolidated itself as the urban festival par excellence with unique characteristics that have projected it internationally as a reference cultural event. The event stands out from other large mu- sic events and is faithful to its original artistic idea, keeping the same standards and maintaining the same quality of organization of past years, without resorting to more commercial bands.
    [Show full text]