DÉRIVE OPENS IN PASADENA JASPER JOHNS AT THE BROAD BLACK PANTHER REIGNS ®
FEBRUARY 1622, 2018 / VOL. 40 / NO. 13 / LAWEEKLY.COM
ONSTAGE ACTIVISM George Takei, Thor Steingraber and Tim Robbins bring stories of immigration, refugees and persecution to L.A. theaters
BY PAUL HODGINS
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MAR 2 I FEBRUARY| // , //VOL. NO. C performance inIronbound atthe Geffen. RADEN BILL retrospective. The Broad opensitscomprehensive JasperJohns CU drink. popular energy MLYNARCZYK creates of hera ownversion Highland Park. up formerly Ración, andKA MICHELE STUEVEN EAT political climate. BY PAUL HODGINS. stages, inareflection of andonthe current Immigrants andrefugees are taking over L.A. FE masses. aimsto bring cannabisculture420TV to the NEWS... week. Robinson andmore this to doandseeinL.A. Month activitiesinclude atalkonJackieHistory plays, Brooklyn’s Bushwigcomes to town, Black Open Fist presents afestival political of short LA... GO 15 W CONTRACTORS SINGLE WEEKLYLA IN T , LA WEEKLYPUBLISHER, LA L.A YEAR C FREE HE ITY EEKLY, xiao longbaoatMason’s Dumpling Shop in PART . WEE KLY , CA90230. PERIODICALS ENTIRE . POSTMASTER: SEND A OF L
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- , where where , 2/18 —Beige —Beige Diesel Books, Diesel FEB. Week of Week 16-22 ELMA TO SHED LIGHT ELMA TO S ⁄⁄ (University of Washington Washington of (University THU Parade runs along Hill from from Hill along runs Parade EVISITING R TODAY STRUGGLE ON CIVIL RIGHTS P. 11 P. CULTURE of the Woof Year all. after listening, are gods the Maybe Chinese 4,000-year-old the to According Dog: Earth of Year the is 2018 zodiac, reform, to dedicated and humble sincere, auspicious Celebrate truth. and equality annual 119th Chinatown’s at beginnings dragon dancers, martial artists, folklore folklore artists, martial dancers, dragon it make stages culinary interactive and the before spot a Find aair. all-day an out check then p.m.), 1 (at begins parade fair vintage trucks, food Plaza’s Central live has Plaza Mandarin artisans; and Taoist to Head garden. beer a and music light to Street Yale on Temple Hau Thien blessings. receive and oer and incense garments sweets, flowers, — red Lucky $8 with stued envelopes red little and sweep don’t faithful The abound. will — the after Day; Year’s New on houses their Golden Dragon Parade and Festival Parade Golden Dragon Art of the Resistance: Painting by Candlelight by Painting Art of the Resistance: China in Mao’s cosmic clusterfuck of 2017, why tempt tempt why 2017, of clusterfuck cosmic providence? back heads then Bernard, to Temple Chinatown; in Temple to Broadway down 617-0396, (213) free. p.m.; 1 17, Feb. Sat., lagoldendragonparade.com. Press). Revealing the creative struggles creative the Revealing Press). stark the during active painters seven of (1966- Revolution Cultural the of decade Yongyu, Huang whom, of one only — 1976) the how shows book the — alive still is flowering oppression, resists urge creative candle, a of light flickering the under even - imag symbols, into tapping process the in of kinds all supersede that themes and es authoritarianism. grinding Feb. Sun., Brentwood; 33, Suite St., 26th 225 576-9960, (310) $65. is book free, p.m.; 3 19, dieselbookstore.com/event/shelley-drake- hawks-discusses-and-signs-art-resistance. sun BOOKS of Oppression Art in the Face honor is opposition in art of story The eye an with and time-honored, and able Chinese in developments recent toward presents Hawks Drake Shelley culture, Cotner —David Luciano-Adams ENDOZA DAME M DAME A ÓGAR PHOTO BY B BY PHOTO starlets. Race Drag Drunks: An AmericanDrunks:
Vroman’s, 695 E. Colorado Colorado E. 695 Vroman’s, —Beige Luciano-Adams —Beige (Beacon Press), his necessarily necessarily his Press), (Beacon gory chronicle of recovery and sobriety sobriety and recovery of chronicle gory illuminating and candid in unveiled the in Americans Native from tones, Anonymous Alcoholics to period colonial Smith, Bob Dr. and Wilson Bill founders - mis and trial through demonstrated who maintain can alcoholics that error erable sobriety. their free, p.m.; 4 17, Feb. Sat., Pasadena; Blvd., - vromans 449-5320, (626) $29.95. is book - bookstore.com/event/chris-finan-discuss es-and-signs-drunks-american-history. —David Cotner —David sive” surprise headliner, with DJ Hannah Hannah DJ with headliner, surprise sive” Keep Faultline. at bar full a and Lou “Lit” future for out eye an Monday going party the keeps Bushwig Speedo- free, a with downtown Ace the at Queens Drag fantasy, poolside friendly “expand to invited you’re where Acid, on Faultline, hole.” and body mind, your Feb. Sat., Lake; Silver Ave., Melrose 4216 660-0889, (323) $10. a.m.; p.m.-2 10 17, faultlinebar.com/event/bushwig-does-los- angeles. BOOKS Drink? Wanna the out bringing for knack a has Alcohol when and people, of best the in worst you alcoholic, an as bottom rock hit you in there down got you how wonder may future and mistakes Past place. first the Chris when showcased are potential discusses Finan History History LA - TUE LACK HISTORY MONTH TALK TALK MONTH LACK HISTORY 2/17 B ROBINSON JACKIE AT LOOKS P. 10 10 P. Birdman or Birdman UCLA, Royce Royce UCLA, include Pinché Pinché include —Siran Babayan —Siran Bushwig Does L.A.! Antonio Sanchez: See Friday. ARTY TO SILVER LAKE SILVER ARTY TO - exclu “very a and Cherry Merrie Queen, sat CULTURE Renaissance Drag Brooklyn’s Heads West of out all is Lake Silver Brooklyn: Dear - cul welcome we but housing, aordable includes now that us, Lucky exports. tural drama, drops, death of weekend entire an An drag. world-class and weirdness Brooklyn the of catalyst and expression celebrates Bushwig renaissance, drag alternative for anity borough’s the as or — performance contemporary and Hungton told Horrorchata co-founder evil is Brooklyn in scene drag “The Post, Headliners witches!” crazy of full it’s and for , Ignorance) of Virtue Unexpected (The Sanchez’s improvised; was it of most and scene the as memorable as is percussion down walking Keaton Michael star with After tighty-whities. his in Square Times per years of couple last the spending Sanchez accompaniment, live a forming movie’s the re-create to L.A. to returns screening. this for music Westwood; Court, Dickson 10745 Hall, 825- (310) $29-$59. p.m.; 8 16, Feb. Fri., cap.ucla.edu. 2101, uted most of the soundtrack to Alejandro Alejandro to soundtrack the of most uted Oscar-winning Iñárritu’s G. P SAT BROOKLYN’S BUSHWIG BRINGS BUSHWIG BROOKLYN’S THE P. 9 P.
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$99 $200 $120 , , Eyelash Full-Set laweekly.com/free/ WeddingSinger Express Massage The Hideko Treatment THE WEDDING SINGER LA WEEKLY READERS THE CHANCETO WIN ON BLU-RAY Organic Enter to winat ™ We’re excited to offer We’re excitedtooffer The Wedding Singer The Wedding Singer LA Weekly readers LA Weekly readers , NOW! on Blu-Ray, now! the chanceto win acopyof (1 hour) ” 10 Ray, Dynasty Battles and Michelle Cann pianists — Joanne Pearce Martin, Vicki Adams conducts four adventurous appreciation. Minimalist icon John is finally receiving belated critical relative obscurity in 1990, but his music ally became homeless before dying in 1970s. The New York iconoclast eventu - was a rarity in the classical scene in the with homosexual themes, Eastman minimalist creations often were infused whose controversial but inventive American singer, pianist and composer no ordinary composer. As an African- Anti-Objects: WorksAnti-Objects: by Sky Hopinka Native Issues FILM mon fitting intro as volcano is seen spewing rock and lava, a On the nightly news, Bali’s Mount Agung Volcanic Moves DANCE Hall, but its author, Evil Nigger is performed at staid Disney It’s not often that a work with the title Adams Performs Eastman MUSIC tue sky-hopinka. redcat.org/event/anti-objects-works- Feb. 19, 8:30 p.m.; $6-$12. (213) 237-2800, CAT, 631 W. Second St., downtown; Mon., the most artistic thing he does. catching one glimmering moment is on his heritage, though — sometimes push, struggle in Hopinka’s reflections Reservation. It’s not all about push, Pipeline on the Standing Rock Indian lemma surrounding the Dakota Access tic and father-son — to the unfolding di- endangered languages — both linguis- examining everything from issues of himself a member. His is a body of work Ho-Chunk Nation, of which he counts of the indigenous Milwaukee-based of his riveting views into the daily life be present to explain the finer nuances output from 2014 to 2017. Hopinka will showcases the artist’s digital cinema premieres for the evening concert, the ensemble oers a family-friendly matinee, but view for tourists. For this visit, Çudamani oering at temples, generally not on primarily events presented as a spiritual bling and eruptions. Performances are rehearsed for this visit amid its rum- in a village at the foot of the volcano and mier music and dance ensemble, is based stage. The 25-member troupe, Bali’s pre- org. 2 & 7 p.m.; $20-$50. festivalofsacredmusic. 1310 11th St., Santa Monica; Sun., Feb. 18, lava-gushing volcano. consider their upcoming return to that close to the performers’ hearts as they —Ann Haskins Bhumi-Mother Earth, a subject —David Cotner Çudamani Julius Eastman The Broad Stage, takes the local 2/20 2/19 RED- , was was ,
1175, skylightbooks.com. 20, 7:30 p.m.; free, book is $16. (323) 660- 1818 N. Vermont Ave., Los Feliz; Tue., Feb. being in modern society. of becoming an individual adult human indignities that bespeak larger problems of Rachel “Tensions” Dolezal, and other don’t “see color,” the thorny conundrum “good hair,” dating men who claim they kins tackles include body issues, having and Integration Pasadena: ALife Between Segregation America Black, Female,tion of andFeminist in(White) at is Living theIntersec Will BeMyUndoing: - the Association for the Study of African Author’s Study Club — local chapter of visual and performing arts, while Our ican History Month calendar is rich with Los Angeles’ o¦cial 69th African-Amer Speak African-American Writers BOOKS/BLAC wed Jerkins meeting people is all about, Morgan dierent. So taking a deeper look at what together — and yet the reality is somewhat resent a place at which everyone comes Conceivably, “intersection” should rep- Living attheIntersection BOOKS/BLAC Museum of History, named after him. Hosted by the Pasadena baseball field, community center and park ing his football jersey. The city also has a Bowl unveiled a statue of Robinson wear Pasadena City College; last year, the Rose track at Pasadena Junior College, now played football, baseball, basketball and today marks their residence. Robinson 121 Pepper St. in Pasadena, where a plaque herself and her five sons from Georgia to years. Robinson’s mother, Mallie, moved Jackie Robinson lived in Pasadena for 24 barrier with the Brooklyn Dodgers in 1947, and broke Major League Baseball’s color Before he became a civil rights leader Breaking theBarrier B —Falling James p.m.; $20-$59. (323) 850-2000, laphil.com. S. Grand Ave., downtown; Tue., Feb. 20, 8 McIntosh. composers Katherine Young and Andrew mieres of new pieces by similarly bold Music Group ushers in the world pre - waves of — through the rolling, cascading melodic tory.org. free. (800) 838-3006, ext. 1, pasadenahis- Holly St., Pasadena; Tue., Feb. 20, 6:30 p.m.; Depression. mostly white neighborhood during the family struggled with racism in the then– Robinson’s Pasadena roots and how his of Southern California, who’ll talk about executive director of the Historical Society Cal State University professor, author and LAC K HISTORY
(Harper Perennial). Topics Jer discusses her new book of essays, —Siran Babayan Evil Nigger, and L.A. Phil New Walt Disney Concert Hall, 111 Pasadena Senior Center, 85 E. K HISTORY K HISTORY features Amy Essington, a N O M e Robinsons in e Robinsons in TH —David Cotner Skylight Books, N O M N O M TH TH 2/21 - - -
| 11 | LA WEEKLY // February 16 - 22, 2018 // www.laweekly.com 2/9/18 10:51 AM 3/18 3/22 3/25 3/21 3/17 3/25
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3/24 3/20 PHOTO: RUSSELL JAMES RUSSELL PHOTO: 3/18 3/16 3/24 11 2018 PF LAWeekly Quarter-Pg Ad - 12-up.indd 1 —Siran Babayan —Siran looks at one of the most crucial most the of one at looks Passing the Torch — From Selma — From the Torch Passing Skirball Cultural Center, 2701 N. N. 2701 Center, Cultural Skirball to Today Skylight Books, 1818 N. Vermont Ave., Los Los Ave., Vermont N. 1818 Books, Skylight is book free, p.m.; 7:30 21, Feb. Wed., Feliz; skylightbooks.com. 660-1175, (323) $17.95. Cotner —David TALK the Torch Passing post– the after years 100 nearly 1965, In - Amend 15th the of ratification War Civil that states which Constitution, the to ment States United the of citizens of right “the abridged or denied be not shall vote to on State any by or States United the by - condi previous or color, race, of account African-Americans servitude,” of tion when obstacles faced still South the in year, that of March In voting. to came it Selma from marches protest of series a the spurred Alabama in Montgomery to Act Rights Voting the of law into signing Johnson; B. Lyndon President by 1965 of in discrimination racial eliminated it Cultural Skirball the by Hosted voting. Center, moments of the civil rights movement movement rights civil the of moments aects legislation of piece this how and president Kornberg, Jessie times. modern Tzedek, Bet nonprofit services legal of rights civil with discussion the moderates Lafayette Bernard Young, Andrew leaders James as well as Jones, B. Clarence and Jr. African-American first Selma’s Jr., Perkins mayor. 22, Feb. Thu., Brentwood; Blvd., Sepulveda 440- (310) students. $10 $12, p.m.; 7:30 skirball.org. 4500, -
Body to Body Christopher L.A. City Hall, City L.A. , at which prominent prominent which at , An Evening With African- With An Evening presents his memoir, memoir, his presents ), Yvette Heyliger Heyliger Yvette ), Strokes Di ’rent and the cumshot of ultimate redemption. redemption. ultimate of cumshot the and the rigors of sex work, demoralization demoralization work, sex of rigors the tions about coming down from stardom, stardom, from down coming about tions what memoir is not — and frank revela frank and — not is memoir what punctuated with fictional passages — as — passages fictional with punctuated reflections on his time in the trenches. It’s It’s trenches. the in time his on reflections up six years of painful, enlightening enlightening painful, of years six up adult film star Danny Wylde — bundles bundles — Wylde Danny star film adult (Rare Bird). Zeischegg — formerly formerly — Zeischegg Bird). (Rare Job Zeischegg angeles-heritage-month-celebrations. programs-and-initiatives/city-of-los- p.m.; free. (213) 978-0254, culturela.org/ 978-0254, (213) free. p.m.; St., 3rd floor, downtown; Wed., Feb. 21, 6-8 21, Feb. Wed., downtown; floor, 3rd St., from from IV. Robertson L. Gil and Spring N. 200 Chambers, Works Public include Todd Bridges (yes, the guy the (yes, Bridges Todd include ful discussion” and a reception. Authors Authors reception. a and discussion” ful - “thought by followed path, writer’s the locals will discuss their latest works and works latest their discuss will locals American Authors perspective can be had when when had be can perspective of retrospection that a true moment of moment true a that retrospection of mieres at the Vista, and it’s in this spirit this in it’s and Vista, the at mieres - pre up busting cops from way long Gay pornography in L.A. has come a come has L.A. in pornography Gay BOOKS Nights Wylde —Beige Luciano-Adams —Beige OASC present present OASC in times of war. Mayor Eric Garcetti and Garcetti Eric Mayor war. of times in the lens of African-American experience experience African-American of lens the cal and contemporary realities through through realities contemporary and cal - histori connects — Month History Black American Life and History, founders of founders History, and Life American CITY COMPASSIONATE CAREGIVERS
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Trae Trae The Rollup
ou know cannabis has hit the hit the ou know cannabis has shows, are there when mainstream High Maintenance such as HBO’s by Madison Margolin Madison by
Launching on 22, 420TV Feb. ursday, on Launching this channel started that I e way was “ two main audi- channel speaks to The 420TV group, features latter the For Top are programs debuting 420TV’s Among In Amster- includes programming Other 420TV BRINGS CANNABIS 420TV BRINGS CANNABIS THE MASSES TO CULTURE
, that revolve around around Disjointed, that revolve ix’s and Netfl plant.the cannabis entertainment Now has further channel gone a step with an entire a channel it. to dedicated 420TV, Meet Hills that targets Beverly in headquartered and curious” “converted and the the both cannabis culture. celebrates original news, entertainment and features L.A.- by developed programming lifestyle music and, TV, the from based executives also an course,of It’s cannabis industries. channel, for “over-the-top”) OTT (that stands rather internet via the delivered it’s meaning provider. a cable or satellite than through since the 420TV for free, can stream You ad-supported.channel is completely landscape for cannabis- at the looking was a was there like and I felt content related story that the about can- way void in the media,” says the by told being nabis was e partner founding Nahai, 420TV. of Alex pertaininghigh-quality content cannabis to in a somewhat negative culture the painted pro-cannabis light, less pejorative the while says. he as good quality, wasn’t content ences: One comprises people who are involved who will in cannabisalready culture out, puts channel the what get” “immediately and former music an attorney says Nahai, e Endeavor. Morris at William executive curi- categoryother people who are includes be pot not ey may “ culture. ous about the but culture, about the or know a lot smokers says. learn,” he to people who want are they in addition to educational programming documentary content. and scripted comedy, both to shows and movies can play “Our race, about age, really not audiences, so it’s or anythinghow much money like you make or about whether just says. “It’s that,” Nahai or could an interest have you currently not in cannabis culture.” an interest have that takes show travel Dina, a Shelf With Dr. cannabis in a best the viewers of in search 420-friendly cities; Cannabiz, in of variety which TV personality and social entrepre- surveys in innovators neur Quddus Philippe , Slackers cannabis industry;the and Super The Simpsons comedy from an animated Silverman, in which David animator-director superheroes. become unwittingly friends lazy and TV actress VJ dam, in which model, viewers to takes Hoogdalem van Veronica cannabis movement; the of zero ground animated , a semi-autobiographical the Truth struggles comedy about hip-hop artist Trae’s and Medical Marijuana and adventures; Miracles, a documentary series exploring who pets) (and people of stories real-life Y Powered by Powered CITY COMPASSIONATE COMPASSIONATE CITY CAREGIVERS SINCE 2006 Located in Los Angeles, California, City Compassionate Caregivers is now a recreational and medicinal dispensary. We’ve been providing Southern California with exceptional medical cannabis product since 2006. Monday-Wednesday 8AM-9PM Thursday - Saturday 8AM-10PM Sunday 10AM-8PM citycompassionatecaregivers.com
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www.laweekly.com // February 16 - 22 // LA WEEKLY | , 2018 14 | | 15 LA WEEKLY // February 16 - 22, 2018 // www.laweekly.com - » - 16 ( os Angeles has always always has Angeles os welcoming a extended in immigrants to hand and 1930s the During need. of some to home was it ’40s - art famous most Europe’s many intellectuals, and ists , Luna la de Cara la Cruzar And East West Players is staging staging is Players West East And The Actors’ Gang is creating a play, play, a creating is Gang Actors’ The The Younes and Soraya Nazarian Nazarian Soraya and Younes The Immigrants became a high-profile high-profile a became Immigrants - Stein Thor with stuck moment The I when ago year a over little a was “It in campaign presidential a During season Soraya the of remainder The n n So it’s poetically fitting that L.A.’s L.A.’s that fitting poetically it’s So n , a musical based on the the on based musical a , Allegiance Takei George of experiences internment celebrated the when family his and child a was actor Japanese-American 21 Feb. opens It II. War World during & Cultural American Japanese the at in Theatre Aratani Center’s Community Tokyo. Little Don- day the — 2015 16, June on piñata candidacy. his declared Trump J. ald - bring They’re drugs. bringing “They’re I some, And rapists. They’re crime. ing said Trump people,” good are assume, talking was He speech. infamous his in Mexican immigrant America’s about also comments the but community, this in living many to ominous seemed here. born weren’t who country Soraya the of director executive graber, immediately didn’t it although Center, programming concrete into translate choices. be would it know, ‘You team, my to said immigra of issues at look to interesting halves two are which migration, and tion whole.’¤” a of constant a was immigration which controversial Trump’s topic, hot-button year “A center. and front remained views - particu were issues) (these more or ago “My says. Steingraber relevant,” larly relevant be still they ‘Will was, question they behold, and Lo now?’ from year a now.” important more even are includes Mariachi featuring opera mariachi a tells which Tecalitlán, de Vargas , that delves into the the into delves that , Colossus New The - fo performers, 12 its of histories family from journeys ancestors’ their on cusing 17 Feb. opens It freedom. to oppression City. Culver in Substation Ivy the at tion. Center for the Performing Arts at Cal Cal at Arts Performing the for Center has Soraya) the (aka Northridge State to season current its of much devoted and theater of evenings with subject, the Mexican, of stories to devoted music assimila and struggle Irish and African of them refugees from the fascism that that fascism the from refugees them of continent. their gripped found has community arts performing a during solidarity and inspiration that sentiment anti-immigrant of period - mem stirred have would undoubtedly such intelligentsia, L.A. old the of bers to Brecht, Bertolt and Mann Thomas as County, L.A. Throughout rage. fiery a - simul have organizations arts several on fixated independently yet taneously as experience immigrant American the célèbre: cause a L PES SHANE LO BY PHOTO 15
to L.A.to theaters BY PAUL HODGINS PAUL BY
Robbins Tim and Steingraber Thor Takei, George ACTIVISM
bring stories of immigration, refugees and persecution persecution and refugees of immigration, stories bring ONSTAGE ONSTAGE
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www.laweekly.com // February 16 - 22 // LA WEEKLY | , 2018 » Railroad: A Spiritual Journey , per 19th century (Feb. 25); and ing the great American migration in the Out, which looks at Irish history, includ- 16-18); Dublin Irish Dance’s by the Mexican-American border (Feb. up.” ment for the arts, and they are stepping palpable here. This is an important mo- of Dreamers. The confusion and fear are he says. “I teach on a campus that’s full who are struggling with this challenge,” their friends or colleagues or employees happening in their communities or to aected — whether it’s by seeing what’s who isn’t in some way immediately pervasive. I don’t think there’s anyone all the others is that it’s so wide and so moment and makes it dierent from Steingraber says. fabric is also unique in some respects, the current rupture in America’s social responded to the AIDS epidemic. Giovanni were produced in a way that warhorses such as Steingraber recalls that even operatic America and other important work.” was like this. It brought us he believes. “I would say the AIDS crisis monumental to create such a reaction, the political climate. It takes something vanized by fundamental disruptions in through a moment when the arts are gal- (March 29). freedom in the northern U.S. and Canada of American slaves’ perilous journeys to spirituals that weave together the story McNeil Jubilee Singers, an evening of Battle accompanied by the Albert formed by soprano superstar Kathleen PALPABLE HERE.THISISANIMPORTANT MOMENT 15 “I think what’s interesting about this Though it has its historical parallels, Steingraber thinks we’re living Thor Steingraber Thor FOR THEARTS,ANDTHEYARESTEPPINGUP.” ) DREAMERS. THECONFUSION ANDFEARARE the tale of two families divided “I TEACH ONACAMPUSTHAT’S FULLOF La Traviata and Angels in Underground ¤T Stepping HOR STEINGRABER - Don started talking.” Asian guy recognized my voice and we — one Caucasian, the other Asian. The seats in front of us. Two guys came in to the stage. “There were two empty regular has devoted much of his career despite his early fame as a theater a little early,” says Takei, who ing one night in an o-Broadway theater. early life, was inspired by a chance meet - show Chance meetings leadtoaBroadway A second chance meeting with the “My husband and I had gotten to the Allegiance, based on George Takei’s Players West East at in in Wang Elena Allegiance
PHOTO BY SHANELOPES PHOTO BY MIKEPALMA Star Trek
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Thione and Jay Kuo, helped mold Takei’s pened if I protested?’” pointed at us. What would have hap- sister to worry about, and they had guns you and your mother and brother and were being interned. “He said, ‘I had protested his family’s treatment as they descent. Pearl Harbor for Americans of Japanese up by the U.S. government in the wake of incarceration” in internment camps set the shining ideals of democracy, with my reconcile what I read in the civics books, had with my father when I was trying to reminded me of teenage conversations I the song “Inutile.” “I told him the song them had noticed Takei crying during a more revealing conversation. One of Manuel Miranda’s same couple the next night at Lin- That theater-loving couple, Lorenzo Takei wondered why his father hadn’t Allegiance George Takei in his Takei his in George Tim Robbins Tim costume In the Heights led to a common enemy. We knew you find the simplest way to rally against tion when something bad happens and prejudice and fear — that knee-jerk reac- taken away from them for reasons tied to the plight of people who had everything Italy. “I felt tremendous empathy for emigrated to the United States from I first heard it,” recalls Thione, who roles. debut. Takei reprises his two Broadway & Community Center for its Los Angeles ers and the Japanese American Cultural Theatre, co-produced by East West Play Salonga, the show comes to the Aratani way production starring Takei and Lea Diego’s Old Globe Theatre and a Broad- after a record-breaking premiere at San Kuo as composer-lyricist. A decade later, Thione served as producer and writer, story into a musical called “It felt like an important story when PHOTO BY SHANELOPES PHOTO BY SHANELOPES — Allegiance — ( 18 » - 17
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www.laweekly.com // February 16 - 22 // LA WEEKLY | , 2018 » personal invitation to see our musical, about,” Takei says. “I sent (Trump) a vance of our story to what he was talking we immediately recognized the rele- going on.” tives can figure out what the hell is States until our country’s representa down of Muslims entering the United called for a “total and complete shut- run. At a rally in December 2015, Trump resonance during its 2015-16 Broadway relevant it would feel now.” we never could have imagined was how 2008, just a few years after 9/11. What 16 “When Trump made that statement, Takei was well aware of the show’s laweekly.com/free/AirStyle2018 Get ExactSeats: TO TO Actors’ Gang Actors’ The New Colossus New The in Petkovic Zirko and Kiss Dora Lee, Stephanie Adeli, Pierre left, Horn, Jeanette ) 2-DAY VIP PASSES STARRING GEORGE TAKEI the show would be relevant in WIN APAIR OF AIR +STYLE 2018! Enter to winat AllegianceMusical .com
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FEB 21– APR 1, 2018 ONE EPICSTORY, UNFORGETTABLE. ONE FAMILY, INDIVISIBLE. orcall:(213)680-3700 - would form in the aisle as people would ald Trump.’ During intermission a queue that said, ‘This seat is reserved for Don- great big sign in the orchestra section evening talk shows. He never came.” and followed it up on the morning and Mura Masa/PhantogramTinashe /Washed Out Takei chuckles. “However, we put a / A.CHAL / Cloud Nothings / Cut Snake / Haerts / / A.CHALCloudNothingsCutSnakeHaerts Ex-Cult / Surfbort / The Birth Defects / together Ex-Cult /SurfbortTheBirthDefectstogether “WE KNEWTHESHOW WOULD BERELEVANT IN 2008, JUSTAFEWYEARSAFTER9/11. WHAT WE Cashmere Cat/CutCopyDRAMGRiZ | 244S. SanPedro St., Los Angeles, CA 90012, Little intheheart of Tokyo * NEVER COULD HAVE IMAGINED WAS HOW Lophiile /MijaTwin Peaks/Wet ARATANI THEATRE + specialguestGucciMane *alphabetical bygroup PHOENIX /ZEDD BADBADNOTGOOD ALLEGIANCE “POWERFUL!” RELEVANT ITWOULD FEELNOW. Just Added! Pangea — EntertainmentWeekly PRODUCERLORENZO THIONE 18 important role in public social commen- the time of the Greeks, art has played an power to shape great debates. “From Takei’s long-held belief in theater’s issue alive.” take selfies with that sign. So we kept the The experience has strengthened nights. becompensated Participant may upto $1000. visit. Theinpatient portion of the study involvesst completing study assessments during continuous stays overnight at the hospital andanoutpatient follow-up reduce theirhelp themmethamphetamine or use. stop Participation study includestaking medications and treatmentnot currentlyThis study lookingfor usingmethamphetamineare willenrollpeoplewhoare andto and methamphetamine. InvestigatorsUCLA areconducting at this studyfind to out: UCLA isconducting aclinicaltrialto examinethe safety of amedication, pomaglumetad methionil (POMA), UCLA IRB#16-001857. This UCLA research study is being conducted by the UCLA Dept of Family Medicine (PI: Keith Heinzerling MD). Funded by the National Institute on Drug Abuse. Abuse. Drug on Institute theNational by Funded MD). Heinzerling Keith (PI: Medicine ofFamily Dept the UCLA by conducted being is study research UCLA This UCLA IRB#16-001857. Colossus the cast of of cast the Quonta Beasley and Call 310-905-2670 Are you using meth? Interestedinparticipatingresearchstudy? Are youusingmeth? If POMA is safe and tolerable when used with methamphetamine methamphetamine with used when and tolerable safe If POMAis The New New The our research clinic in Santa Monicaorvisit our researchclinicin ” for information on the inpatientfor onstudyor to information makeanappointment meth at Interested in learning more? To participate, you must: must: you participate, To learningmore? in Interested
Currently usingmethamphetaminenot interested instopping 18 yearsorolder UCLA MethClinical Trial aying in the hospital for approximately 10consecutive our times.” London. Once again, it’s very relevant to to Broadway, and it got great reviews in tion. tary, and I think that’s part of its attrac - Unearthing family secrets Unearthing Oscar-winning Oscar-winning actor has always main- cards. Now 59 and silver-haired, the among the company’s principal calling political commentary have always been surprising, as consciousness-raising and before Trump came to power — not the refugee experience several years had been workshopping a piece about director Tim Robbins and his company At Actors’ Gang, founding artistic www.uclacbam.org/meth Angels in America is coming back PHOTOS BY ASHLEY R
A ND A LL | | 19 LA WEEKLY // February 16 - 22, 2018 // www.laweekly.com
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Robbins to,” about “Information parents their who what were, actually was. journey their actors the of Some that me told have relationship their is parents their with result.” a as better a discovered actors to thread common during stories the revela a — rehearsal hopes he that tion take audiences them. with home - coun their leaving they because try country. their hate be- leaving They’re longer not it’s cause there: them for safe of lack food, of lack power a speech, free leaves that shift very a in them position. dangerous fleeing are Most death. certain coming they’re they because here our sap to want is services social he misguided,” so them of “Most says. be to love would their if home back in weren’t countries - coun Our turmoil. defined been has try doors, open its by doors in their rela their in doors - Stepping Stepping n presents n presents - indige nation’s the view, Robbins’ In Paulette Zubata focuses on Gabriela Mia Gabriela on focuses Zubata Paulette actors the for challenge the of lot “A and the concept of ‘illegal immigration’ is immigration’ ‘illegal of concept the and character the think I fact, In new. relatively our by defined been has country our of immigrants.” musical jazz, music, rock — forms art nous fundamental a owe — Hollywood theater, culture “American immigrants. its to debt di¡er many many, because rich so is have world the over all from people ent American the — voice strong one become that.” forget or deny ever can’t We voice. having trauma from the war and needing and war the from trauma having new a find and country their escape to home.” jour her and friend, mother’s her Garcia, Norte, El to Mexico, Michoacán, from ney in necessary was “It 1993. in beginning She out. ran opportunities where town a to that understanding the to came finally would it just, morally was that … job a find States.” United the in up be to have their from information getting simply was pressures The says. Robbins families,” to desire a with coupled assimilation, of many that meant past, the in past the leave to brought been never had stories family up opened it because interesting “It’s light. A. e Ivy Substation, 9070 e Ivy Substation, 9070 IN L. - TAGE Dublin Irish Dance performs Dublin Irish Dance American superstar soprano Kathleen American superstar Kathleen soprano á Tecalitl de Mariachi Vargas , revealing the influences that shaped influences that shaped the , revealing • • • e Actors’ Gang presents an evening of of an evening Actors’ e presents Gang A musical inspired by the childhood incar the by A musical inspired 18111 Nordho St.,18111 Northridge. (818) 677- Cruzar la Cara Cruzar la Cara “mariachi opera,” its sweeping of, the Moon) the Face Cross (To de la Luna the by two families divided tale of the telling 16-18) (Feb. border. Mexican-American e New Colossus e New as a nation. are about who we 12 stories production, physical this intensely rough actors ancestors’ their the tell and friends’ music. with live in multiple languages stories as we are Who with a question: It concludes now? a nation right THE IMMIGRANT EXPERIENCE ONS 24. 17-March City; Feb. Culver Blvd., Venice theactorsgang.com. (310) 838-4264, Allegiance Japanese-American of George actor ceration Aratani II. JACCC’s War World during Takei Feb. St., downtown; San S. Pedro 244 eatre, eastwestplayers. 680-3700, 1. (213) 21-April org. Nazarian Cen- and Soraya Younes the At Arts California at Performing the for ter Northridge: State University, Underground Railroad: A A Railroad: performs Underground Battle spirituals sung Spiritual of , an evening Journey the together with a gospel choir that weaves via the escaping story American slaves of 29) (March Railroad. Underground 3000, valleyperformingartscenter.org. Irish music and dance throughout its history. its history. Irish music and dance throughout 25) (Feb. Out - - Stephanie Lee plays Ly My Dung. “I’m Dung. My Ly plays Lee Stephanie Quonta Beasley’s Beasley’s Quonta “I’m telling a telling “I’m The result is an evening-length work evening-length an is result The “We started this exploration dur exploration this started “We grandmother, living in Saigon post-fall, Saigon in living grandmother, character is very much my mother and my and mother my much very is character war in their country. And the spirit of this of spirit the And country. their in war on what my family has told me about the about me told has family my what on to go to Paris to find her son. It’s based based It’s son. her find to Paris to go to is fleeing Vietnam after the fall of Saigon of fall the after Vietnam fleeing is telling a story of this young woman who woman young this of story a telling the South and escape to the North.” the to escape and South the and other places. It’s about persecution in persecution about It’s places. other and of true stories that happened in Arkansas Arkansas in happened that stories true of slavery. The rest of it is an amalgamation amalgamation an is it of rest The slavery. was sold away into away sold was my ancestor, who ancestor, my telling it through through it telling Reconstruction. I’m Reconstruction. around the time of time the around blacks in the South the in blacks a larger story about story larger a ry is actually part of part actually is ry - sto “My great-aunt. on her great-great- her on Duncan, is based based is Duncan, character, Sadie Sadie character, now in Turkey.” Turkey.” in now dom of speech right speech of dom - free for censorship struggling against against struggling “my friends who are who friends “my story also includes includes also story year ago.” Alpsen’s Alpsen’s ago.” year He killed himself a himself killed He sified as a terrorist. terrorist. a as sified - clas was he because other universities universities other He couldn’t apply to apply couldn’t He versity) fired him. fired versity) passport; (the uni- (the passport; ernment took his took ernment Later on the gov the on Later research assistant. research peace. (He was) a was) (He peace. petition to support to petition says. “He signed a signed “He says. key,” Onur Alpsen Onur key,” university in Tur in university friend of mine from mine of friend story about a close a about story their narratives. their the background of background the performers describe performers interview, four four interview, pre-rehearsal group group pre-rehearsal danger. During a During danger. oppression and oppression the need to escape escape to need the a common thread: thread: common a are connected by connected are span the globe over several centuries yet centuries several over globe the span of migration.” of that stories separate dozen a featuring research and tell their own family’s story family’s own their tell and research everyone in the company to do some do to company the in everyone very diverse group of actors, and I asked asked I and actors, of group diverse very what it means to be a refugee. We have a have We refugee. a be to means it what but in Europe. And we started discussing discussing started we And Europe. in but countries to take in refugees, not only here here only not refugees, in take to countries recalls. “We saw the reluctance of certain of reluctance the saw “We recalls. refugee crisis was beginning,” Robbins beginning,” was crisis refugee ing the Obama years, when the Syrian Syrian the when years, Obama the ing outlook. work reflects his progressive, humanistic progressive, his reflects work theater he helped create in 1981, and its and 1981, in create helped he theater tained a close relationship to the scrappy scrappy the to relationship close a tained
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ATEATE . . | | 21 LA WEEKLY // February 16 - 22, 2018 // www.laweekly.com - answer to the lunch-counter lunch-counter the to answer The The pig’s head toast with mustard and new the on items popular most the of One serv of trend current the of edge the On seeded and fig sourdough, — breads The simple some were there interior, the for As more feel space the make to wanted “We Pasadena; St., Green W. 119 Dérive, long long after the spuds were gone that I had seaweed the of grain last every up cleaned fingers. my with salt pickled jalapeño combines crunchy toast and slow-roasted pork that melts in your avocado, with beans green The ($10). mouth starter a great citrus is and pistachio kiwi, $12. at menu is the bowl of toasted grains, kale, chips. rice black and cabbage aioli, anchovy but “pass,” say usually I “kale” hear I When combination this in player background a it’s of crunchy and chewy that comes with a ($14). anchovy of kiss salty ing pasta in broth instead of heavy - sauc spring early with pasta cavatelli es, Dérive’s goat with broth onion roasted in vegetables gouda is clearly a star on the menu ($21). The rich broth cooks for 48 hours and is that flavor a create to dashi with combined carnivore, the For steroids. on soup onion is there’s a hefty pork shoulder with celery ($21). apple and cider Basque root, — are all still made in-house, as is the - cul wines, California to addition In butter. tured and Italian Spanish, of plenty still are there well. as selections French cheerful a lighter, to create made changes and more casual vibe. The dark surfaces with replaced were fixtures light black and bar. seafoam and booth saddle brown a Peng approachable,” said. “It represents restaurant the to take trying we are where and modern comfortable, is that space a — clean the and food allows and ingredients shine.” to derivela.com. 460-8110, (626) RIVE COURTESY DÉ COURTESY As for the famous soup dumplings, be careful that the precious juice juice precious that the be careful famous soup dumplings, As the for dip so a light restrained, subtly more are Minced sole fish dumplings This is strictly a no-frills, order-at-the-counter, quick-service joint joint quick-service a no-frills, order-at-the-counter, is strictly This side vegetable the same dumplings, in the league as the not While satisfying joint that I keep deeply dumpling type of is the Mason’s (323) St., Park; Highland 5803 N. Figueroa Dumpling Shop, Mason’s doesn’t singe your tongue as you bite through the doughy yet supple supple yet doughy the through as you bite your tongue singe doesn’t dumpling is dividends. pays Each patience here Unwavering skin. are dumplings liquid as the with a meat aspic that meltsloaded into soup. the which creates steamed, carefully and cabbage chicken Pan-fried together. flavor the brings in vinegar while beef and cheese option, as a healthier offered are dumplings jiaozi the is cheese!) (yes, dumplings cheeseburger. Dumpling Mason’s is less than $10. match: Everything with prices to and overwhelming demand the due to dumplings runs out of often Shop all the door cautions, front on the fact that, note the as a handwritten wise to hand every by made So morning.” “scratch it’s are dumplings lunch hours limited under is operating Mason’s Currently early. arrive dinner service into soon. expanding hopes of at 4) with the (closing worthy is something complements. Sweet are root and sour dishes lotus thick slices of crisp, crunchy, These see on menus everyday. you don’t satisfying pickled and as deeply a snack as a perfectly are root lotus bok choy for you. Baby significantly better chips — and potato bag of richness of the cut through you need to greens in soy is the marinated sticky, the However, flavor. vibrant of your meal with a wallop of rest the sauce oyster served is side superfluous and sadly on the syrupy cloying. further its way west. would make wishing 999-7187.
Which brings me to the kelp steamed 21 to to think about the potato you were eating to realize that it was the creamiest, most had.” ever you’ve potato potato-like potatoes with Meyer lemon cream and seaweed salt on the new menu ($12). Two warm a in nestled are potatoes gold Yukon kelp bed for a very filling dish. I realized LAND PARK oasted grains oasted T hen foodies in the know crave distinctive house-made house-made distinctive know crave foodies in the hen small in steamed soup dumplings xiao long bao (Chinese called a small cafe to head often they bamboo baskets), Fortunately, the owners behind Luscious Dumplings have opened a opened a have Dumplings owners the behind Luscious Fortunately, Sandwiched Caesars a Subway between and a Little in your garden- dumplings: its signature features menu prominently pithy Mason’s juicy and are and pork soup dumplings crab steamed handmade The Luscious Dumplings in the heart of dumpling-rich San Gabriel for their heart in the Dumplings San dumpling-rich of Luscious Gabriel for their - and fiendishly deli rustic more decidedly are dumplings fix. These served dumplings pleated the by perfectly too almost cious than the juicy, profoundly the of chain. One bite Fung Din Tai corporate-leaning gastronomic pure achieve bomb is enough to ceaselessly savory flavor likely up for the than makes more moment, which surely bliss for a mere L.A. traffic. in oppressive drive exhausting gentrifying rapidly in the Shop, Dumpling new concept,tasty Mason’s dumpling the name of (The Highland Park. neighborhood of Eastside eye-catching cute, son, Mason.) The owner’s the from shop stems the across logo is ripe for franchising Mason’s the cursive of script development. which would be an excellent city, — housed in a now- mini-mall, Mason’s nondescript) (read: variety in brisk business since opening taco shop — has been doing defunct drab, the space, with none of minimalist a clean, modern, It’s January. spots. dumpling Chinatown of dark, old-fashioned atmosphere a couple dumplings, various or pan-fried. In addition to boiled, steamed beef and pork belly) and meaty buns stewed rice bowls (Angus token dishes. side vegetable as light as well offered are crab. shredded fresh of oceanic profile sweet with the sing they meaty; SGV DUMPLINGS COME HIGH TO SGV W were we trying to fit our food, cuisine, menu, cuisine, food, our fit to trying we were restaurant into a Spanish box when there represent?” and explore to else much so was move could L.A. if see to wanted “I said. Peng and gastropubs of culture food a from away (dare I say it) heavy-handed Italian food, and appreciate thoughtfully sourced food prepared So simply. simply that you had -
//
Fork Lift Fork
he he critically acclaimed which Pasadena, in Ración closed in January, has from - Spain to moved Cali fornia in concept and - re opened as Dérive, with an on focused menu American // recently in the cozy cozy in the recently L.A. Weekly
to “thoughtfully sourced food prepared simply” prepared food sourced “thoughtfully to Formerly Racion, the Pasadena eatery turns its gaze from Spain from its gaze turns eatery Pasadena the Racion, Formerly
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Eats Eats “Then we started to ask ourselves — why why — ourselves ask to started we “Then During During Peng’s travels, Alvord took the “These were all places that didn’t have the have didn’t that places all were “These “I had the opportunity to eat at these Under Under the same ownership of chefs - Lo
BY MICHELE STUEVEN | other fats — to make his food taste good. taste food his make to — fats other in-house. He didn’t rely on animal — or any or — animal on rely didn’t He in-house. natural yeasts, and butter and crème fraiche crème and butter and yeasts, natural ingredients, ingredients, making bread from his own his his own, discovering new techniques and helm helm at Ración and developed a style of night. “ night. and come up with something delicious that delicious something with up come and the farmers and the fishermen had that day, day, that had fishermen the and farmers the desire,” she added. desire,” “They had to see what tors tors stocked with a everything chef could - distribu from order to able being of luxury neighborhood spot. neighborhood Peng told told Peng meal, meal, the Saltry in Halibut Alaska,” Cove, in a Basque folk song halfway through the through halfway song folk Basque a in in Bidarray where the out guests all broke where in Bidarray rived rived at a by locals-only restaurant ATV, — a little hilltop restaurant in Skiathos — ar in a hilltop Skiathos little restaurant dependent on what they had around them around had they on what dependent landscape and nature. and landscape amazing places that were so isolated and the world, a spontaneous journey guided by guided journey spontaneous a world, the and exploration of local ingredients around around ingredients local of exploration and menu menu is partly inspired by Peng’s travels retta Peng and Shane Alvord, Dérive’s new new Alvord, Dérive’s Shane and Peng retta small local farms and wineries. and farms local small
DÉRIVE LOOKS LOCAL LOOKS DÉRIVE
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25 , 2018 - Painting Painting 0 through through 0 0 through . Spring It’s - sculp (1960) (1964) Watchman , from 1961, Target Summer to Through May 13 | thebroad.org May Through Painted Bronze Bronze Painted from 1958. 1958. from Target White JASPER JOHNS: “SOMETHINGJASPER RESEMBLING The “In the Studio” section features Johns’ Johns’ features section Studio” the “In The - encaus famous the see to get will Viewers Map (1962-63) is a cool achievement, Johns’ talent was to take the familiar most his strongest, are among Numbers “‘Something “‘Something Resembling Truth’” — its later- enigmatic includes exhibition The this attend to decide you Once warning: A free, ain’t show This reminder: a and Oh, (1961), an oil on canvas, and (1960), a charcoal drawing on paper. In | The Broad, 221 S. Grand Ave., downtown downtown Ave., 221 S. Grand | The Broad, TRUTH” 9 fact, identifying the digits from 0 to 9 and connections linear and spatial the realizing between certain numbers becomes - some revelation. a of thing recognizable vas, Johns is noted for his use of encaustic encaustic of use his for noted is Johns vas, (beeswax) and collage. found-material He of series a in cross-hatchings employed also ’80s. early the through 1970s the from works tic painting and collage as well as and (1960) Balls Two With bu¦s. history art to familiar look may also - cartog and art between line the straddling on map encaustic-and-collage an It’s raphy. canvas of the United States in almost all touches some with gray, and white and black of blue and yellow, red. One can make out for or names abbreviations the capitalized states. the of most symbol or object, such as flags, numbers, letters and balls, detach them from their a or art, into them turn and context original by influenced was artist The art. his of part Marcel Duchamp and Dada, even though abstract of end tail the with in lumped he’s expressionism and the rise of pop art and minimalism. e¦ective works. can You see all the digits in another one of top on 9 to 0 from 9 ture of a paint can and brushes, as well as a as well as brushes, and can paint a of ture techniques borrowing combines, of handful Refer Rauschenberg. lover and friend from ences to other artists, musicians and - cho reographers abound, among them John Cage, Merce Cunningham, Pablo Picasso Munch. Edvard and title a from a taken phrase quote by Johns — philosophical reveals and introspective been widely sides of the artist that haven’t “Seasons” figurative reflective, His shared. series from 1985-86 is shown at the Broad in from its entirety, them all together in quite one to rare have in before happened never it’s fact, in show; Angeles. Los career work, which is full of references to surrealism, Joan Miró and the end of life. even There’s a painting as recent as 2016, an untitled oil on canvas that like looks all more at not and Dalí, Salvador or Miró like Johns. typical a show, which is a hot ticket, you must deal with the vicissitudes of the crowds at the Broad. Avoid the endless line outside and online. advance in ticket your buy like the rest of the Broad. Johns: “Jasper is a bit Truth’” onResembling ‘Something (Children ticket. a $25 at side expensive the - con But free.) for in get can younger and 15 the and days, these art of price the sidering multimillion-dollar price tag that Johns’ it. worth it’s commands, work
- - Flag This Is Not a Pipe a Not Is This SPER JOHNS/LICENSED BY VAGA, NY VAGA, SPER JOHNS/LICENSED BY A N ART/© J N ART/© A ERIC ) from 1928-29. from ) Images of Treachery The OF AM - ex exhibition, of kind that not is this But “Jasper Johns” is organized - themati is entrance the after gallery opening The loan on canvas), on (encaustic Flags Three Essentially, the flags allow us to ask impor ask to us allow flags the Essentially, - can on oils traditional the to addition In 25 ploring ploring queer connections. No, this is the blockbuster comprehensive, presentation that billionaire wallets and long-nurtured connections can produce. And it’s an im- pressive, strong survey and retrospective of some of Johns’ finest work, as well as a window to obscure pieces that most of us in Southern have California never seen in person. not cally, So chronologically. don’t expect to see first things first and last things last. thematic the to method a is there However, sur it of some — work later and organization, end. the near up show to tend does — prising Johns’ of one flag, American the to devoted trademark subjects. The room” - “flag con of paintings lesser-known and famous tains 48 with banners including flags, American became Hawaii and Alaska before — stars in black painted green, states — flags and op- the are those Supposedly, orange. and the on blue and white red, of colors posite yet checked color spectrum, but I haven’t to see what Josef Albers theorized about that. all from the Whitney Museum of American 1958. in was it as stopper, show a is Art, (1967), an encaustic and collage on canvas canvas on collage and encaustic an (1967), from the Broad’s own collection, also is - tex its of because examination close worth layers. and ture tant questions, as viewers did when they first they when did viewers as questions, tant a of painting a it is Or flag? a it Is them: saw questions of kind the are These art? it Is flag? with asked Magritte René (aka WHITNEY MUSEUM
The exhibition brings together paintings, paintings, together brings exhibition The history Johns’ of plenty shares show The ron, Connecticut, one of ron, Connecticut, the richest artists alive. prints, sculptures and drawings from the well as museums, prestigious most country’s - collec private institutions, international as stash. own artist’s the and tions insight much not but artist an as context and into his deep, intimate and secret (at the time) relationship with fellow New York– based artist Robert Johns Rauschenberg. years, six for lovers were Rauschenberg and between 1954 and 1961. Their relationship is still begging for some theory, queer or otherwise, to explain, penetrate and - con art- two the of achievements great the nect a for collaborators aesthetic were who ists, significant period. (That’s why their work looks so similar during certain eras.) The two sought to detonate the reigning - zeit though even expressionism, abstract of geist they emerged from and shared traits with that seminal movement. And they pretty his in each detonation, in succeeded much way. own - - RUTH” the most im- (1958), encaustic on canvas
// e’s one of the three most three the of one e’s important American artists from the 20th century, alongside Robert Rauschenberg He’s Warhol. Andy and probably Three Flags living American artist, if you be
The Broad stages a comprehensive exhibit a comprehensive stages Broad The o ering insight into Jasper Johns’ many facets many Johns’ Jasper into insight o ering
Jasper Johns,
Culture “Jasper Johns: “Jasper ‘Something Resembling Jasper Jasper Johns. Even his name evokes BY RICHARD CHANG BY RICHARD |
ABOUT JOHNS
THE “T of Johns’ career. He’s 87 now, living in Sha in living now, 87 He’s career. Johns’ of than 120 works from the past seven decades seven past the from works 120 than important and memorable.) and important more featuring exhibition, huge a is Truth’” portant portant “Numbers” show at LACMA in 2004 was artist’s work in Los Angeles. (Although his (Although Angeles. Los in work artist’s decades, decades, and the first major survey of the work in the United States in more than two than more in States United the in work the the most survey comprehensive of Johns’ Broad museum downtown has just opened just has downtown museum Broad sparkling, alliterative notion of success. The success. of notion alliterative sparkling, docents. a kind of mystery yet and accessibility, a lieve lieve the art critics, curators and museum
H
CLINICAL TRIALS CLINICAL
Clinical Trials Clinical To advertise, call 310-574-7303 call advertise, To
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T
atic possibilities to a play chronicling the the chronicling play a to possibilities atic emblem- oer to appear might it Though at a desolate Newark, New Jersey, bus stop. to set your time-leaping, naturalistic drama your characters are waiting for Godot, try old-fashioned hymn to New World resolve. in the face of Job-like adversity plays like an ever-shrinking scrap of an American dream big-hearted determination to hold onto her ironies of Darja’s fractured English and her tion. In Ireland’s hands, the delicious poetic O-Broadway’sproduc - 2016 Playwrights’ Rattlestick from heroine,Polish ing-class performance as Darja, Majok’s steely, work - reprises her full-throttled and transforming resplendently fierce Marin Ireland, who here now playing at Geen Playhouse. ROAD WARRIOR | BY BILLRADEN However, unless you are Edward Albee or For example, Stage Ironbound can’t cut itinthe age ofTrump Martyna Majok’s feel-good immigrant comedy ERC-242 Posterand/ornewspaper announcement26Sep2017 Postmenopausal an independentEthicsCommittee. This trialissponsoredbyEndoceuticsTM andhasbeenreviewedby with CalNeuroResearchGroup at310-208-7144. For moreinformationortosee ifyouqualify, pleasecommunicate of thestudy. to up compensation Afinancial 2. Meettheothercriteriaofclinicalstudy. 1. Beapostmenopausalwomanagedbetween40and80years; Poster and/ornewspaperannouncementtemplate To beeligible,youmust: visit andcompletevariousquestionnairesthroughoutthestudy. insert for28weeks. You willhavetoundergodifferent testsateach an investigationalmedicationconsistingofadailyintravaginal If so,youcouldbeeligibletoparticipateinaclinicaltrialevaluate Are youa do gone o the rails, which is is which rails, the o gone edy of immigrant aspiration com- plausibility-straining sometimes if bleak wryly Ironbound, Martyna Majok’s in onstage don’ts and dos dramatic of host a arehere concerned aboutlowlibido? // anchor your play with the
Protocol ERC-242 $350.00 may be provideduponcompletion not
tracked Darja to the bus stop, which, with its has He house. cleans also Darja whom for ual aair with Linda, the auent housewife triggeredthe row is Tommy’s ongoing sex - strongest — and funniest — writing. What has Camargo), in what is perhaps the evening’s worker boyfriend, Tommy (the fine Christian postal live-ininfidelity-prone, her at fury Darja takes the stage in full, tongue-twisting director Tyne Rafaeli’s glossy production. foreboding pleasureseerily the of of one is life green sickly to flickers it as streetlight lone the of drone halide metal unnerving The trapped. herself finds Darja which in double duty as the existential no man’s land cinderblock noise barrier, does metaphoric litter-strewn, urban freeway oramp, with its Mackabee’s of photorealism grim The life. Leon Rothenberg (sound) to bring it to gritty and (lights) Chu Chi Lap (set), Mackabee do job better left to language. practice, that’sa in decline,manufacturing globalization-drivenState’s Garden the of hardscrabble existence during two decades increasinglyDarja’s of travailsemotional That’s when the twice-married, 42-year-old But if one must have a city bus stop, then hire the production design team of Tim Tim of team design production the hire Woman 26 cally urges her. “That nobody can take away.” ironi- yours,”that’sMaks thing one “Make her pregnancy to get in the way of his dream. cago, and he won’t allow Darja’s factory job or embrace. But Maks has his heart set on Chi- Bania) from Poland to Newark’s welcoming followedhusband Maks likable(theJosiah and the 20-year-old Darja, who has recently winding the clock back to the same bus stop mystery behind that maternal resolution by price for his betrayal. credulousand disapproving Tommy as the in- an with figure that negotiate to tempts at- frantically She son. junkie 22-year-old ately needs $3,000 in order to search for her mind than mere reconciliation; she desper Darja’s go-to retreat during crises. enjoyed a long-lost living wage, has become view of the shuttered paper factory where she It is when the play later flashes forward flashes later play the when is It the into drilling in time wastesnoMajok in more has Darja calculating the But Want to or Stop Reduce Meth? laweekly.com/free/AirStyle2018 TO TO
BLING in moment intimate an Marin Ireland and Josiah Bania share 2-DAY VIP PASSES Research at visitwillbeconducted UCLAFamily HealthCenter inLos Angeles. 310-709-1594 Possible andbene ts willbediscussedbefore risks agreeing to participate. WIN APAIR OF AIR +STYLE 2018! GEEKED Enter to winat UCLA is seeking malesand females,UCLA isseeking 18-65,for astudyevaluating two medications for methamphetamineaddiction. Contact usfor more information at: All callsandvisitsare con dential andprivate. Ironbound Know someone who does? • becompensated for studyactivities • receive 12weeks ofmedication • have aweek clinic visits twice Eligible participants will: participants Eligible . • [email protected] - ing-class sitcoms such as that used to be the weekly fare of old work - collapsing into the kind of feel-good fantasy Darja’s anddramadilemma thedeepening heart of gold, who comes to the stranger’s aid. a wealthy teen hustler from Montclair with a by introducing Vic (amiable Marcel Spears), wright invents a sort of fairy-godfather twist to Majok’s setting take center stage. The play abusive second husband that the drawbacks cally battered Darja taking refuge from her physi- a to stop, bus the to againdecade, a dire, politically xenophobic times. these to commensurategravitas literary a her subject for suggests the playwright may be too close to IRONBOUND CatesTheater, |Gil Geffen Playhouse, 10886 Le Conte Ave., Westwood |Through March 4 But it’s a bus stop too far that sends both sendsthatboth far too it’sstopBut bus a Majok based Darja on her mother, her which on basedDarja Majok Mura Masa/PhantogramTinashe /Washed Out / A.CHAL / Cloud Nothings / Cut Snake / Haerts / / A.CHALCloudNothingsCutSnakeHaerts Ex-Cult / Surfbort / The Birth Defects / together Ex-Cult /SurfbortTheBirthDefectstogether Cashmere Cat/CutCopyDRAMGRiZ Lophiile /MijaTwin Peaks/Wet + specialguestGucciMane (310)|geffenplayhouse.org 208-5454 *alphabetical bygroup PHOENIX /ZEDD BADBADNOTGOOD Ironbound to have mustered
WIRED Just Added! Pangea
TWEAKING Roseanne. PHOTO BY CHRISWHITAKER - | | LA WEEKLY // February 16 - 22 // www.laweekly.com 27 , 2018 - Fast and Fast Panther Black villain — villain actual Walt Disney Pictures | Citywide Pictures Disney Walt goes full full goes - cre to smart is Panther Black Written by Coogler and Joe Ryan Cole Cole and Joe Ryan Coogler by Written | Directed by Ryan Coogler Coogler Ryan by | Directed PANTHER BLACK Black Panther Panther Black parts best the marks time screen Their tested further is power star Boseman’s as backstory villain’s the gives Coogler lived a with actor an is Boseman Still, fight together — the general Okoye (Da Okoye general the — together fight Nyong’o) (Lupita Nakia spy Gurira), nai sister younger tech-savvy T’Challa’s and help couldn’t I — Wright) (Letitia Shuri a justify would three the how think but reboot. Angels Charlie’s on follows, that chase car the in Furious undrivable practically the of streets the and narrow are alleys the where Busan, ditches T’Challa As busy. trac foot the his for jacket tailored exquisitely his climbing starts and suit Panther Black ease, feline with buildings neon-coated and gowns fancy in clad women, the up step speed, electric at barefoot-driving spotlight. the to - charis actresses’ the times, At film. the of partly That’s Boseman’s. overwhelms ma who king a is T’Challa as character, in kind the people, his serves and of thinks In first. kingdom the puts who monarch of regard, that scenes fighting exhilarating equally ate female (Wakanda’s Milaje Dora the for Panther Black for does it as bodyguards) especially, Wright, Newcomer himself. the spunk, the got she’s — revelation a is heart. the and outfits the punchlines, to aside cast is storyline Serkis’ when the for room make Killmonger Erik sycophant, Klaue’s nearly only not who Jordan), B. (Michael show. the steals also but throne the steals Coogler’s of all in starred has who Jordan, his and presence, magnetic a is features, departure refreshing a marks portrayal the all Like Klaue. cartoonish the from an has Killmonger antagonists, best (hewants with empathize can we agenda his and death), father’s his avenge to to nation the inspires Wakanda in arrival with private so been they’ve how question without comfortably living riches, their people black oppressed other helping history. throughout one at protagonists’; the as thought much was twist big the if wondered even I point, actually would Killmonger Jordan’s that throne. the to heir rightful the be to prove big the depth, has character the Because o¤ face Wakandans as — end the at fight - sense feels never — another one against trivial. or less this of role the for fit face, his on wisdom Coogler by Written king/superhero. Cole, Robert Joe and Black in — history grounded brings fantastical a to — less no Month, History world the considering carefully story, There reside. characters the which in play at consequences of generations are weighted make must T’Challa and here, for people, his for — decisions political for Wakanda, outside people black other uncle Spider-Man’s as Just world. the comes power great “With said, famously told is too, T’Challa, responsibility,” great to man good a for hard “It’s father: his by king.” be 2018 CK ND EF S STUDIO ©MARVEL CE T RELI A AT RM THAT NELY WORTH WORTH NELY NG FOR A NG FOR mayPanther Black lead you to IT’S A GRE IT’S I CONF TO IS PANTHER BLACK GENUI I ROOT CERTAINLY ON TRA CERTAINLY OFFI BOX FOR SUCCESS. At first, thanks to a cleverly deceptive deceptive cleverly a to thanks first, At appearing in his human form rather than rather form human his in appearing good a with capture, motion through dealer arms an is Klaue Eurotrash. of dash and T’Challa lead ways trickster whose undercover an on women of squad his casino Korea, South Busan, a to mission than 007 more sequence fight a and — warriors female the Watching Marvel. tones of a cast full of actors of color that color of actors of full cast a of tones as well as newcomers rising includes Forest and Bassett Angela like veterans Whitaker. storyline, - defeat involve will battle big the believe guy, white evil caricature-ish the ing Serkis, Andy by played Klaue, Ulysses - HRONE . Mudbound - Sta Fruitvale , Coogler Coogler , Creed It’s a case of the right story landing in landing story right the of case a It’s Chadwick Boseman plays King plays Boseman Chadwick bigger cinematic universe that is Marvel. Marvel. is that universe cinematic bigger with As hands. right the - mak formula, stale a up freshens again relevant just not familiar something ing Black When point: in (Case urgent. but traditional his roasts sister Panther’s based joke 3-years-late a with sandals before meme, those?” are “What the on line the sneakers, high-tech him giving it that glee earnest such with delivered is touch.) of out feel even doesn’t - mon a Panther, Black the aka T’Challa, the from hails who superhero and arch African an Wakanda, country fictional - con been never has that utopia tech source The rich. uniquely is and quered Marvel-magic a is wealth material its of Edenic This vibranium. called resource to thanks screen on realized fully is world - produc paradisiacal Beachler’s Hannah - tradition Carter’s E. Ruth and design tion And design. costume al-meets-futuristic Coogler’s by captured it’s Mor Rachel photography, of director tion rison, who just made history by becoming becoming by history made just who rison, the for nominated be to woman first the cinematography, for Award Academy Rees’ Dee on work her for Morrison is adept not just at superhero superhero at just not adept is Morrison - photo and illuminating at but spectacle skin the beauty, and clarity for graphing, - Black Black - Fruit (2015) — but — (2015) Creed - con socially certain apprehension scious popular with come can expected that’s art - groundbreak be to revolutionary. or ing arrives Panther Black OONSOO KIM
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Danai Gurira, left, and Letitia Wright flank Chadwick Boseman in Black Panther
isn’t just good — it marks a new reign a new just good — it marks isn’t Panther Black Coogler’s Ryan
Film Film It’s a great relief to confirm that that confirm to relief great a It’s BY KRISTEN Y
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WATCH THE T WATCH existing (honestly, thriving) in the even even the in thriving) (honestly, existing universe and fleshed out its players, one players, its out fleshed and universe er. Coogler and his team have conjured a conjured have team his and Coogler er. Rocky franchise entry, entry, franchise Rocky - filmmak experienced more far a of dence , and his critically acclaimed acclaimed critically his and , Station vale - confi the with executed is Panther Black from his impressive 2013 debut, debut, 2013 impressive his from Ryan Coogler — and an ambitious leap leap ambitious an and — Coogler Ryan It’s only the third feature from director director from feature third the only It’s certainly on track for box oce success. success. oce box for track on certainly clear standout on Marvel’s roster — and — roster Marvel’s on standout clear is genuinely worth rooting for, a for, rooting worth genuinely is Panther tentpoles? tentpoles? mean for the future of diversity in studio in diversity of future the for mean sucks? What if it flops? What would that would What flops? it if What sucks? fate of the Marvel Universe: What if it if What Universe: Marvel the of fate The stakes are higher, here, than just the just than here, higher, are stakes The freighted with the highest of expecta of highest the with freighted well. as director black a by helmed but boasting not only an almost-all black cast cast black almost-all an only not boasting for, the rare black superhero film, one film, superhero black rare the for, non-Marvel fans are prepared to root root to prepared are fans non-Marvel tions. Here’s the Marvel movie even even movie Marvel the Here’s tions.
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T R S? T R S? what should she grab? realized her house would burn, sible choice: In the moment she Burstyn) who faced an impos- of a home, with the widow (Ellen situation. He stands in the ashes thing like the opposite of that agent, later, guiding us to some- apartment? Here’s that same widower’s (Bruce Dern) firetrap beneath the piles of paper in a Might some priceless rarity lurk an eye toward material value: belongings of the aged with (John Ortiz) who surveys the Here’s an insurance agent letters and maybe an heirloom. donate, photographs and love it might tear your heart out to tchotchkes, sets of dishware left behind — furniture and into all that their parents have renting dumpsters as they dig Here are middle-aged children some treasure and some junk. lifetime’s worth of possessions, are the homes clotted with a as relatives age or die. Here families find themselves facing ton’s subject is the sorting that in the American vein. Pelling- accumulation and dispersal, film concerns above all else of traditional narrative, the logic of theme rather than drama organized around the tance. An episodic ensemble have been called | BY ALA Pellington, who came up with Film Jon Hamm stars in in stars Hamm Jon dealing withthe accumulated, inherited stu Nostalgia tackles one oftoday’s hottest topics: N SCHERSTUHL //
Stu or Nostalgia might might Nostalgia fugue plative contem- lington’s ark Pel - Inheri- .
convincing about the particu- sometimes at the expense of to a philosophical register, Perry’s dialogue, which holds complains. That’s typical of detach herself from,” her son no sense to her that she can’t long-gone husband had revered. and an old baseball that her from the fire — some jewelry of items she managed to pull that son carps about the couple would, too, considering the way (Nick Oerman). You probably room at the home of her son at having to bunk up in a spare loss of her home, she bristles to Burstyn’s character. After the themes before the story shifts lets him muse some about the him on a pair of cases and that insurance agent, follows restless, insightful film with intergenerational connection. also pain, guilt and, on occasion, ownership and receivership but a chain of provenance — of slowly to him, moving along Hamm, and the movie wends of value. He’s played by Jon keepsakes that are indisputably the man who purchases the lyn’s Bethany) and, eventually, closest?” sighs Amber Tamb- falls on me because I live the their parents’ detritus (“So it all at the thought of dealing with thing, the ospring who balk the woman who has lost every we meet the man who hoards, studying its angles. To that end, his subject up to the light and of an appraiser himself, holding Alex Ross Perry, is something the story with screenwriter “It’s something that makes Pellington opens this vital, - ball to his Las Vegas sports character brings that base- storage.) up putting much of this stu in of course, eventually will wind and grandfather in it. (Donna, doesn’t sense her grandmother feels no attachment to it — she grow up with this stu and ing. The young woman didn’t Basso) has no interest in help- her teenage daughter (Annalise ing, and can’t comprehend why weekend of pitching and salvag- (Hamm), steeling herself for a house with her brother Will sits on the floor of her parents’ Catherine Keener’s Donna. She unsentimental character like is to cull, even for an avowedly freight this stu, how hard it see how memory and meaning ful regarding of them. We can objects and his cast’s thought - Pennington’s foregrounding of by the production design and bit of poetry made redundant as “our artifacts, our scars,” a the items clung to by the aged lars. One character describes We meet Will when Burstyn’s CULL. HARD ITISTO STUFF, HO FREIGHT THIS AND MEANING HO WE CAN SEE
W MEMORY W PHOTO CREDIT dumber, less honest movies. that baseball, you’re too used to the meaning of having bought to question, in the final scenes, right. If you’re expecting him tive arc to get him to do what’s epiphany or a cloying redemp - needs him. It doesn’t take an one, there when the family brother, but he’s a good enough such characters. He’s not a great writing usually imposes upon the lessons three-act screen- and spared from having to learn money rather than sentiment — prickly, a little aloof, driven by sight itself.) His Will is gently memories. (That’s a nostalgic plates slides that capture family by a swimming pool or contem- which Don Draper has a reverie fans will appreciate moments in ruminative streaks. advantage of his sharkish and screen role, one that takes and keep pressing on. and then pull herself together of your actual family collapse thing like watching a member grief, and the eect is some- she must plumb the depths of they’re revealing. Eventually characters might not realize adept at revealing what her the end still matter. get into a fight, but their hugs at family dramas. These two don’t misunderstandings that pad out spared the usual dust-ups and orthodox structure is that we’re One virtue of the film’s un- but know what matters most: of state. They crab at each other with her brother, who lives out tunity to spend so much time it — and excited at the oppor ahead of her but also moved by as a woman annoyed at the task more conventional back half. whose characters command its belongs to Hamm and Keener, Then she’s gone, and the movie watching, that he’s cheating her. sence is true, you might worry, best for her, and while its es- about her needing to do what’s plies her with a tender speech children’s inheritance. Will memory or robbed her own has dishonored her husband’s tion without her believing she — to complete the transac- warily to hold back some truths mances as each character tries give layered, revealing perfor the family. Hamm and Burstyn something to anyone outside of whether the ball is worth suspense from the question and his actors wring terrific memorabilia shop. Pennington Pellington |Written by Alex Ross Perry This is Hamm’s best big- Keener is a shrewd actor Keener, typically, is excellent NOSTALGIA |Directed by Mark Bleecker Street |Landmark Mad Men - -
EARLY MAN DOUBLE LOVER L’AMANT DOUBLE OPENING THISWEEK when Dugcuts adeal withNooth to play Hognob helps Dugfight back.Andlater, instrumentsand hismechanized of war. Bronze Age bullyLord Nooth (Hiddleston) itslandby primitive clangets pushed off (Redmayne), acaveman dreamer whose companion to do-gooder dunderhead Dug the eager butanxiety-ridden pal,the loyal Williams andTom Hiddleston.) Hognob is that includes Eddie Redmayne, Maisie gives the funniest performanceinacast and howls.(He’s by voiced Park, who a wordless whogrunts,wheezes warthog stories. The standout thistimeisHognob, eccentricities are the engines of Park’s atcreatingcelled hilariousanimalswhose and histeam have of animators always ex- ering of FIFA thatnobodyasked for. Park the convoluted, caveman-populated skew- both simpleandnonsensical.Early Manis butthispicture issomehow storytelling, great deal of care andprecision into its and Animations (Chicken Run, motion lesson,maybehistory even like astop- begins well enough,like arevisionist Age cave aboutkookyedy Stone dwellers the pondyou’re on.This half-inflated com- Or football, depending onwhichside of feature Nick Park’s caveman-centric animated Atkinson) hot-blooded, straight-faced vigor. (Michael borrowed allstaged andotherwise, with It’s of abuffet psychosexual delicacies, one fabulousCronenbergian dream scene. Chloe’s pointof view, resulting inatleast diving in,DoubleLover to fracture starts toward the hot tubof campwithoutquite upon emotional improbabilities. Tiptoeing subgenre, asOates well knows,depends fucking bothstarts bros, becausethis she’sOf course onby turned italland insults, Viagral domination,coerced sex. a radically different method: provocations, appointment withhim,butthisRenier has er —alsoapsychoanalyst. She sets upan finds outthatPaul hasasecret twinbroth- or familyof any kind, snoopsaround and turns out:Chloe, undistracted by friends a little gaslighting. It’s it odder thanthat, andeven rior motives onthe doctor’s part, scène andgeneral coolnesssuggest ulte sion. Ozon’s De Palma–esque miseen due to asudden caseof sensualobses- later, he attempts to endthe treatment, peutic M.O. Before sessions youknowit, great, butwhat?)andarecessive thera- circular(looks of stairwell amile-high (Jeremie Renier), atthe top hasanoffice muscular, sandy-haired stud doctor, Paul the bizanddecides to seeashrink.The askittish Springfield), model whoquits Vacth, the spitting image of a1981Rick belongs to Chloe (the boyishMarine view vaginal exam. The down-under books, the moviebeginswithaspeculum- “Rosamond’80s mystery-pulp Smith” Adapted from one of Joyce Carol Oates’ ing sweaty fleshandblacklacquer. wereBeineix fetishiz backinthe saddle, - though AdrianLyne andJean-Jacques Director Francois Ozon’s latest plays as Shaun theSheep)generally invests a History of the World: the I.Aardman Part of History Early Manisactuallyaboutsoccer. Let’s get thisoutof the way: Wallace &Gromit
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| | LA WEEKLY // February 16 - 22, 2018 // www.laweekly.com 29
The New York Times The New York WWW.SONYCLASSICS.COM NOMINEE Feb 21, 7:00pm Feb 25, 6:00pm
Regal Cinemas at LA LIVE Regal Cinemas at LA COMEDY SHORTS 25H SHORTS COMEDY ® Regal Cinemas at LA LIVE Regal Cinemas at LA Laemmle’s Royal Laemmle’s CAPTAIN BLACK CAPTAIN HI! YOUR MOM SAYS WEST LOS ANGELES arrive, Bill is so distracted he can barely he is so distracted Bill arrive, it declares own name and his remember cryptic in his He’s anyway. matter doesn’t Spall holds a secret. he dialogue, hinting but Clarkson’s keg, powder the play may fire, the lighting of honor April holds the decrying dialogue, with theatrical the inefficiency parliamentary of and politics of boyfriend own faith-healer her accusing is to project fascist. Potter’s a secret being been that have classic structures examine and now film for cen- in theater ingrained with head the us over hitting turies. She’s (310) 478-3836 laemmle.com Daily: 12:40 • 3:50 • 7:00 • 10:00 L.A. LIVE / Regal Cinemas
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28 HOLLYWOOD REEL REEL HOLLYWOOD - A FILM BY FILM A 21 Festival Schedule, Tickets, & Information: Festival Schedule, Tickets, CANNES CANNES FILM FESTIVAL VIEW THE TRAILER AT WWW.LOVELESS-MOVIE.COM VIEW THE TRAILER AT
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BEST BEST FOREIGN LANGUAGE FILM FEBRUARY 16 FEBRUARY GOLDEN GLOBE LOS LOS ANGELES FILM CRITICS ASSOCIATION JURY JURY PRIZE www.HollywoodReelIndependentFilmFestival.com Your membership card & photo I.D. will admit you and a guest will admit you I.D. & photo card membership Your MEMBERS: AMPAS STARTS FRIDAY, STARTS ACADEMY AWARD ACADEMY BAFTA AWARDS BAFTA ©HFPA what you’d call subtle, but she also knowsbut she call subtle, what you’d and this welcome, her overstay to not in all that class comedy is a master pithy most the from can squeeze a filmmaker a bunch of Put concept: basic theatrical in motivations opposing characters with Janet’s and see what happens. a room first is the Spall), husband, Bill (Timothy is in Janet While keg. powder silent act’s own victory her dinner, making kitchen the that wine, so entranced Bill is sipping friends April (Patricia couple’s the when Ganz) (Bruno Clarkson) and Gottfried BEST FOREIGN LANGUAGE FILM LANGUAGE FOREIGN BEST February THE NEW YORK TIMES TIMES YORK NEW THE FROM THE DIRECTOR OF “LEVIATHAN” OF DIRECTOR THE FROM “POWERFULLY MAGNETIC.” “POWERFULLY LOVELESS Tickets Available Now Tickets Available - LACMA, —Nathaniel Bell —Nathaniel Sally Potter’s The Party is a Sally Potter’s viewers high by escalating a perpetually to road on Nishi’s pit stops the presenting as a manic enlightenment post-adolescent and chase scenes. flashbacks series of dad deadbeat Myon’s watch we First, bach- his premarital Sakata) revisit (Toshio drinking, of in a brief montage elor days minutes Then, and womanizing. dancing as he afterlife join Nishi in the we later, Earth and reinhabit back to race tries to a wrathful, corpse before his still-warm his eter god can destroy leopard-shaped inch see Nishi we so often, nal soul. Every he happiness, though only after closer to routine swimming performs a synchronized Franz to sea monster with a Nessie-like second Hungarian Rhapsody. Don’t Liszt’s sentence: that last time unpacking waste you wherever take Yuasa and let relax Just (Simon Abrams) wants. he hell the slim 75 minutes of dinner-party of slim 75 minutes farce, in grounded Molière, Buñuel meets like - a gun intro literally — there’s Chekhov occasion of firstduced the in the act. Upon ascension Scott Thomas) (Kristin Janet’s Health British National the of head the to Service, friends and col- of small group her are guests The for dinner. leagues join her which own dramas, in their all embroiled points as the own boiling their all reach party- tears and declara in rage, implodes isn’t Potter is dead. tions that democracy THE PARTY
series presents Anniversary Classics series presents . Jack . Jack Nest the Cuckoo’s Over One Flew Howl’s Moving Castle Billy Wilder eater, 10899 Wilshire Blvd., Westwood; Sat., Westwood; 10899 Wilshire Blvd., eater, Billy Wilder . $10. (310) 206-8013, cinema.ucla.edu 7 p.m.; 17, Feb. 20 Feb. Tuesday, Czech-born director of brief retrospective LACMA’s continues with his first American Milos Forman triumph, as a New Hol- his reputation Nicholson cemented McMurphy, playing lywood Oscar) an won (and icon Ken patient from mental ward anti-authoritarian the Nest robust holds up as a still Cuckoo’s novel. Kesey’s great with storytelling, of piece is flanked star and the (in her Fletcher actors on every Louise including side, as Nurse performance) Oscar-winning Ratched. 20, 1 p.m.; Feb. Tue., Mid-Wilshire; 5905 Wilshire Blvd., lacma.org. $4. (323) 857-6000, 21 Feb. Wednesday, Laemmle’s , Pedro of Breakdown a Nervous on the Verge Women (Carmen tangy about an actress Almodovar’s farce who le ex-lover, for her search on a desperate Maura) paints in bright, pop Almodovar without explanation. - his actors ex colors with such passionate and directs every a comic cess that practically li of scene has the buoy- beauty and the to film is a testament e opera. from well bottomless Latin women, a ancyseemingly of inspiration. draws Spanish director which this great 5), Center (also at Playhouse 7 and Town Royal Laemmle 7 p.m.; 21, Feb. L.A.; Wed., West Santa Monica Blvd., 11523 laemmle.com. $13. (310) 478-3836, Devilman: Crybaby) gives exhilarating The - -
UCLA’s UCLA’s MIND GAME
Japanese animated coming-of-age fantasy coming-of-age Japanese animated a hallucinogen- out like Mind Game plays fueled shaggy-dog that only ends joke horndog Nishi (Koji 20-year-old after Imada) discovers world does not that the him. Over course around the 103 of revolve that Nishi realizes minutes, lightning-fast childhood woo good-natured to his quest crush Myon (Sayaka on Maeda) depends others, influence and consent of inthe this case supporting such as characters (Kenichi Atsu yakuza gangster hothead apathetic Myon (duh) and her Chujou), But Nishi (Seiko Takuma). Yan mother, this personal discoveryonly makes after ass, wound up the a gunshot dies from he a fickle, shape- charming by reincarnates swallowed gets god, and then shifting Masaaki a colossal by Director whale. , (Kick-Heart Yuasa used to play ad nauseam in the ’90s. ad nauseam in the play used to skankiness, As much as it piles on the glimmers substantial us brief but giving Sapphicof and sadomasochistic activity, be all to attempts clumsy movie’s the makes salacious tawdry and menacingly thriller that’s quickie another it look like watch If you want lite. Palma Brian De just effective movie about a motel a more , the some sleazy shit,owner doing Voyeur book, is documentary based Talese’s on Lindsey) D. (Craig on Netflix. streaming
T GO IS MOVIE TO-DO L TO-DO MOVIE Y Looking Looking of release the With WEEKL has inspired a stand-alone, celebratory celebratory a stand-alone, has inspired xtc Ivans . Hayao Miyazaki’s dreamy tale tale dreamy Miyazaki’s . Hayao Castle Moving Howl’s UCLA is in the midst of a lavish tribute to director director to UCLA tribute a lavish of midst in the is , that questionably Motel The Voyeur’s , it stars Danny Huston as a Holly- he Death of Huston , it stars Danny Ilych Ivan a Lover Scorned a Lover Love on the High Seas and Seas and High on the Love 16 Feb. Friday, Tokyo salutes venerable Cinematheque American e with a 35mm screening Studioanimation house Ghibli of a of abode the into who stumbles teenager a demure of creatures fantastical various by attended cursed wizard Jones’ Diana Wynne novelist British from adapted was Howl’s from could learn features book. American-made e bizarre. the and luminous sense of pace thoughtful Japanese-language version,Aero will show the which vocal Billy Crystal’s of means audiences will be deprived 1328 eatre, Aero demon. fire performance as a genial $12. 16, 7:30 p.m.; Feb. Santa Monica; Fri., Ave., Montana americancinemathequecalendar.com. (323) 466-3456, 17 Feb. Saturday, - fea indie striking Rose’s Bernard of restoration A recent ture in 1999 on a Shot eatre. Egyptian at the screening - tren and most earliest the one of it’s Sony camcorder, Based on Tolstoy’s HD filmmaking. of chant examples T cancer terminal a diagnosis of who receives wood agent his success. A discussion with Rose, of height at the Larry by moderated Enos, Lisa and Weller Peter Huston, film. Egyptian 6712 the follows eatre, Karaszewski, $12. 7:30 p.m.; 17, Hollywood; Sat.,Hollywood Blvd., Feb. americancinemathequecalendar.com. (323) 466-3456, hand for whom CasaMichael Curtiz, studio intrepid the bucket. Tonight’s in a very one drop large blanca was , a menacingly double bill begins with e Unsuspected Armstrong thriller based on a Charlotte photographed radio a of Rains) (Claude producer the about novel Ro by followed It’s crime show who commits murder. musical starring mance on the High Seas, a lightweight voy- on a romantic as a passenger Day Doris a debuting bio Michael of will sign copies Rode Alan K. Rio. to age beforehand. Curtiz:, lobby in the in Film A Life YOUR YOUR , it seems somebody in HollywoodGlass, it seems somebody read motel book about the Talese true Gay - owner who supposedly spent years watch and vents, ceiling his lodgers through ing for a skeezy use it as fodder to decided no less! Nicolas Cage, thriller — starring as glued- that looks just a beard Rocking new owner of is the Cage on as his hair, runs with his wife that he seedy motel the a fresh make to Looking Tunney). (Robin theirstart of death accidental the after is area soon find that the they daughter, folk and dark, creepy with shady, teeming - eventu character Cage’s secrets. sinister spirit freaky-sneaky pervy, in the ally gets he where spot discovers he when a secret it on in one of customers get can watch that feeling the get might You rooms. the and everyone Hunter Tim director Cage, together got production in the involved sort the sordid, make of to and wanted that Cinemax kinkfest straight-to-cable one epic soccer match for the rights to the to rights one epic soccer match for the his master’s into land, Hognob is dragged But something picture. the get hijinks. You Neanderthalsabout the new hu- and their much more man counterpartsflat. falls It’s his Hognob pantomime watch to amusing deaddiscomfort another endure than to explains a humanoid character line where his discomfort. (April Wolfe) LOOKING GLASSLOOKING
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www.laweekly.com // February 16 - 22, 2018 // LA WEEKLY |
WESTERN WEST LA 310-478-3836 11523 SANTA MONICABLVD LAEMMLE ROYAL ACADEMY AWARD altogether dizzying fun.(AprilWolfe) , butit’sher tapshoesagain withTheParty vation. Grisebach isarestless thinker and communal suspicionaboutoutside inno- squabblesaboutwell waterbeers, anda the twofactions.Here are over standoffs outsider caught to thebetween outsiders, the favorsof localwomen.Here’s an ham-fistedlyvillagers, attempting to win woods town, running afoulof the close-knit turningband of upataback outsiders ofclassical elements the genre. Here’s a Grisebach’s over filmlingers many of the interest inthe fate of atrusty white steed, arresting landscapephotography andits Bulgaria resolve into? itself Besides its on ahydropower project inthe forests of man German construction team working will thistense of butlanguid afour- story lies inclassification:What kind Western landmarktheatres.com & Westwood (310)470-0492 The LandmarkatW. Pico WEST LOSANGELES Monday -Thursday, subjecttoseatingavailability(holidaysexcludedatTheLandmark&Edwards). -Thursday, Monday “ “ AMPAS MEMBERS:Your membershipcard&photoI.D.willadmityouandaguesttoanyshow IRRESISTIBLE, DANGEROUSLY SEXY DELIRIOUSLY , Valeska Grisebach’s third feature, The chief suspense, at first, in The in chiefsuspense,atfirst, “DELICIOUSLY TWISTED.” “ A KNOTTY DELIGHT VIEW THETRAILERAT WWW.AFANTASTICWOMAN.COM AND PERVERSELY FUNNY. PASADENA 310-478-3836 673 EAST COLORADO BLVD LAEMMLE PLAYHOUSE 7 OF ATHRILLER COHEN MEDIA GROUP (909) 621-5500 Claremont 5 Laemmle’s CLAREMONT WWW.SONYCLASSICS.COM A FANTASTIC WOMAN ® 2X2 THUR2/15 FRANÇOIS OZON
NOMINEE CANNES FILMFESTIVAL of Western DANIELA VEGAISFANTASTIC INIT.” NOW PLAYING LA WEEKLY (818) 981-9811 Town Center5 Laemmle’s ENCINO IRVINE 844-462-7342 3735 ALTON PARKWAY EDWARDS WESTPARK 8 A FILMBY -
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BEST FOREIGN LANGUAGE FILM (844) 462-7342#143 Town Center6 Edwards University IRVINE among eachother. (AlanScherstuhl) but discovering how—ornot —to live its charactersnot gunfighting over territory embarrassing thanbadass.Western a badidea, aspastic flailing that’s more each other, butit’s always adead end, genre. menhere Sometimes doattack with peoplerather thanthe demands of but Grisebach ultimately isconcerned would buildto aclimacticshowdown lence. The moviesitsometimes resembles bia andthe go-nowhere resolutions of vio- xenophomasculine prickliness,knee-jerk - of conflicting impulses,strained loyalties, Western itsscenesoften quicksketches, at first, toward Episodic the taciturnandaffronted. (played by nonprofessional tend actors) lutions are allher own.Grisebach’s men echothem —andthe reso- and particulars tive of Westerns butmany of itsconflicts filmmaker. Nothing inthe movieisderiva- PRESENTS TORRANCE 310-326-5011 2591 AIRPORT DRIVE AMC ROLLINGHILLS20 “A FANTASTIC MOVIE. offers, by its end, a complex study by itsend,acomplexoffers, study -A.O. Scott,THENEWYORKTIMES (310) 478-3836 NoHo 7 Laemmle’s NORTH HOLLYWOOD A FILMBY LELIO SEBASTIÁN . ” ” BURBANK 818-563-4901 201 EAST MAGNOLIA BLVD AMC BURBANK TOWN CENTER8 (626) 844-6500 Playhouse 7 Laemmle’s PASADENA .” finds finds Avenue (213)388-9000 (323) 692-0829 189 TheGroveDr.,Third&Fairfax Palmas Avenue(323)924-1644 at Vine(323)464-4226 Hollywood Blvd.(323)461-3331 7674 Blvd., westofHighland(323)467- 6639 (323) 664-2169 South MainStreet (213)617-1033 The PhiladelphiaStory(1940)presentedby TCL CHINESE6THEATRES Calltheaterforschedule. LOS FELIZ3 Black PantherinDisneyDigital3D Black Panther Annihilation ARCLIGHT HOLLYWOOD Calltheaterforschedule. ARENA CINEMA The ScentofRain&Lightning Faces, Places(Visages,villages) Permission Hidden Light ARENA CINELOUNGESUNSET other programs. to confirmshowtimes.SeeFilm&VideoEventsfor Schedules aresubjecttochange;pleasecallahead Calltheaterfor schedule. CGV CINEMASLA The RoomMovie DOWNTOWN INDEPENDENT Calltheaterforschedule. VISTA Black PantherinDisneyDigital3D Black Panther Annihilation PACIFIC’S THEGROVESTADIUM14 Black Panther PACIFIC’S ELCAPITAN TCL ChineseTheatreTour Lobbyists &HandprintsTour Black Panther:TheIMAX2DExperience TCL CHINESETHEATREIMAX Nightmare onElmStreetPart4:TheDream Black PantherinDisneyDigital3D Black Panther Hollywood Blvd.(323)461-3331 Sunset Boulevard(323)924-1644
HOLLYWOOD &VICINITY DOWNTOWN, LOS S. ANGELES | Sun., 1:15,11:30p.m. 8:30 p.m.;Mon.,10:30a.m.,1:15,5:30,8:30,11:30 a.m., 1:15,5:30,8:30,11:30p.m.;Sun.,10:30 9:30 p.m. 1, 4,7,10p.m.;Sat.-Sun.,9:30a.m.,12:30,3:30,6:30, 12:15, 7:15p.m. 12:15, 7:15p.m.;Sun.,11:45a.m.,6:45Mon.-Thurs., Mon.-Thurs., 12:15,7:15p.m.;Fri.,12noon,7Sat., p.m.; Sat.,12:15,7:15Sun.,11:45a.m.,6:45 2:30, 4,4:30,5,7:30p.m. 2:30, 3:45,4,4:30,5,8p.m.;Thurs.,1,1:30,1:45,2:15, 2:15, 4,4:15,5,8p.m.;Tues.,12:45,1,1:30,1:45, 4, 4:30,5,6:45,7:30p.m.;Mon.,12:45,1,1:30,1:45, p.m.; Sun.,11:30a.m.,12:45,1,1:30,1:45,3,3:15,3:45, 12:45, 1,1:30,1:45,2:15,2:30,3:45,4,4:30,5,7:30,9 1:45, 2:15,2:30,3:45,4,4:30,5,6,7:30,9p.m.;Sat., Thurs., 7:45p.m. p.m.; Mon.,5:40Tues.,9:30Wed., 11:15, 11:30a.m.,12:45,3,3:15,3:45,6,6:45,9p.m. 3:15, 5:45,6:30p.m.;Thurs.,9:15,9:45,10,10:30,10:45, Tues., 9:15,9:45,10,10:30,10:45,11:15,11:30a.m.,3, 10:45, 11:15,11:30a.m.,2:30,3,3:15,5:45,6:30p.m.; a.m., 2:15,2:30,6,9p.m.;Mon.,9:10,9:45,10,10:30, 6, 6:45p.m.;Sun.,9:15,9:45,10,10:30,10:45,11:15 9:15, 9:45,10,10:30,10:45,11:15,11:30a.m.,3,3:15, 10:45, 11:15,11:30a.m.,12noon,3,3:15,6:45p.m.;Sat., Thurs., 4:15p.m. p.m.; Mon.,9:15Tues.,4:05Wed., Thurs., 12noon,3:30,7,10:30p.m. 10:30 p.m.;Sun.,11:30a.m.,3,6:30,10Mon.- 12:15, 3:45,7:15,10:45p.m.;Sat.,12noon,3:30,7, p.m.; Wed.,7:25Thurs.,9:30p.m. 7:40 p.m.;Sun.,2:30Mon.,7:25Tues.,7:35 7, 9p.m. noon, 1,3,4,6,7,9,10p.m.;Mon.,12 Sat., 12noon,1,3,4,6,7,9,10p.m.,mid.;Sun., noon, 1,3,4,6,7,7:45,8:45,9,9:30,10p.m.,12mid.; 4:30, 7,7:30,10,10:30p.m. 7, 7:30,10,10:30p.m.;Sun.,a.m.,1,1:30,4, 8, 10:30,11p.m.;Sat.,10,10:30a.m.,1,1:30,4,4:30,6, 3:15, 10:15p.m.;Mon.-Thurs.,3:45,10:45p.m. p.m.; Fri.,3:30,10:30Sat.,3:45,10:45Sun., p.m.; Sun.,3:15,10:15Mon.-Thurs.,3:45,10:45 3:55 p.m.;Thurs.,6p.m. Sat.-Sun., 6p.m.;Mon.,3:55Tues.,5:50Wed., TCM Master
Neighborhood Movie Guide Sun.,2p.m.;Wed.,7p.m. 4473SunsetDr.(323)660- Tues.,7:30p.m. Fri., 5:40 p.m.; Sat., 9:30 p.m.; Sun., 7:45 Fri.,5:40p.m.;Sat.,9:30Sun.,7:45 Thurs.,7,8,9:30,10:30,11:15p.m. Thurs.,7,8,10:45p.m. Fri., 9:15 p.m.; Sat., 2:30 p.m.; Sun., 4:15 Fri.,9:15p.m.;Sat.,2:30Sun.,4:15 Fri.-Mon., 10 a.m., 4:30, 8 p.m.; Fri., 12 Fri.-Mon.,10a.m.,4:30,8p.m.;Fri.,12 Fri., 10:30, 11 a.m., 1:30, 2, 4:30, 5, 7:30, Fri.,10:30,11a.m.,1:30,2,4:30,5,7:30, 11:30a.m.,3:15,7,10:30p.m. Fri.,3:30,10:30p.m.;Sat.,3:45,10:45 1822 N. Vermont Ave. 1822N.VermontAve. Wed.,8p.m. 1625 North Las 1625NorthLas 621 South Western 621SouthWestern Fri., 9:15, 9:45, 10, 10:30, Fri.,9:15,9:45,10,10:30, Fri., 12:45, 1, 1:30, Fri.,12:45,1,1:30, Hollywood Hollywood Fri., 7:25 p.m.; Sat., Fri.,7:25p.m.;Sat., Sunset Blvd. SunsetBlvd. Fri., 3:55 p.m.; Fri.,3:55p.m.; 6801 6801 Fri.-Sat., 10:30 Fri.-Sat.,10:30 Fri., 10 a.m., Fri.,10a.m., Fri.,12noon,7 251 251 6925 6925 6464 6464 Fri., Fri.,
Texting Allowed Pico Blvd.(310)470-0492;No Wilshire Blvd.(310)274-6869 Monica Blvd.(888)AMC-4FUN 473-8530; NoTextingAllowed 11272 SantaMonicaBlvd.(310) Hoover St.(213)748-6321 Sunset Boulevard(323)654-2217 (844)462-7342 4046 Is GenesisHistory?AnniversaryEvent Game Night Annihilation AMC CENTURYCITY15 Surfer (2018) LAEMMLE’S MUSICHALL3 The PhiladelphiaStory(1940) Cat OnaHotTinRoof(1958) THEATRE LAEMMLE’S AHRYAFINEARTS Calltheaterforschedule. AMC DINE-INSUNSET5 Calltheaterforschedule. UNIVERSITY VILLAGE3 Mamil Black PantherinDisneyDigital3D Black Panther The PhiladelphiaStory(1940)presentedby National TheatreLive:CatonaHotTinRoof Is GenesisHistory?AnniversaryEvent 14 REGAL CINEMASL.A.LIVESTADIUM The 15:17toParis Black Panther Game Night Annihilation IPIC WESTWOOD The Party Nostalgia Black Panther Survivors GuideToPrison LANDMARK WESTL.A. The Room(2003) Reel Talk The Post LANDMARK’S REGENT The RockyHorrorPictureShow 2018 OscarNominatedShorts-LiveAction 2018 OscarNominatedShorts-Animation Mind Game LANDMARK’S NUARTTHEATER Women ontheVergeofaNervousBreakdown Bolshoi Ballet:RomeoandJuliet LAEMMLE’S ROYALTHEATER Early Man Black Panther:TheIMAX2DExperience Black Panther:AnIMAX3DExperience Black PantherinDisneyDigital3D Black Panther The PhiladelphiaStory(1940)presentedby National TheatreLive:CatonaHotTinRoof Allowed Ave. (310)208-3250;NoTexting (310)478-3836 Santa MonicaBlvd.(310)477-5581 Blvd (310)307-7003 WESTWOOD, WEST L.A. WEST HOLLYWOOD, BEVERLY HILLS 7:30 p.m. Wed., 7p.m. 9:15 p.m. 10:30, 11:30p.m.;Sun.,3:30,4:15,11:15p.m. a.m., 2:15,5:30,8:45p.m.,12mid.;Fri.-Sat.,3:30,4:15, Thurs., 7p.m. Thurs., 7p.m. 9:40 p.m. Mon.-Thurs., 12:40,5:10,9:40p.m. 12:40, 5:10,9:40p.m.;Sat.-Sun.,12:30, Tues., 1p.m. 1:20, 4:25,10:35p.m. 9:45 a.m.,1,4:15,10:45p.m.;Tues.-Wed.,10:15 7:30, 11p.m. 4:30, 7:30,8,10:30,11,11:25p.m.;Thurs.,12:15,3:45, 11, 11:25p.m.;Wed.,9:30,11:30a.m.,12:15,1,3,3:45, 11:35 a.m.,12:15,1,3:15,3:45,4:30,7,7:30,8,10:45, 4:30, 7,7:30,8,10:45,11,11:25p.m.;Mon.-Tues.,9:30, 11:25 p.m.;Sun.,9:30,11:30a.m.,12:15,1,3:15,3:45, 12 noon,12:30,1,3:45,4,4:30,7:30,7:45,8,11,11:15, 3:45, 4:30,7,7:30,8,10,11,11:25p.m.;Sat.,9:30a.m., 10:15 p.m. p.m.; Mon.,4,8Tues.,7p.m. 10:30 a.m.,12noon,3,7:30,8p.m.;Sat.,4,9 6:45, 10p.m. a.m., 12:15,3:30,6:45,10p.m.;Tues.-Wed., 7:45, 10:40 p.m.; Mon., 1:40, 4:45, 7:45, 10:50 p.m.; 7:45, 10:40p.m.;Mon.,1:40, 4:45, 7:45,10:50p.m.; Sat., 12:50,4:10,7:15,10:30 p.m.; Sun.,1:30,4:45, 7:30 p.m. 2 p.m. TCM TCM Wed.-Thurs., 4:25,7,9:35p.m. Sun.-Mon., 1:50,4:25,7,9:35p.m.;Tues.,3:30 7 p.m. 7 p.m. 1000 West Olympic Blvd. 1000WestOlympicBlvd. Wed.,6:30p.m. Sun.-Wed.,2,7p.m. Sun.-Wed.,2,7p.m. Fri., 4:25, 7, 9:35 p.m.; Sat., 2:50, 5:25, 8 p.m.; Fri.,4:25,7,9:35p.m.;Sat.,2:50,5:25,8 Tues.,7p.m. Fri.-Sat.,7:10p.m. Fri.-Sat., 10:20 a.m., 12:15, 2:10, 4:05, 6, 7:50, Fri.-Sat.,10:20a.m.,12:15,2:10,4:05,6,7:50, Fri.-Wed.,11:15a.m.,1:45,4:15,6:45,9p.m. Fri.,11:59p.m. 8556 Wilshire Boulevard 8556WilshireBoulevard Thurs.,7:15,10:15p.m. Thurs.,7,9:50p.m. Thurs.,12:30,3:30,7,10p.m. Thurs.,7,10p.m. 12noon,2:20,4:50,7:20,10p.m. Fri., 9:30, 11:30 a.m., 12:15, 1, 3:20, Fri.,9:30,11:30a.m.,12:15,1,3:20, Fri.-Sun.,10:20a.m.,1:20,4:20,7:20, Fri.-Sun., 12 noon, 12:45, 7, 7:45 p.m.; Fri., Fri.-Sun.,12noon,12:45,7,7:45p.m.;Fri., Fri.-Wed., 11:30 a.m., 6 p.m.; Fri.-Mon., 9 Fri.-Wed.,11:30a.m.,6p.m.;Fri.-Mon.,9 Sat.,11:59p.m. Fri., 12:45, 4, 7:15, 10:15 p.m.; Fri.,12:45,4,7:15,10:15p.m.; 10840 Wiltshire 10840Wiltshire Tues.,7p.m. Thurs.,7p.m. 10850 W. 10850W. 1045 Broxton 1045Broxton 10250 Santa 10250Santa Sun., 7 p.m.; Wed., Sun.,7p.m.;Wed., 3323 S. 3323S. 8000 West 8000West Sat.,11:59p.m. Mon., 7:30 p.m.; Mon.,7:30p.m.; Fri.-Wed., 2:45, Fri.-Wed.,2:45, Fri.-Sun.,11 9036 9036
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Fri.-Mon., Fri.-Mon.,
3, 3, Fri., Fri.,
1005 4020 MarltonAvenue(323)296- (800) 326-3264704 Peter Rabbit Fifty ShadesFreed The ShapeofWater I, Tonya Den ofThieves Fifty ShadesFreed Game Night Annihilation The GreatestShowman MARKETPLACE AMC LOEWSCINEPLEXMARINA Women’s Shorts Wallay The TrainofSaltandSugar(Comboiodesale Supernatural Shorts Sinners Wanted Sci-Fi Shorts Sammy Davis,Jr.:I’veGottaBeMe Running After(CorrendoAtr·s) The RoyalHibiscusHotel Play theDevil Pili Pan AfricanFilmFestival PacoimaStories: LandofDreams Nothing LikeThanksgiving Muslimah’s GuidetoMarriage Mousso Faso.HomelandoftheWholehearted Machel Montano:JourneyofaSocaKing Lucky Specials Love Jacked Liyana LAST LIFE King ofStage:TheWoodieJr.Story The Killingofthe5thElement Kalushi: TheStoryofSolomonMahlangu Green DaysbytheRiver Giants ofAfrica Found inaDream The Forgiven Caribbean Shorts Capitaine ThomasSankara-Archivesdela Canal Street Camp 72 Borders (FrontiËres) Bigger ThanAfrica Barrow: FreedomFighter Back toNatural African ShortsProgam African AmericanShortsProgram 3 AsShorts 2nd ChanceShortDocs Carpinteros (Woodpeckers) FÈlicitÈ Gurumbe. Afro-AndalusianMemories The RapeofRecyTaylor Black PantherinDisneyDigital3D Black Panther Is GenesisHistory?AnniversaryEvent Sweet Country Traffik CRENSHAW PLAZA15+XTREME RAVE CINEMASBALDWINHILLS Samson Black PantherinDisneyDigital3D Black Panther The PhiladelphiaStory(1940)presentedby National TheatreLive:CatonaHotTinRoof Is GenesisHistory?AnniversaryEvent Game Night CINEMARK 18&XD Drive (310)568-3394 CULVER CITY, MARINA DELREY LAX, 10:50 p.m. p.m.; Fri.-Wed.,9:30,11:30a.m.,2:40,4,6:10, 7:50, 11:15p.m.;Fri.-Wed.,11:30a.m.,2:40,6:10,9:30 6:25, 9:40p.m. a.m., 3:10,6:25,9:40p.m.;Sat.-Sun.,11:55 Sun., 11:55a.m.,3:10,6:25,9:40p.m.;Fri.,8:50, p.m.; Fri.,8:50,11:55a.m.,3:10,6:25,9:40Sat.- 12:45, 3:50,6:45,9:40p.m. 11:10 p.m.;Mon.,1,3:50,6:45,9:40Tues.-Wed., 1, 3:50,6:45,9:30p.m.;Sun.,11:30a.m.,2:20,5:10,8, p.m.; Sat.,11a.m. Fri., 1:35p.m.;Sat.,39:35Sun.,12:45 p.m.; Sun.,3:20Fri.,4:15Mon.,11:15a.m.; Thurs., 7p.m. 6:45 p.m.;Mon.,1:40p.m. 1:20 p.m. Sun., 2:45p.m. Tues.-Wed., 12:30,3,6:15,9:15p.m. p.m. 2:45, 3:45,6,7,9,10p.m. 3:45, 5,7,8,10,11p.m.;Tues.-Wed., 12noon,12:45, 3:45, 5,7,8,10,11:15p.m.;Mon.,a.m.,12:45,2:15, Mon.-Wed., 11:45a.m.,3:30,7:15, 10:45p.m. 7:15, 10p.m. Tues., 1:45,4:45,7:45,10:45p.m.;Wed.,1:30,4:15, a.m., 12:40,2,3:05,5:15,6:40,7:30,8:30,10p.m. 8:30, 10p.m.,12:05a.m.;Mon.-Wed.,10:40,11:50 8:30, 10:40,11:50a.m.,12:40,2,3:05,5:15,6:40,7:30, a.m.; Mon.-Wed.,10:40a.m.,2,5:15,8:30p.m.;Fri.-Sun., 10:30 p.m.;Fri.-Sun.,10:40a.m.,2,5:15,8:30p.m.,12:05 11:15 a.m.,12:35,2:30,3:50,5:45,7:05,9,10:20p.m. 9:10 a.m.,12:35,3:50,7:05,10:20p.m.;Fri.-Sun.,9:10, p.m.; Mon.,10:05a.m.,1:20,4:35,7:50Fri.-Sun., Sat., 4p.m. Mon., 4p.m. 1:30 p.m. aÁ˙car) Women rÈvolution auBurkinaFaso (GurumbÈ. Cancionesdetumemorianegra) TCM 7 p.m. 7 p.m. 5:30 p.m.;Mon.,9:30p.m. 4:25 p.m. p.m.; Tues.-Wed., 12:15,3:15,6:30,9:45p.m. Fri.,9:30p.m.;Sat.,4:05p.m. Sat.,12:45p.m.;Mon.,11:05a.m. Sat.,9p.m. Sat.,6:30p.m.;Sun.,3:30p.m. Sun.-Wed.,2,7p.m. Sat.,9:30p.m. Fri.-Wed.,1,4:15,7:30,10:30 p.m. Fri.,11:30a.m.,2:15,5,7:45,10:30p.m. Sun.,1p.m. Fri.,6:40p.m. Fri.,4:10p.m. Sat.,10:30p.m. Fri.,4:10p.m. Thurs.,7,9:45p.m. Thurs.,7:05,9:40p.m.,12:10a.m. Thurs.,7:30,10:45p.m. Mon.,8:55p.m. Fri.,7p.m. Mon.,6:50p.m. Fri., 1, 4, 6:45, 9:40 p.m.; Sat., 10:15 a.m., Fri.,1,4,6:45,9:40p.m.;Sat.,10:15a.m., Sun.,6:45,7:30p.m. Sat.,8:30p.m. Fri.-Wed., 9, 10 a.m., 12:10, 3:30, 4:30, 7, Fri.-Wed.,9,10a.m.,12:10,3:30,4:30,7, Fri.-Sun.,10:20a.m.,1:30,4:40,7:50 Sun.,5:50p.m. Fri.-Sun., 11:45 a.m., 3:30, 7:15, 11 p.m.; Fri.-Sun.,11:45a.m.,3:30,7:15, 11p.m.; Sat.,5:10p.m.;Mon.,9:25p.m. Sat.,11:30a.m. Sat.,12noon.;Sun.,9:55p.m. Sun.,8:50p.m.;Mon.,6:30p.m. Mon.,1:40p.m. Sat.,7p.m.;Mon.,4:10p.m. Sat.,2:35p.m. Sat.,1:30p.m. Fri.-Wed., 1:15, 4:15, 7:15, 10:15 Fri.-Wed.,1:15,4:15,7:15,10:15 Fri.-Sun., 11:15 a.m., 12:45, 2:15, Fri.-Sun.,11:15a.m.,12:45,2:15, 13455 Maxella Ave. 13455MaxellaAve. Fri.-Mon., 12 noon, 3:15, 6:30, 9:45 Fri.-Mon.,12noon,3:15,6:30, 9:45 Fri.,9:45p.m. Sat.,10:30p.m.;Mon.,3:45p.m. Sun.,3:45p.m. Fri.-Mon., 12:15, 3, 6, 9 p.m.; Fri.-Mon.,12:15,3,6,9p.m.; Fri.,4p.m. Mon.,9p.m. Sun.,8:40p.m. Mon.,11:10a.m. Mon., 6:50 p.m.; Sun., 9:45 Mon.,6:50p.m.;Sun.,9:45 Sun.,1:15p.m. 6081 Center 6081Center Sat., 8 p.m.; Mon., Sat.,8p.m.;Mon., Fri.,1:25p.m. Fri., 9:10 p.m.; Fri.,9:10p.m.; Sun., 5 p.m.; Mon., Sun.,5p.m.;Mon., Sat.,1:50p.m. Sun.,12:30p.m. Fri., 6:50 p.m.; Fri.,6:50p.m.; Fri.,1:30p.m. Fri.-Wed., 1:10, Fri.-Wed.,1:10, Fri.-Mon.,11 Mon.,6:15p.m. Thurs., Thurs., Thurs., Mon., Mon., Fri., Fri., Sun., Sun.,
| | 31 LA WEEKLY // February 16 - 22, 2018 // www.laweekly.com “People say we sound like Devo and Devo like sound we say “People a is there that agree members band The these kids younger the of lot a think “I statement mission Mormans’ The Live, “The good thing is that Patrick is Patrick that is thing good “The midsong,” badly, really pee to had “I the at play Mormons The Sunday, On percent 100 out put to try always “We Mormons The year 20th the being This into getting of thinking also “We’re Literally. Kitty Liquid the play Mormons The comparisons to Devo. to comparisons Brains, Bad and Devo or Kennedys, Dead O’Campo Damned,” The and Devo or pretty So Misfits. The and “Devo says. band punk favorite your and Devo much have don’t we But like. sound we what is that.” like anything or keyboards any - Ange Los in happening resurgence punk to looking bands younger present, at les simultaneously while thing own their do guard. old the to hat respectful a tipping bands older the at back looking are days those respect really they and scene the in in included get “We says. Tintle guys,” punk new these all with shows of lot a love they and out, coming are that bands of lot a with play also We scene. old the been have that bands bands, older the too.” us, than longer around say they which correctly,” out “rock to is seems but things dierent many means onstage, all their give they that suggest to is point focal The stops. the all out pulling unpredictable gloriously a is who Jones, tower barstool a on standing — leader one night, wearing a trashcan like a dirty dirty a like trashcan a wearing night, one next. the robot the for new something inventing always to go you show any “So says. Tintle show,” him see can You dierent. completely is remember I man, ‘Oh say, and night one next The bar.’ the on jumped he when remember I yeah, ‘Oh like, you’re night, and trashcan that in jumped he when head.’ his over it with singing started I experience. dierent a is show Every the into went Patrick time one remember there.” from sang and restroom admits. Jones takes which BBQ, Rock Punk Kitty Liquid this Monica Santa in Harvelle’s at place of all include will say, they show, The year. hits.” “classic the have “We Tintle says. show,” every at want we and done, it get to minutes 30 for minutes 30 that remember to people trying always We’re possible. as long as Patrick can. we that show best the give to sure making and that, doing at great is experience.” special a is show each that on working they’re existence, been have releases and performances special some few a and album, an 2018: in later for well. as items other - prob O’Campo says, products,” making 20 after in cash to time “It’s joking. ably futuristic very a on working We’re years. in you’re if for — aid sexual Mormon buy can You fella. lonely a just or prison pipe.” the down just that’s — those of one Superbean, PRV13, with BBQ Rock Punk 4 Shit and Sherpas Atomic Lawndale, at Feb.18, Sunday, on p.m. 1 at Brainz, Monica; Santa St., Fourth 1432 Harvelle’s. harvelles.com. 395-1676, (310) OOD -
Mor PHOTO BY A. R BY PHOTO were WE . WE W AYS TRY TO TO TRY AYS W ANT PEOPLE ANT PEOPLE ER TINTLE T E W PE “WE AL PERCENT OUT PUT SHO EVERY AT TO MINUTES HAVE IT DONE, AND GET W REMEMBER THAT TO AS FOR MINUTES POSSIBLE.” AS LONG “They get a kick out of it, the few times few the it, of out kick a get “They “When they see us with a beer in our in beer a with us see they “When doesn’t it though, what, know “You and magic the destroy to not nice It’s one on that, sound a have Mormons The that has happened,” O’Campo says. “If says. O’Campo happened,” has that They’re cool. it’s think they anything, who people Maybe honored. who actually believe these musicians are are musicians these believe actually who Mormons. genuine of lot a shocked completely they’re hands, says. Tintle times,” - Dis to went just I because me bother met actually we and yesterday neyland O’Campo Vince guitarist Mouse,” Mickey didn’t I but excited so was son “My adds. Mickey not that’s ‘Son, him, tell to want Mickey a in somebody it’s — Mouse go to got just You’ve costume.’ Mouse with went costume the in guy The it. with sometimes.” too it do we so it, that rare it’s flipside, the On mystique. The by oended ever are Mormons actual the take to preferring band, Mormons spirits. good in tribute twisted get Mormons like really just who or mon a happen that had I’ve — it by oended times.” few rock, punk traditional in rooted is hand, in quirk of element welcome a there’s but not-inaccurate encourages which there, - - UT ON ON O Dressing as Mormons is all well and well all is Mormons as Dressing says. Jones thing,” own our it made “We missionar Mormon see you “When Purists and experts might point out point might experts and Purists That’s kind of where the idea came from, from, came idea the where of kind That’s less.” or more wearing means that essentially but good, It’s tie. a with shirt white and suit black a and helmet bicycle the of addition the art. it makes that backpack out ‘rock to mission our spreading “We’re the wear to have we so onstage, correctly’ that.” do we when protection for helmets ies around, they’re usually on bicycles,” bicycles,” on usually they’re around, ies helmets “The adds. Tintle Peter guitarist that people remind backpacks the and to up come that Mormons the are these saw I person same the is This door. our yesterday.” to likely more are Mormons modern that slung satchel messenger a with seen be two-strap the than shoulders their over Plus, hairs. splitting that’s but backpack, for satchel a at line the draw guys these seems which of, fun made being of fear wear they’re clothes the given ludicrous fact the is still bizarre More onstage. ing attendees concert some are there that CK -
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L.A.’s The Mormons are still converting audiences audiences still converting are Mormons The L.A.’s together 20th year in their
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Music “I guess I liked the idea of having a having of idea the liked I guess “I Yet that is what you get if you go see go you if get you what is that Yet
BY BRETT CALLWOOD
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TO CO
ON A MISSI
Mummies, The Monks and The Leeches. Leeches. The and Monks The Mummies, always like the costumed bands like The like bands costumed the like always would be a fun way of doing it, and I’ve I’ve and it, doing of way fun a be would I wanted to neutralize that. I thought that that thought I that. neutralize to wanted I bands by the way they were dressed, and dressed, were they way the by bands uniform,” Jones says. “I would judge would “I says. Jones uniform,” would alter their destinies. their alter would man Patrick Jones devised the plan that plan the devised Jones Patrick man - front then but OK, going were things and their buddies. They wrote a few songs, songs, few a wrote They buddies. their sire to play rock & roll at local dives with dives local at roll & rock play to sire in 1998 with a relatively conventional de- conventional relatively a with 1998 in fairly regular soirees. These guys formed formed guys These soirees. regular fairly L.A. punks The Mormons at one of their of one at Mormons The punks L.A. rock. through the medium of riotous punk punk riotous of medium the through raising all manner of unholy hell onstage onstage hell unholy of manner all raising H
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www.laweekly.com // February 16 - 22, 2018 // LA WEEKLY |
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chimes in consolingly. romantic anthem “Eyes on You” as Gordon slept,” Post wails yearningly on the rueful don’t grow up yet. … We’re wired and under- Shapiro hammer out grungy accents. “Wait, and Lackharmoniesbittersweetas in ing come return, with Post and Gordon engag (Gordon’sbrother). ShapiroJim drummer and LackSteve ist includes singer-guitarist Louise Post, bass- alsolineup, originalwhich the of reunion the announce to Facebookpage their on ets buried, axes exhumed,” the group teased 2013 after various lineup changes. “Hatch- describing the quartet’s return to action in The singer-guitarist could just as easily be Salt’s 2015 comeback album, VerucaMe,”from Saint to According pel alive,” Nina Gordon confides on “The Gos- I had to shut down, cash out anddie/ to get pretended buried I so live, to wanted “I Veruca Salt sat not busy shakin’ your ass. wanna stand up and salute ’em when you’re ya — music American and America body em- Williamssurvival. andCampbell and addiction about harmonies gorgeous and rockers raw-housewrist-slashers, yodels, recently with two killer albums to their credit, most and Hot Tuna, and they now gig as a couple have been members of Phil Lesh & Friends Both singer.harmony and lead as shetor, Levon’sdirec- asmusical he Helm:Levon with up teamed Family.they Carter Later played Sara Carter in a musical about The recorded with Bob Dylan for eight years, she ing on McCabe’s walls. While he toured and can play the hundreds of instruments hang- who multi-stringuist master a He’sshout. and nurture conjures a blue sob and sacred She’s a Tennessee farm girl who by nature Teresa Williams & Campbell Larry fri @ @ @ modern synth spectrum is represented by the of end heavier The 1. TerraDistrict 2017’s on soundtracksMoroder Giorgio between gothier dance-pop and old-school turnal. Future Holotape straddle the fence record,2017 their on ’80s the of pop are inspired by the chill, saxophone driven– driven synth-pop creations. The Midnight Future Holotape generate melodic, vocal- The Midnight — doing a DJ set here — and encompassed by these genre tags. L.A. duos wave, this bill showcases the wide spectrum retro- synthwaveor it call you Whether inspiration. new for 1980s the of sounds acts looking toward the synthesizer-driven The last few years have seen a resurgence in Synthwave Showcase | |
Music WHISKY LODGE ROOM MCCABE’S GUITAR SHOP Picks Contraband Love, filled with blue AGO-GO
// //
is a wel- a is Notes Ghost —Falling James —Michael Simmons Ghost Notes. 2/16 2/17 Noc- - records – Shredder 1984’s horror-inspired soundscapes on their latest channeling darker instrumental sci-fi and composer synth turned musician metal FacexHugger, each performer an extreme- FrenchL.A’sandShredder1984musician Going somewhere like on a mission, or an speakers.your of out blast tones spiring going somewhere when their stirring, in- ample — is that you feel like you’re really ex- for Limited, Residence Temporary year’s last — theirs of album an to listen youwhenever that is Grails experimentalists Oregon land, Portof - greatThemusic aboutthething @ Grails sun as you’ll get. burning your nuts o¥, this is about as close reverberating at the heart of a star without ever you wanted to experience the sound deep into themes of tuning and tonality. If to perform a trio of lengthy works delving Vicente-SandovalDafne bassoonist and Holter Julia composer himself), drones at slouch (no Curtis Charles cellist and with sometime La Monte Young associate switched continents. He appears tonight you’vethat realizeyou before ears your of front in itself unveilssound of scape land- whole a that so tones shifting at master and proponent drone a Tashiis — collaboratesregularly he whom with YoshiartistFluxus Wada of Son— treat. Los Angeles, so tonight is a deeply weird in lives he though even here, rare tively Live actions by Tashi Wada are compara @ Tashi Wada —Jason Roche FacexHugger’sand
RESIDENT HUMAN RESOURCES Bully: See Thursday. —David Cotner Chasing Replicants. Chasing on on Hymnal Chalice Dystopian Future 2/18 - word of her music. In the past 10 years her good the spread to means YouTubea as of adopter early an Aviwas Zee ukulelist dread pirate Sandokan, singer-songwriter- The hottest thing out of Malaysia since the Zee Avi assurance. bluesy with songs pop-rock her out belts of Edward Sharpe and the Magnetic Zeros, Zebulon, Jade Castrinos, a former member Aspart Todd’sof monthlong residency at with her distinctively contemplative vocals. Cure, Prince, Neil Young and Elliott Smith favorite songwriters, imbuing tunes by The 2016’s on the 2014 idyll infusedher Brazilianwith music rhythms gently lulling original folk reveries, but she Todd’sof collection quintessential a was album, 2011 singer’s hints of mysticism and mystery. The local with mixed passion, and intoxication of Nights.” Her songs inspire that same sense croonedtheon acoustic ballad “Sleepless drunk; it makes you cry,” Mia Doi Todd once you makes wine/It lilac that like “Loveis Mia DoiTodd, Jade Castrinos mon Chuck Johnson. mug of STFU. Also tonight: avant guitarist a not enlightenment, of cradle a is grail their — them with journey a on youtake unto Grails themselves, and they want to beasts are songs rivetingrhythmically propulsive,their but soundtrack— stabs grooves — like Kosmische music, or stones of influence ghosting through their self as you move. You can point to corner makes you realize something about your adventure, especially when that adventure @ @
MORO ZEBULON Songbook, she covered some of her CCAN LOUNGE —Falling James Floresta. More recently, on —David Cotner Cosmic Ocean Ship, Ocean Cosmic PHOTO BY ALYSSE GAFKJEN 2/19 giallo - -
| | LA WEEKLY // February 16 - 22 // www.laweekly.com
33 , 2018 DECIBELIOS A CLUB CALLED RHONDA LOS GLOBOS PRESENTS: VIEWING PARTY 90TH OSCARS LIVE! 2 COAST COAST HOT NEW SOUL “LA’S STEVIE! - “ DANCE PARTY MANNERS BAD THE WIDOWS SON ALBUM & APATHY RELEASE PARTY: CELPH TITLED CLUB 90’S SHABBAAAAA GYAL RIH RIH - DI BAD DANCEHALL PARTY CLUB 90’S NIGHT THE FLOOR IMPROV KARAOKE IS FOR LOVERS
FRI. FEBRUARY 16 FRI. FEBRUARY 17 FEBRUARY SAT. DILF LOS ANGELES 18 FEBRUARY SUN. SWEET SUNDAYS: LOS MAGNIFICOS SONIDO LATINO 21 FEBRUARY WED. JUNIOR REID CLUB 90’S 3/3 3/3 3/4 3/4 3/6 3/7 3/8 3/9 3/10 3/15 3/16 3/19 3/22 PARTY 2ND ANNUAL TRIBUTE TO TWO 2ND ANNUAL PIONEERS OF REGGAE CLUB 90’S CLUB 90’S NIGHT THE FLOOR IMPROV KARAOKE IS FOR LOVERS GYAL RIH RIH - DI BAD DANCEHALL PARTY MAC & CHEESE PRESENTS, THE DAWG YEAR OF AFROLITUATION CLUB 90’S THE CANVAS SWEET SUNDAYS: SONIDO LATINO LOS MAGNIFICOS
COMING SOON: 2/25 2/25 3/2 2/18 2/19 2/22 2/23 2/23 2/24 2/24 2/25 THE MOTH TUE. FEBRUARY 20 TUE. FEBRUARY CASA DE BAMBA 16 FRI. FEBRUARY 18 FEBRUARY SUN. BAILALO BASSMENT AFTER ALL-STAR THU. FEBRUARY 15 FEBRUARY THU. ECSTATIC YOGA BASS ECSTATIC KANDY WE LOVE CALEBORATE CALEBORATE UNIIQU3 & DAI BURGER: TOUR LA NAILZ N PONYTAILZ AFTON PRESENTS: TOUR THE CLASSIC CRIME 2018 LACUE SYLVAN WHIPPIN PRESENTS GET HEAVY HESH, TOUR FEAT. THE LAB IN EXECUTIONER, ECTO, CHMST, & MUCH MORE! LEVEL, THE WORLDS ¡CUMBIATRON!: BEST DANCE MUSIC THE FRIEND KOTA MAC AYRES WITCH VRBAN NIGHT SHIFT 06
JOLLOF N CHILL CRAZE LEGALIZED THU. FEBRUARY 15 FEBRUARY THU. TRINA SUN. FEBRUARY 18 FEBRUARY SUN. SAT. FEBRUARY 17 FEBRUARY SAT. 2/24 2/24 3/2 3/3 3/6 3/9 3/9 3/9 3/10 3/16 3/24 3/24
BOTTLES & MODELS YOGA BASS ECSTATIC PRESENTS: GET HEAVING ALIENS USA INVASION THE UK TOUR THE SHOWCASE TOUR CHANNELS FT. MOVING SHIFTY RHYTHMS & FRIENDS EVENTS PRESENTS: INOVATIV TERRIBLE 2’S WICKED FEAT. SUBLEVEL GETS (HAPPY BIRTHDAY DOC MARTIN MARKIE, GARTH, JENO, DOC!), SUBLEVEL LIVE + BOOKINGS PRESENTS: GRAVITY AFTER HOURS KJ SAWKA
COMING SOON: SATURDAY 17 FEBRUARY 2/17 2/18 2/19 2/22 2/23 2/23 2/24 2/16 TRAP KARAOKE LOVE & LUST 2018 FRI. FEBRUARY 16 FRI. FEBRUARY ALTERNATIVE FAGTORY PRESENTS: FAGTORY ALTERNATIVE LOVE ME LOVE ME THU. FEBRUARY 15 FEBRUARY THU. SUN. FEBRUARY 18 FEBRUARY SUN.
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www.laweekly.com // February 16 - 22, 2018 // LA WEEKLY |
@ Zachman. Also tonight: the countrified soul of Sutter poetry to create a wonder that’s all her own. in terms of register — mixes jazz, folk and but in reality much closer to Billie Holiday — occasionally compared to Ella Fitzgerald newearsforwith hearing. DanaWilliams ting because you’ll come away from tonight children’s music at last report — which is fit- albumof another.an on wasSheworking one lovewith of out and in falling people light on her uniquely heartfelt songs about star has risen to the point where it shines a after reuniting late last year. back to their beloved original incarnation are group the 1988, Fahey’sin departure after continued Bananarama of lineups variouslisteners.Although of generation less introduced the classic anthem to a new version by The Shocking Blue, it nonethe- morerockingoriginalcomparedthe with lightweight “Venus”fairly wasremakeof edly mesmerizing. And while the trio’s hit unexpect- were Somethin’” Sayin’Really such obscure Motown singles as “He Was of versionscover their and songwriters, and Keren Woodward also were underrated Fahey,DallinSiobhan vocalistsSara But struments and making radical new music. only singing but also playing their own in- not were Raincoats, The and Slits The as such musicians, female other when time a at songs poppy overtlysinging quaint, bit a seemed they 1980s, early the in don Lon- from emerged Bananarama When Bananarama tue All” by ABBA and, for some strange rea- strange some for and, ABBA by All” The Rolling Stones, “The Winner Takes It You”by “Miss Mode, Depeche by lence” is a bunch of covers such as “Enjoy the Si- Herownright. 2017 album, her in chanteuse chic and charming a is of former French president Nicolas Sarkozy ible or turn peasants to stone, but the wife what most powerful woman in the world? That’s Did you know that Carla Bruni is the 35th @ Bruni Carla wed
THE NOVO THE ORPHEUM Forbes says. She can’t become invis- Bananarama: See Tuesday. —David Cotner FrenchTouch , —Falling James 2/20 2/21 punk guitar. hard- of pillars towering with out herself drowning risks she as even Hit” “Smash as such tracks sarcastic slyly out shouts Massachusetts. Lead singer Abby Weems in College Smith at forming after L.A. in now based trio, exhilarating similarly a are MouthPotty guitars. surging by ered another declaration of independence pow- Bognanno warns on “Kills to Be Resistant,” What I want to do is none of your business,” I’m around you, I try to keep my distance/ “When shout-alongchoruses.and surges grunge-punkheavier by bookended are often confessionslyrical delivered coolly trio’s latest record on Sub Pop. Bognanno’s “Running,”fromon power full with in kicks band the of rest no laments on the quieter verses before the cially when you’re around,” Alicia Bognan- espe- town in backbeing with struggle “I Bully, Potty Mouth thu —David Cotner for which they were originally designed. going to get the glorious glowing workout are Orpheum the in acoustics the means dierent cast with her interpretations; that aforementioned songs likely take on a very aspect to her voice — which means that the a breathy, whispery and sometimes forlorn AC/DC’sson, “HighwayHell.” to has She @ @ Feb. 23, at Teragram Ballroom. Time to Be Alive, drops Feb. 16. Also Friday, between albums. Their new record, gap nine-year a following form to return released flop, remained loyal to the label until their 2017 who Fire,Arcade to 2011, in catalog their reissuing Loaf, of Archers band Carolina, North Hill, Chapel fellow fromeveryone to home been has MergeRecords. Merge foundedevergreenownand imprint indie Ballance Laura bassist and McCaughan Crucially, the Chunk’s singer-guitarist Mac archetype. indie-punk Albini–produced and er,” a lo-fi anti-anthem for underachievers, ’90s with a single called “Slack Motherfuck- early the prominencein to roseperchunk Su-rock,indie cornerstones theof of One Superchunk
MOROCCAN LOUNGE TERAGRAM BALLROOM No Pocky for Kitty , the scorching, Steve Everything Now. In 2010, Superchunk Majesty Shredding, an exuberant —Falling James , the Nashvillethe Losing, 2/22 —Matt Miner COURTESY What a OF THE ARTIST PHOTO | | LA WEEKLY // February 16 - 22 // www.laweekly.com
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www.laweekly.com // February 16 - 22, 2018 // LA WEEKLY |
APRIL 22, 2018 RAINBOW BAR&GRILL DRE DAY LA2018 West Hollywood,CA90069 FEB 17, 2018 rainbowbarandgrill.com Los Angeles,CA90026 9015 SunsetBoulevard SATURDAY, 1154 GlendaleBlvd, 1154 GlendaleBlvd, www.theecho.com SUNDAY, (310) 278-4232 (213) 413-8200 AMOEBA B ALEX’S OHM NIGHTCLUB: NEW THE MOROCCAN LOUNGE: THE MINT: MCCABE’S GUITAR SHOP: T LOS G LODGE ROOM: HUMAN RESOURCES: THE HOTEL 4TH STREET VINE: F THE FEDERAL: THE ECHOPLEX: THE ECHO: CA BOOTLEG THEATER: CLUBS HE MARKE: IVE ROCK &POP Special Explosion, Tue., Feb. 20, 8p.m., $20. Feb. 19,8:30p.m., free. Girlpool, The Hotelier, SOS, Easy, Grave Flowers &HisBongo Band,Mon., 18, 11 a.m.-2p.m., free.18, 11 IainMatthews, LutherHollywood. Feb. Russell, Sun., 21, 8:30p.m., $15. $20. Palehound, Weaves, Young Jesus,Wed., Feb. free. The JulianLage Trio, Tue., Feb. 20, 8:30p.m., p.m., $10.Mondays, 8:30p.m. Thru Saigo, Feb. 26, The Jonah Levine Collective, Elusive,Feb. Sun., 18,8 Feb.Sat., 17, Free 8:30p.m., $8.Mast, the Robots, $10. Lonesome Leash, Gambles,DinaMaccabee, Reeve Carney, Leeann Skoda, Fri., Feb. 16,8:30p.m., The Z-Boys, Camden Murphy, Thu., Feb. 22,9p.m. Fri., Feb. 16,10 Feb. p.m. Those Guys, Sat., 17, 10 p.m. Pick). Alex Cameron, Molly Burch, Thu., Feb. 22. Feb.Veruca Sat., Salt, 17, 8p.m., $20(seeMusic Grandpa, The Fri., SpookSchool, Feb. 16,8p.m., $18. Lantz Lazwell,Lantz Kal Madsen,True Feb. Sun., Sole, 18. Try, Feb. Nick,Drama, Simple Sat., 17, 8:30p.m., $15. LeoStaxxi, Kidd, Fri., Feb. 16,8:30p.m., $12.Last Feb. 17, 7p.m., $20. Mahoney, Jimmy Gnecco, HannahGernand, Sat., the Morning Yells, Canyon City, Raye Zaragoza, Caitlin David Gleason,David Luning, Mike Viola, Eric Kufs & Fri.,Little Hearts, Silver Feb. 16,7p.m., $15.Aaron John Wicks &the Records, Gaines,Chris Jeffrey Price, Thingz, Feb. MicahPanzich, Sun., 18,6p.m. Feb. 22,8p.m., $25(see MusicPick). Feb. 21,7:30p.m., $10. BatFangs, Superchunk, Thu., p.m., $20. Facial, The Entire Universe, Yip Yops, Wed., Music Pick). Shamir, Rocket, Sizzy Tue., Feb. 20, 8 Mon., Feb. Zachman, Sutter 19,7:30p.m., $20(see Feb.Sun., 18,7:30p.m., $15.Zee Avi, Dana Williams, 9 p.m., $10-$20. Dent May, Moon King, Ablebody, 8 p.m., $20. Mammo, Whisper, Feb. Elle, Sat., 17, Dickies, BlackMambas,Round Eye, Fri., Feb. 16, Bravo, The Ziggens, Thu., Feb. 22,6:30p.m., $10. Feb.Sun., 18,8p.m., $8.Philieano, Tiger Perro Sex, 8 p.m., $15.JailWeddings, The Abigails, Frontier Club, Rag, The Creepy Creeps, Feb. The Grabbers, Sat., 17, Sat., Feb.Sat., 17, 10:30 p.m. Blvd., Bellflower. Lwin’s Annabella BowWow Wow, Johnson, Darcey Leonard, Thu., Feb. 22,7p.m., $7. Rats, Stranger Thanton &the Dirty Fact, Dominique bath, Wandering Poets, Luckyandlove, Bravo TK,Hous- Sandoval, Sat., Feb. Sat., Sandoval, 17, MusicPick. 8p.m. See Wada, JuliaHolter, Dafne Vicente- Charles Curtis, Intercepter, Damon Robinson, Feb. Sun., 18,3p.m. Princess, BigPig, The AllSouls, Great Sadness, Feb. Sat., News, CatScan, 17, 8:30p.m., $10. Sumo Fri., Feb. 16,8:30p.m., $10. The Deadbeats, Fake The Babylon Sinners, Quartet, Convictions,Hollywood Mane, Fri., Feb. 16,10 p.m., $80&$100. Bodies, Slut Island,Wed.,Bodies, Slut Feb. 21,8p.m., $12. Feb. 20, 8p.m., $12.Daikaiju, The Manx,Melted of Annihilation,MargaretBoy Scouts Garrett., Tue., with High-Functioning Drones, Flesh,Terminal LA A, Mon., Feb. 19,7p.m.,Barger, $20. BenefitforSean 18, 8p.m., $24. Conan,The Ditch&the Delta, Yidhra, Clap Your Yeah, HandsSay Holiday, Steady Feb. Sun., Western Feb. DFMK,Sat., Settings, 17, 6p.m., $15. Ergot, Goon,Fri., Feb. 16,8:30p.m., $12.Dead to Me, Strangeways, Fri., Feb. 16,8p.m., free. Feb. 17, 8p.m., $35. 16, 8p.m., $25(seeMusicPick). Tom Russell, Sat., Teresa Campbell, Monica. Larry Williams, Fri., Feb. Blood Band,Yung Jr., Wed., Feb. 21,9p.m., $19. 9p.m. JuniorReidMagnificos, Sundays, &the One FE NEL STA WA LO VE RESTAURAN& B T R B BOS: MUSIC: A A: R: 6010 W. Pico Blvd., Raquel Rodriguez, L.A. 1822W. Blvd., Shame, L.A. Egrets Sunset on 1906Cypress Ave., The L.A. Gitane Demone CA A 2913 E. Anaheim St., Long 2913E.Anaheim St., Beach.Throw 3311 S. Main St., L.A. The L.A. Felix S.MainSt., 3311 Brown Band, R: 3040W. Blvd., Los L.A. Sunset 5303 N. Lankershim Blvd., North 5303N.Lankershim Blvd., North FE: 104 N.Avenue Diet Cig,Great 56,L.A. 267 S. Main St., L.A. Dendera L.A. Blood- 267 S.MainSt., 1154 Glendale Blvd., L.A. Jesus Sons, GlendaleBlvd., JesusSons, 1154 L.A. 6400 Sunset Blvd., DJ L.A. 6400Sunset 16231/2N.Cahuenga Blvd., L.A. 6801 Hollywood Blvd., Gucci L.A. Hollywood 6801 2142 E.Fourth Long St., Beach.The 2200Beverly Blvd., R. L.A. Finn, 410 Cottage Home St., L.A. Tashi L.A. 410 Cottage HomeSt., 3101 Pico Blvd., Santa 901 E. First St., L.A. The L.A. 901E.First St., AR: 17847 Lakewood THE TERAGR STORIESBOOKS & THE SMELL: THE THE R THE ROSE: R THE R ARC ALV ZEB WHISKY AGO- THE VIPER ROOM: UNIO THE TROU THREE CLU THA JAZZ &BLUES ESIDEN Poppy JeanCrawford, AnnieHardy, Fri., Feb. 16. Lwin’s BowWow Wow, Fri., Feb. 16,10:30 p.m. People Flavor, Children, NoSmall Thu., Feb. 22. Feb. 17, Wed., 9p.m., $28-$58.Styx, Feb. 21,9p.m. Fri., Feb. 16,9p.m., $38-$58.The MusicalBox, Sat., Duo, Sun., Feb.Duo, Sun., 18, 4p.m., $20. p.m., $25.BruceForman: The Red Guitar &Junkyard p.m.; Richie Goods&NuclearFusion, Feb. Sat., 17, 8 Tamir Feb. Hendelman &Morgan Jones, Sat., 17, 4 Chamberlin Complex, Thu., Feb. 22,8p.m., $15. Telekinetic Yeti, Wed., Feb. 21,8p.m., $20. The Jimmy Range, Nadu, Tue., Feb. 20, 8p.m., $12.1000mods, Red, Mon., Feb. 19,8p.m., $25.HaTonka, Pacific Feb. 18,8p.m., $15(seeMusicPick). ATribe Called Feb. 17, 8p.m., $20. Grails, Chuck Johnson, Sun., Electronics, Din,DJ Greh Holger, Dismorphic,Sat., Kommand, Fri., Feb. 16,10 p.m., $12.Consumer Feb. 16,8p.m., free; Mammoth Grinder, Mysticism, Ricky Z,Shari Fri., Puorto, Feb. 16,8p.m. Guitar Rulers, Fri., Feb. 16,9p.m., $5. The Claws, The Singles,The Patients, The Golden 22, 9p.m., $5. p.m., $5.HitBargain, NoBabies,Yaawn, Thu., Feb. Proffit, Matter Room, Feb. The Chonks, Sat., 17, 9 Rocket,Sizzy Fri., Feb. 16,8p.m., free. Orchin, Justus (see MusicPick). $20. Bully, Potty Mouth, Thu., Feb. 22,9p.m., $18 Feb. 20, 9p.m., $20. Bahamas,Wed., Feb. 21,8p.m., Rosenstock, Feb. Sun., 18,8p.m., $15.Shamir, Tue., Feb.Mike Gordon, Sat., 17, 8:30p.m., $27.50. Jeff MikeL.A. Gordon, Fri., Feb. 16,8:30p.m., $27.50. Shark, Milck, Tue., Feb. 20, 8p.m., $15. Joel Taylor,Stevens, Feb. Sat., 17, 8p.m., $20. Amy Feb. 16,8p.m., $20. The Dustbowl Revival, Leslie Timony, Mary Hollywood. Fri., AllisonCrutchfield, Feb. 22,9p.m., $10. free. The Uranium Finberg, Club, Lars The Thu., CIA, E. Brown,Fog, L.A. DJ Wed., Xandão, Feb. 21,9p.m., 20, 9p.m., $20. JuiniBooth, Kathleen Kim, Guillermo Jodorowsky, Rudy De Anda,DJ CarlosNiño, Tue., Feb. Mon., Feb. 19,9p.m., free (seeMusicPick). Adan Mia Doi Todd, The MagicWanderers, Jade Castrinos, Maxwell Feb. &JesseJustice, Sun., 18,7:30p.m., $25. Pan-Afrikan Peoples Arkestra, BlackNile,DJs Mark Radio DJs Dance Party, Feb. Sat., 17, 9p.m., free. The Moviemix, Fri., Feb. 16,9p.m., free. Reverberation 18, 9p.m., $5. UK, Chub Wubz, Feb. Decimate,Mauk,Sun., Defyant, Feb. 22,8p.m. Nicholas Band,Wed., Feb. 21,7p.m. Acheron, Thu., $45-$125. Flaw, Mon., Feb. 19,7p.m. The Thomas Blades, Brad Gillis, Kelly Keagy, Feb. Sun., 18,7p.m., Feb.Showcase, Sat., 17, 8p.m. (seeMusicPick). Jack Last inLine, Decade, Fri., Feb. 16,7p.m. Synthwave The Brite Wed., Sides, Feb. 21,10 p.m., $15. Riot Child, Thu., Feb. 22,8p.m., $17. Wed., Feb. 21,8p.m., $20. IconforHire, Makeout, Period, Tue., Feb. 20, 8p.m., $15-$20. Warm Brew, Feb.Brennan, Sun., Grimes, Wes 18,8:30p.m. Marty Call Me Karizma, Austin Cain,Angel White, Forget Porter, Feb. Wingtip, Sat., 17, 9p.m., $15.Mod Sun, Elderbrook, Fri., Feb. 16,9p.m., $15-$20. Chet Original Sun, Thu., Feb.Original Sun, 22,7:30p.m., $10. $10. Professor &the Madman,BeckBlack,Unit F, Kalil, OscarCode, Lujuria, Wed., Feb. 21,7:30p.m., & $35.Red Devil Vortex, Valor &Vengeance, Luis p.m., $15-$20. Twista, Feb. Sun., 18,8:30p.m., $20 Heather, Feb. Colette, Juliet Mendoza, Sat., 17, 9 Santiago’s Trip, Fri., Feb. 16,7:30p.m., $15.DJ $10; Kylaido, Chega, The Undercover, Native Names, Chega, FireHollywood. Tiger, Fri., Feb. 16,7p.m., AS AS SHOWROOM: ULO T ’80SB ADIA BLUES CLU SA N NIGHTCLUB: OXY: EDWOOD B TELLITE: N: T: 2478 Fletcher Dr., Techno L.A. Self, Funk Off BA 428 S. Hewitt St., L.A. Jackie L.A. Jackson,Fri., S.Hewitt 428 St., 245 Pasadena. E.Green The St., Dan Band, 9009W. Blvd., West Sunset Hollywood. BS BS COCKTAIL LOUNGE: 247 S. Main St., L.A. Kitten, 247L.A. LaBouquet, S.MainSt., AR: AM B DOUR: GO: 1717 Lake Silver Blvd., OnlySon, L.A. 10555 MillsAve., Montclair. Annabella AR &GRILL: ALLROOM: 8901 Sunset Blvd., West 8901Sunset Hollywood. 8852W. Blvd., West Sunset CA 9081 Santa Monica Blvd., West 9081Santa 4067 W. Pico Blvd., The L.A. Aliens 1417 W. Pedro. San Eighth St., B: FE: 16E.Huntington Dr., Arcadia. 1716 W. Blvd., L.A. Sunset 1234W. St., Seventh 316W. L.A. St., Second 1123 Vine St., L.A. L.A. Vine 1123 St., —Falling James SOUND SOUND ROADS MUSIC: THE LIGHTHOUSE HARVELLE’S SANTA MONICA: CA BLUEWHALE: T AVALO JOE’S G E THE COFFEE T THE Y THE WORLD STAGE: VITELLO’S ITALIAN RESTAURANT: VIBRA THE SMOKE HE HE DANCE CLUBS COUNTRY &FOLK AR, BEER&WINEBAR, .B.’S The Nick Mancini Quartet, Sat., Feb.The Sat., NickManciniQuartet, 17, 7p.m., $20. Thu., Feb. 22,8:30p.m. 9 p.m. Jimmy Vivino, Wed., Feb. 21,9p.m. The BBB, 19, 9p.m. The BigButter JazzBand,Tue., Feb. 20, p.m., free. Janet Klein &HerParlor Boys,Mon., Feb. Mike Livingston, Stompbox Holiday, Feb. Sun., 18,6-9 Messaround, withZipGuns, Rednecks, Groovy Mars, Feb.& the Radio Flyers, Sat., 17, 9p.m., free. The p.m., free. Toni Boller, Feb. Sat., 17, 4:30p.m.; Connie Magnolia Blvd., Burbank.BigRed Sky, Fri., Feb. 16,9 18, 1-7p.m., free. Lawndale, Atomic Feb. Sherpas, Shit forBrainz, Sun., Rock BBQ, withThe PRV13, Mormons, Superbean, Feb.Blowin’ Smoke, Sat., 17, 8p.m. Liquid Kitty Punk Beach, NobleCreatures, Fri., Feb. 16,9p.m., $10. Monica. The Freedom Ledges, Jhey &the Whee, Cliff Feb. 17, 10 p.m. TigerHeat, Thursdays, 10 p.m., $5. Romero,Morillo, Harry Frank Nitty, Jay Torres, Sat., Lemay, Braveaux, Fri., Feb. 16,9:30p.m. Erick p.m., free. BenVaughn, Thu., Feb. 22,8p.m., free. Rodriguez, RJBloke, Wanderlodge, Wed., Feb. 21,9 Benhoff,8 p.m.Sie Sie Chief White Lightning, Dylan Club ofMondays, L.A., 9p.m., free. Oui’3,Tue., Feb. 20, Feb.& the OuthouseGang, Sun., 18,8p.m. The Hot Isenberg, The Jawknee BlackHeartthrobs, Lawhorn Feb. 17, 9p.m., free. David Sparrow, Mike Telega, Kate for the Lord, Rednecks, Groovy Talkin’ Treason, Sat., The Band,Fri., Marco Sanchez Feb. 16,9p.m. Tramp Almario, Fri., Feb. 16,9p.m., $20. 21, 8:30p.m., $20. Tyrell, Steve Thu., Feb. 22. Tyrell,Steve Feb. 16-18,7:30p.m. Kay-Ta, Wed., Feb. Cheryl Bentyne,Thu.,Cheryl Feb. 22,7:30p.m., $20-$250. $20. LailaBiali,Wed., Feb. 21,7:30p.m., $30-$300. Rebecca Kilgore &Dave Tull, Mon., Feb. 19,8p.m., The Feb. Dennis Dreith Band,Sun., 18,8p.m., $25. City.Studio Nutty, Feb. Sat., 17, 7:30p.m., $20&up. Douglas Jr., Thu., Feb. 22,7:30p.m., $20. Rieckermann, Wed., Feb. 21,8p.m., $20. Rogelio Crow JazzBand,Tue., Feb. 20, 7:30p.m., free. Katja Feb.Paris Chansons, Sun., 18,8p.m., $20. Holy Feb.$20. BillBrendle, Sat., 17, 6:30&9p.m., $20. Bel-Air. Jennifer Keith, Fri., Feb. 16,6:30&9p.m., Jagger, Feb. Sat., 17, 7p.m., free. W. Fri., Soraia, Third L.A. St., Feb. 16,7p.m. Merle Caine Quintet, Sun., Feb. Sun., Caine Quintet, 18,7:30p.m., free. Shorty, Feb. Sat., 17, 8p.m. David Binney, Thu., Feb. 22,9p.m. Feb. 20, 9p.m. BenAllison,Wed., Feb. 21,9p.m. Mon., Feb. 19,9p.m., $20. Louis ColeShow, Tue., Feb. 18,9p.m., $15.The Jimmy Chamberlin Complex, Otmaro Ruiz, HadrienFeraud &Dean Brown, Sun., Feb.Colligan, Sat., 17, 9p.m. Wesley Ritenour, Dave King Trio, Fri., Feb. 16,9p.m., $20. George Feb. 22,7:30p.m., $20. Bonfiglio, Joelinasaluteto Bennett, Motown, Thu., Moon, Robbie Mangiardi, Rosengarden, Neil Rob Loe, Eddie Hedges, Ronee Paul Zollo, Martin, Coyote Feb. 20, 8p.m., $20. Phil Chen, Chad Watson, Pam Miskey Mountain Boys,Deborah Kollgaard, Tue., Feb.Barnes-Roberts, Sun., 18,7p.m., $20. The Deja Vu, Feb. Sun., 18,2p.m., $20;McMains, Donna 8 p.m., $20. MarloWells, Feb. Sat., 17, 7p.m., $20. Ave., Altadena. Happy&AdamTraum, Fri., Feb. 16, Wed., Feb. 21,6-9p.m., free. a.m.-3 p.m., free. The Dave Tull Trio, Rebecca Kilgore, p.m., free. The Feb. Donald Dean Sun., Quintet, 18,11 Feb.The Sat., David Quartet, Sills 17, a.m.-2:30 11 Dr., Burbank.Riva Thu., &OldMidnight, Feb. 22. TALINA B E CIN CHOPLEX: ORK: TO TO N HOLLYWOOD: RE EMA G A 5018York Blvd., HighlandPark. The Elliott RILLJ & T AMERIC AR &GRILL: HOUSE RESTAURANT: B GA 123 Astronaut E.S. Onizuka St., L.A. The L.A. Onizuka 123Astronaut E.S. St., A 1154 GlendaleBlvd., Dre 1154 L.A. Day L.A., R: LLERY B 3967 Sepulveda Blvd., Culver City. 3967 Sepulveda CA AZZ 4321Degnan Blvd., Justo L.A. FE: AN B 1735 Lunice, L.A. Vine St., 3017 Monica. Pico Blvd., Santa : 2930Beverly GlenCircle, 30Pier Ave., Beach. Hermosa 6725 W. Blvd., L.A. Sunset ACKSTAGE: FA AR &GRILL: RMERS MARKET: 1432 Fourth Santa St., 4349Tujunga Ave., 4420 W. 4420 Lakeside 2029N.Lake 4311 W. 4311 —Falling James —Falling James 6333 | |
37 LA WEEKLY // February 16 - 22, 2018 // www.laweekly.com over Hollywood’s over Hollywood’s Warm Brew will takeWarm Wednesday, February Wednesday, 21st, 2018 as part of a iconic Roxy Theatre on 3-show celebration for their critically acclaimed, the (3-year anniversary) of Ghetto Beach Boyz album. Enter to win at win at to Enter ROXY ON FEB. 21ST! ON FEB. ROXY WARM BREW WARM Sign up now at laweekly.com/newsle ers laweekly.com/newsle at Sign up now WIN 2 TICKETS TO SEE TO 2 TICKETS WIN laweekly.com/free/WarmBrew available only to our Music Newsle er subscribers. Newsle our Music only to available Keep your thumb on the local music scene with music scene on the local music thumb your Keep features, additional online music listings and show picks. and show listings online music additional features, AT THE AT MUSIC PROMOTIONS NEWSLETTER PROMOTIONS MUSIC We’ll also send special ticket off promotions and music ers off also send special ticket We’ll - -
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—Falling James —Falling —Falling James —Falling The Warsaw Warsaw The John Adams John Host Brian Host Concertmaster- P: With Thy Antichrist, Thy With The Scandinavian en- The Cellist Inbal Segev Cellist CIETY: GROU Sopranos Hila Plitmann Sopranos Hila Plitmann HONY: KI QUARTET: WSKI The Belasco Theater, 1050 Hill St. 1050 Belasco Theater, The ARK FUNERAL: ARK In collaboration with pianist Vicki Ray, Ray, Vicki with pianist In collaboration L.A. Opera’s presentation of Leonard Leonard of presentation L.A. Opera’s Hollywood Forever Cemetery. Hollywood Forever Sun., Feb. 18, 7:30 p.m. Musco Center Musco Center 18, 7:30 p.m. Sun., Feb. The Croatian guitarist plucks a program plucks a program guitarist Croatian The , Tue., Feb. 20, 8 p.m., $20-$59. 8 p.m., 20, Feb. G.A., Tue., L’s The pianist serves pianist sonatas by two late The El Rey Theatre, 5515 Wilshire Blvd., L.A. Blvd., 5515 Wilshire Theatre, Rey El 9 p.m., $38-$58. Saban 9 p.m., Theatre. With BJ the Chicago Kid, Bria Jhane, 8 Bria Kid, Chicago BJ the With S: , an ode to “nasty women,” as “nasty to a Girl, an ode Like Play 8 p.m. The Fonda Theatre. Fonda The 8 p.m. Soprano Marinè-Ter Kazaryan, violinist Soprano Marinè-Ter ADORS: C: . PHILHARMONI . CHAMBER ORCHESTRA: NEW MUSIC . PHIL NEW VIC: P SADENA SYM HE SZYMANO With Trippie Redd, Phora, Anthony Russo, 6 Russo, Anthony Phora, Redd, Trippie With SS MAJOR: ARD T PA SALASTINA SO MUSIC L.A L.A L.A : CANDIDE
With Florist., 9 p.m., $25. The Regent Theater. Regent $25. The 9 p.m., Florist., With E COOK: CK VIOLIN: AZY: E BEGLARIAN: E Suite, following the world premiere of L.A. of com- Suite, world premiere the following piece Infinitely and orchestral Trumbore’s poser Dale $35 & up. 2 & 8 p.m., 17, Without Apology, Sat., Feb. 131 S. St.Ambassador Auditorium, Ave. John unwinds Antonín Dvorák’s Cello Concerto, Cello and David Dvorák’s unwinds Antonín The Firebird conducts Igor Stravinsky’s Lockington Bernstein’s update of Voltaire’s satire is highlighted is highlighted satire Voltaire’s of update Bernstein’s coloratura vocal performances by beguiling by Jack Swanson and mezzo- tenor Morley, Erin soprano 2 p.m.; 17, Southwell, Sat., Peabody soprano Feb. Chandler $29-$299. Dorothy 2 p.m., 18, Sun., Feb. L.A. Ave., 135 N. Grand Pavilion, conducts the world premieres of Katherine Young’s Young’s Katherine of world premieres conducts the Shasta McIntosh’s Daphne and Delia and Andrew For and Salvatore Nigger Evil Julius Eastman’s preceding Martirano’s L.A. SeeDisney Hall, 111 Ave., GoLA. S. Grand 6:50 p.m., $32.50. The Regent Theater. Regent The $32.50. 6:50 p.m., violinist Margaret Batjer, cellist Andrew Shulman, flut Shulman, Andrew cellist Batjer, Margaret violinist ist Joachim Becerra Thomsen, horn player Michael horn player Thomsen, Becerra Joachim ist and Mozart, Brahms over and others confer Thornton Library, $49. Huntington 21, 7:30 p.m., Feb. Wed., San Rd., Marino. 1151 Oxford semble works up quartets Bartók by and Beethoven, Arts Performing $53. Valley 21, 8 p.m., Feb. Wed., 18111 Nordhoff St., group Northridge. The Center, Mozart quartets string Haydn, and by knits together Samueli $38 & up. 8 p.m., 20, Feb. Tue., Brahms, Mesa. Costa Dr., Center 600 Town Theater, Franz Schubert while storyteller Hershey Felder re Schubert while storyteller Hershey Felder Franz $25-$75. Wallis 7:30 p.m., 20, Feb. Tue., prose, cites 9390 N. Santa Blvd. Monica Center, Annenberg string quartetstring proffers Schubert, bonbons by Mozart Mansion. Doheny 16, 8 p.m. Feb. Fri., and Sokolov, p.m., $55-$75. The Wiltern, 3790 Wilshire Blvd., L.A. Blvd., Wilshire 3790 Wiltern, $55-$75. The p.m., TBA, Sun., Feb. 18, 3 p.m., $36-$100. Warner Grand Grand Warner $36-$100. 18, 3 p.m., TBA, Sun., Feb. St., Sixth San Pedro. W. 478 Theatre, p.m. The Novo by Microsoft, 800 W. Olympic Blvd. 800 W. Microsoft, Novo by The p.m. harpist Alison Bjorkedal and others, composer the Alison Bjorkedal harpist presents part work titled A Book of a larger of Days, Sat., Feb. Second St., L.A. 631 W. $25. REDCAT, p.m., 8:30 17, Lauritzen presents pieces by John Luther Adam, Luther John pieces by Lauritzen presents Caroline Fairouz, Mohammed Aaron Kernis, Jay Tchaikovsky, Tailleferre, Germaine Kats, Elena Shaw, Hall, Barrett 8 p.m., 17, and Strauss,Ives Sat., Feb. Conservatory N. Hill Ave. Music, 100 Pasadena of ceded by Beethoven’s Violin Concerto (featuring vio- Concerto Violin (featuring Beethoven’s ceded by The Mozart’s and selections from Frang) Vilde linist 2 p.m., 17-18, Feb. 16, 8 p.m.; Feb. Impresario, Fri., L.A. $20-$188. Disney Hall, 111 Ave., S. Grand and So Young Park pitch in as Esa-Pekka Salonen pitch in as Esa-Pekka Park and So Young composed conducts his own Wing on Wing, a work he pre Disney Hall design, Gehry’s Frank to in homage Marina Manukian and pianist Gayane Simonyan in- Gayane and pianist Marina Manukian Böellmann, Rimsky-Korsakov, Schubert,voke Spohr, 7:30 17, Beach, Sat., and Amy Gliere Dohnanyi, Feb. Burbank. of Church Presbyterian First free. p.m., for the Arts, Chapman University, 1 University Dr., Dr., 1 University Arts,for the University, Chapman UCLA, $50-$150. 7:30 p.m., 20, Feb. Tue., Orange. Westwood. Dr., Hall, 340 Royce Royce E ON POPE: THURSDAY, FEB. 22 FEB. THURSDAY, CLASSICAL & NEW MUSIC CLASSICAL GO laweekly.com. please go to more listings, For GO GO SERENATA: GO GO SHIHOR: ORY G QUARTET: H STRIN DANIS THE EV GO R D SEPTIC FLESH, AMBA X ANA VIDO BLA GO TUNE-Y WHY: BRUNO DREAM: THE G- JESS With With —Falling James —Falling With Richie Richie With 12-8 p.m., free. free. 12-8 p.m., 8 p.m., $43-$85. $43-$85. 8 p.m., 8 p.m., $29.50- 8 p.m., YE SOUND REVUE: 12:30 p.m. & 2:45 p.m., & 2:45 p.m., 12:30 p.m. 8 p.m. Moss Theater. Moss 8 p.m. 7 p.m. The Forum. The 7 p.m. 1357 N. Highland Ave., 1357 N. Highland Ave., 9 p.m. Globe Theatre. 9 p.m. 943 N. Broadway, L.A. 943 N. Broadway, The Belasco Theater. The 448 S. Main St., L.A. Scam & 8 p.m. The Novo by Microsoft, Novo by The 8 p.m. 8 p.m., $29.50. The Belasco. The $29.50. 8 p.m., 8 p.m. The Orpheum Theatre. Orpheum The 8 p.m. 8 p.m. The Orpheum Theatre, Theatre, Orpheum The 8 p.m. 9 p.m. El Rey Theatre. Rey El 9 p.m. 8 p.m., $29-$59. UCLA, $29-$59. 8 p.m., Royce VAGE: 4067 W. Pico Blvd., L.A. Bottles L.A. Bottles Blvd., Pico W. 4067 WARMERS: 8 p.m. El Rey Theatre. Rey El 8 p.m. With La Dispute, Self Defense Family, Self Family, La Dispute, With Defense GON: 8 p.m. Hollywood Forever Cemetery. Hollywood 8 p.m. Forever 9 p.m., $25. The Pico Union Project. Union Pico $25. The 9 p.m., GAS DE TECALITLÁN: 8:30 p.m. El Rey Theatre. Rey El 8:30 p.m. 3040 W. Sunset L.A. Oli, Geosf Blvd., 3040 W. 6 p.m., $29-$32. The Wiltern. $29-$32. The 6 p.m., Z, 21 SA S: With Haywyre, Mome, 7 p.m. The Wiltern. The Haywyre, 7 p.m. Mome, With OCTA 9 p.m. The Fonda Theatre. Fonda The 9 p.m. S: 7:30 p.m., $62-$132. Fred Kavli Theatre. Kavli $62-$132. Fred 7:30 p.m., MAJOR: With Hammers of Misfortune, Beastmaker, 8 Hammers Misfortune, of With Beastmaker, With Vicetone, 9 p.m. Hollywood 9 p.m. Palladium. Vicetone, With With Marvel Years, 9 p.m. The Fonda Theatre. Fonda The 9 p.m. Marvel With Years, CARLABRUNI: BANANARAMA: DR. HONEY ORCHESTRA: THE WILD HONEY CHINESE NEW YEAR FESTIVAL: NEW CHINESE
ORNIA FEETORNIA S: S: With DJ Mustard, Lil Pump, 9 p.m. Shrine Shrine 9 p.m. Pump, Lil Mustard, DJ With VEN: Warm Thoughts., 7:45 p.m. The Regent Theater. Regent The 7:45 p.m. Thoughts., Warm $59.50. The Theatre at Ace Hotel, 929 S. Broadway. at Ace Hotel, Theatre The $59.50. Furay, Micky Dolenz, Carlene Carter, Martha Davis, Martha Davis, Carlene Carter, Micky Dolenz, Furay, O’Clock, Carla Olson and others, 8 p.m. Three The Glendale. Blvd., 216 N. Brand Theatre, Alex Homeo & Juliet: A Post-Valentine’s Day Fête, Sat., Fête, Day A Post-Valentine’s Homeo & Juliet: $10. p.m., 10 17, Feb. Auditorium & Expo Hall, 665 W. Jefferson L.A. Blvd., Hall, 665 W. & Expo Auditorium 800 W. Olympic Blvd., L.A. See Olympic Blvd., Music Pick. 800 W. 842 S. Broadway, L.A. See Music Pick. 842 S. Broadway, & Models, Fri., Feb. 16, 9 p.m., $30; Love & Lust, & Lust, $30; Love p.m., 16, 9 Feb. Fri., & Models, $20; Kandhihearts p.m., Massive 16, 10 Feb. Fri., $15-$30. p.m., 16, 10 Feb. Fri., Rave, Valentine’s Brothers, Caitlin Lucas with The Legalized, Crave Gonzalez., Sat., Benito Kirshen, Matt Jamie Lee, Gill, Denney, & Odyssey, Waze free-$15; 8 p.m., 17, Feb. N Jollof free-$25. p.m., 10 17, Sat.,SecondCity, Feb. Jam, Mon., DJ free-$20. 18, 1 p.m., Sun.,Chill, Feb. Fresco, Neo Rhythms, Shifty $15. 8 p.m., 19, Feb. $10. 22, 9 p.m., Feb. Thu., Halo, Matalo, Fri., Feb. 16, 10 p.m., free. Club ’90s, free. p.m., 10 16, Feb. Fri., Matalo, Halo, & L.A., $5 Bootie p.m., Saturdays, 10 p.m. 10 Fridays, 18. Sun., Feb. All-Star Monopoly After-Party, $10. Valley Performing Arts Center, 18111 Nordhoff St. Arts Center, Performing Valley Hall, 340 Royce Dr., Westwood. Dr., Hall, 340 Royce Jam, with Karinas, Que Madre, DJ Rawn., Sat., Feb. Sat., Rawn., DJ Feb. Que Madre, Jam, with Karinas, $15. p.m., 10 17, with DJ Battlecat, J Rocc, Inka One, DJ Expo., Sat., Feb. Sat., Expo., One, DJ Feb. Inka Battlecat, J Rocc, with DJ 9 18, Sun., Maldonado, Jose Feb. DJ $15. 9 p.m., 17, 9 Wednesdays, reggae, of a night Dub Club, $10. p.m., $10. 22, 9 p.m., Feb. Thu., 143, $7. p.m., Shannon & the Clams, 7 p.m., $30-$45. The Wiltern. $30-$45. The Clams, 7 p.m., & the Shannon p.m., $32.50. The Regent Theater. Regent The $32.50. p.m., free. LACMA, 5905 Wilshire Blvd., L.A. Blvd., LACMA, 5905 Wilshire free. L.A. DJ Windows 98, Sat., Feb. 17, 6-9 p.m., $25. 6-9 p.m., 17, 98, Sat., Windows L.A. DJ Feb. Chinatown Central Plaza, 727 N. Broadway, L.A. N. Broadway, 727 Plaza, Central Chinatown G: WEDNESDAY, FEB. 21 FEB. WEDNESDAY, TUESDAY, FEB. 20 TUESDAY, MONDAY, FEB. 19 MONDAY, SUNDAY, FEB. 18 SUNDAY, SATURDAY, FEB. 17 SATURDAY, FRIDAY, FEB. 16 FRIDAY, OTU CONCERTS GO OF A DEADMAN: THEORY BRUNO GO NEWSBOY GO CALIF MUMIY TROLL: MUMIY CHICAGO: CO Y YACHT ROCK REVUE: ROCK YACHT GO L AGE: QUEENS OF THE STONE EASY E H & THE EASY AUERBAC DAN COLE QUARTET: THE FREDDY CHUCK RAGAN: CHUCK GO ANTHONY HAMILTON: ANTHONY SANANTONIO CHEZ & MIGRATION: TREY SONG HI VAR MARIAC AMORÉ: TOUCHÉ GRAMATIK: DREXLER: JORGE DOROTHY: DVBB NTONIO SANANTONIO CHEZ: For more listings, please go to laweekly.com. please go to more listings, For WANDERLUST HOLLYWOOD: WANDERLUST UNION NIGHTCLUB: UNION THE REGENT THEATER: REGENT THE GLOBOLOS GRAND STAR JAZZ CLUB: STAR GRAND |
38 | WEEKLY
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