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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
OF POSITIONS and Half POSITIONS Having Several MARKS At
OF POSITIONS AND half POSITIONS having several MARKS at once Diagram illustrating The Bretagne, from Weaver’s Orchesography p.114, 2nd ed. Printed for, & sold by Ino. Walsh [ca. 1715] i. Of Positions and half Positions having several Marks at once In 1705 English Dancing-Master John Weaver’s Orchesography or The Art of Dancing by Characters and Demonstrative Figures was first printed. This text sought to explain the whole art of dance, with tables of steps and rules for the motions of the arms so that anyone could learn various dances. “Of Positions and half Positions having several Marks at once” is a chapter heading taken from this publication. Weaver (1673-1760) choreographed many ballets and pantomimes, some of which were performed at the Theatre Royal at Drury Lane. A series of lectures given by Weaver in 1721 were one of the first attempts to base dancing and dance instruction on anatomy and knowledge of the body.1 Importantly, Orchesography is “an exact and just translation from the French of Monsieur Feuillet.” Raoul Auger Feuillet (1653-1709) put into print the choreography or dance notation invented by Pierre Beauchamps (1631-1705) dancing master to Louis XIV (1638-1715). This text marks the birth of choreography, linking indelibly body, space, and printed symbols.2 For Feuillet, all dancing was comprised of a small number of essential motions and his system created a planimetric representation of the dancing body, emphasizing possible directions and the paths it may take in space, as well as the motions of the feet and legs. Such a path was notated by a line, and steps or positions by embellished characters on either side. -
Oscar Ballot
OSCARS 20 9 BEST PICTURE ORIGINAL SCREENPLAY SOUND EDITING “Black Panther” “The Favourite,” Deborah Davis, Tony “Black Panther,” Benjamin A. Burtt, Steve Boeddeker “BlacKkKlansman” McNamara “Bohemian Rhapsody,” John Warhurst “Bohemian Rhapsody” “First Reformed,” Paul Schrader “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “The Favourite” “Green Book,” Nick Vallelonga, Brian “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Green Book” Currie, Peter Farrelly “Roma,” Sergio Diaz, Skip Lievsay “Roma” “Roma,” Alfonso Cuarón “A Star Is Born” “Vice,” Adam McKay SOUND MIXING “Vice” “Black Panther” ADAPTED SCREENPLAY “Bohemian Rhapsody” BEST ACTOR “The Ballad of Buster Scruggs,” Joel “First Man” Christian Bale, “Vice” Coen, Ethan Coen “Roma” Bradley Cooper, “A Star Is Born” “BlacKkKlansman,” Charlie Wachtel, “A Star Is Born” Willem Dafoe, “At Eternity’s Gate” David Rabinowitz, Kevin Willmott, Rami Malek, “Bohemian Rhapsody” Spike Lee PRODUCTION DESIGN Viggo Mortensen, “Green Book” “Can You Ever Forgive Me?,” Nicole “Black Panther,” Hannah Beachler Holofcener and Jeff Whitty “First Man,” Nathan Crowley, Kathy Lucas BEST ACTRESS “If Beale Street Could Talk,” Barry Jenkins “The Favourite,” Fiona Crombie, Alice Felton Yalitza Aparicio, “Roma” “A Star Is Born,” Eric Roth, Bradley “Mary Poppins Returns,” John Myhre, Glenn Close, “The Wife” Cooper, Will Fetters Gordon Sim Olivia Colman, “The Favourite” “Roma,” Eugenio Caballero, Bárbara Enriquez Lady Gaga, “A Star Is Born” CINEMATOGRAPHY Melissa McCarthy, “Can -
Best Picture Best Director Best Actor Best Actress Best Supporting
Best picture Black Panther BlacKkKlansman Bohemian Rhapsody The Favourite Green Book – WINNER! Roma A Star is Born Vice Best director Alfonso Cuarón (Roma) – WINNER! Adam McKay (Vice) Yorgos Lanthimos (The Favourite) Spike Lee (BlacKkKlansman) Pawel Pawlikowski (Cold War) Best actor Rami Malek (Bohemian Rhapsody) – WINNER! Christian Bale (Vice) Viggo Mortensen (Green Book) Bradley Cooper (A Star Is Born) Willem Dafoe (At Eternity’s Gate) Best actress Glenn Close (The Wife) Lady Gaga (A Star Is Born) Olivia Colman (The Favourite) – WINNER! Melissa McCarthy (Can You Ever Forgive Me?) Yalitza Aparicio (Roma) Best supporting actress Emma Stone (The Favourite) Rachel Weisz (The Favourite) Amy Adams (Vice) Regina King (If Beale Street Could Talk) – WINNER! Marina De Tavira (Roma) Best supporting actor Mahershala Ali (Green Book) – WINNER! Richard E Grant (Can You Ever Forgive Me?) Sam Elliott (A Star Is Born) Adam Driver (BlacKkKlansman) Sam Rockwell (Vice) Best original song Shallow (A Star Is Born) – WINNER! All the Stars (Black Panther) I’ll Fight (RBG) The Place Where Lost Things Go (Mary Poppins Returns) When a Cowboy Trades his Spurs for Wings (The Ballad of Buster Scruggs) Best documentary Free Solo – WINNER! Minding the Gap RBG Hale County This Morning, This Evening Of Fathers and Sons Best costume design Black Panther (Ruth E Carter) – WINNER! The Favourite (Sandy Powell) Mary Poppins Returns (Sandy Powell) Mary Queen of Scots (Alexandra Byrne) The Ballad of Buster Scruggs (Mary Zophres) Best makeup and hair Border Mary Queen of Scots -
MIT Press Journals
MIT Press Journals 2019 catalog Table of Contents General Information 1 Advertising 1 Journal Packages 2 Selected Books 45 Ordering Information 46 Subscription Form 47 Publishing with the MIT Press 48 Science & Technology Artificial Life 4 Computational Linguistics 5 Computational Psychiatry 6 Evolutionary Computation 7 Journal of Cognitive Neuroscience 8 Linguistic Inquiry 9 Network Neuroscience 10 Neural Computation 11 Neurobiology of Language 12 Open Mind 13 Presence: Teleoperators and Virtual Environments 14 Transactions of the Association for Computational Linguistics 15 The Arts & Humanities African Arts 16 ARTMargins 17 Computer Music Journal 18 Dædalus 19 Design Issues 20 Grey Room 21 JoDS: Journal of Design and Science 22 Leonardo 23 Leonardo Music Journal 24 The New England Quarterly 25 October 26 PAJ: A Journal of Performance and Art 27 Projections 28 TDR/The Drama Review 29 Thresholds 30 inside front cover Table of Contents General Information 1 Advertising 1 Journal Packages 2 Selected Books 45 Ordering Information 46 Subscription Form 47 Publishing with the MIT Press 48 Science & Technology Artificial Life 4 Computational Linguistics 5 Computational Psychiatry 6 Evolutionary Computation 7 Journal of Cognitive Neuroscience 8 Linguistic Inquiry 9 Network Neuroscience 10 Neural Computation 11 Neurobiology of Language 12 Open Mind 13 Presence: Teleoperators and Virtual Environments 14 Transactions of the Association for Computational Linguistics 15 The Arts & Humanities African Arts 16 ARTMargins 17 Computer Music Journal 18 -
Journals 2016 Catalog Directors’ Letter
MIT Press Journals 2016 catalog Directors’ Letter Dear Friends, The MIT Press celebrated its 50th anniversary in 2012, and the inclination to ponder our distinguished history remains strong, perhaps even more so this year with the change in Press leadership—Amy Brand was named Director of the MIT Press in July of 2015. The Press’s journals division, which was founded in 1972, ten years after the books division, also has a significant publishing legacy to consider, with over 80 journals published since the division’s inception. Some, such as Linguistic Inquiry and The Journal of Interdisciplinary History, have grown with us from the very beginning. Other core titles like International Security, October, The Review of Economics and Statistics and Journal of Cognitive Neuroscience joined the Press over the following decades, providing a solid base for the high-quality and innovative scholarship that our journals division is well known for. Today, we continue to push the boundaries of scholarly publishing and communication. We relish discovering new fields to publish in, and working with scholars who are establishing new domains of research and inquiry. In keeping with that spirit, the Press is proud to launch a new open access journal in 2016, Computational Psychiatry, to serve a burgeoning field that brings together experts in neuroscience, decision sciences, psychiatry, and computation modeling to apply new quantitative techniques to our understanding of psychiatric disorders. Developing new ways of delivering journal articles and providing a richer range of metrics around their usage and impact is another current effort. On our mitpressjournals.org site, the Press is providing Altmetric badges for select titles to give an improved sense of the breadth of a journal article’s reach. -
55Th Chicago International Film Festival Presents
Media Contact: Matthew Bryant / Dayna Calkins Carol Fox and Associates 773.969.5033 / 773.969.5032 [email protected] [email protected] For Immediate Release: September 18, 2019 For high-resolution images, click here TH 55 CHICAGO INTERNATIONAL FILM FESTIVAL PRESENTS SPOTLIGHT: ARCHITECTURE x DESIGN PROGRAM SUPPORTED BY THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES Spotlight Includes Production Design Focus, Featuring Award-Winning Designers Hannah Beachler (Black Panther), Eugenio Caballero (Pan’s Labyrinth), Adam Stockhausen (The Grand Budapest Hotel) and Wynn Thomas (A Beautiful Mind) CHICAGO – The 55th Chicago International Film Festival today announced the line-up for this year’s Spotlight: Architecture x Design program with a special focus on Production Design. The Spotlight, presented on the occasion of the third Chicago Architecture Biennial, will showcase a program of films that bring a new perspective to architecture and design-related themes. As part of the Spotlight: Architecture x Design program, the Festival will feature a unique In Focus: Production Design program with support provided by the Academy of Motion Picture Arts and Sciences. “Our Architecture x Design program has been an important ongoing Festival program, as we partner with CAB in the biennial years,” said Artistic Director Mimi Plauché. “Our strong lineup of films, headlined by The New Bauhaus and The House of Cardin, is complemented by a series of talks and master classes by some of the top production designers working in cinema today. These conversations will bring insight to their craft and illuminate the complex relationship between production design, architecture and the built environment.” In Focus: Production Design will feature four award-winning designers and offer a unique opportunity for the public to gain insight into the artistry and craft of this all-important aspect of filmmaking. -
Read the Full Report
The Smoot-Hawley Fixation: Putting the Sino-US Trade War in Contemporary and Historical Perspective Simon J. Evenett1 University of St. Gallen, the St. Gallen Endowment for Prosperity Through Trade2 and CEPR 29 September 2019 This paper was published in the Journal of International Economic Law on 6 December 2019. Unfortunately, the published version excluded many of the pertinent footnotes that lawyers love and that, more importantly, support key elements of the argument. For this reason we make the full version of the paper available here. 1 Professor of International Trade and Economic Development, Department of Economics, University of St. Gallen, Switzerland, and Coordinator, the Global Trade Alert, the independent commercial policy monitor. I thank Patrick Buess, Johannes Fritz, Maxime Kantenwein, and Piotr Lukaszuk for help preparing the empirical evidence for this paper. I thank Anne van Aaken, Chad Bown, Andrew Lang, two referees, and Piotr Lukaszuk for comments on an earlier draft of this paper. I also thank Doug Irwin, Kevin O’Rourke, and Niko Wolf for checking my characterisation of the economic history literature on trade policy developments in the 1930s. All remaining errors are mine. Comments are welcome and should be sent to [email protected]. 2 Founder of the new non-profit Foundation to house the Global Trade Alert and other commercial policy- related initiatives. Abstract The extent to which the Sino-US trade war represents a break from the past is examined. This ongoing trade war is benchmarked empirically against the Smoot-Hawley tariff increase and against the sustained, covert discrimination by governments against foreign commercial interests witnessed since the start of the global economic crisis. -
Best Picture Blackkklansman Black Panther Bohemian Rhapsody The
Best Picture BlacKkKlansman Black Panther Bohemian Rhapsody The Favourite WINNER Green Book Roma A Star Is Born Vice Best Director WINNER Alfonso Cuaron (Roma) Yorgos Lanthimos (The Favourite) Spike Lee (BlacKkKlansman) Adam McKay (Vice) Pawel Pawlikowski (Cold War) Best Actress Yalitza Aparicio (Roma) Glenn Close (The Wife) WINNER Olivia Colman (The Favourite) Lady Gaga (A Star Is Born) Melissa McCarthy (Can You Ever Forgive Me?) Best Actor Christian Bale (Vice) Bradley Cooper (A Star Is Born) Willem Dafoe (At Eternity's Gate) WINNER Rami Malek (Bohemian Rhapsody) Viggo Mortensen (Green Book) Best Actor in a Supporting Role WINNER Mahershala Ali (Green Book) Adam Driver (BlacKkKlansman) Sam Elliott (A Star Is Born) Richard E. Grant (Can You Ever Forgive Me?) Sam Rockwell (Vice) Best Actress in a Supporting Role Amy Adams (Vice) Marina de Tavira (Roma) WINNER Regina King (If Beale Street Could Talk) Emma Stone (The Favourite) Rachel Weisz (The Favourite) Best Foreign-Language Film Capernaum (Lebanon) Cold War (Poland) Never Look Away (Germany) WINNER Roma (Mexico) Shoplifters (Japan) Best Original Song All The Stars from Black Panther, by Kendrick Lamar, SZA I’ll Fight from RBG by Diane Warren, Jennifer Hudson The Place Where Lost Things Go from Mary Poppins Returns by Marc Shaiman, Scott Wittman WINNER Shallow from A Star Is Born by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice When A Cowboy Trades His Spurs For Wings from The Ballad of Buster Scruggs by Willie Watson, Tim Blake Nelson Best Documentary Feature -
Festa Del Cinema Di Roma FESTA DEL CINEMA DI ROMA 13/23 OTTOBRE 2016
11A Festa del Cinema di Roma FESTA DEL CINEMA DI ROMA 13/23 OTTOBRE 2016 FONDATORI PRESIDENTE Roma Capitale Piera Detassis Regione Lazio Città Metropolitana di Roma Capitale Camera di Commercio di Roma DIRETTORE GENERALE Fondazione Musica per Roma Francesca Via Istituto Luce Cinecittà S.r.l DIRETTORE ARTISTICO COLLEGIO DEI FONDATORI Antonio Monda Presidente Lorenzo Tagliavanti Presidente della Camera di Commercio di Roma COMITATO DI SELEZIONE Virginia Raggi Mario Sesti, Coordinatore Sindaca di Roma Capitale Valerio Carocci e della Città Metropolitana Alberto Crespi Giovanna Fulvi Nicola Zingaretti Richard Peña Presidente della Regione Lazio Francesco Zippel Aurelio Regina Presidente della Fondazione Musica per Roma Roberto Cicutto Presidente dell’Istituto Luce Cinecittà CONSIGLIO DI AMMINISTRAZIONE RESPONSABILE UFFICIO CINEMA Piera Detassis, Presidente Alessandra Fontemaggi Laura Delli Colli Lorenzo Tagliavanti José Ramón Dosal Noriega Roberto Cicutto COLLEGIO DEI REVISORI DEI CONTI Roberto Mengoni, Presidente Massimo Gentile, Revisore Effettivo Giovanni Sapia, Revisore Effettivo Maurizio Branco, Revisore Supplente Marco Buttarelli, Revisore Supplente A FESTA 13-23 DEL CINEMA OTTOBRE 11 DI ROMA 2016 Prodotto da Main Partner Promosso da Partner Istituzionali Con il supporto di In collaborazione con Official sponsor Partner Tecnico Eco Mobility Partner Sponsor di Servizi Media Partner Partner Culturali Sponsor2.1 Invicta institutional logo “Since” 2.1.1 Dimensions, proportions and colour references The Invicta corporate logo is made up of 2 colours, blue and red. The Invicta corporate logo must never be modified or reconstructed. FOOD PROMOTION & EVENTS MANAGEMENT 26x 8x 87x 1x 15x 31x 2x 3x 5x 3x 1x Pantone 33xCMYK Pantone RGB 2x Textile 20x Invicta red C: 0 4852x C P. -
John Harvard Scholarship, 1953–1954, 1954–1955 • Phi Beta Kappa, 1955 • Harvard College Scholarship, 1955–1956
Ph.D. Economics FRANKLIN M. FISHER Harvard University Jane Berkowitz Carlton and Dennis William Carlton Professor of Microeconomics, Emeritus, Massachusetts Institute of M.A. Economics Technology Harvard University A.B. Economics Harvard University (summa cum laude) Ph.D. Dissertation A Priori Information and Time Series Analysis FELLOWSHIPS, SCHOLARSHIPS, AND PROFESSIONAL HONORS • Detur Prize, 1953 • Social Science Research Council Undergraduate Research Stipend, 1953 • John Harvard Scholarship, 1953–1954, 1954–1955 • Phi Beta Kappa, 1955 • Harvard College Scholarship, 1955–1956 • Rodgers Fellowship, 1956–1957 • Austin Fellowship, 1956–1957 • Junior Fellow of the Society of Fellows, Harvard University, 1957–1959 • Fellow of the Econometric Society, 1963–Present • Irving Fisher Lecturer at Econometric Society Meetings, Amsterdam, September 1968 • Operations Research Society of America Prize for best paper dealing with a military subject published in Operations Research, 1967 • Fellow of American Academy of Arts and Sciences, 1969–Present • Council Member of the Econometric Society, 1972–1976 • John Bates Clark Award, American Economic Association, 1973 • F. W. Paish Lecturer, Association of University Teachers of Economics, Sheffield, England, April 1975 • Vice President of the Econometric Society, 1977–1978 • David Kinley Lecturer, University of Illinois, 1978 FRANKLIN M. FISHER Page 2 • President of the Econometric Society, 1979 • Fellowship, John Simon Guggenheim Foundation, 1981–1982 • Erskine Fellow, University of Canterbury, summer -
University of Copenhagen Faculty of Humanities
Disincarnation Jack Smith and the character as assemblage Tranholm, Mette Risgård Publication date: 2017 Document version Other version Document license: CC BY-NC-ND Citation for published version (APA): Tranholm, M. R. (2017). Disincarnation: Jack Smith and the character as assemblage. Det Humanistiske Fakultet, Københavns Universitet. Download date: 25. Sep. 2021 UNIVERSITY OF COPENHAGEN FACULTY OF HUMANITIES PhD Dissertation Mette Tranholm Disincarnation Jack Smith and the character as assemblage Supervisor: Laura Luise Schultz Submitted on: 26 May 2017 Name of department: Department of Arts and Cultural Studies Author(s): Mette Tranholm Title and subtitle: Disincarnation: Jack Smith and the character as assemblage Topic description: The topic of this dissertation is the American performer, photographer, writer, and filmmaker Jack Smith. The purpose of this dissertation is - through Smith - to reach a more nuanced understading of the concept of character in performance theater. Supervisor: Laura Luise Schultz Submitted on: 26 May 2017 2 Table of contents Acknowledgements.............................................................................................................................................................7 Overall aim and research questions.................................................................................................................................9 Disincarnation in Roy Cohn/Jack Smith........................................................................................................................13