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Garage Zine Scionav.Com Vol. 3 Cover Photography: Clayton Hauck
GARAGE ZINE SCIONAV.COM VOL. 3 COVER PHOTOGRAPHY: CLAYTON HAUCK STAFF Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker Creative Direction: Scion Art Director: malbon Production Director: Anton Schlesinger Contributing Editor: David Bevan Assistant Editor: Maud Deitch Graphic Designers: Nicholas Acemoglu, Cameron Charles, Kate Merritt, Gabriella Spartos Sheriff: Stephen Gisondi CONTRIBUTORS Writer: Jeremy CARGILL Photographers: Derek Beals, William Hacker, Jeremy M. Lang, Bryan Sheffield, REBECCA SMEYNE CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Company references, advertisements and/ Mail Stop WC12 or websites listed in this publication are Torrance, CA 90501 not affiliated with Scion, unless otherwise Phone: 866.70.SCION noted through disclosure. Scion does not Fax: 310.381.5932 warrant these companies and is not liable for Email: Email us through the contact page their performances or the content on their located on scion.com advertisements and/or websites. Hours: M-F, 6am-5pm PST Online Chat: M-F, 6am-6pm PST © 2011 Scion, a marque of Toyota Motor Sales U.S.A., Inc. All rights reserved. Scion GARAGE zine is published by malbon Scion and the Scion logo are trademarks of For more information about MALBON, contact Toyota Motor Corporation. [email protected] 00430-ZIN03-GR SCION A/V SCHEDULE JUNE Scion Garage 7”: Cola Freaks/Digital Leather (June 7) Scion Presents: Black Lips North American Tour The Casbah in San Diego, CA (June 9) Velvet Jones -
Tuareg Music and Capitalist Reckonings in Niger a Dissertation Submitted
UNIVERSITY OF CALIFORNIA Los Angeles Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Eric James Schmidt 2018 © Copyright by Eric James Schmidt 2018 ABSTRACT OF THE DISSERTATION Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger by Eric James Schmidt Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Timothy D. Taylor, Chair This dissertation examines how Tuareg people in Niger use music to reckon with their increasing but incomplete entanglement in global neoliberal capitalism. I argue that a variety of social actors—Tuareg musicians, fans, festival organizers, and government officials, as well as music producers from Europe and North America—have come to regard Tuareg music as a resource by which to realize economic, political, and other social ambitions. Such treatment of culture-as-resource is intimately linked to the global expansion of neoliberal capitalism, which has led individual and collective subjects around the world to take on a more entrepreneurial nature by exploiting representations of their identities for a variety of ends. While Tuareg collective identity has strongly been tied to an economy of pastoralism and caravan trade, the contemporary moment demands a reimagining of what it means to be, and to survive as, Tuareg. Since the 1970s, cycles of drought, entrenched poverty, and periodic conflicts have pushed more and more Tuaregs to pursue wage labor in cities across northwestern Africa or to work as trans- ii Saharan smugglers; meanwhile, tourism expanded from the 1980s into one of the region’s biggest industries by drawing on pastoralist skills while capitalizing on strategic essentialisms of Tuareg culture and identity. -
Spillers Records New Release List 1St November 2019
NEW RELEASE CDs 1/11/19 SUPER FURRY ANIMALS Guerrilla [2CD edition] £10.99 THE JOY FORMIDABLE A Balloon Called Moaning (10th Anniversary 2CD Set) £11.99 BOB DYLAN Travelin' Thru' 1967-69 The Bootleg Series Vol.15 [3CD] £19.99 JEFF LYNNE'S ELO From Out Of Nowhere [Std. CD] £9.99 JEFF LYNNE'S ELO From Out Of Nowhere [Deluxe CD w/ Embossed Cover] £12.99 A WINGED VICTORY FOR THE SULLEN The Undivided Five [Ninja Tune] £9.99 ALED JONES & RUSSELL WATSON Back in Harmony £1099 DAVID J (Bauhaus / Love And Rockets) Missive To An Angel From The Halls Of Infamy And Allure £9.99 Feat contributions from Anton Newcombe, (Members of) Swans & The Bad Seeds & More! HAWKWIND All Aboard The Skylark [2CD on Cherry Red] LACUNA COIL Black Anima [Century Media] £10.99 MICHAEL KIWANUKA KIWANUKA £10.99 THE CHATS The Chats [Burger Records] £8.99 THE DAMNED Black Is the Night: The Definitive Anthology [2CD] £10.99 UNDERWORLD DRIFT Series 1 Sampler Edition [Caroline International] £9.99 VETIVER Up On High [Loose] £9.99 WARMDUSCHER Tainted Lunch [Leaf] £9.99 FEAT MEMBERS OF FAT WHITE FAMILY & ECCENTRONIC RESEARCH COUNCIL! With guests IGGY POP & KOOL KEITH!!!! WILLIAM DOYLE (East India Youth) Your Wilderness Revisited £9.99 AMY STUDT Happiest Girl In The Universe £10.99 COMMON HOLLY When I Say To You Black Lightning £9.99 CUP (Nels Cline /Wilco) Spinning Creature [Northern Spy] £11.99 FRUSTRATION So Cold Streams £12.99 Feat. Jason Williamson of Sleaford Mods on the lead single! JON BODEN (Bellowhead) Rose In June £9.99 CURT BOETTCHER & Friends Looking For The Sun [CD w/36 pg. -
OHP 271 Finding Aid -- DRAFT Southern California Music Venues Oral History Project
OHP 271 Finding Aid -- DRAFT Southern California Music Venues Oral History Project California State University, Fullerton. Center for Oral and Public History P.O. Box 6846 Fullerton, California 92834 (657) 278-3580 [email protected] http://coph.fullerton.edu/2014 Descriptive Summary Title: Southern California Music Venues Oral History Project Dates: 2013-2014 Collection Number: COPH OHP_271 Creator/Collector: Derek Papa (2013-2014) Extent: Six (6) oral histories Repository: California State University, Fullerton. Center for Oral and Public History Fullerton, California 92834 Project Description: The Southern California Music Venue Project will record the memories of men and women who have made a major contribution to the development of music venues throughout Southern California. These oral histories will record the life histories of men and women who opened the venues, worked at the venues, and played music at the venues, and those who attended events at the venues. It will not only record the stories of their life, but what drove these individuals to dedicate a part of their life to growing a music community. This will provide a collective history of those who helped grow local music scenes and communities. The purpose is to investigate lesser known music venues throughout Southern California. Music venues that were important in supporting new musical genres and that helped support a local music scene. I am looking at collective style music venues that are unconventional in nature. Co-ops, all-ages, etc. Language of Materials: English Access: Unrestricted Publication Rights: Standard copyright restrictions apply Preferred Citation: Acquisition Information: Donation, May 2014 Biography/Administrative History: Scope and Content of Collection: Indexing Terms: Date: 2013-2014 Place: Southern California Format: original .wav. -
The Quality of Recorded Music Since Napster: Evidence Based on The
Digitization and the Music Industry Joel Waldfogel Conference on the Economics of Information and Communication Technologies Paris, October 5-6, 2012 Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster AND And the Bands Played On: Digital Disintermediation and the Quality of New Recorded Music Intro – assuring flow of creative works • Appropriability – may beget creative works – depends on both law and technology • IP rights are monopolies granted to provide incentives for creation – Harms and benefits • Recent technological changes may have altered the balance – First, file sharing makes it harder to appropriate revenue… …and revenue has plunged RIAA Total Value of US Shipments, 1994-2009 16000 14000 12000 10000 total 8000 digital $ millions physical 6000 4000 2000 0 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Ensuing Research • Mostly a kerfuffle about whether file sharing cannibalizes sales • Oberholzer-Gee and Strumpf (2006),Rob and Waldfogel (2006), Blackburn (2004), Zentner (2006), and more • Most believe that file sharing reduces sales • …and this has led to calls for strengthening IP protection My Epiphany • Revenue reduction, interesting for producers, is not the most interesting question • Instead: will flow of new products continue? • We should worry about both consumers and producers Industry view: the sky is falling • IFPI: “Music is an investment-intensive business… Very few sectors have a comparable proportion of sales -
OMC | Data Export
Aimee Hinds, "Entry on: Awful Sound (Oh Eurydice) by Arcade Fire ", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2020). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/1128. Entry version as of October 06, 2021. Arcade Fire Awful Sound (Oh Eurydice) Canada (2013) TAGS: Underworld We are still trying to obtain permission for posting the original cover. General information Title of the work Awful Sound (Oh Eurydice) Title of the Album(s) Reflektor Sonovox; Merge Records / Arcade Fire; Markus Dravs; James Studio/Production Company Murphy Country of the First Edition Canada Country/countries of popularity worldwide Original Language English, French First Edition Date 2013 Arcade Fire, Reflektor: Awful Sound (Oh Eurydice), Sonovox; First Edition Details Merge Records / Arcade Fire; Markus Dravs; James Murphy, October 28, 2013, 6:13 min. Running time 6:13 min. Format CD, Vinyl, Digital Official Website arcadefire.com (accessed: September 22, 2020) iTunes (accessed: September 22, 2020) Available Onllne Spotify (accessed: September 22, 2020) Genre Indie rock*, Narrative song* Target Audience Young adults Aimee Hinds, University of Roehampton, Author of the Entry [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw. -
What Did You Do for MLK Day?
Welcome back! What RUr goals this semester? Tweet us @RUTorch January 21, 2014 @RUTorch www.rutorch.com /RooseveltTorchNews Volume 70 Issue 16 What did you do for MLK Day? he Illinois Indiana Regional Organizing Network (IIRON) held Hope in the Age of Crisis Sunday to celebrate Martin Luther King Jr.’s legacy and Tcarry on his work of organizing for justice. Mass incarceration, environmental justice, corporate accountability and worker justice were discussed at the event. Roosevelt student Dylan Amlin, part of the IIRON Student Network, advocated for students to attend. Torch staff members and contributers attended the event. The multimedia and full story they gathered from the event can be found at: www.rutorch.com Roosevelt partners with Gardner Institute to study student experience By Samantha Reid increasing retention rates and and educational philosophies. It don’t have much of a say in cur- year’s budget. [email protected] building up the student body of is then up to the committees to riculum or student services, but The Gardner Institute’s work the university. study student surveys and data, these student surveys give them doesn’t end at the end of this Along with nine other uni- Foundations of Excellence fo- coming to conclusions and mak- the power to influence major year when the committees have versities nationwide, Roosevelt cuses on nine specific principles ing recommendations based off change. given their final reports, however. University has partnered with in determining the improvements of the available information. Part of analyzing the effective- Consultants from Foundations the John N. Gardner Institute to be made. -
Razorcake Issue
RIP THIS PAGE OUT Curious about how to realistically help Razorcake? If you wish to donate through the mail, please rip this page out and send it to: Razorcake/Gorsky Press, Inc. PO Box 42129 Los Angeles, CA 90042 Just NAME: turn ADDRESS: the EMAIL: page. DONATION AMOUNT: 5D]RUFDNH*RUVN\3UHVV,QFD&DOLIRUQLDQRWIRUSUR¿WFRUSRUDWLRQLVUHJLVWHUHG DVDFKDULWDEOHRUJDQL]DWLRQZLWKWKH6WDWHRI&DOLIRUQLD¶V6HFUHWDU\RI6WDWHDQGKDV EHHQJUDQWHGRI¿FLDOWD[H[HPSWVWDWXV VHFWLRQ F RIWKH,QWHUQDO5HYHQXH &RGH IURPWKH8QLWHG6WDWHV,562XUWD[,'QXPEHULV <RXUJLIWLVWD[GHGXFWLEOHWRWKHIXOOH[WHQWSURYLGHGE\ODZ SUBSCRIBE AND HELP KEEP RAZORCAKE IN BUSINESS Subscription rates for a one year, six-issue subscription: U.S. – bulk: $16.50 • U.S. – 1st class, in envelope: $22.50 Prisoners: $22.50 • Canada: $25.00 • Mexico: $33.00 Anywhere else: $50.00 (U.S. funds: checks, cash, or money order) We Do Our Part www.razorcake.org Name Email Address City State Zip U.S. subscribers (sorry world, int’l postage sucks) will receive either Grabass Charlestons, Dale and the Careeners CD (No Idea) or the Awesome Fest 666 Compilation (courtesy of Awesome Fest). Although it never hurts to circle one, we can’t promise what you’ll get. Return this with your payment to: Razorcake, PO Box 42129, LA, CA 90042 If you want your subscription to start with an issue other than #72, please indicate what number. TEN NEW REASONS TO DONATE TO RAZORCAKE VPDQ\RI\RXSUREDEO\DOUHDG\NQRZRazorcake ALVDERQDILGHQRQSURILWPXVLFPDJD]LQHGHGLFDWHG WRVXSSRUWLQJLQGHSHQGHQWPXVLFFXOWXUH$OOGRQDWLRQV The Donation Incentives are… -
Nightlight: Tradition and Change in a Local Music Scene
NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene. -
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network. -
Our Noise the Story of Merge Records, the Indie Label That Got Big and Stayed Small 1St Edition Download Free
OUR NOISE THE STORY OF MERGE RECORDS, THE INDIE LABEL THAT GOT BIG AND STAYED SMALL 1ST EDITION DOWNLOAD FREE John Cook | 9781565126244 | | | | | Merge Records turns 20 To ask other readers questions about Our Noiseplease sign up. Listen to Bowerbirdssome combination of Michigan, Wisconisn and Iowa kidswho understood that Chapel Hill had an established independent bastion before they migrated south. Paperbackpages. Jul 15, Chris Jamieson rated it it was amazing. I do make time to hang out with my friends, because I love them. The inspiring and fun true story of an indie record label that has put out some of my all time favorite records. We operate in a conservative way, Ballance told Reuters from her office in Chapel Hill. The Indie Label That Got Big and Stayed Small 1st edition throughout Tryon Palace were in period costumes and persona, which added to the ambiance and authenticity of the tour. I just want to be a really good role model, and golf is a great way to be an influential figure to young kids. There may even be some American non-profit labels for new artists, but they lay outside of my research. Merge is still putting out first-rate music - take the albums they've released by Destroyer, Caribou and Waxahatachee so far this the Indie Label That Got Big and Stayed Small 1st edition - but both Arcade Fire and Spoon have left the label. From nut clusters and caramels, to dozens of types of truffles and chocolate-dipped strawberries, this shop offers a generous array of options. -
Pitchfork Media's Textual and Cultural Impact
CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE A Thesis Presented to the Faculty of the Graduate School at the University of Missouri- Columbia In Partial Fulfillment of the Requirements for the Degree Master of Arts by EMILY BRASHER Dr. Stephanie Craft, Thesis Supervisor DECEMBER 2013 The undersigned, appointed by the Dean of the Graduate School, have examined the thesis entitled CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Presented by Emily Brasher A candidate for the degree of Master of Arts And hereby certify that in their opinion it is worthy of acceptance. Professor Stephanie Craft Professor Mary Kay Blakely Professor Andrew Hoberek Professor Lynda Kraxberger To my family, for always believing in me. ACKNOWLEDGEMENTS I would like to thank Dr. Stephanie Craft for all of her support and patience though this process. The road was long—there were a few address changes and even a name change along the way—but Dr. Craft spurred me on until the journey reached a happy end. My deepest thanks also to Dr. Mary Kay Blakely, Dr. Andrew Hoberek, and Dr. Lynda Kraxberger, for bearing with me through it all. Thanks to Dr. Betty Winfield for getting me started, and to Ginny Cowell and Martha Pickens for their invaluable advice and help. ii CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Emily Brasher Dr. Stephanie Craft, Thesis Supervisor ABSTRACT The main purpose of this research is to demonstrate how cultures and subcultures can be created and disseminated through media, and how newer forms of media such as websites can have a tangible effect on the content of older forms of media such as print magazines.