The Hungarian Minority in Slovenia and Hungarian As a Minority Language Judit Zágorec-Csuka University of Maribor
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Karpatmedenceikulturalisintarziak.Pdf
Kárpát-medencei kulturális intarziák Kulturelle Intarsien im Karpatenbecken A Muravidék Baráti Kör Kulturális Egyesület programsorozata 2013. évben Magyarország stuttgarti Kulturális Intézetében Eine Veranstaltungsreihe des Kulturvereins „Freundeskreis Murgebiet” im Jahre 2013 im Ungarischen Kulturinstitut in Stuttgart Szerkesztı / Herausgeber: RUDA Gábor Muravidék Baráti Kör Kulturális Egyesület Pilisvörösvár, 2013 1 A programsorozat 1. része 2013. február 15–16. között Szlovéniai ma- gyarok, a 2. része pedig november 9-én Szlovákiai magyarok címmel valósult meg. Februárban a Maribori Egyetem oktatója, Rudaš Jutka adott elı (Kulturális intarziák), valamint az érdeklıdık megismerhették Hagymás István két tanulmánykötetét (A mitikus József Attila és Az álomlátó fiú – utóbbi társszerzıje Pápes Éva), továbbá Melocco Péter regényét (Vak ember visszanéz), valamint Zágorec-Csuka Judit magyar– szlovén–német nyelvő verseskötetét (Új horizontok). A kísérı program Hagymás István Napvíz címő fotókiállítása volt. A novemberi programban elhangzottak a Nyitrai Egyetem két oktató- jának elıadásai és saját mővei. Bárczi Zsófia A húszas-harmincas évek szlovákiai magyar prózája címő elıadása és Tereza címő novellája, va- lamint Németh Zoltán A szlovákiai magyar irodalom és a posztmodern fordulat címő elıadása és két verse (Szozopoli anziksz és Magzatnyelv). Ezt egészítette ki Ruda Gábor Gömöri középkori templomok címő fotó kiállítása és vetítéses elıadása. Die Programmenreihe bestand aus zwei Teilen: 1. Ungarn in Slowenien – 15 bis 16. Februar und Ungarn in der Slowakei – 9. November. Im Februar hielt Jutka Rudaš, Dozentin der Universität Maribor, den Vortrag „Kulturelle Intarsien“, und die Interessierten konnten noch die Studienbände „Der mythische Attila József“ und „Der Junge, der Träume sieht“, von István Hagymás sowie den Roman „ Blinder Mann blickt zurück“ von Páter Melocco sowie den ungarisch- slowenisch-deutschsprachigen Gedichtband „Neue Horizonte“ von Judit Zágorec-Csuka kennenlernen. -
Gabor G Gyukics (B. 1958) Poet, Jazz Poet, Literary Translator Born in Budapest
gabor g gyukics (b. 1958) poet, jazz poet, literary translator born in Budapest. He is the author of 1 book of original prose, 9 books of original poetry, 6 in Hungarian, 2 in English, 1 in Arabic, 1 in Bulgarian, 1 in Czech, and 13 books of translations including A Transparent Lion, selected poetry of Attila József and Swimming in the Ground a Contemporary Hungarian Poetry (in English, both with co-translator Michael Castro) and an anthology of North American Indigenous poets in Hungarian titled Medvefelhő a város felett. He writes his poems in English (which is his second language) and Hungarian. He had lived in Holland for two years before moving to the US where he'd lived between 1988-2002, at present he resides in Szeged, Hungary. His poetic works and translations have been published in over 200 magazines and anthologies in English, Hungarian and other languages worldwide. He is a recipient of the Banff International Literary Translation Centre (BILTC) residency in Canada in 2011. His latest book in English titled a hermit has no plural was published by Singing Bone Press in the fall of 2015. His latest book in Hungarian was published by Lector Press in May 2018. In 2018 he published his first jazz poetry CD in English titled Vibration of Words with three amazing Hungarian jazz musicians. He received the Poesis 25 Prize for Poetry in Satu Mare Romania in 2015, the Salvatore Quasimodo special prize for poetry in 2012, a National Cultural Foundation grant in 2007 and a Füst Milan translator prize in 1999 and in 2017. -
Dictatorship, Infantilisation, and the Focalization of a Child: Zsuzsa Rakovszky's a Hullócsillag Éve (The Year of the Falli
HStud 27 (2013)2, 325–342 DOI: 10.1556/HStud.27.2013.2.9 DICTATORSHIP, INFANTILISATION, AND THE FOCALIZATION OF A CHILD: ZSUZSA RAKOVSZKY’S A HULLÓCSILLAG ÉVE (THE YEAR OF THE FALLING STAR) AND FERENC BARNÁS’ KILENCEDIK (THE NINTH) EDIT ZSADÁNYI University of Groningen, The Netherlands E-mail: [email protected] In my paper, I call attention to a literary trend of contemporary Hungarian prose fic- tion, in which the communist past is narrated from a child’s point of view. I will con- centrate on the relation among the focalization of the narrative through the eyes of a child, the theme of dictatorship, and present-tense narration. I will relate my ap- proach to Gayatri Chakravorty Spivak’s ideas on the problem of representing disempowered people, in other words, representing the subaltern. I take the narra- tion of a child situated in a fictional dictatorial time as a special case of giving voice to the subaltern. In the first part of my paper I will address the theoretical and narratological problem of giving voice and understanding the subordinated figures. The second part consists of the analysis of the novels by Zsuzsa Rakovszky and Ferenc Barnás. I will argue that the communist past is a counterfeit referent since it is narrated by an unreliable child narrator. The object of representation is not the his- torical past but it is itself the perspective of the child through which we come to un- derstand a hidden pattern of dictatorship: infantilization. Keywords: focalization of a child, subaltern studies, unreliable narration, dictator- ship, communism Fictional narratives of the last decade have often emphasized that history is (pre)written in our body and our mind. -
Postmodern and Hungarian Literature
The Lack of a “Grand Narrative”: Postmodern and Hungarian Literature Zsolt Farkas Institute of Hungarian Language and Literature [email protected] Keywords: postmodern; “grand narrative”, system and chaos; relativism; (post)modern Hungarian literature The extraordinary career of the term “postmodern” was set in motion by French philosopher Jean-François Lyotard with The Postmodern Condition (henceforth PC) published in 1979. It is both noteworthy and typical how much the topics and considerations raised in this work diverge from what we later on saw as a movement or trend defining itself as postmodern. In the following I wish to highlight a few differences and links between the two. The postmodern condition according to Lyotard Lyotard formulated partly predictions, partly suggestions concerning the fu- ture of science and knowledge and its transfer. The fact that his work became so influential is above all due to the distinct historico-philosophical concept it outlines. It states that the age of modernity (spanning from the Enlightenment through the Industrial Revolution to the post-WW2 period) is over, a new era has begun, based on “post-industrial society”, a concept described and popular- ised by A. Touraine, I. Illich and D. Bell in the early 70s, claiming that the tradi- tional structure of society and economy had profoundly changed because the majority of goods on the market is not made up of industrial hard products but services, knowledge and other soft products. The rigid class hierarchies char- acterising earlier societies are disappearing and the role of technology is ever increasing. The culture of this new post-industrial era would be the postmod- ern. -
Old and New Positions in the Appearance of Hungarian Culture in Germany: 1989-2009 András Masát
Old and New Positions in the Appearance of Hungarian Culture in Germany: 1989-2009 András Masát he literature of a variety of areas, from foreign policy to the humanities, has of- fered a growing volume of materials about the so-called cultural turn, i.e., the Tcontinuous expansion and possible roles of culture. This paper will therefore not address general aspects of the multifarious opportunities inherent in foreign rela- tions; rather I attempt to provide a specific overview of the past twenty years. By way of introduction, two statements should be made: – Shaping and influencing the externally directed cultural strategy as well as bicul- tural and multicultural dialogues as the ever changing forms of interculturality has increasingly become an integral part of foreign policy and an indispensable component of the country image; – Even if a distinction is made between “domestic” culture (cultural policy) and external cultural strategy directed to other countries the two lines are inseparable and one does not exist without the other. Having stated these preliminaries, in what follows this paper specifically explores Hungarian-German cultural relations. I attempt to give an overview of the positions in Germany of the Hungarian culture which groups the cultural projects of the past twenty years around two major events and as such, it will naturally be incomplete and subjective; nevertheless, I hope it can serve as a starting point for drawing more general conclusions. 1989: The fall of communism – change of paradigm. Challenges and opportunities When the Berlin wall was pulled down twenty years ago the side-by-side existence of the two German states came to an end. -
Hungarian Studies 27/2 (2013) 0236-6568/$20.00 © 2013 Akadémiai Kiadó, Budapest 326 EDIT ZSADÁNYI
HStud 27 (2013)2, 325–342 DOI: 10.1556/HStud.27.2013.2.9 DICTATORSHIP, INFANTILISATION, AND THE FOCALIZATION OF A CHILD: ZSUZSA RAKOVSZKY’S A HULLÓCSILLAG ÉVE (THE YEAR OF THE FALLING STAR) AND FERENC BARNÁS’ KILENCEDIK (THE NINTH) EDIT ZSADÁNYI University of Groningen, The Netherlands E-mail: [email protected] In my paper, I call attention to a literary trend of contemporary Hungarian prose fic- tion, in which the communist past is narrated from a child’s point of view. I will con- centrate on the relation among the focalization of the narrative through the eyes of a child, the theme of dictatorship, and present-tense narration. I will relate my ap- proach to Gayatri Chakravorty Spivak’s ideas on the problem of representing disempowered people, in other words, representing the subaltern. I take the narra- tion of a child situated in a fictional dictatorial time as a special case of giving voice to the subaltern. In the first part of my paper I will address the theoretical and narratological problem of giving voice and understanding the subordinated figures. The second part consists of the analysis of the novels by Zsuzsa Rakovszky and Ferenc Barnás. I will argue that the communist past is a counterfeit referent since it is narrated by an unreliable child narrator. The object of representation is not the his- torical past but it is itself the perspective of the child through which we come to un- derstand a hidden pattern of dictatorship: infantilization. Keywords: focalization of a child, subaltern studies, unreliable narration, dictator- ship, communism Fictional narratives of the last decade have often emphasized that history is (pre)written in our body and our mind. -
Zwei Jahrzehnte Ungarische Literatur in Deutscher Übersetzung : 1988
ZWEI JAHRZEHNTE UNGARISCHE LITERATUR IN DEUTSCHER ÜBERSETZUNG 1988–2008 Eine kommentierte Bibliografie Zusammengestellt von Christine Schlosser ZWEI JAHRZEHNTE UNGARISCHE LITERATUR IN DEUTSCHER ÜBERSETZUNG 1988–2008 ZWEI JAHRZEHNTE UNGARISCHE LITERATUR IN DEUTSCHER ÜBERSETZUNG 1988–2008 Eine kommentierte Bibliografie Zusammengestellt von Christine Schlosser Redaktionsschluss: 31. Dezember 2008. Zusammengestellt von Christine Schlosser Herausgegeben von Magyar Könyv Alapítvány 1146 Budapest, Hermina út 57. www.hungarianbookfoundation.hu Budapest, 2009 Design: Katalin Balogh Inhaltsverzeichnis Vorwort … … … … … … … … … … … 4 Benutzungshinweise … … … … … … … … … 6 Autoren und ihre Werke … … … … … … … … … 7 Anthologien … … … … … … … … … … … 123 Märchen … … … … … … … … … … … 135 Literaturzeitschriften … … … … … … … … … 135 Anhang … … … … … … … … … … … 136 Autoren, die in deutscher bzw. in anderen Sprachen schreiben … … … 136 Ungarndeutsche Autoren … … … … … … … … … 144 Sammlungen … … … … … … … … … … 146 Kinder- und Jugendliteratur … … … … … … … … 147 Autorenregister … … … … … … … … … … 151 Übersetzerregister … … … … … … … … … … 155 Verlagsregister … … … … … … … … … … 157 Abkürzungen … … … … … … … … … … 160 3 Vorwort Lánchíd Über die Kettenbrücke gehe ich zwischen den zungenlosen, den zahnlosen Löwen furchtlos hindurch, ohne zu wissen, was mich drüben erwartet Reinhard Rascher Zwei Jahrzehnte ungarische Literatur in deutscher Sprache – neben der rein faktologischen Bestandsaufnahme rezeptiver Prozesse ist diese Bibliografie auch die Geschichte -
Hungarian Y - ■ - I 1 I ^ ^ Quarterly Volume 53 • Autumn 2013 • €14.00/$16.00
-Hungarian y - ■ - I 1 I ^ ^ Quarterly Volume 53 • Autumn 2013 • €14.00/$16.00 ■ L P P ISTVAN ORKENY (1912 1979) ^ JUDITH SOLLOSY's Translations of One Minute Stories Absurd, Anecdote and Avant-Garde Event and Repetition in the Works of ORKENY Variations on the Theme of Revolution Kindred Souls in Central European Literature Pisti in the Bloodshed: Stage History An Excerpt from VIKTOR HORVATH's Turkish Mirror, translated by JUDITH SOLLOSY HUMPHREY TONKIN on SANDOR SZATHMARI's Voyage to Kazohinia Visual Poetry and Magyar Muhely CSILLA E. CSORBA on Time and Space in the Photography of PETER NADAS 110"1 Anniversary of Halas Lace Museum Keeper - A Conversation between BEATRIX BASICS and NICHOLAS PENNY The Protean Self - An Interview with ELEMER HANKISS Hungarian Quarterly First published 1936 Editor-in-Chief: Thomas Cooper Editor-at-Large: Judith Sollosy Editor: Eszter Krakko Editorial Secretary: Kati Konczol Typesetting and Graphics; B^la Leg&r Cover and Design: P6ter Nagy The Hungarian Quarterly formerly The New Hungarian Quarterly 1016 Budapest, Soml6i ut 51, Hungary e-mail: [email protected] Published by The Society of the Hungarian Quarterly Printed in Hungary by AduPRINT, Budapest, on recycled paper The Hungarian Quarterly © Copyright 2013 HU ISSN 1217-2545 Index: 2684 Annual subscriptions: $70/€50 ($ 100/C75 for institutions). Add €15 postage per year for Europe, US$23 for USA and Canada, $27 to other destinations and $47 by air to anywhere in the world. Sample copies or individual copies of back numbers $30/€20, postage -
Rise and Fall of the Middle Class
2|2012 2|2012 FARMERS IN FAIRYTALE LAND Marcin Król V4 LEADERSHIP 9 9 IN EASTERN 772084 772084 ISSN 2084-8250 ISSN 2084-8250 PARTNERSHIP 825404 825404 Jana Kobzová 02 02 RENEWED TRUST IN STATE AND ITS INSTITUTIONS WWW.VISEGRADINSIGHT.EU WWW.VISEGRADREVUE.EU László Csaba RISE AND Special report by FALL STRATFOR OF THE Global Intelligence MIDDLE CLASS Iveta Radičová, Anna Giza-Poleszczuk, Roman Joch, Vladimír Špidla, Ondřej Liška, Gabor Takacs, Péter Nádas, Tomasz Zarycki INTERVIEW: Timothy Garton Ash on the Future of Europe Read more at www.visegradrevue.euRead more at www.visegradrevue.eu Every week new essays, interviews and reflections on V4 politics and society Every week new essays, interviews and reflections on V4 politics and society 2|2012 CIRCULATION: 4000 FREQUENCY: twice a year EDITOR-IN-CHIEF Wojciech Przybylski (Res Publica Nowa, PL) ECONOMY Martin Ehl (Hospodářské noviny, CZ) INTELLIGENT MIND Éva Karádi (Magyar Lettre Internationale, HU) and Marta Šimečková (www.salon.eu.sk, SK) BOOKS Marek Sečkař (Host, CZ) INTERVIEW AND COMMUNITIES Máté Zombory (HU) VISEGRAD ABROAD AND LOOKING BACK/ARTS in cooperation with Europeum (CZ) ARTS SECTION GUEST EDITOR Miklós Székely (HU) LANGUAGE EDITORS C. Cain Elliot (Res Publica Nowa, USA) Matthew Chambers (Res Publica Nowa, USA) PROOF READING Adrianna Stansbury (Res Publica Nowa, PL/USA) ASSISTANT TO THE EDITOR Anna Wójcik (Res Publica Nowa, PL) GRAPHIC DESIGN PUBLISHED BY Fundacja Res Publica im. H. Krzeczkowskiego ul. Gałczyńskiego 5, 00-362 Warsaw, Poland tel.: +48 22 826 05 66 ORDERS AND INQUIRIES: [email protected] This issue is free of charge. Postage charge may apply WEBPAGE www.visegradinsight.eu WEBZINE UPDATED WEEKLY, EDITED BY EUROPEUM www.visegradrevue.eu ON THE COVER: "Gorilla protest" in Slovakia 2012 We kindly thank researchers working for this issue: Agata Brzozowska, Jędrzej Burszta, Justyna Janowska, Krzysztof Mroczkowski, Dorota Piotrowska, Natalia Sawicka, and Izabela Wasilewska. -
Biblioteca Di Studi Di Filologia Moderna
biblioteca di studi di filologia moderna – 15 – Biblioteca di Studi di Filologia Moderna Aree Anglofona, Francofona, di Germanistica, Sezione di Comparatistica, Filologie e Studi Linguistici, e Sezioni di Iberistica, Rumenistica, Scandinavistica, Slavistica, Turcologia, Ugrofinnistica e Studi Italo-Ungheresi, Riviste Direttore Beatrice Töttössy Coordinamento editoriale Martha Luana Canfield, PieroC eccucci, Massimo Ciaravolo, John Denton, Mario Domenichelli, Fiorenzo Fantaccini, Ingrid Hennemann, Michela Landi, Donatella Pallotti, Stefania Pavan, Ayşe Saraçgil, Rita Svandrlik, Angela Tarantino, Beatrice Töttössy Segreteria editoriale Arianna Antonielli, caporedattore Laboratorio editoriale open access, via Santa Reparata 93, 50129 Firenze tel +39 0552756664, 617; fax +39 0697253581 email: [email protected]; web: <http://www.collana-filmod.unifi.it> Comitato scientifico Nicholas Brownlees, Università degli Studi di Firenze Arnaldo Bruni, Università degli Studi di Firenze Martha Luana Canfield,U niversità degli Studi di Firenze Richard Allen Cave, Royal Holloway College, University of London Piero Ceccucci, Università degli Studi di Firenze Massimo Ciaravolo, Università degli Studi di Firenze John Denton, Università degli Studi di Firenze Mario Domenichelli, Università degli Studi di Firenze Maria Teresa Fancelli, studiosa Fiorenzo Fantaccini, Università degli Studi di Firenze Michela Landi, Università degli Studi di Firenze Paul Geyer, Rheinischen Friedrich-Wilhelms-Universität Bonn Seamus Heaney, Nobel Prize for Literature 1995 Ingrid -
Bibliography for Work in Hungarian Studies As Comparative Central
UNIVERSITY PRESS <http://www.thepress.purdue.edu> CLCWeb: Comparative Literature and Culture ISSN 1481-4374 <http://docs.lib.purdue.edu/clcweb> Purdue University Press ©Purdue University The Library Series of the peer-reviewed, full-text, and open-access quarterly in the humanities and the social sciences CLCWeb: Comparative Literature and Culture publishes scholarship in the humanities and social sciences following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the CLCWeb Library Series are 1) articles, 2) books, 3) bibliographies, 4) resources, and 5) documents. Contact: <[email protected]> Bibliography for Work in Hungarian Studies as Comparative Central European Studies <http://docs.lib.purdue.edu/clcweblibrary/hungarianstudiesbibliography> Louise O. Vasvári, Steven Tötösy de Zepetnek, and Carlo Salzani A guiding principle of the Bibliography is the notion that Hungarian literature and culture is best studied in the context of Central and East Europe. The Bibliography includes English-language scholarship only. It includes scholarship published about Hungarian culture in the widest definition thus in several disciplines, e.g., (comparative) cultural studies, literature, history, political science, linguistics, gender studies, folklore, film, music, sociology, cultural anthropology, the other arts, etc. published in the last three decades although some seminal texts published earlier are also listed. Articles published in collected volumes are listed separately when relevant. The Bibliography is an extended and revised version of Vasvári, Louise O., Steven Tötösy de Zepetnek, and Carlo Salzani, "Selected Bibliography for Work in Comparative Hungarian Cultural Studies." Comparative Hungarian Cultural Studies. Ed. Steven Tötösy de Zepetnek and Louise O. -
Ungheria Vol. II
FLORE Repository istituzionale dell'Università degli Studi di Firenze La letteratura in Ungheria dal 1945 al 2002 Questa è la Versione finale referata (Post print/Accepted manuscript) della seguente pubblicazione: Original Citation: La letteratura in Ungheria dal 1945 al 2002 / B. Tottossy. - STAMPA. - (2004), pp. 181-382. Availability: This version is available at: 2158/232470 since: Publisher: Lindau Terms of use: Open Access La pubblicazione è resa disponibile sotto le norme e i termini della licenza di deposito, secondo quanto stabilito dalla Policy per l'accesso aperto dell'Università degli Studi di Firenze (https://www.sba.unifi.it/upload/policy-oa-2016-1.pdf) Publisher copyright claim: (Article begins on next page) 30 September 2021 G. Cavaglià, A. Csillaghy, A. Di Francesco C. Franchi, M. Mihályi, R. Ruspanti, P. Sárközy J. Szauder, B. Töttössy, B. Ventavoli, A. Veres STORIA DELLA LETTERATURA UNGHERESE a cura di Bruno Ventavoli Secondo volume AVVERTENZE PER IL LETTORE L’Ungheria verrà accolta a poco nell’Unione Europea. Il «rientro» nell’Occidente è solo politico ed economico. Perché dal punto di vista culturale i legami con il Vecchio Continente non si sono mai attenuati. Anzi. Il ritorno nella grande casa comune coin- cide con nuovi successi. Dalla riscoperta mondiale di Sándor Márai al Nobel asse- gnato a Imre Kertész, le lettere magiare recuperano, nel debutto del terzo millennio, il consenso che meritavano. La nostra Storia della letteratura ungherese germina in questo clima, in questo fervore, nasce dallo sforzo congiunto dei magiaristi italiani e ungheresi per colmare una annosa lacuna. Le ultime, meritorie, storie letterarie risal- gono infatti molto addietro nel tempo e sono praticamente introvabili.