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Radio and Television Correspondents' Galleries
RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES* SENATE RADIO AND TELEVISION GALLERY The Capitol, Room S–325, 224–6421 Director.—Michael Mastrian Deputy Director.—Jane Ruyle Senior Media Coordinator.—Michael Lawrence Media Coordinator.—Sara Robertson HOUSE RADIO AND TELEVISION GALLERY The Capitol, Room H–321, 225–5214 Director.—Tina Tate Deputy Director.—Olga Ramirez Kornacki Assistant for Administrative Operations.—Gail Davis Assistant for Technical Operations.—Andy Elias Assistants: Gerald Rupert, Kimberly Oates EXECUTIVE COMMITTEE OF THE RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES Joe Johns, NBC News, Chair Jerry Bodlander, Associated Press Radio Bob Fuss, CBS News Edward O’Keefe, ABC News Dave McConnell, WTOP Radio Richard Tillery, The Washington Bureau David Wellna, NPR News RULES GOVERNING RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES 1. Persons desiring admission to the Radio and Television Galleries of Congress shall make application to the Speaker, as required by Rule 34 of the House of Representatives, as amended, and to the Committee on Rules and Administration of the Senate, as required by Rule 33, as amended, for the regulation of Senate wing of the Capitol. Applicants shall state in writing the names of all radio stations, television stations, systems, or news-gathering organizations by which they are employed and what other occupation or employment they may have, if any. Applicants shall further declare that they are not engaged in the prosecution of claims or the promotion of legislation pending before Congress, the Departments, or the independent agencies, and that they will not become so employed without resigning from the galleries. They shall further declare that they are not employed in any legislative or executive department or independent agency of the Government, or by any foreign government or representative thereof; that they are not engaged in any lobbying activities; that they *Information is based on data furnished and edited by each respective gallery. -
TG4 Strikes Gold for Its Autumn Schedule
1/09/2015 TG4 Strikes Gold for its Autumn Schedule Original Drama from the Alaskan Gold Rush, Fireside chats, Music in Glens and Top-class Sport at home and abroad An entertaining and distinctive Autumn 2015 offering from TG4, announced today includes a new powerful Irish language drama series set in the Klondike Gold Rush. It also brings a fresh approach for televising traditional music and shows how our lives are still governed by folklore. We decode the secrets locked in Irish place- names and offer exciting young peoples’ programmes with a difference. There is also a mouth-watering line-up of free to view movies and a great selection of exclusive live Gaelic games, rugby and racing from the Listowel Festival. Highlights include An Klondike: A major new original 4 part drama series set in the harsh world of the gold mines of Alaska over a century ago. Three Connemara-born brothers venture from the silver mines of Montana to the Alaskan Gold Rush of 1895. They seek their fortune in Dominion Creek, a town built on greed. All that glisters… Cogar: Documentaries that concentrate on people more than on issues: Remembering a German U Boat commander’s humanitarian landing in West Kerry young film actors Judi Dench and Jeremy Irons’ bringing scandal to south Kilkenny in the 1970s, growing tomatoes to save the Gaeltacht in the 1950s, the amazing secret life of a 19th century Louth woman who spent much of her life disguised as a man in the US Army and the forgotten story of the Major-League US baseball stars whose secret code during play was simplicity itself – they were native speakers and talked Irish to one another. -
British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report. -
Celtic-International-Fund-2019.Pdf
CELTIC INTERNATIONAL FUND BBC ALBA (with funding from MG ALBA), S4C, TG4 and Northern Ireland Screen’s Irish Language Broadcast Fund (ILBF) are delighted to announce the second round of the ‘Celtic International Fund’, a yearly joint-commissioning round between the indigenous Celtic language television broadcasters and funders of Scotland, Wales, Ireland and Northern Ireland The aim of the ‘Celtic International Fund’ is to promote co-development and then co-production through Scottish Gaelic, Welsh and Irish, and to encourage a broader European and worldwide internationalisation of productions which are originally conceived in those Celtic languages. The Celtic International Fund hopes to provide film-makers with an opportunity to co-develop and coproduce distinctive, ambitious works to enrich primetime programme schedules, to have a national impact with audiences in the territories of Scotland, Wales, Ireland and Northern Ireland and seek to reach audiences worldwide. This call-out encompasses three genres, Factual, Formats and Drama. For all projects, we envisage a development phase where funding would be provided to develop ideas but also to develop the co- production framework which must have a production element in Scotland, Wales and either Ireland or Northern Ireland. Feedback from producers regarding genres to be included in ensuing Celtic International Fund call-outs is welcome. The Celtic International Fund will be administered by a joint commissioning team drawn from the Celtic language broadcasters and funders who are partners -
European Public Service Broadcasting Online
UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36 -
The Public Service Broadcasting Culture
The Series Published by the European Audiovisual Observatory What can you IRIS Special is a series of publications from the European Audiovisual Observatory that provides you comprehensive factual information coupled with in-depth analysis. The expect from themes chosen for IRIS Special are all topical issues in media law, which we explore for IRIS Special in you from a legal perspective. IRIS Special’s approach to its content is tri-dimensional, with overlap in some cases, depending on the theme. terms of content? It offers: 1. a detailed survey of relevant national legislation to facilitate comparison of the legal position in different countries, for example IRIS Special: Broadcasters’ Obligations to Invest in Cinematographic Production describes the rules applied by 34 European states; 2. identifi cation and analysis of highly relevant issues, covering legal developments and trends as well as suggested solutions: for example IRIS Special, Audiovisual Media Services without Frontiers – Implementing the Rules offers a forward-looking analysis that will continue to be relevant long after the adoption of the EC Directive; 3. an outline of the European or international legal context infl uencing the national legislation, for example IRIS Special: To Have or Not to Have – Must-carry Rules explains the European model and compares it with the American approach. What is the source Every edition of IRIS Special is produced by the European Audiovisual Observatory’s legal information department in cooperation with its partner organisations and an extensive The Public of the IRIS Special network of experts in media law. The themes are either discussed at invitation-only expertise? workshops or tackled by selected guest authors. -
Hot 100 SWL List Shortwave Frequencies Listed in the Table Below Have Already Programmed in to the IC-R5 USA Version
I Hot 100 SWL List Shortwave frequencies listed in the table below have already programmed in to the IC-R5 USA version. To reprogram your favorite station into the memory channel, see page 16 for the instruction. Memory Frequency Memory Station Name Memory Frequency Memory Station Name Channel No. (MHz) name Channel No. (MHz) name 000 5.005 Nepal Radio Nepal 056 11.750 Russ-2 Voice of Russia 001 5.060 Uzbeki Radio Tashkent 057 11.765 BBC-1 BBC 002 5.915 Slovak Radio Slovakia Int’l 058 11.800 Italy RAI Int’l 003 5.950 Taiw-1 Radio Taipei Int’l 059 11.825 VOA-3 Voice of America 004 5.965 Neth-3 Radio Netherlands 060 11.910 Fran-1 France Radio Int’l 005 5.975 Columb Radio Autentica 061 11.940 Cam/Ro National Radio of Cambodia 006 6.000 Cuba-1 Radio Havana /Radio Romania Int’l 007 6.020 Turkey Voice of Turkey 062 11.985 B/F/G Radio Vlaanderen Int’l 008 6.035 VOA-1 Voice of America /YLE Radio Finland FF 009 6.040 Can/Ge Radio Canada Int’l /Deutsche Welle /Deutsche Welle 063 11.990 Kuwait Radio Kuwait 010 6.055 Spai-1 Radio Exterior de Espana 064 12.015 Mongol Voice of Mongolia 011 6.080 Georgi Georgian Radio 065 12.040 Ukra-2 Radio Ukraine Int’l 012 6.090 Anguil Radio Anguilla 066 12.095 BBC-2 BBC 013 6.110 Japa-1 Radio Japan 067 13.625 Swed-1 Radio Sweden 014 6.115 Ti/RTE Radio Tirana/RTE 068 13.640 Irelan RTE 015 6.145 Japa-2 Radio Japan 069 13.660 Switze Swiss Radio Int’l 016 6.150 Singap Radio Singapore Int’l 070 13.675 UAE-1 UAE Radio 017 6.165 Neth-1 Radio Netherlands 071 13.680 Chin-1 China Radio Int’l 018 6.175 Ma/Vie Radio Vilnius/Voice -
27.1. at 20:00 Helsinki Music Centre We Welcome Conrad Tao Sakari
27.1. at 20:00 Helsinki Music Centre We welcome Conrad Tao Sakari Oramo conductor Conrad Tao piano Lotta Emanuelsson presenter Andrew Norman: Suspend, a fantasy for piano and orchestra 1 Béla Bartók: Divertimento for String Orchestra 1. Allegro non troppo 2. Molto adagio 3. Allegro assai Conrad Tao – “shaping the future of classical music” “Excess. I find it to be for me like the four, and performed Mozart’s A-major pia- most vividly human aspect of musical no concerto at the age of eight. He was performance,” says pianist Conrad Tao (b. nine when the family moved to New York, 1994). And “excess” really is a good word where he nowadays lives. Beginning his to describe his superb technique, his pro- piano studies in Chicago, he continued at found interpretations and his emphasis on the Juilliard School, New York, and atten- the human aspect in general. ded Yale for composition. Tao has a wide repertoire ranging from Tao has had a manager ever since Bach to the music of today. He has also he was twelve. As a youngster, he also won recognition as a composer, and one learnt the violin, and several times in who, he says, views his keyboard perfor- 2008/2009 played both the E-minor vio- mances through the eyes of a composer. lin concerto and the first piano concerto His many talents and his ability to cross by Mendelssohn at one and the same con- traditional borders have indeed made him cert, but he soon gave up the violin. a notable influencer and a model for ot- Despite having all the hallmarks of a hers. -
Ireland: in Search of Reform for Public Service Media Funding
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ulster University's Research Portal Ireland: In search of reform for public service media funding Phil Ramsey, Ulster University [email protected] http://ulster.academia.edu/PhilRamsey | http://orcid.org/0000-0001-5873-489X Published as: Ramsey, P. (2018) Ireland: In search of reform for public service media funding. In C. Herzog, H. Hilker, L. Novy and Torun, O. (Eds), Transparency and Funding of Public Service Media: deutsche Debatte im internationalen Kontex (pp.77–90). Wiesbaden: Springer VS. Abstract This chapter discusses public service media (PSM) in Ireland in the context of the recent financial crisis and major demographic changes. It considers some of the factors impacting domestic PSM that are similar to those in other mature media systems in Europe, such as declining funding streams and debates over PSM-funding reform. After introducing the Irish social and political-economic context and providing for a brief historical review of PSM in Ireland, the roles of the domestic PSM organizations RTÉ and TG4 in the Irish media market are discussed. The chapter addresses initial government support for the introduction of a German-style household media fee, a Public Service Broadcasting Charge. While the charge was intended for introduction in 2015, it was later ruled out by the Irish Government in 2016. Ireland: in search of reform for public service media funding Public Service Media (PSM) has a long-tradition in the Republic of Ireland (ROI, hereafter Ireland), dating back to the commencement of the state radio service 2RN in January 1926.1 The state’s involvement in broadcasting later gave way to the main public broadcaster RTÉ, which has broadcast simultaneously on television and radio since New Year’s Eve 1961, and latterly, delivered public service content online. -
Reports and Financials As at 31 December 2015
Financials Rai 2015 Reports and financials 2015 December 31 at as Financials Rai 2015 Reports and financials as at 31 December 2015 2015. A year with Rai. with A year 2015. Reports and financials as at 31 December 2015 Table of Contents Introduction 5 Rai Separate Financial Statements as at 31 December 2015 13 Consolidated Financial Statements as at 31 December 2015 207 Corporate Directory 314 Rai Financial Consolidated Financial Introduction Statements Statements 5 Introduction Corporate Bodies 6 Organisational Structure 7 Letter to Shareholders from the Chairman of the Board of Directors 8 Rai Financial Consolidated Financial Introduction 6 Statements Statements Corporate Bodies Board of Directors until 4 August 2015 from 5 August 2015 Chairman Anna Maria Tarantola Monica Maggioni Directors Gherardo Colombo Rita Borioni Rodolfo de Laurentiis Arturo Diaconale Antonio Pilati Marco Fortis Marco Pinto Carlo Freccero Guglielmo Rositani Guelfo Guelfi Benedetta Tobagi Giancarlo Mazzuca Antonio Verro Paolo Messa Franco Siddi Secretary Nicola Claudio Board of Statutory Auditors Chairman Carlo Cesare Gatto Statutory Auditors Domenico Mastroianni Maria Giovanna Basile Alternate Statutory Pietro Floriddia Auditors Marina Protopapa General Manager until 5 August 2015 from 6 August 2015 Luigi Gubitosi Antonio Campo Dall’Orto Independent Auditor PricewaterhouseCoopers Rai Financial Consolidated Financial Introduction Statements Statements 7 Organisational Structure (chart) Board of Directors Chairman of the Board of Directors Internal Supervisory -
Eurodoc Executive Meeting – an Exclusive Meeting Platform for Documentary Executives and Commissioning Editors
EURODOC EXECUTIVE MEETING – AN EXCLUSIVE MEETING PLATFORM FOR DOCUMENTARY EXECUTIVES AND COMMISSIONING EDITORS Tuesday, 2nd of October 2018 Geneva, Eurodoc for Executives CHANGE IN PUBLIC SERVICE PLATFORM CURATING – MORE THAN ALGORHYTHM ? With Jeroen Depraetere, Head of Television and Future, EBU Curation and algorithms as ways of enhancing our service are definitely something public service should take up (have taken up…), but it seems to be developing very slowly almost everywhere. The news of the planned "Alliance" of France Televisions, ZDF and RAI, or the planned joint streaming service of BBC, Channel4 and ITV make it very clear that also the European public service media have understood that the media landscape will be dominated by big international or global players. The survival for documentary programs and smaller players in this landscape will require co-operation and high quality of not only the content but also the service. We may find ourselves having to create and defend a position not within one national public service broadcaster but a conglomerate of many. LUNCH for Executives only 2.30 PM – 5 PM WELCOME & INTRODUCTION INPUT by Jeroen Depraetere, Head of Television and Future, European Broadcasting Union EBU, Geneva, introducing to the « Alliance » of France Télévision, ZDF and RAI and other public initiatives followed by a discussion INTERNATIONAL CASE STUDYS by our participants from the different services such as ARTE, SRF, HBO etc. THE EURODOC EXECUTIVE’S MEETING Since 2013, Eurodoc also offers an exclusive opportunity to meet amongst Documentary Executives and Commissioning Editors only. This exclusive meeting always takes place on the first day of the Eurodoc session and is curated by Anita Hugi (SRF) for Eurodoc. -
2020 Selection
APOLLO 11: BACK ON THE MOON CODED BIAS KILLING PATIENT ZERO PICTURE A SCIENTIST APOLLO 11 : RETOUR SUR LA LUNE Written and directed by Shalini Kantayya Written and directed by Laurie Lynd Written and directed by Ian Cheney and Sharon Shattuck Directed by Charles-Antoine de Rouvre 85 min - US - 2020 100 min - Canada - 2019 Written by Sophie Bocquillon and Charles-Antoine de © 7th Empire Media © Fadoo Productions 97 min - US - 2020 Rouvre French Premiere In association with Fine Point Films © Uprising LLC In association with The Wonder Collaborative 96 min - France - 2019 French Premiere French Premiere © Grand Angle Productions - Groupe EDM Modern society sits at the intersection of two In association with Mediawan Thematics, Sveriges Scapegoated as “Patient Zero” at the center of Television, Al Arabya Channel, RSI, HRT Croatia, crucial questions: what does it mean when Picture A Scientist chronicles the groundswell TVP Poland, RTVS, SRF, Czech Television and artificial intelligence increasingly governs our the AIDS epidemic, Gaëtan Dugas was the France Télévisions liberties? And what are the consequences for handsome, openly gay French-Canadian flight of researchers who are writing a new chapter French broadcast: France 2, Toute l'Histoire the people AI is biased against? When MIT attendant characterized as singlehandedly for women scientists. Biologist Nancy Hopkins, Media Lab researcher Joy Buolamwini spreading AIDS to North America. In this chemist Raychelle Burks, and geologist Jane Willenbring lead viewers on a journey deep 16 July 1969. A rocket, carrying Apollo 11, sits discovers that most facial-recognition software riveting documentary, director Laurie Lynd sets into their own experiences in the sciences, on the launch pad at Cape Canaveral awaiting does not accurately identify darker-skinned out to dismantle this myth.