2020 Selection
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I N H a L T S V E R Z E I C H N
SWR BETEILIGUNGSBERICHT 2018 Beteiligungsübersicht 2018 Südwestrundfunk 100% Tochtergesellschaften Beteiligungsgesellschaften ARD/ZDF Beteiligungen SWR Stiftungen 33,33% Schwetzinger SWR Festspiele 49,00% MFG Medien- und Filmgesellschaft 25,00% Verwertungsgesellschaft der Experimentalstudio des SWR e.V. gGmbH, Schwetzingen BaWü mbH, Stuttgart Film- u. Fernsehproduzenten mbH Baden-Baden 45,00% Digital Radio Südwest GmbH 14,60% ARD/ZDF-Medienakademie Stiftung Stuttgart gGmbH, Nürnberg Deutsches Rundfunkarchiv Frankfurt 16,67% Bavaria Film GmbH 11,43% IRT Institut für Rundfunk-Technik Stiftung München GmbH, München Hans-Bausch-Media-Preis 11,11% ARD-Werbung SALES & SERV. GmbH 11,11% Degeto Film GmbH Frankfurt München 0,88% AGF Videoforschung GmbH 8,38% ARTE Deutschland TV GmbH Frankfurt Baden-Baden Mitglied Haus des Dokumentarfilms 5,56% SportA Sportrechte- u. Marketing- Europ. Medienforum Stgt. e. V. agentur GmbH, München Stammkapital der Vereinsbeiträge 0,98% AGF Videoforschung GmbH Frankfurt Finanzverwaltung, Controlling, Steuerung und weitere Dienstleistungen durch die SWR Media Services GmbH SWR Media Services GmbH Stammdaten I. Name III. Rechtsform SWR Media Services GmbH GmbH Sitz Stuttgart IV. Stammkapital in Euro 3.100.000 II. Anschrift V. Unternehmenszweck Standort Stuttgart - die Produktion und der Vertrieb von Rundfunk- Straße Neckarstraße 230 sendungen, die Entwicklung, Produktion und PLZ 70190 Vermarktung von Werbeeinschaltungen, Ort Stuttgart - Onlineverwertungen, Telefon (07 11) 9 29 - 0 - die Beschaffung, Produktion und Verwertung -
Galerie Magda Danysz
Press release SLEEPING BEAUTY GROUP SHOW PARIS 21 FEB – 4 APRIL 2015 Prune Nourry, Hand Machine, 2012 – Christian Gonzenbach, Chicken kit, 2002 Magda Danysz gallery presents from February 21st to April 4th the exhibition SLEEPING BEAUTY. This event shows together the artists of the gallery through a selection of emblematic works. Magda Danysz shows face-to- face various artworks from Prune Nourry’s sculptures, billboard works by VHILS or Peikwen Cheng’s photos. SLEEPING BEAUTY is built up as a "vis à vis" of artworks that dialogue one with the other. The inherent power laying in each particular artwork, their inner meaning and underlying significations is something the SLEEPING BEAUTY show aims at focusing on. Each artwork is presented in a "face à face" with another artwork. The choice of each of these one to one dialogues is made to accentuate the power of each artpiece. One will revolve around the idea of power with Zhang Dali's "Second History" painting and Ma Kang's "Forbidden city - Chairman Mao" photograph. In another part of the show one will discover Prune Nourry's artistically enhanced "Hand Machine" facing swiss artist Christian Gonzenbach industrial chicken sculpture. Human creative intelligence sometimes morphs into a mechanical hybrid evolution many artists point out in their works. This sleeping power/beauty is also at stake in Shepard Fairey's propaganda imagery showcased through an extensive collection of his prints. What lays behind these marketed images is also the paradox of our societies. Beyond the powerful reflections she created between the works, SLEEPING BEAUTY is also an opportunity to discover a wide collection of screenprints by Shepard Fairey. -
TG4 Strikes Gold for Its Autumn Schedule
1/09/2015 TG4 Strikes Gold for its Autumn Schedule Original Drama from the Alaskan Gold Rush, Fireside chats, Music in Glens and Top-class Sport at home and abroad An entertaining and distinctive Autumn 2015 offering from TG4, announced today includes a new powerful Irish language drama series set in the Klondike Gold Rush. It also brings a fresh approach for televising traditional music and shows how our lives are still governed by folklore. We decode the secrets locked in Irish place- names and offer exciting young peoples’ programmes with a difference. There is also a mouth-watering line-up of free to view movies and a great selection of exclusive live Gaelic games, rugby and racing from the Listowel Festival. Highlights include An Klondike: A major new original 4 part drama series set in the harsh world of the gold mines of Alaska over a century ago. Three Connemara-born brothers venture from the silver mines of Montana to the Alaskan Gold Rush of 1895. They seek their fortune in Dominion Creek, a town built on greed. All that glisters… Cogar: Documentaries that concentrate on people more than on issues: Remembering a German U Boat commander’s humanitarian landing in West Kerry young film actors Judi Dench and Jeremy Irons’ bringing scandal to south Kilkenny in the 1970s, growing tomatoes to save the Gaeltacht in the 1950s, the amazing secret life of a 19th century Louth woman who spent much of her life disguised as a man in the US Army and the forgotten story of the Major-League US baseball stars whose secret code during play was simplicity itself – they were native speakers and talked Irish to one another. -
An Film Partners, Zdf / Arte, Mam, Cnc, Medienboard Berlin Brandenburg Comme Des Cinemas, Nagoya Broadcasting Network and Twenty Twenty Vision
COMME DES CINEMAS, NAGOYA BROADCASTING NETWORK AND TWENTY TWENTY VISION AN FILM PARTNERS, ZDF / ARTE, MAM, CNC, MEDIENBOARD BERLIN BRANDENBURG COMME DES CINEMAS, NAGOYA BROADCASTING NETWORK AND TWENTY TWENTY VISION SYNOPSIS Sentaro runs a small bakery that serves dorayakis - pastries filled with sweet red bean paste(“an”) . When an old lady, Tokue, offers to help in the kitchen he reluctantly accepts. But Tokue proves to have magic in her hands when it comes to making “an”. Thanks to her secret recipe, the little business soon flourishes… And with time, Sentaro and Tokue will open their hearts to reveal old wounds. 113 minutes / Color / 2.35 / HD / 5.1 / 2015 DIRECTOR’S STATEMENT Cherry trees in full bloom remind us of death. I do not know of any other tree whose flowers blossom in such a spectacular way, only to have their petals scatter just as suddenly. Is this the reason behind our fascination for blossoming cherry trees? Is this why we are compelled to see a reflection of our own lives in them? Sentaro, Tokue and Wakana meet when the cherry trees are in full bloom. The trajectories of these three people are very different. And yet, their souls cross paths and meet one another in the same landscapes. Our society is not always predisposed to letting our dreams become reality. Sometimes, it swallows up our hopes. After learning that Tokue is infected with leprosy, the story pulls us into a quest for the very essence of what makes us human. As a director, I have the honour and pleasure of exploring different lives through cinema, as is the case with this film. -
Facts and Figures 2020 ZDF German Television | Facts and Figures 2020
Facts and Figures 2020 ZDF German Television | Facts and Figures 2020 Facts about ZDF ZDF (Zweites Deutsches Fern German channels PHOENIX and sehen) is Germany’s national KiKA, and the European chan public television. It is run as an nels 3sat and ARTE. independent nonprofit corpo ration under the authority of The corporation has a permanent the Länder, the sixteen states staff of 3,600 plus a similar number that constitute the Federal of freelancers. Since March 2012, Republic of Germany. ZDF has been headed by Direc torGeneral Thomas Bellut. He The nationwide channel ZDF was elected by the 60member has been broadcasting since governing body, the ZDF Tele 1st April 1963 and remains one vision Council, which represents of the country’s leading sources the interests of the general pub of information. Today, ZDF lic. Part of its role is to establish also operates the two thematic and monitor programme stand channels ZDFneo and ZDFinfo. ards. Responsibility for corporate In partnership with other pub guide lines and budget control lic media, ZDF jointly operates lies with the 14member ZDF the internetonly offer funk, the Administrative Council. ZDF’s head office in Mainz near Frankfurt on the Main with its studio complex including the digital news studio and facilities for live events. Seite 2 ZDF German Television | Facts and Figures 2020 Facts about ZDF ZDF is based in Mainz, but also ZDF offers fullrange generalist maintains permanent bureaus in programming with a mix of the 16 Länder capitals as well information, education, arts, as special editorial and production entertainment and sports. -
The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
MEDITERRANEE AUDIOVISUELLE Monthly Newsletter
No.73 December 2008 MEDITERRANEE AUDIOVISUELLE Monthly Newsletter In the summary of this year’s final issue, the second session of the training programme “Writing News Items from Archival Sources” jointly organised by the INA, Cinéma au Soleil and the CMCA; the Consultative Assembly on Mediterranean Culture held in Marseille – its recommendations and projects concerning broadcasting and the audiovisual world; close-ups on the 10th Tangiers National Film Festival and on the web-site babelfestival.net The CMCA dedicates this issue to the man who created our monthly Newsletter, François Werner, who died on the 24th November _________________________________________________________________________________ Méditerranée Audiovisuelle-La Lettre. Dépôt Légal 5 Février 2008. ISSN : 1634-4081. Tous droits réservés Directeur de publication : Martine Viglione Rédaction : Valérie Gerbault, Martine Viglione CMCA - 96 La Canebière 13001 Marseille Tel : + 33 491 42 03 02 Fax : +33 491 42 01 83 http://www.cmca-med.org - [email protected] Le CMCA est soutenu par les cotisations de ses membres, la Ville de Marseille, le Département des Bouches du Rhône et la Région Provence Alpes Côte d'Azur Contents HEADLINE STORY from page 3 to 6 LIFE IN THE CHANNELS pages 7 to 9 PROGRAMMES pages 10 ECONOMY page 11 CINEMA pages 12 to 14 FESTIVALS from page 15 to 17 WEB-SITE OF THE MONTH page 18 THE EURO-MEDITERRANEAN WAY pages 19 to 21 THE PRODUCERS’ WAY pages 22 to 25 STOP PRESS page 26 _________________________________________________________________________________ -
Consolidated Financial Statements As of December 31, 2018
Consolidated Financial Statements as of December 31, 2018 We hereby present to you the annual financial report for the fiscal year ended on December 31, 2018, prepared in accordance with the provisions of Articles L. 451-1-2 III of the French Monetary and Financial Code and 222- 4 et seq. of the General Regulations of the French Financial Markets Regulator (AMF). This report shall be shared in accordance with the provisions of Article 221-3 of the General Regulations of the AMF. In particular, it shall be available on the website of our company, www.mediawan.com. Contents 1. Consolidated Income Statement ................................................................................................... 4 2. Consolidated Statement of Comprehensive Income...................................................................... 5 3. Consolidated Financial Position .................................................................................................... 6 4. Table of Consolidated Cash Flow ................................................................................................... 7 5. Consolidated Variation of Equity................................................................................................... 8 6. Mediawan Group .......................................................................................................................... 9 6.1. Activities of the Group ........................................................................................................................ 9 6.2. Significant -
Ss7g2x SIU Mode User Manual
Dialogic® DSI Signaling Servers SIU Mode User Manual www.dialogic.com Copyright and Legal Notice Copyright© 2004-2010 Dialogic Corporation. All Rights Reserved. You may not reproduce this document in whole or in part without permission in writing from Dialogic Corporation at the address provided below. All contents of this document are furnished for informational use only and are subject to change without notice and do not represent a commitment on the part of Dialogic Corporation or its subsidiaries ("Dialogic"). Reasonable effort is made to ensure the accuracy of the information contained in the document. However, Dialogic does not warrant the accuracy of this information and cannot accept responsibility for errors, inaccuracies or omissions that may be contained in this document. INFORMATION IN THIS DOCUMENT IS PROVIDED IN CONNECTION WITH DIALOGIC® PRODUCTS. NO LICENSE, EXPRESS OR IMPLIED, BY ESTOPPEL OR OTHERWISE, TO ANY INTELLECTUAL PROPERTY RIGHTS IS GRANTED BY THIS DOCUMENT. EXCEPT AS PROVIDED IN A SIGNED AGREEMENT BETWEEN YOU AND DIALOGIC, DIALOGIC ASSUMES NO LIABILITY WHATSOEVER, AND DIALOGIC DISCLAIMS ANY EXPRESS OR IMPLIED WARRANTY, RELATING TO SALE AND/OR USE OF DIALOGIC PRODUCTS INCLUDING LIABILITY OR WARRANTIES RELATING TO FITNESS FOR A PARTICULAR PURPOSE, MERCHANTABILITY, OR INFRINGEMENT OF ANY INTELLECTUAL PROPERTY RIGHT OF A THIRD PARTY. Dialogic products are not intended for use in medical, life saving, life sustaining, critical control or safety systems, or in nuclear facility applications. Due to differing national regulations and approval requirements, certain Dialogic products may be suitable for use only in specific countries, and thus may not function properly in other countries. You are responsible for ensuring that your use of such products occurs only in the countries where such use is suitable. -
Press Release Potsdam Declaration
Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background. -
Strong Organic Growth of +29% in H1 2019 Confirmation of 2019 Prospects Significant Increase in Production Volume
STRONG ORGANIC GROWTH OF +29% IN H1 2019 CONFIRMATION OF 2019 PROSPECTS SIGNIFICANT INCREASE IN PRODUCTION VOLUME o Sales of €189 million in H1 2019 with a +29% increase at constant scope (like- for-like basis). o EBITDA of €26 million in keeping with the budget and annual targets. o Positive trends in the second half of the year, especially for Mediawan Rights, which has already confirmed significant sales. o Confirmation of short- and medium-term prospects: organic growth above 10% and an increase in EBITDA. Paris, Monday, 30 September 2019, 5.45 CEST - Mediawan (ticker MDW – ISIN: FR0013247137) announces its results for the first half of 2019, approved by the Management Board on 26 September and subject to a limited review by the statutory auditors. Key reported financial indicators H1 2018 H1 2018 % change like In €m H1 2019 1 reported proforma for like Mediawan Originals 68.0 42.3 56.0 +21% Mediawan Animation 49.5 - 15.6 +218% Mediawan Rights 17.2 23.2 20.8 -17% Mediawan Thematics 54.0 54.4 54.4 -1% Total Revenues 188.7 120.4 146.8 +28.6% EBITDA 2 25.9 30.1 Adjusted net income – Group share 15.0 17.8 In €m 06/30/19 12/31/18 Net financial debt 3 142.5 120.9 Shareholders equity 225.8 220.0 1 IFRS 16 – leases has been applied as of January 2019 1st, without restating prior-period comparative information 2 After amortization of audiovisual rights (other than recognized through business combinations) 3 Financial debt excluding loans related to productions. -
550Ccc5465f35683157a0f091d3
1 2 SUMMARY 4K p.05 CURRENT AFFAIRS & INVESTIGATION p.09 INVESTIGATION & SPORT p.13 FOOD INDUSTRY p.15 SCIENCE & KNOWLEDGE p.19 ARCHAEOLOGY & HISTORY p.27 SOCIAL ISSUES & HUMAN INTEREST p.37 WILDLIFE p.42 NATURE & ENVIRONMENT p.47 TRAVEL & DISCOVERY p.57 DOCU DRAMA & EDUCATIONAL p.69 DOCU SOAP p.71 LIFESTYLE p.73 FILLERS & AERIAL VIEW p.76 PEOPLE & PLACES: AROUND THE SEA p.81 3 4 5 Ultra HD programs LENGTH: MY EVERYDAY PANIC 90’ DIRECTOR: Planète en danger Sameh Estefanos How and to what extent Egypt & other developing countries have PRODUCER: been affected by Climate changes, since it was transformed to be Shot by Shot fact as the population of the weak areas in north of Egyptian Delta COPYRIGHT: are suffering by the rapid raising of Mediterranean sea level, a farm- 2021 ers lost their agricultural land and fishermen were forced to stop LANGUAGE sailing in addition to those who are planning for illegal immigration VERSION AVAILABLE: which makes global fear! English Watch the video UPCOMING JUNE 2021 LOOKING FOR INTERNATIONAL PRESALES LENGTH: 52’ XIANJU, THE WAY OF BALANCE DIRECTOR: Xianju, la voie de l’équilibre Patrice Desenne 200 miles south of Shanghai lies the Xianju National Park. PRODUCER: It is a pocket of great plant and animal biodiversity that also Grand Angle Productions holds a treasure of ancestral culture and artisanal and ag- COPYRIGHT: ricultural traditions. It shows a now rare image of China. 2020 How can it be protected and developed without disfiguring it? LANGUAGE Some strategies are emerging with the help of international partners.