DPP Technical Delivery Standards
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Letter from Dame Melanie Dawes to Rt Hon Damian Green MP on The
Dame Melanie Dawes Chief Executive [email protected] Rt Hon Damian Green MP House of Commons London SW1A OAA 30 July 2021 Dear Damian, Thank you for your email about BBC coverage of the Olympics, the deal with Discovery, and how these arrangements fit with our code on listed events. There has been significant press coverage of the issues, and the BBC have commented on them too, so I thought it would be helpful to outline the current arrangements, how the code applies in this case and some of the implications for the future. As you may know, the broadcasting arrangements applying to the Tokyo Games are the result of deals done some years ago. In 2012 the BBC acquired the exclusive UK broadcast rights for live coverage of both summer and winter Olympics up to and including the current Games. However, in 2015 Discovery reached an agreement with the IOC for a multimedia rights package encompassing fifty countries in Europe. That deal included the UK broadcast and on-demand rights for live coverage of the 2022 and 2024 Games. Subsequently, in 2016, the BBC agreed to sub-licence pay-TV rights to the current Games, in return for free-to-air rights to the 2022 and 2024 Games. As part of this sub-licencing deal, during the current Games the BBC is allowed to show two live streams at any one time from whichever events it chooses. The reason for concentrating on the rights is that they, rather than the actual coverage provided by a broadcaster of a listed event, are the focus of the current legislative regime. -
TG4 Strikes Gold for Its Autumn Schedule
1/09/2015 TG4 Strikes Gold for its Autumn Schedule Original Drama from the Alaskan Gold Rush, Fireside chats, Music in Glens and Top-class Sport at home and abroad An entertaining and distinctive Autumn 2015 offering from TG4, announced today includes a new powerful Irish language drama series set in the Klondike Gold Rush. It also brings a fresh approach for televising traditional music and shows how our lives are still governed by folklore. We decode the secrets locked in Irish place- names and offer exciting young peoples’ programmes with a difference. There is also a mouth-watering line-up of free to view movies and a great selection of exclusive live Gaelic games, rugby and racing from the Listowel Festival. Highlights include An Klondike: A major new original 4 part drama series set in the harsh world of the gold mines of Alaska over a century ago. Three Connemara-born brothers venture from the silver mines of Montana to the Alaskan Gold Rush of 1895. They seek their fortune in Dominion Creek, a town built on greed. All that glisters… Cogar: Documentaries that concentrate on people more than on issues: Remembering a German U Boat commander’s humanitarian landing in West Kerry young film actors Judi Dench and Jeremy Irons’ bringing scandal to south Kilkenny in the 1970s, growing tomatoes to save the Gaeltacht in the 1950s, the amazing secret life of a 19th century Louth woman who spent much of her life disguised as a man in the US Army and the forgotten story of the Major-League US baseball stars whose secret code during play was simplicity itself – they were native speakers and talked Irish to one another. -
Transition to Digital Digital Handbook
TRANSITION TO DIGITAL DIGITAL HANDBOOK Audio's video issues tion within one audio sample, the channels of audio over a fiber-optic in- There can be advantages to locking preambles present a unique sequence terface. This has since been superseded the audio and video clocks, such as for (which violate the Biphase Markby AES 10 (or MADI, Multichannel editing, especially when the audio and Code) but nonetheless are DC -freeAudio Digital Interface), which sup- video programs are related. Althoughand provide clock recovery. ports serial digital transmission of 28, digital audio equipment may provide 56, or 64 channels over coaxial cable or an analog video input, it is usually bet- Like AES3, but not fiber-optic lines, with sampling rates ter to synchronize both the audio and A consumer version of AES3 -of up to 96kHz and resolution of up to the video to a single higher -frequencycalled S/PDIF, for Sony/Philips Digi-24 bits per channel. The link to the IT source, such as a 10MHz master refer-tal Interface Format (more formallyworld has also been established with ence. This is because the former solu- known as IEC 958 type II, part of IEC- AES47, which specifies a method for tion requires a synchronization circuit60958) - is also widely used. Essen- packing AES3 streams over Asynchro- that will introduce some jitter into thetially identical to AES3 at the protocol nous Transfer Mode (ATM) networks. signal, especially because the video it- level, the interface uses consumer - It's also worth mentioning Musical self may already have some jitter. To ac- friendly RCA jacks and coaxial cable.Instrument Digital Interface (MIDI) for broadcast operations. -
British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report. -
Celtic-International-Fund-2019.Pdf
CELTIC INTERNATIONAL FUND BBC ALBA (with funding from MG ALBA), S4C, TG4 and Northern Ireland Screen’s Irish Language Broadcast Fund (ILBF) are delighted to announce the second round of the ‘Celtic International Fund’, a yearly joint-commissioning round between the indigenous Celtic language television broadcasters and funders of Scotland, Wales, Ireland and Northern Ireland The aim of the ‘Celtic International Fund’ is to promote co-development and then co-production through Scottish Gaelic, Welsh and Irish, and to encourage a broader European and worldwide internationalisation of productions which are originally conceived in those Celtic languages. The Celtic International Fund hopes to provide film-makers with an opportunity to co-develop and coproduce distinctive, ambitious works to enrich primetime programme schedules, to have a national impact with audiences in the territories of Scotland, Wales, Ireland and Northern Ireland and seek to reach audiences worldwide. This call-out encompasses three genres, Factual, Formats and Drama. For all projects, we envisage a development phase where funding would be provided to develop ideas but also to develop the co- production framework which must have a production element in Scotland, Wales and either Ireland or Northern Ireland. Feedback from producers regarding genres to be included in ensuing Celtic International Fund call-outs is welcome. The Celtic International Fund will be administered by a joint commissioning team drawn from the Celtic language broadcasters and funders who are partners -
European Public Service Broadcasting Online
UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36 -
Scotland's Digital Media Company
Annual Report and Accounts 2010 Annual Report and Accounts Scotland’s digital media company 2010 STV Group plc STV Group plc In producing this report we have chosen production Pacific Quay methods which aim to minimise the impact on our Glasgow G51 1PQ environment. The papers chosen – Revive 50:50 Gloss and Revive 100 Uncoated contain 50% and 100% recycled Tel: 0141 300 3000 fibre respectively and are certified in accordance with the www.stv.tv FSC (Forest stewardship Council). Both the paper mill and printer involved in this production are environmentally Company Registration Number SC203873 accredited with ISO 14001. Directors’ Report Business Review 02 Highlights of 2010 04 Chairman’s Statement 06 A conversation with Rob Woodward by journalist and media commentator Ray Snoddy 09 Chief Executive’s Review – Scotland’s Digital Media Company 10 – Broadcasting 14 – Content 18 – Ventures 22 KPIs 2010-2012 24 Performance Review 27 Principal Risks and Uncertainties 29 Corporate Social Responsibility Corporate Governance 34 Board of Directors 36 Corporate Governance Report 44 Remuneration Committee Report Accounts 56 STV Group plc Consolidated Financial Statements – Independent Auditors’ Report 58 Consolidated Income Statement 58 Consolidated Statement of Comprehensive Income 59 Consolidated Balance Sheet 60 Consolidated Statement of Changes in Equity 61 Consolidated Statement of Cash Flows 62 Notes to the Financial Statements 90 STV Group plc Company Financial Statements – Independent Auditors’ Report 92 Company Balance Sheet 93 Statement -
Technical Specifications for Broadcast Program Material August 2018
Technical Specifications for Broadcast Program Material August 2018 Delivery Specifications: Fox Networks broadcast exclusively in 1280 x 720/59.94. All material shall be delivered per SMPTE ST 296:2012 with 5.1 digital sound per ITU--R BS 775--3 (08/2012) Loudness specifications per ATSC RP/A85 (Doc. A/85 12 March 2013) Programming that does not meet this specification is subject to rejection and correction at the supplier’s expense File Delivery: Fox Networks only accepts MXF file delivery standardized in SMPTE ST 377--1:2011 The file name shall match the on air traffic I.D. SD file delivery requires prior authorization Stereo, 2--channel and monophonic deliveries require prior authorization File Format Specifications: Files shall be wrapped in MXF per SMPTE ST 378:2004, OP1a Segments within the file shall be separated by a minimum of 2 seconds black MXF files shall have one MPEG--2 video stream per ISO/IEC 13818--2:2013 MPEG--2 video essence shall be 1280 x 720/59.94, 4:2:2 profile @ high level, and 50Mbps 5.1 digital surround shall be in phase Channel Channel 1: Left 2: Right 3: Center 4: LFE‐‐‐Low Frequency Enhancement 5: Left surround 6: Right surround 7: DVS, SAP or Mono 8: Mono 9‐‐‐12: (n/a or not used) MXF files shall have 8 audio PCM 16 (16 bits @ 48 kHz PCM) or 8 audio PCM 24 (24 bits @ 48 kHz PCM) channels per SMPTE ST 377--4:2012 Dolby E is not accepted Programming shall be created such that any down mix from 5.1 to stereo or mono represents the original mix 1 Technical Specifications For Broadcast Program Material August 2018 The dynamic range of the material shall be suitable for television broadcast The loudness shall be measured across all channels, except LFE (Low--Frequency Enhancement) in units of LKFS per ATSC RP/A85 (Doc. -
Asi6614, Asi6618 Multistream Pci-Express Sound Card
09 DECEMBER 07 ASI6614, ASI6618 MULTISTREAM PCI-EXPRESS SOUND CARD DESCRIPTION FEATURES The ASI6614 and ASI6618 are professional PCI-Express sound cards • 4 or 12 mono/stereo streams of playback into 4 stereo outputs designed for use in radio broadcast automation. (ASI6614) Providing up to 16 play streams that are mixed to 4 (ASI6614) or 8 • 8 or 16 mono/stereo streams of playback into 8 stereo outputs (ASI6618) stereo outputs and up to 2 record streams fed from one (ASI6618) stereo input, the ASI6614 and ASI6518 feature AudioScience’s unique “anything to anywhere” mixing and routing. • 1 or 2 mono/stereo streams of record from 1 stereo input The ASI6614 and ASI6618 provide both balanced analog and AES/EBU • Formats include PCM, MPEG layer 2 and MP3 with sample rates to inputs and outputs. The maximum analog input and output level is 96kHz +24dBu. • MRX™ technology supports digital mixing of multiple stream A choice of uncompressed PCM, MPEG layer 2 and MP3 is available for formats and sample rates both recording and playback. All compression is handled by an on- board floating point DSP, allowing the host computer to focus on other • TSX™ time scaling allows compression/expansion of play streams tasks. by up to +/-20% with no pitch shift ASI6614 and ASI6618 functionality includes MRX™ multi-rate mixing • SSX™ mode for multichannel playback and mixing technology that allows streams of different sample-rates and formats to be mixed digitally. TSX™ time scaling allows compression/expansion of • Balanced stereo analog inputs and outputs with levels to +24dBu any or all playback streams in real time with no change in pitch. -
Application Note
AN5073 Application note Receiving S/PDIF audio stream with the STM32F4/F7/H7 Series Introduction The Sony/Philips Digital Interface Format (S/PDIF) is a point-to-point protocol for serial and uni-directional transmission of digital audio through a single transmission line for consumer and professional applications. The transmission of data can be done in several ways, by electrical or optical means. The S/PDIFRX peripheral embedded in STM32 devices is designed to receive an S/PDIF flow compliant with IEC-60958 and IEC-61937, which define the physical implementation requirements as well as the coding and the protocol. These standards support simple stereo streams up to high sample rates, and compressed multi-channel surround sound, such as those defined by Dolby or DTS. This application note describes electrical interfaces, to properly connect the S/PDIF stream generated by an external device to an STM32 device embedding the S/PDIFRX interface peripheral, since the voltage level of the S/PDIF line is not the same as that used in STM32 devices. AN5073 - Rev 2.0 - June 2018 www.st.com For further information contact your local STMicroelectronics sales office. AN5073 S/PDIF Interface 1 S/PDIF Interface This document applies to Arm®-based devices. Note: Arm is a registered trademark of Arm Limited (or its subsidiaries) in the US and/or elsewhere. 1.1 S/PDIF background S/PDIF is an audio interface for transmission of digital audio data over reasonably short distances between modules of systems such as home theaters or hi-fi. S/PDIF is a single-wire serial uni-directional, self-clocking interface. -
Sd/Hd Mpeg 2 and Mpeg 4 Ird
MODEL RD-RD-3030 SD/HD MPEG 2 AND MPEG 4 IRD www.amt.com RD-30 SD/HD MPEG 2 and MPEG 4 IRD Video Decoder Profiles: * VBI / VANC PROCESSING MPEG 2 SD/HD Profile : ISO 13818-2 MP@ML and MP@HL SDI Ancillary support for: MPEG 4 SD/HD Profile: ISO/IEC 14496-10 MP@L3 [email protected] Closed Captioning (CEA-708), AFD (SMPTE 2016), Supported Resolutions: OP-47 (SMPTE RDD-08), SMPTE RDD-11, 480i59.94, 576i50, 720p50/59.94/60, SCTE 127 (SMPTE 2031), EN301775 (SMPTE 2031), 1080i50/59.94/60, 1080p23.97/24/25/29.97/30 Time Code (SMPTE 12M-2), SCTE 35 to SCTE 104 Conversion Inputs CVBS/SDI VBI waveform support: Sync Input: Auto-detects Bi-Level and Tri-level sync for Genlock Connector: 1x BNC (75 Ohm) Line 21 captions (CEA-608), TVG2x, AMOL-48/96 (SCTE 127), DVB-ASI Teletext/WSS/VPS (EN 301775) Interface: ASI (EN 50083-9 250 kb/s to 200 Mb/s) Connector: 1x BNC (75 Ohm) IP DVB-S/S2 Hardware Option (RD30-01-LB) - Optional* Standard: UDP, RTP and SMPTE 2022-1 2007 FEC DVB-CI per EN 50221 Supports 1 to 7 TS packets per IP packet Interface: 2x DVB-CI CAM slots IGMP v1, v2 and v3 support Use: De-scrambles decoded service only without Input TS Rate: 250 kb/s to 150 Mb/s purchase of RD30-CAM-KEY. RD30-CAM-KEY Connection speed: GigE (10/100/1000 Auto-Negotiate) Receiver capability: 2 simultaneous MPEG over IP transport streams provides up to maximum amount of decryptable Connector: 2x RJ45 services supported by CAM module. -
MXF Application Specification for Archiving and Preservation
AS-AP MXF Archive and Preservation DRAFT FADGI Application Specification AS-AP MXF Archive and Preservation August 15, 2011 (rev 1h) Document Status This document-in-progress is being drafted by the Audio-Visual Working Group of the Federal Agencies Digitization Guidelines Initiative (FADGI; http://www.digitizationguidelines.gov/audio-visual/). The Working Group will transmit a refined version of this MXF Application Specification for Archive and Preservation (AS-AP) for finalization and publication by the Advanced Media Workflow Association (AMWA). Finalization will also depend upon the resolution of some technical matters that are dependencies for this specification. These dependencies are highlighted in the explanatory notes within this specification and in the accompanying document Preservation Video File Format Issues and Considerations (http://www.digitizationguidelines.gov/audio-visual/documents/FADGI_MXF_ASAP_Issues_20110815.pdf). This document has been drafted in the style of other AMWA application specifications (http://www.amwa.tv/projects/application_specifications.shtml), has borrowed a number of features from AS- 03, and refers to AS-02. Since AS-02 has not been published at this writing, this document (especially Annex B) includes wording copied from draft versions of that specification. Executive Summary This document describes a vendor-neutral subset of the MXF file format to use for long-term archiving and preservation of moving image content and associated materials including audio, captions and metadata. Archive and Preservation and files (AS-AP files) may contain a single item, or an entire series of items. Various configurations of sets of AS-AP files are discussed in the Overview. AS-AP files are intended to be used in combination with external finding aids or catalog records.