DOCSLIB.ORG

Eidr 2.6 Data Fields Reference

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Eidr 2.6 Data Fields Reference EIDR 2.6 DATA FIELDS REFERENCE Table of Contents 1 INTRODUCTION ............................................................................................................................................... 5 1.1 Introduction to Content ................................................................................................................................ 5 1.2 Composite Details ......................................................................................................................................... 5 1.3 How to read the Tables ................................................................................................................................. 6 1.4 EIDR IDs ........................................................................................................................................................ 7 2 BASE OBJECT TYPE ......................................................................................................................................... 9 2.1 Summary ...................................................................................................................................................... 9 2.2 Referent Type Details ................................................................................................................................. 25 2.3 Title Details ................................................................................................................................................ 26 2.4 Language Code Details ................................................................................................................................ 28 2.5 AssociatedOrg Details ................................................................................................................................. 29 2.5.1 Associatedorg Role details ........................................................................................................................ 31 2.6 Time and Date Details................................................................................................................................. 32 2.7 Alternate ID Details .................................................................................................................................... 33 2.8 Administrators Details ................................................................................................................................ 37 2.9 Credits Details ............................................................................................................................................ 38 2.10 Composite Details ....................................................................................................................................... 39 3 DERIVED TYPES ............................................................................................................................................ 40 3.1 Summary .................................................................................................................................................... 40 3.2 Series .......................................................................................................................................................... 42 3.2.1 SeriesClass Details ..................................................................................................................... 43 3.3 Season ........................................................................................................................................................ 44 3.3.1 SeasonClass Details................................................................................................................................... 46 3.4 Episode ....................................................................................................................................................... 48 3.4.1 EpisodeClass Details ................................................................................................................................. 51 3.4.1 Episdoe Number Details ........................................................................................................................... 52 3.4.2 TimeSlot Details ........................................................................................................................................ 52 3.4.1 Composite Episode Details ....................................................................................................................... 53 3.5 Clip ............................................................................................................................................................. 54 3.5.1 Start Details .............................................................................................................................................. 55 3.5.2 Duration Details ........................................................................................................................................ 55 3.6 Compilation ................................................................................................................................................ 57 3.6.1 EntryClass Details ..................................................................................................................................... 60 3.6.1 CompilationClass Details .......................................................................................................................... 60 3.7 Composite .................................................................................................................................................. 62 3.7.1 CompositeClass Details ............................................................................................................................. 65 3.8 Edit ............................................................................................................................................................. 66 3.8.1 EditUse details .......................................................................................................................................... 68 3.8.2 EditClass details ........................................................................................................................................ 69 3.8.3 ColorType Details ...................................................................................................................................... 72 3.9 Manifestation ............................................................................................................................................. 73 3.9.1 ManifestationClass Details ....................................................................................................................... 75 3.9.2 Digital Details ............................................................................................................................................ 77 3.10 Digital Manifestation Tracks ....................................................................................................................... 79 3.10.1 Audio Track Details ................................................................................................................................... 79 3.10.2 Audio Encoding Details ............................................................................................................................. 80 3.10.3 Channel Mapping Details .......................................................................................................................... 82 3.10.4 Watermark Details .................................................................................................................................... 85 3.10.5 Private Details ........................................................................................................................................... 85 3.10.6 Video Track Details ................................................................................................................................... 87 3.10.7 Video Encoding Details ............................................................................................................................. 89 3.10.8 Video Codec Details .................................................................................................................................. 91 3.10.9 Picture Details ........................................................................................................................................... 93 3.10.10 Cardset List Details ................................................................................................................................... 97 3.10.11 Subtitle Track Details ................................................................................................................................ 98 3.10.12 Interactive Track Details ......................................................................................................................... 100 3.10.13 Interactive Encoding Details ................................................................................................................... 103 3.1 Digital Manifestation Containers .............................................................................................................. 105 4 OTHER RELATIONSHIPS .......................................................................................................................... 109 4.1 Alternate Content ....................................................................................................................................
Load more

Recommended publications
  • ID FORMAT Ver. 1.51
    EIDR: ID FORMAT Ver. 1.51 5 October 2017 Copyright © by the Entertainment ID Registry Association EIDR: ID Format. The content of this manual is furnished for information use only and is subject to change without notice and should not be construed as a commitment by the Entertainment ID Registry Association. The Entertainment ID Registry Association assumes no responsibility or liability for any errors or inaccuracies that may appear in this document. Products and company names mentioned may be trademarks of their respective owners. Feedback on this document can be sent to [email protected] TABLE OF CONTENTS 1 INTRODUCTION ................................................................................................... 5 1.1 Document Version Information ................................................................................................................. 5 2 CANONICAL FORM ............................................................................................... 6 2.1 Standards References .................................................................................................................................... 6 2.1.1 SMPTE ......................................................................................................................................................................... 6 2.1.2 IETF and IANA ......................................................................................................................................................... 6 2.1.3 ISO and NISO ...........................................................................................................................................................
    [Show full text]
  • 9 Selby Wilson Broadband in the Caribbean -CTU
    5/8/2012 Caribbean Telecommunications Union A Caribbean Broadband Perspective by Selby Wilson Agenda • Overview of CTU • Why is Broadband Access Important? • International Broadband Trends • Broadband Status in the Caribbean • CTU Response 1 5/8/2012 Overview of CTU Established in 1989 Heads of Established Caribbean Centre Government of Excellence in 2009 New mandate to include ICT Launched Caribbean ICT in 2003 Roadshow in July 2009 Membership open to private Published Caribbean sector, academia & civil Spectrum Management Policy society organisations in 2004 Framework in 2009 CTU Members Anguilla Grenada Antigua/Barbuda Guyana Bahamas Jamaica Barbados Montserrat Belize St Kitts/Nevis British Virgin Is. St Lucia Cayman Is. St Maarten Cuba St. Vincent & Dominica The Grenadines Grenada Suriname Trinidad & Tobago Turks and Caicos Bureau Telecommunicatie en Post (Curacao) International Amateur Radio Union (Region2) Telecommunications Authority of Trinidad and Tobago Digicel (Trinidad & Tobago) Eastern Caribbean Telecommunications Authority 2 5/8/2012 Mission • To create an environment in partnership with members to optimize returns from ICT resources for the benefit of stakeholders Governance Structure • General Conference of Ministers ICT and Telecommunications Ministers Highest decision-making body • Executive Council Permanent Secretaries and Technical Officers Formulates plans and makes recommendations • Secretariat: Secretary General and staff Executes the decisions of the General Conference 3 5/8/2012 CTU’s Work - Guiding Principles
    [Show full text]
  • Designing a Cinema Auditorium
    ROLV GJESTLAND HOW TO DESIGN A CINEMA AUDITORIUM Practical guidelines for architects, cinema owners and others involved in planning and building cinemas HOW TO USE THIS BOOK This book can be read from beginning to end, to learn more about the elements that need to be taken into consideration when designing a cinema auditorium. But it may also be used as a reference in the design process, as the different parts of the auditorium are planned. Just be aware that making a change in one element might affect others. Designing a cinema auditorium is quite easy if you follow the rules. Although, if everyone follows all the rules, all auditoriums would look the same. Go beyond the rules, but always keep in mind that the main purpose of a cinema auditorium is to give the audience the best film experience. In addition, there are many other rooms in a cinema complex where you can use your creativity to create great experiences for patrons and make them want to come back. FEEDBACK This is the first edition of the book, and I am sure someone will miss something, someone will disagree with something and something will be incomplete or difficult to understand. Please do not hesitate to share your opinions, so the next edition can be better and the next one after that… Please use the contact info below. ABOUT THE AUTHOR Rolv Gjestland has a master's degree in metallurgy from the Norwegian University of Science and Technology. He is now advisor in cinema concepts, design, logistics and technology for Film&Kino, the nonprofit trade organisation for Norwegian cinemas.
    [Show full text]
  • Dtavhal Programmers Interface Table of Contents
    DTAvHAL Programmers Interface Revision 0.1 Copyright (c) 2004-2012 Drastic Technologies Ltd. All Rights Reserved www.drastic.tv Table of Contents DTAvHAL Programmers Interface......................................................................................1 Introduction.....................................................................................................................3 Direct Link Usage...........................................................................................................3 Windows 32 OS – using 32 bit..............................................................................3 Windows 64 – using 32 bit....................................................................................3 Windows 64 – using 64 bit....................................................................................3 Mac OS-X..............................................................................................................3 Linux 64.................................................................................................................3 Functions.........................................................................................................................5 avOpen...................................................................................................................5 avClose..................................................................................................................5 avChannels.............................................................................................................5
    [Show full text]
  • 13A Computer Video (1022-1143)
    Section13a COMPUTER VIDEO 12 Inch Design ............................1024-1027 Adobe ...........................................1028-1043 AJA ................................................1044-1063 Apple.............................................1064-1079 Avid ...............................................1080-1083 Automatic Duck..........................1084-1085 BlackMagic Design ....................1086-1099 Boris FX .........................................1100-1109 Video Cineform ........................................1110-1111 DigiEffects .....................................1112-1113 Contour Design......................................1114 Grass Valley ...................................1115-1119 Intel..........................................................1120 JL Cooper ......................................1122-1123 Matrox ...........................................1124-1127 MOTU .............................................1128-1129 SourceBook Newtek ..........................................1130-1133 Red Giant ......................................1134-1139 Sony ...............................................1140-1143 Sorenson.................................................1144 Tiffen........................................................1145 Obtaining information and ordering from B&H is quick and The easy. When you call us, just punch in the corresponding Quick Dial number anytime during our welcome message. The Quick Dial code then directs you to the specific professional sales associates in our order department.
    [Show full text]
  • Dolby Cineasset User Manual 005058 Issue 6
    Dolby CineAsset User’s Manual 22 July 2019 CAS.OM.005058.DRM Issue 6 Notices Notices Copyright © 2019 Dolby Laboratories. All rights reserved. Dolby Laboratories, Inc. 1275 Market Street San Francisco, CA 94103-1410 USA Telephone 415-558-0200 Fax 415-645-4000 http://www.dolby.com Trademarks Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. The following are trademarks of Dolby Laboratories: Dialogue Intelligence™ Dolby Theatre® Dolby® Dolby Vision™ Dolby Advanced Audio™ Dolby Voice® Dolby Atmos® Feel Every Dimension™ Dolby Audio™ Feel Every Dimension in Dolby™ Dolby Cinema™ Feel Every Dimension in Dolby Atmos™ Dolby Digital Plus™ MLP Lossless™ Dolby Digital Plus Advanced Audio™ Pro Logic® Dolby Digital Plus Home Theater™ Surround EX™ Dolby Home Theater® All other trademarks remain the property of their respective owners. Patents THIS PRODUCT MAY BE PROTECTED BY PATENTS AND PENDING PATENT APPLICATIONS IN THE UNITED STATES AND ELSEWHERE. FOR MORE INFORMATION, INCLUDING A SPECIFIC LIST OF PATENTS PROTECTING THIS PRODUCT, PLEASE VISIT http://www.dolby.com/patents. Third-party software attributions Portions of this software are copyright © 2012 The FreeType Project (freetype.org). All rights reserved. Dolby CineAsset software is based in part on the work of the Qwt project (qwt.sf.net). This software uses libraries from the FFmpeg project under the LGPLv2.1. This product includes software developed by the OpenSSL Project for use in the OpenSSL Toolkit (openssl.org). This product includes cryptographic software
    [Show full text]
  • Trade in Environmentally Sound Technologies Implications For
    Trade in Environmentally Sound Technologies Implications for Developing Countries Policy Brief Trade in environmentally sound technologies offers triple win opportunities for the environment, economy and people in developing countries Expanding the use of environmentally sound technologies (ESTs) can serve as a driver for development, resilience and the achievement of global goals. The What are environmentally sound uptake of ESTs contributes to several Sustainable Development Goals (SDGs), technologies (ESTs)? such as goal 7 on energy, goal 8 on economic growth, goal 12 on sustainable consumption and production, and goal 13 on climate action. ESTs are technologies that have the Trade liberalization can further facilitate market creation and expansion for potential to significantly improve ESTs and generate opportunities for companies, particularly in developing environmental performance relative to other countries1, to participate in regional and global value chains. Increasing trade in technologies. They are not just individual ESTs offers triple win opportunities by promoting economic development, job technologies but can also refer to total creation and innovation while simultaneously fostering economic and climate systems that include know-how, procedures, resilience and enabling countries to more efficiently access the goods and goods and services, equipment, as well as services needed to improve their environmental performance. organizational and managerial procedures Global trade in ESTs has increased by over 60% from USD 0.9 trillion in 2006 to for promoting environmental sustainability. USD 1.4 trillion in 2016. While emerging economies such as China have Examples include technologies related to dramatically increased their share in global trade of ESTs, many developing renewable energy, waste management and countries, especially least developed countries (LDCs), are yet to fully harness pollution management.
    [Show full text]
  • Technical Specifications for Broadcast Program Material August 2018
    Technical Specifications for Broadcast Program Material August 2018 Delivery Specifications: Fox Networks broadcast exclusively in 1280 x 720/59.94. All material shall be delivered per SMPTE ST 296:2012 with 5.1 digital sound per ITU--R BS 775--3 (08/2012) Loudness specifications per ATSC RP/A85 (Doc. A/85 12 March 2013) Programming that does not meet this specification is subject to rejection and correction at the supplier’s expense File Delivery: Fox Networks only accepts MXF file delivery standardized in SMPTE ST 377--1:2011 The file name shall match the on air traffic I.D. SD file delivery requires prior authorization Stereo, 2--channel and monophonic deliveries require prior authorization File Format Specifications: Files shall be wrapped in MXF per SMPTE ST 378:2004, OP1a Segments within the file shall be separated by a minimum of 2 seconds black MXF files shall have one MPEG--2 video stream per ISO/IEC 13818--2:2013 MPEG--2 video essence shall be 1280 x 720/59.94, 4:2:2 profile @ high level, and 50Mbps 5.1 digital surround shall be in phase Channel Channel 1: Left 2: Right 3: Center 4: LFE‐‐‐Low Frequency Enhancement 5: Left surround 6: Right surround 7: DVS, SAP or Mono 8: Mono 9‐‐‐12: (n/a or not used) MXF files shall have 8 audio PCM 16 (16 bits @ 48 kHz PCM) or 8 audio PCM 24 (24 bits @ 48 kHz PCM) channels per SMPTE ST 377--4:2012 Dolby E is not accepted Programming shall be created such that any down mix from 5.1 to stereo or mono represents the original mix 1 Technical Specifications For Broadcast Program Material August 2018 The dynamic range of the material shall be suitable for television broadcast The loudness shall be measured across all channels, except LFE (Low--Frequency Enhancement) in units of LKFS per ATSC RP/A85 (Doc.
    [Show full text]
  • Eidr System Version 1.02 Data Fields Reference
    EIDR SYSTEM VERSION 1.02 DATA FIELDS REFERENCE 2011 Oct. 19 Copyright © 2011 by the Entertainment ID Registry Association (EIDR). Copyrights in this work are licensed under the Creative Commons Attribution – No Derivative Works 3.0 United States License. See http://creativecommons.org/licenses/by-nd/3.0/ for full details. In addition, the operation and use of EIDR is protected by covenants as described in the EIDR Intellectual Property Rights Policy, a copy of which can be found at www.eidr.org. Data Fields Reference. The content of this manual is furnished for information use only and is subject to change without notice and should not be construed as a commitment by the Entertainment ID Registry Association. The Entertainment ID Registry Association assumes no responsibility or liability for any errors or inaccuracies that may appear in this document. Products and company names mentioned may be trademarks of their respective owners. Feedback on this document can be sent to [email protected] TABLE OF CONTENTS 1 INTRODUCTION ............................................................................................................................................... 5 1.1 Introduction to Content ............................................................................................................................ 5 1.2 How to read the Tables ............................................................................................................................ 6 1.3 EIDR ID’s .................................................................................................................................................
    [Show full text]
  • Digital Cinema System Specification Version 1.3
    Digital Cinema System Specification Version 1.3 Approved 27 June 2018 Digital Cinema Initiatives, LLC, Member Representatives Committee Copyright © 2005-2018 Digital Cinema Initiatives, LLC DCI Digital Cinema System Specification v. 1.3 Page | 1 NOTICE Digital Cinema Initiatives, LLC (DCI) is the author and creator of this specification for the purpose of copyright and other laws in all countries throughout the world. The DCI copyright notice must be included in all reproductions, whether in whole or in part, and may not be deleted or attributed to others. DCI hereby grants to its members and their suppliers a limited license to reproduce this specification for their own use, provided it is not sold. Others should obtain permission to reproduce this specification from Digital Cinema Initiatives, LLC. This document is a specification developed and adopted by Digital Cinema Initiatives, LLC. This document may be revised by DCI. It is intended solely as a guide for companies interested in developing products, which can be compatible with other products, developed using this document. Each DCI member company shall decide independently the extent to which it will utilize, or require adherence to, these specifications. DCI shall not be liable for any exemplary, incidental, proximate or consequential damages or expenses arising from the use of this document. This document defines only one approach to compatibility, and other approaches may be available to the industry. This document is an authorized and approved publication of DCI. Only DCI has the right and authority to revise or change the material contained in this document, and any revisions by any party other than DCI are unauthorized and prohibited.
    [Show full text]
  • MXF Application Specification for Archiving and Preservation
    AS-AP MXF Archive and Preservation DRAFT FADGI Application Specification AS-AP MXF Archive and Preservation August 15, 2011 (rev 1h) Document Status This document-in-progress is being drafted by the Audio-Visual Working Group of the Federal Agencies Digitization Guidelines Initiative (FADGI; http://www.digitizationguidelines.gov/audio-visual/). The Working Group will transmit a refined version of this MXF Application Specification for Archive and Preservation (AS-AP) for finalization and publication by the Advanced Media Workflow Association (AMWA). Finalization will also depend upon the resolution of some technical matters that are dependencies for this specification. These dependencies are highlighted in the explanatory notes within this specification and in the accompanying document Preservation Video File Format Issues and Considerations (http://www.digitizationguidelines.gov/audio-visual/documents/FADGI_MXF_ASAP_Issues_20110815.pdf). This document has been drafted in the style of other AMWA application specifications (http://www.amwa.tv/projects/application_specifications.shtml), has borrowed a number of features from AS- 03, and refers to AS-02. Since AS-02 has not been published at this writing, this document (especially Annex B) includes wording copied from draft versions of that specification. Executive Summary This document describes a vendor-neutral subset of the MXF file format to use for long-term archiving and preservation of moving image content and associated materials including audio, captions and metadata. Archive and Preservation and files (AS-AP files) may contain a single item, or an entire series of items. Various configurations of sets of AS-AP files are discussed in the Overview. AS-AP files are intended to be used in combination with external finding aids or catalog records.
    [Show full text]
  • Avid Filmscribe User's Guide
    Avid® FilmScribe™ User’s Guide ™ make manage move | media Avid ® Copyright and Disclaimer Product specifications are subject to change without notice and do not represent a commitment on the part of Avid Technology, Inc. The software described in this document is furnished under a license agreement. You can obtain a copy of that license by visiting Avid's Web site at www.avid.com. The terms of that license are also available in the product in the same directory as the software. The software may not be reverse assembled and may be used or copied only in accordance with the terms of the license agreement. It is against the law to copy the software on any medium except as specifically allowed in the license agreement. Avid products or portions thereof are protected by one or more of the following United States Patents: 4,746,994; 4,970,663; 5,045,940; 5,077,604; 5,267,351; 5,309,528; 5,355,450; 5,396,594; 5,440,348; 5,452,378; 5,467,288; 5,513,375; 5,528,310; 5,557,423; 5,568,275; 5,577,190; 5,583,496; 5,584,006; 5,627,765; 5,634,020; 5,640,601; 5,644,364; 5,654,737; 5,724,605; 5,726,717; 5,729,673; 5,745,637; 5,752,029; 5,754,180; 5,754,851; 5,799,150; 5,812,216; 5,828,678; 5,842,014; 5,852,435; 6,061,758; 6,532,043; 6,546,190; 6,636,869; 6,747,705.
    [Show full text]