The Amityville Horror, Witches, Poltergeists, Vampires, and More!

Total Page:16

File Type:pdf, Size:1020Kb

The Amityville Horror, Witches, Poltergeists, Vampires, and More! The real stories behind history’s spookiest phenomena: the Amityville Horror, Witches, Poltergeists, Vampires, and more! From the complex causes behind the Salem witch burnings, to eyewitness accounts of real vampires, and physical evidence of demon spirits, THE HAUNTED HISTORIES COLLECTION explores the truth behind some of history’s most terrifying phenomena. THE HISTORY CHANNEL® brings the scariest old-fashioned horror stories to life just in time for Halloween set-ups. Priced to disappear at under $5 per disc, this spine-tingling five-DVD collection embarks on a chilling tour of the most haunted hot spots on earth. • Five top-selling true spooky tales, releasing in time for Halloween set-ups. • A broad spectrum of monsters and phenomena, including the Salem Witch Trials, Vampires, Poltergeists, and more! • A 5-DVD box set with heft, value-priced to disappear at under $5 per disc. DVD PREORDER AUG 28 RELEASE SEPT 25 $24.95 srp U.S. Color, 5 discs, catalog no. AAE-77349 $32.95 srp Canada Approx. 5 hrs., upc 7-33961-77349-1 Documentary isbn 0-7670-9849-8 Art not final. RELATED & RECOMMENDED CRISS ANGEL MINDFREAK: HALLOWEEN SPECIAL Magic’s biggest star hosts a Halloween newvideo.com extravaganza, filled with tricks and treats—and mystifier Criss Angel’s freakiest feat yet! DVD AAE-17192 Distributed in Canada by Paradox Distributed in the U.S. by Entertainment Group. 89 Queensway New Video 902 Broadway SATAN: PRINCE OF DARKNESS Journey into the dark corners of the soul in search of the West, Suite #500, Mississauga, ON L5B 2V2 Tel: (800) 267-1216 9th fl, New York, NY 10010 fallen angel who is mankind’s most ancient tormentor. DVD AAE-74561 E-mail: [email protected] Tel. (212) 206-8600, E-mail: [email protected] THE HISTORY CHANNEL and the “H” Logo are Registered Trademarks of A&E Television Networks. All Rights Reserved. Art and Design ©2007 A&E Television Networks. All Rights Reserved. HistoryChannel.com.
Recommended publications
  • The Amityville Horror, by Jay Anson. Prentice-Hall, Englewood Cliffs, N.J., 1977
    The Amityville Horror, by Jay Anson. Prentice-Hall, Englewood Cliffs, N.J., 1977. 201 pages, $7.95. Reviewed by Robert L. Morris This book claims to be the true account of a month of terrifying "paranormal" events that occurred to a Long Island family when they moved into a house in Amityville, New York, that had been the scene of a mass murder. Throughout the book there are strong suggestions that the events were demonic in origin. On the copyright page, the Library of Congress subject listings are "1. Demon- ology—Case studies. 2. Psychical research—United States—Case studies." The next page contains the following statement: "The names of several individuals mentioned in this book have been changed to protect their privacy. However, all facts and events, as far as we have been able to verify them, are strictly accurate." The front cover of the book's dust jacket contains the words: "A True Story." A close reading, plus a knowledge of details that later emerged, suggests that this book would be more appropriately indexed under "Fiction—Fantasy and horror." In fact it is almost a textbook illustration of bad investigative jour- nalism, made especially onerous by its potential to terrify and mislead people and to serve as a form of religious propaganda. To explore this in detail, we first need an outline of the events that supposed- ly took place, as described in the text of the book, plus a prologue derived from a segment of a New York television show about the case. On November 13, 1974, Ronald DeFeo shot to death six members of his family at their home in Amityville.
    [Show full text]
  • LEASK-DISSERTATION-2020.Pdf (1.565Mb)
    WRAITHS AND WHITE MEN: THE IMPACT OF PRIVILEGE ON PARANORMAL REALITY TELEVISION by ANTARES RUSSELL LEASK DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at The University of Texas at Arlington August, 2020 Arlington, Texas Supervising Committee: Timothy Morris, Supervising Professor Neill Matheson Timothy Richardson Copyright by Antares Russell Leask 2020 Leask iii ACKNOWLEDGEMENTS • I thank my Supervising Committee for being patient on this journey which took much more time than expected. • I thank Dr. Tim Morris, my Supervising Professor, for always answering my emails, no matter how many years apart, with kindness and understanding. I would also like to thank his demon kitten for providing the proper haunted atmosphere at my defense. • I thank Dr. Neill Matheson for the ghostly inspiration of his Gothic Literature class and for helping me return to the program. • I thank Dr. Tim Richardson for using his class to teach us how to write a conference proposal and deliver a conference paper – knowledge I have put to good use! • I thank my high school senior English teacher, Dr. Nancy Myers. It’s probably an urban legend of my own creating that you told us “when you have a Ph.D. in English you can talk to me,” but it has been a lifetime motivating force. • I thank Dr. Susan Hekman, who told me my talent was being able to use pop culture to explain philosophy. It continues to be my superpower. • I thank Rebecca Stone Gordon for the many motivating and inspiring conversations and collaborations. • I thank Tiffany A.
    [Show full text]
  • Cinemeducation Movies Have Long Been Utilized to Highlight Varied
    Cinemeducation Movies have long been utilized to highlight varied areas in the field of psychiatry, including the role of the psychiatrist, issues in medical ethics, and the stigma toward people with mental illness. Furthermore, courses designed to teach psychopathology to trainees have traditionally used examples from art and literature to emphasize major teaching points. The integration of creative methods to teach psychiatry residents is essential as course directors are met with the challenge of captivating trainees with increasing demands on time and resources. Teachers must continue to strive to create learning environments that give residents opportunities to apply, analyze, synthesize, and evaluate information (1). To reach this goal, the use of film for teaching may have advantages over traditional didactics. Films are efficient, as they present a controlled patient scenario that can be used repeatedly from year to year. Psychiatry residency curricula that have incorporated viewing contemporary films were found to be useful and enjoyable pertaining to the field of psychiatry in general (2) as well as specific issues within psychiatry, such as acculturation (3). The construction of a formal movie club has also been shown to be a novel way to teach psychiatry residents various aspects of psychiatry (4). Introducing REDRUMTM Building on Kalra et al. (4), we created REDRUMTM (Reviewing [Mental] Disorders with a Reverent Understanding of the Macabre), a Psychopathology curriculum for PGY-1 and -2 residents at Rutgers Robert Wood Johnson Medical School. REDRUMTM teaches topics in mental illnesses by use of the horror genre. We chose this genre in part because of its immense popularity; the tropes that are portrayed resonate with people at an unconscious level.
    [Show full text]
  • Psychic Detectives, the Amityville Horror-Mongers, Jack the Ripper
    Investigating the Unexplained: Psychic Detectives, the Amityville Horror-mongers, Jack the Ripper, and Other Mysteries of the Paranormal, Melvin Harris, Prometheus Books, Publishers, 2003, 1591021081, 9781591021087, 222 pages. Melvin Harris, a researcher and broadcaster for the BBC, has written a fascinating expose of long-lived "psychic mysteries." Investigating the Unexplained examines many claims made by the proponents of the paranormal. Harris' work led him into the worlds of ghosts and demons, haunted houses, and spirit mediums. He checked up on reports of reincarnation, poltergeists, a mummy's curse, and eyewitness accounts of "little green children."This book gives us the real facts behind the famous Amityville Horror hoax, the hypnotic regressions to past lives recorded on the much-publicized Bloxham tapes, the "psychic detectives" involved in the search for Jack the Ripper, and many other "fully authenticated" but incredible tales.Harris went back to the primary sources of these stories and found he was always able to say, "Sorry, you've been duped!" For every legend he debunks, Harris present the facts. He shows us how and why a hoax was perpetrated. Often the public grasps on to someone else's story and, before long, these tales are mythologized and believed to be truths. Investigating the Unexplained is an exciting look at psychic mysteries and the facts behind them.. DOWNLOAD http://archbd.net/17GB6KA An Illustrated History of the Haunted World , Jason Karl, 2007, Ghosts, 160 pages. An Illustrated History of the Haunted World describes key events and important personalities in the paranormal world from the first references to ghosts in Neolithic cave ...
    [Show full text]
  • The Amityville Horror Keeps the One Element of the Real-Life Story That Most Disappoints— the Lutzes' Departure
    A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M TTHHEE AAMMIITTYYVVIILLLLEE HHOORRRROORR Directed by Stuart Rosenberg Produced by Elliot Geisinger and Ronald Saland Distributed by American International Pictures Released in 1979 irst of all, just because a story is based on a true-life event, that doesn't mean there can't be F alterations. And if some are inevitable, drop the true-to-life spin-doctoring and tell a great story inspired by real life. The Amityville Horror keeps the one element of the real-life story that most disappoints— the Lutzes' departure. Something far more spectacular would be preferable. The climax involves George going back to rescue the family dog (and some of the greatest dread generated by the story involves worries of what's going to befall that dog [which is an indictment of the paucity of sympathetic human characters]). George falls into the Hell portal and the dog attacks him before realizing that this unrecognizable blob is his master. George emerges from the house with the dog. That's it. Wouldn't it have been more satisfying if the little girl who is friendly with the spirits had to die in order to break the curse, and George is the one to do it since he's got an axe and he's not her father? (This might feel too much like The Omen , though.) Another possibility, hinted at when Kathy asks her daughter what "Jody" has been saying, is that the daughter could be fooled into divulging critical information that could be used to destroy the spirits.
    [Show full text]
  • |||GET||| the Amityville Horror 1St Edition
    THE AMITYVILLE HORROR 1ST EDITION DOWNLOAD FREE Jay Anson | 9781416507697 | | | | | The Amityville Horror Seller Rating:. The Amityville Horror 1st edition Kidder did a decent job. Archived from the original on July 27, The movie was boring considering the length n nothing happens. The Amityville horror. After falling through the basement stairs into a pit of black sludge while rescuing Harry, George and the rest of the family drive away, abandoning their home and belongings. Learn more. Nonreturnable printed on front cover. The demonic forces in the haunted Long Island house escapes to a remote home where it encounters a struggling family living together by uncertain means. Ronald DeFeo Jr. Runtime: min. See more about this book on Archive. Whose blood it was or where it came from was never explained. The documentary My Amityville Horror was released in March The book is claimed to be based on the paranormal experiences of the Lutz family, but has led to controversy and lawsuits over its truthfulness. A popular journalist finds himself in deep water when he visits the town of Amityville. Frequently Asked Questions Q: Whose face appears on the wall when George chops the hole into the red room? Mass Market Paperback in English - Bantam movie ed. Looking for a movie the entire family can enjoy? Dust Jacket Condition: Near Fine. George Lutz commented in an interview for the program: "I believe this has stayed alive for 25 years because it's a true story. Download as PDF Printable version. Copy from this list Export Report this list. Crazy Credits. Check nearby libraries WorldCat.
    [Show full text]
  • Existence of Ghosts and Paranormal Entities(Overview on Negative Energy)
    SSRG International Journal of Applied Physics (SSRG-IJAP) – Volume 7 Issue 2 – May to Aug 2020 Existence of ghosts and paranormal entities (overview on negative energy) Tumula Mani Kota Rajasekhar (Rajasekhar TMK) Electronics and Communication Engineering Guntur, Andhra Pradesh INDIA Abstract: be pseudoscience by majority of mainstream From many years, there are some unsolved scientists, just because it is complex to understand questions which are haunting mankind. One among and also disprove some physical theories, which are those mysterious questions is “Do ghosts and such considered true from many years. entities really exist?”. This is a million-dollar According to me, the paranormal entities exist. question, though many people say that “it’s a trash”, Just because we can‟t see them, we cannot say that there are some fascinating facts and proofs which they are not there. There are many proofs which makes that trash a hidden treasure yet to be found. argue about their existence. There are many scientists There are many people who dedicated their lives in and researchers around the world who dedicated their order find the answer to this question. According to a lives to this field. “Warren” family is one of the most survey, even in the most developed countries like renowned among these parapsychologists. They were America, around 45% of the people believe in the the first ones to start “New England Society for existence of paranormal entities. There are many Psychic Research”. They became most famous by scientific theories which explain about the existence solving the mysterious case “ANNABELLE”. They of the unknown entities.
    [Show full text]
  • Rereading Haunted House Films from a Gothic Perspective ᐙᗞෆ࡟࠶ࡿ༴ᶵ  ࢦࢩࢵࢡ◊✲࠿ࡽ ㄞࡳ┤ࡍᗃ㟋ᒇᩜᫎ⏬㸧
    Chiho Nakagawa Dangers Inside the Home: Rereading Haunted House Films from a Gothic Perspective ᐙᗞෆ࡟࠶ࡿ༴ᶵ ࢦࢩࢵࢡ◊✲࠿ࡽ ㄞࡳ┤ࡍᗃ㟋ᒇᩜᫎ⏬㸧 Chiho Nakagawa* SUMMARY IN JAPANESE: ᮏㄽᩥࡣ 1970 ᖺ௦࠿ࡽ 80 ᖺ௦ ࡟බ㛤ࡉࢀࡓࠗᐙ࠘ࠊࠗᝏ㨱ࡢ᳇ࡴᐙ࠘ࠊࠗࢩࣕ࢖ࢽࣥࢢ࠘࡞࡝ ࡢᗃ㟋ᒇᩜᫎ⏬ࡀࠊ࢔࣓ࣜ࢝ࡢᐙ᪘ࡢၥ㢟ࢆ᥈ࡿࡶࡢ࡛࠶ࡿ ࡜ᣦ᦬ࡋࠊ 21 ୡ⣖ࡢᗃ㟋ᒇᩜᫎ⏬࡟࠾࠸࡚ࡑࡢၥ㢟ࡀ࡝࠺ ኚ໬ࡋࡓ࠿ࢆ᳨ドࡍࡿࡶࡢ࡛࠶ࡿࠋ⌧௦࢔࣓ࣜ࢝ࡢᗃ㟋ᒇᩜ ᫎ⏬ࡣࠊዪᛶࡀ⮬ศ࡜ᐙ࡜ࡢ㛵ಀࢆ᥈ࡿዪᛶࢦࢩࢵࢡࠊࡑࡋ ࡚ᐙ∗㛗ࡀ⮬ศ࡜ᐙࡢ㛵ಀࢆ᥈ࡿ࢔࣓࣭ࣜ࢝ࣥࢦࢩࢵࢡࡢఏ ⤫ࢆཷࡅ⥅࠸࡛࠸ࡿࠋࡑࡢࣇ࢛࣮࣑ࣗࣛࢆࢹ࢖࣭ࣝ࣋࢖࣮ࣜ ࡢᗃ㟋ᒇᩜ≀ㄒࡢ㆟ㄽ࡟ᇶ࡙࠸࡚♧ࡋࡓୖ࡛ࠊ 1982 ᖺබ㛤 ࡢ࣏ࠗࣝࢱ࣮࢞࢖ࢫࢺ࠘࡜ 2015 ᖺබ㛤ࡢ࣓ࣜ࢖ࢡࡢ㐪࠸ࢆ ୰ᚰ࡟⌧௦ࡢᗃ㟋ᒇᩜᫎ⏬ࢆ⪃ᐹࡍࡿࠋࡑࡢ⤖ᯝࠊ 20 ୡ⣖ ᚋ༙ࡢᗃ㟋ᒇᩜ≀ㄒࡀᐙ∗㛗ไ࣭㈨ᮏ୺⩏♫఍ࡢ∗ぶࡢ⌮᝿ ീࡢኻᩋࢆ᳨ドࡋࡓࡢ࡟ᑐࡋࠊ 21 ୡ⣖࡛ࡣࡑࡢኻᩋࢆㄆࡵ ࡓୖ࡛ಟ᚟࡟ດຊࡍࡿ≀ㄒ࡬࡜ኚ໬ࡋ࡚࠸ࡿ࡜ᣦ᦬࡛ࡁࡿࠋ 㸨୰ᕝࠉ༓ᕹࠉ Associate Professor, Faculty Division of Humanities and Social Sciences, Nara Women's University, Nara, Japan. ࠉ 75 5.中川論文 最終稿 Dangers Inside the Home.indd 75 2018/04/16 13:46:21 Dangers Inside the Home: Rereading Haunted House Films from a Gothic Perspective Every year we see new haunted house films, and many directors and writers are taking pains to offer the audience new twists, not just to follow and recreate old tricks. One of the most commercially successful haunted house fi lms in the 1980s, Poltergeist, was remade in 2015, and its reworking refl ects the changes in one of the most important themes of haunted house fi lms, family. In this paper, I will fi rst attempt to defi ne the American haunted house fi lm as an established genre rooted in the formulas of Gothic fi ction.
    [Show full text]
  • The Determinants of Box Office Revenue for Horror Movies
    The Determinants of Box Office Revenue for Horror Movies Neil Terry, West Texas A&M University, USA Robert King, West Texas A&M University, USA Jeri J. Walker, West Texas A&M University, USA ABSTRACT This paper examines the domestic box office revenue determinants of movies from the horror genre. The sample consists of 225 films released during 1978-2010. Regression results indicate the primary determinants of box office revenue for horror movies are number of theatres showing the movie during the opening weekend of release, critical rating, sequels, restricted rating, production budget, and theme. Specific results include the observation that within the horror movie genre the slasher theme adds approximately fifteen million to domestic box office revenue, while the zombie theme stalls at the box office with earnings totaling as much as twenty-one million less than other movies in the genre. Nudity, vampire theme, comedy theme, and holiday release dates are not statistically significant determinants. INTRODUCTION Since the first horror movie, Le Manoir Du Diable or The Haunted Castle, people have been drawn to a genre of film that is specifically designed to frighten and scare the viewer. Dracula is the second most portrayed character in film behind only Sherlock Holmes (Robertson, 2001). The 1897 publication of Bram Stoker’s Dracula in 1897 opened up the entire world’s mind to the idea of vampires and their lifestyles, which increasingly came to creative life once depicted on the big screen. Building on the success of vampire films, horror began branching into other realms such as monsters and ghosts.
    [Show full text]
  • E4 an Lo Ys Rr Ba
    SUNDAY,OCT.28, 2018 |NORTH HEMPSTEAD-OYSTER BAY E13 N1 E4 AN LO YS RR BA E21 E4 COVERSTORY N1 LIFE LI Historical HAUNTS Locations acrossLI have their share of tales about paranormal sightings m co y. BY JIMMERRITT haunted places. “I try to get elseisaround.” da Special to Newsday people not to be afraid.” Unlikeinthe movie“Ghost- ws Broskyand Giaquinto, 61,a busters,” though,Broskyand ne oosebumps areall in anight’s work for freelanceweb designer and Giaquintodon’t bringaghost 8 self-described psychicmedium, trap.“I’m not reallya‘ghost- 01 Kerriann Flanagan BroskyofHuntington have used digitalrecording buster.’Iactually want them ,2 and JoeGiaquintoofWest Sayville. The 28 devices to pickupsubtler evi- [ghosts] to stay wheretheyare,” ER ghost hunting team has encountered dence of the supernatural in Broskysaid. OB Gplentyofspine-tingling phenomena in places as unlikelyasaHunting- Another team of ghost CT morethan adecade of Long Island paranormal in- tonpatisserie, aNorth Shore hunters,DianeHill of West ,O lighthouse and aHamptons Hempstead andJoseph Flam- AY vestigations —although neveranything as trickyor Italianrestaurant. mer of Brookhaven,say the UND ickyasthe “Amityville Horror” house’s RedRoom “Sometimes we getphenom- haunted shouldembrace the ,S ON THE COVER. Paranormal ena,such as knocking on the hauntingsthey’ve confirmed in AY or fireplacedemon. investigator Joe Giaquinto, left, walls,” Giaquintosaid. “Wesee about 100paranormal investiga- SD and authorKerriannFlanagan “It’s not blooddripping down HauntsofLong Island” things, we record voices, people tions. NEW Broskyinvestigateoutside walls,” said Brosky, 50,who (Haunted America, 2015), about have experiences of someone “It’s been our experiencethat Fiorello Dolce in Huntington. published abook, “Historic her findingsat30Long Island touching them when no one ahaunting is really aboutlove, E5 COVERSTORY newsday.com/lilife LI Author LIFE appearances Long Island’s ghost hunters N1 aremaking Halloween appearances at area libraries to discusstheir booksand paranormalinvestigations.
    [Show full text]
  • Life with the Afterlife Life with the Afterlife
    life with the afterlife life with the afterlife 13 Truths I Learned about Ghosts amy bruni with Julie Tremaine Copyright © 2020 by Amy Bruni Cover design by Phil Pascuzzo. Cover copyright © 2020 by Hachette Book Group, Inc. Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Grand Central Publishing Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 grandcentralpublishing.com twitter.com/grandcentralpub First Edition: October 2020 Grand Central Publishing is a division of Hachette Book Group, Inc. The Grand Central Publishing name and logo is a trademark of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591. LCCN: 9781538754146 ISBNs: 978-1-5387-5414-6 (hardcover), 978-1-5387-5413-9 (ebook) Printed in the United States of America LSC-C 10 9 8 7 6 5 4 3 2 1 For Charlotte Nothing makes me happier than raising you in my magical, ghostly world.
    [Show full text]
  • Horror Begins at Home: Family Trauma In
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank HORROR BEGINS AT HOME: FAMILY TRAUMA IN PARANORMAL REALITY TV by ANDREW J. BEARD A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2012 DISSERTATION APPROVAL PAGE Student: Andrew J. Beard Title: Horror Begins at Home: Family Trauma in Paranormal Reality TV This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Dr. Carol Stabile Chairperson Dr. Anne Laskaya Member Dr. Priscilla Ovalle Member Dr. Lynn Fujiwara Outside Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2012 Andrew J. Beard iii DISSERTATION ABSTRACT Andrew J. Beard Doctor of Philosophy Department of English June 2012 Title: Horror Begins at Home: Family Trauma in Paranormal Reality TV This dissertation argues that paranormal reality television is a form of what some have referred to as “trauma television,” a site of struggle between meanings of family and the violence often found in the hegemonic nuclear family ideal. Programs such as A Haunting and Paranormal State articulate family violence and trauma through a paranormal presence in the heteronormative family home, working to make strange and unfamiliar the domestic and familial milieus in which their episodes take place.
    [Show full text]