Horror Films
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Eptember L Heist
Ksini1975 CASSIAR, B.C. VOLUME 19 EPTEMBER L HEIST TOP ROW - JACK GRANT, JOHN WRIGHT, JOHN OLSON, JACK ROBISON 2ND ROW - JENNY DEROUIN, BEVERLY EVANS, KAREN CLARK, KATHY ROBISON LEFT TO RIGHT. 2ND ROW - DAVID RASMUS, DONNA A B LIN , N ATALIE OLSON, PAUL WOOD, B IL L BURR MISSING FROM PICTURE: MARGARET METCALFE, KIRSTEN SMIDT, PAT HICKMAN. Joining the staff are: Margaret Metcalfe, who takes over the Kindergarten. CASSIAR SCHOOL STAFF. NUMBERS FIFTEEN Mr. Metcalfe has taught in Scotland and Africa. Cassiar Elementary Secondary School welcomes ten new Jenny DeRouin, teaches Grade three. Mrs. DeRouin members to the staff for the coming school year. The new has taught previously in Clinton Creek and Ontario. comers join Beverly Evans, Grade one; Paul Wood, Grade Four; John Olson, Grade Six and Seven; Natalie Olson, Kathy and Jack Robison, have come to Cassiar from English and Commerce; and Pat Hickman, Industrial Good Hope Lake where they taught last year. Mrs. Robison Education and Math; — all of whom are well known to teaches the Grade Two Class, and Mr. Robison has charge Cassiar residents and students. of the Grade Five-Six Group. New members of the Secondary Staff include: KAREN CLARK - LEARNING ASSISTANT Bill Burr, who after training at U.B.C. and Simon Mrs. Karen Clark has been appointed full time Fraser, assumes teaching duties in Mathematics and Science learning assistant for the Stikine School District. Karen, who is widely known in the north for her contribu John Wright, an experienced teacher from New Denver tions to education, will supervise learning assistance and Squamish, teaches the Social Studies courses. -
Guillermo Del Toro’S Bleak House
GuillermoAt Home With Monstersdel Toro By James Balestrieri Guillermo del Toro’s Bleak House. Photo ©Josh White/ JWPictures.com. LOS ANGELES, CALIF. — The essence of “Guillermo del Toro: At Home With Monsters,” the strange and wonderful exhibition at the Los Angeles County Museum of Art (LACMA) through November 27, is this: Guillermo del Toro, born in 1964, is a major writer and director whose films include Cronos (1993), The Devil’s Backbone (2001), Hellboy (2004), Pan’s Labyrinth (2006), Pacific Rim (2013) and Crimson Peak (2015). He is a master who creates worlds that embrace horror, science fiction, fantasy and fairy tales. He insists that, as fantastic as they are, these worlds are located and grounded beside, beneath and in the real world, our world — a world, he might argue, that we merely imagine as real. The membrane separating these worlds is thin, porous and portal-ridden. The worlds are distorted reflections of one another. This distortion becomes the occasion for his ideas and art. Page from Notebook 2 by Guillermo del Toro. Leather-bound notebook, ink on paper, 8 by 10 by 1½ inches. Collection of Guillermo del Toro. ©Guillermo del Toro. Photo courtesy Insight Editions. Jointly organized by LACMA with the Minneapolis Institute of Art and the Art Gallery of Ontario, this first retrospective of the filmmaker’s work arrays sculpture, paintings, prints, photography, costumes, ancient artifacts, books, maquettes and film to create a complex portrait of a creative genius. Roughly 60 of the 500 objects on view are from LACMA’s collection. More belong to the artist. -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -