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ABSTRACT Title of Document: COMMUNICATING FEAR in FILM
ABSTRACT Title of Document: COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS Pedro Gonzalez-Fernandez Master of Arts, 2014 Directed By: Dr. Patrick Warfield, Musicology The horror film soundtrack is a complex web of narratological, ethnographic, and semiological factors all related to the social tensions intimated by a film. This study examines four major periods in the zombie’s film career—the Voodoo zombie of the 1930s and 1940s, the invasion narratives of the late 1960s, the post-apocalyptic survivalist fantasies of the 1970s and 1980s, and the modern post-9/11 zombie—to track how certain musical sounds and styles are indexed with the content of zombie films. Two main musical threads link the individual films’ characterization of the zombie and the setting: Othering via different types of musical exoticism, and the use of sonic excess to pronounce sociophobic themes. COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS by Pedro Gonzalez-Fernandez Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Patrick Warfield, Chair Professor Richard King Professor John Lawrence Witzleben ©Copyright by Pedro Gonzalez-Fernandez 2014 Table of Contents TABLE OF CONTENTS II INTRODUCTION AND LITERATURE REVIEW 1 Introduction 1 Why Zombies? 2 Zombie Taxonomy 6 Literature Review 8 Film Music Scholarship 8 Horror Film Music Scholarship -
From Voodoo to Viruses: the Evolution of the Zombie in Twentieth Century Popular Culture
From Voodoo to Viruses: The Evolution of the Zombie in Twentieth Century Popular Culture By Margaret Twohy Adviser: Dr. Bernice Murphy A thesis submitted in partial fulfilment of the Degree of Master’s of Philosophy in Popular Literature Trinity College Dublin Dublin, Ireland October 2008 2 Abstract The purpose of this thesis is to explore the evolutionary path the zombie has followed in 20th Century popular culture. Additionally, this thesis will examine the defining characteristics of the zombie as they have changed through its history. Over the course of the last century and edging into the 21st Century, the zombie has grown in popularity in film, videogames, and more recently in novels. The zombie genre has become a self-inspiring force in pop culture media today. Films inspired a number of videogames, which in turn, supplied the film industry with a resurgence of inspirations and ideas. Combined, these media have brought the zombie to a position of greater prominence in popular literature. Additionally, within the growing zombie culture today there is an over-arcing viral theme associated with the zombie. In many films, games, and novels there is a viral cause for a zombie outbreak. Meanwhile, the growing popularity of zombies and its widening reach throughout popular culture makes the genre somewhat viral-like as well. Filmmakers, authors and game designers are all gathering ideas from one another causing the some amount of self- cannibalisation within the genre. 3 Table of Contents Introduction 4 Chapter One 7 Evolution of the Dead Chapter Two 21 Contaminants, Viruses, and Possessions—Oh my! Chapter Three 34 Dawn of the (Digital) Dead Chapter Four 45 Rise of the Literary Zombie Conclusion 58 Bibliography 61 4 Introduction There are perhaps few, if any fictional monsters that can rival the versatility of the humble zombie (or zombi)1. -
Movie Titles List, Genre
ALLEGHENY COLLEGE GAME ROOM MOVIE LIST SORTED BY GENRE As of December 2020 TITLE TYPE GENRE ACTION 300 DVD Action 12 Years a Slave DVD Action 2 Guns DVD Action 21 Jump Street DVD Action 28 Days Later DVD Action 3 Days to Kill DVD Action Abraham Lincoln Vampire Hunter DVD Action Accountant, The DVD Action Act of Valor DVD Action Aliens DVD Action Allegiant (The Divergent Series) DVD Action Allied DVD Action American Made DVD Action Apocalypse Now Redux DVD Action Army Of Darkness DVD Action Avatar DVD Action Avengers, The DVD Action Avengers, End Game DVD Action Aviator DVD Action Back To The Future I DVD Action Bad Boys DVD Action Bad Boys II DVD Action Batman Begins DVD Action Batman v Superman: Dawn of Justice DVD Action Black Hawk Down DVD Action Black Panther DVD Action Blood Father DVD Action Body of Lies DVD Action Boondock Saints DVD Action Bourne Identity, The DVD Action Bourne Legacy, The DVD Action Bourne Supremacy, The DVD Action Bourne Ultimatum, The DVD Action Braveheart DVD Action Brooklyn's Finest DVD Action Captain America: Civil War DVD Action Captain America: The First Avenger DVD Action Casino Royale DVD Action Catwoman DVD Action Central Intelligence DVD Action Commuter, The DVD Action Dark Knight Rises, The DVD Action Dark Knight, The DVD Action Day After Tomorrow, The DVD Action Deadpool DVD Action Die Hard DVD Action District 9 DVD Action Divergent DVD Action Doctor Strange (Marvel) DVD Action Dragon Blade DVD Action Elysium DVD Action Ender's Game DVD Action Equalizer DVD Action Equalizer 2, The DVD Action Eragon -
We Are the Walking Dead:” Zombie Spaces, Mobility, and The
“WE ARE THE WALKING DEAD:” ZOMBIE SPACES, MOBILITY, AND THE POTENTIAL FOR SECURITY IN ZONE ONE AND THE WALKING DEAD A RESEARCH PAPER SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTERS OF ARTS BY JESSIKA O. GRIFFIN DR. AMIT BAISHYA – ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2012 “We are the walking dead:” Zombified Spaces, Mobility, and the Potential for Security in Zone One and The Walking Dead “I didn’t put you in prison, Evey. I just showed you the bars” (170). —V, V For Vendetta The zombie figure is an indispensible, recurring player in horror fiction and cinema and seems to be consistently revived, particularly in times of political crisis. Film is the best-known medium of zombie consumption in popular culture, and also the most popular forum for academic inquiry relating to zombies. However, this figure has also played an increasingly significant role in written narratives, including novels and comic books. Throughout its relatively short existence, no matter the medium, the zombie has functioned as a mutable, polyvalent metaphor for many of society’s anxieties, with zombie film production spiking during society’s most troublesome times, including times of war, the height of the HIV/AIDS epidemic, and, more recently, 9/11.1 In Shocking Representations, Adam Lowenstein describes the connection between historical events and cinema by first describing how history is experienced collectively. Lowenstein describes historical traumas as “wounds” in the sense that they are painful, but also in that they continue to “bleed through conventional confines of time and space” (1). -
A Sociological Analysis of Contemporary Zombie Films As Mirrors of Social Fears a Thesis Submitted To
Fear Rises from the Dead: A Sociological Analysis of Contemporary Zombie Films as Mirrors of Social Fears A Thesis Submitted to the Faculty of Graduate Studies and Research in Partial Fulfillment of the Requirements For the Degree of Master of Arts in Sociology University of Regina By Cassandra Anne Ozog Regina, Saskatchewan January 2013 ©2013 Cassandra Anne Ozog UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Cassandra Anne Ozog, candidate for the degree of Master of Arts in Sociology, has presented a thesis titled, Fear Rises from the Dead: A Sociological Analysis of Contemporary Zombie Films as Mirrors of Social Fears, in an oral examination held on December 11, 2012. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Dr. Nicholas Ruddick, Department of English Supervisor: Dr. John F. Conway, Department of Sociology & Social Studies Committee Member: Dr. JoAnn Jaffe, Department of Sociology & Social Studies Committee Member: Dr. Andrew Stevens, Faculty of Business Administration Chair of Defense: Dr. Susan Johnston, Department of English *Not present at defense ABSTRACT This thesis explores three contemporary zombie films, 28 Days Later (2002), Land of the Dead (2005), and Zombieland (2009), released between the years 2000 and 2010, and provides a sociological analysis of the fears in the films and their relation to the social fears present in North American society during that time period. What we consume in entertainment is directly related to what we believe, fear, and love in our current social existence. -
The Serological Response of Sheep to Infection with Louping-Ill Virus
J. Hyg., Camb. (1961), 59, 437 437 Printed in Qreat Britain The serological response of sheep to infection with louping-ill virus BY H. WILLIAMS AND H. THORBURN The Bacteriology Laboratory, Northern Regional Hospital Board, Inverness (Received 24 May 1961) INTRODUCTION With the discovery of the virus aetiology of louping ill in sheep by Pool, Brown- lee & Wilson, in 1930, some of the fundamental characteristics of tho virus in relation to the disease in sheep, its transmission, and the identification of the tick vector, Ixodes ricinus were soon elucidated (Pool et al., 1930; Alston & Gibson, 1931; Hurst, 1931; Brownlee & Wilson, 1932; McLeod & Gordon, 1932; Gordon, Brownlee, Wilson & McLeod, 1932). A number of distinct yet related diseases occurring over a "wide geographical area from the far east of the Soviet Union to Western Russia were shown in 1937 to be tick-borne virus diseases (Smorodintseff, 1958) and the viruses involved were closely related to the virus of louping ill (Casals & Webster, 1943, 1944). Likewise, a virus isolated from cases of meningoencephalitis in man in Czechoslovakia in 1948, and now generally termed Central European tick-borne encephalitis was shown by Edward to be closely related to the Russian spring-summer encephalitis (R.S.S.E.) and louping-ill viruses (Edward, 1950). All these diseases are now grouped together under the term Russian spring- summer complex and with louping ill constitute subgroup of the arthropod-borne group B viruses, according to the classification of Casals & Brown (1954). Certain improvements in the design and technique of complement fixation tests (Fulton & Dumbell, 1949; Mayer, Osier, Bier & Heidelberger, 1946) and the de- velopment of haemagglutination inhibition tests with some members of the arbor viruses (Clarke & Casals, 1958) have made possible the examination of material on a larger scale than has readily been accomplished up to now. -
Film Reviews
Irish Journal of Gothic and Horror Studies 15 (Autumn 2016) FILM REVIEWS (Please note that reviews may contain spoilers) He Never Died (Dir. by Jason Krawczyk) USA/Canada 2015 Alternate Ending Studios And the Lord said, ‘What have you done? The voice of your brother’s blood is crying to me from the ground. And now you are cursed from the ground, which has opened its mouth to receive your brother’s blood from your hand. When you till the ground, it shall no longer yield to you its strength; you shall be a fugitive and a wanderer on the earth.’ –Genesis 4. 10-12 When it comes to entertainment, the only thing more commercial then sex is violence. And in the thousands of years since the Bible documented its first slaying, this seemingly insatiable desire to watch or read about homicide seems to remain unquenched. From Midsommer Murders (1997-present) to Memento (2000), and from Silence of the Lambs (1991) to Silent Witness (1996), there’s nothing more commercially profitable, it seems, then depicting a good murder. Tapping into primal and animalistic instincts, the representation of murder draws upon a sense that the human condition is to be fundamentally flawed, and suggests that such universal emotions as greed, jealousy, lust, and pride motivate a significant number of murders. The Old Testament figure of Cain, supposedly the first murderer (of his brother Abel), was forever cursed to ‘be a fugitive and a wanderer of the earth’ for all eternity.1 Cain’s story of fraternal betrayal and antagonism is one commonly represented in films such as Bloodline (2005), Before the Devil Knows You’re Dead (2007), We Own the Night (2007), and the Broadway musical Blood Brothers (1983-present). -
What Is “Horror”? 8 Slashers & Serial Killers 20 Cannibals, Freaks & Hillbillies 54 Revenge of Nature & 80
What is “Horror”? 8 Slashers & Serial Killers 20 Science-Fiction-Horror 96 The Living Dead 126 Introduction The Abominable Dr. Phibes / Deep Red / Alien / Aliens / Altered States / The Androm- 28 Days Later… / Bowery at Midnight / Dressed to Kill / Friday the 13th / Halloween / eda Strain / The Devil Commands / Eyes The Brain that Wouldn’t Die / Braindead / M / Man Bites Dog / Peeping Tom / Psycho / without a Face / The Fly / Goke, Body Snatcher Bride of Frankenstein / The Curse of Scream / The Silence of the Lambs / The from Hell / Invaders from Mars / Invasion of Frankenstein / Day of the Dead / Flesh for Stepfather / The Vanishing the Body Snatchers / The Invisible Man / The Frankenstein / Frankenhooker / Frankenstein / Invisible Man Returns / Island of Lost Souls / The Golem / The Mummy / Night of the Living Naked Lunch / Planet of the Vampires / Dead / Pet Sematary Pumpkinhead / Shivers / Tetsuo: The Iron Man / They Live / The Thing from Another World / Videodrome / The Village of the Damned Cannibals, Freaks & Hillbillies 54 Revenge of Nature & 80 Ghosts & Haunted Houses 150 Possession, Demons 166 Basket Case / Blood Feast / The Cabinet of Environmental Horror The Cat and the Canary / A Chinese Ghost & Tricksters Dr. Caligari / Cannibal Holocaust / Deliverance / The Alligator People / Creature from the Black Story / Don’t Look Now / The Haunting / The The Bad Seed / Candyman / The Exorcist / Eraserhead / Freaks / The Hills Have Eyes / Lagoon / Eight Legged Freaks / Environmental Innocents / Kill, Baby… Kill / Kwaidan / Lady Exorcist II: The Heretic / Faust / Häxan: House of 1000 Corpses / It’s Alive / The Last Horror / Godzilla / Gremlins / The Innocent and in White / The Old Dark House / Poltergeist Witchcraft through the Ages / Hellbound: House on the Left / The Phantom of the the Beast / Jaws / King Kong / Phase / Hellraiser 2 / Dr. -
101 Films for Filmmakers
101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers. -
Zombies: New Media, Cinema, and Performance
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title 21st Century Zombies: New Media, Cinema, and Performance Permalink https://escholarship.org/uc/item/9hq1z1t7 Author Taylor, Joanne Marie Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California 21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. -
Refugee Council 28 Days Later: Experiences of New Refugees in the UK
Refugee Council 28 days later: experiences of new refugees in the UK Lisa Doyle May 2014 Project team The report was written by Lisa Doyle, with support from Judith Dennis and Andrew Lawton. Charles Maughan helped with the review of literature, design of the interview schedules, and conducted, transcribed and analysed the qualitative data. Andrew Lawton conducted the quantitative analysis. Acknowledgments The project team would like to thank the Orp Foundation for their support of this work. We are thankful to James Drennan and Neil Gerrard for conducting some of the background research. Our deepest gratitude goes to all of those who participated in the interviews. Thank you all for giving your time and sharing your experiences. Refugee Council 28 days later: experiences of new refugees in the UK Lisa Doyle May 2014 Contents Acknowledgements 2 Executive summary 5 1 Introduction 8 2 Aims of research 9 3 Background and policy context 10 4 Methodology 11 5 Findings 13 6Conclusions and recommendations 25 References 26 4 Refugee Council report 2014 Executive summary Receiving refugee status can provide certainty and safety, but the period of change between being an asylum seeker and a refugee brings its own challenges. This report documents the experiences of newly-granted refugees in order to learn what issues they may face, what support they need and receive, and whether there are ways processes and policies can be changed to make the transition go more smoothly. The report focuses on people’s experiences of the first year after they have been granted refugee status so we can identify short term needs, and highlight what happens in the initial 28 day period when people have to rapidly move from one system of support to another. -
Students Enrolled in Literature and Cinema From: Mrs. Mcvcrry Re: Summer Viewing Requirement
To: Students Enrolled in Literature and Cinema From: Mrs. McVcrry Re: Summer Viewing Requirement Welcome to Literature and Cinema! This letter is to inform you of the viewing requirements for our semester course. In addition, you will find explicit instructions for an assignment that is due the first day of regular classes. You are required to view two films over the summer. One film MUST be a foreign film; the other film is from the genre (i.e, action/parody/drama) of your choice. For the films that may be unfamiliar to you, I have included a very brief synopsis. HORROR: The Shining (19S0): Directed by Swnky Kurbrkk Eased upon the novel by Stephen King. Follows one man's destructive descent into madness in a haunted Coiarado hotel. A modem aJlegorv for the effects of alcoholism on the family dynamic, .4n .American Haunting (2005): Starring Sissy Spacek and Donald Sutherland. Twin stories, one set in colonial times the other set in the present, interrwine in the tradition of American Romanticism. A young woman is relentlessly attacked by an evil spirit, but the explanation for the haunting may have more human origins. Scream (1996): Written and directed by Kevin Williamson. The "horror" movie that challenged the conventions of the American horror genre. .Also starring Neve Campbell, Counney Cox .Arquette, and David .Arquette. Brief cameo by Drew Barrymore. The Others (2001).- Produced by Tom Cruise and starring Nicole Kidman. Inspired by European Gothic storyielling, one woman contends with the seemingly supernatural possession of her children and home; a haunting, she feels, may be the work of the estate's staff Poltergeist (1982); Starring Tom Skerriit: The film that inn-oduced the poltergeist phenomenon to the American public.