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An Analysis of English Taboo Words in Movie Bad Boys 2
AN ANALYSIS OF ENGLISH TABOO WORDS IN MOVIE BAD BOYS 2 SKRIPSI Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Pendidikan (S.Pd) English Education Program By: DINA AULIANI NPM : 1602050019 FACULTY OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF NORTH SUMATERA 2020 ABSTRACT Auliani, Dina. 1602050019. “An Analysis of English Taboo Words in Movie Bad Boy 2”. Skripsi: English Education Program of Faculty Teacher Training and Education, University of Muhammadiyah Sumatera Utara. Medan. 2020 The research with the types and function of taboo words in movie Bad Boys 2. The objectives of the research was to analyze the type and function of taboo words in movie Bad Boys 2. The data were analyzed by identifying types and function taboo words in movie Bad Boys 2 taken from the script of dialogues Bad Boys 2. This study used descriptive qualitative method. All taboo words consisted of ephitet, obscenity, vulgarity and profanity appeared in the movie. The four kinds of taboo words applied in movie Bad Boys 2 were the total words taboo in the movie were 32, ephitets were 7 (22%), propanity were 12 (37%), vulgarity were 5 (16%), and obscenity were 8 times (25%). The most dominant kinds of taboo words used in movie Bad Boys 2 were propanity with 12 (37%). There were four functions of taboo words applied in movie Bad Boys 2. The total function of taboo words were 32, to show contempt was 17 (53%), to draw attention to oneself was 8 appeared (25%), to be provocative was 5 appeared (16%) and to muck authority with 2 appeared (6%). -
Race, Markets, and Hollywood's Perpetual Antitrust Dilemma
Michigan Journal of Race and Law Volume 18 2012 Race, Markets, and Hollywood's Perpetual Antitrust Dilemma Hosea H. Harvey Temple University, James E. Beasley School of Law Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Antitrust and Trade Regulation Commons, Civil Rights and Discrimination Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Race Commons Recommended Citation Hosea H. Harvey, Race, Markets, and Hollywood's Perpetual Antitrust Dilemma, 18 MICH. J. RACE & L. 1 (2012). Available at: https://repository.law.umich.edu/mjrl/vol18/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. RACE, MARKETS, AND HOLLYWOOD'S PERPETUAL ANTITRUST DILEMMA Hosea H. Harvey* This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competitive markets. Through historical, contextual, and empirical analysis, the Article describes the state of Hollywood motion-picture distributionfrom its anti- competitive beginnings through the industry's role in creating an anti-competitive, racially divided market at the end of the last century. The Article's evidence suggests that race-based inefficiencies have plagued the film distribution process and such inefficiencies might likely be caused by the anti-competitive structure of the market itself, and not merely by overt or intentional racial-discrimination.After explaining why traditional anti-discrimination laws are ineffective remedies for such inefficiencies, the Article asks whether antitrust remedies and market mechanisms mght provide more robust solutions. -
Original Article Being John Malkovich and the Deal with the Devil in If I Were
Identificação projetiva excessiva – Rosa Artigo original Quero ser John Malkovich e o pacto com o diabo de Se eu fosse você: destinos da identificação projetiva excessiva Antonio Marques da Rosa* Um fantoche mira-se em um espelho e não A produção artística sempre proporcionou gosta do que vê. Inicia, então, uma agitada boas oportunidades para ilustrar conceitos da dança, na qual quebra todos os objetos do psicanálise. Freud, apreciador da psicanálise cenário. Após desferir murros e pontapés de aplicada, exercitou-a magistralmente em forma descontrolada, faz algumas piruetas diversos momentos, como em 1910, com as acrobáticas, dá alguns saltos mortais de costas telas de Leonardo. Mais adiante, em 1957, e deixa-se repousar no chão, abandonado, Racker, na área da filmografia, ofereceu um amolecido, desmembrado. brilhante estudo da cena primária baseado em Assim começa a história de Craig Schwartz A janela indiscreta, de Hitchcock. Em 1994, por (John Cusack), um titereiro que se expressa ocasião de um evento científico em Gramado, através de seus bonecos. Ele é o que, na Kernberg sustentou que o cinema, na sociedade americana, convencionou-se atualidade, é o setor das artes que mais chamar de loser: alguém que não consegue ricamente expressa os conflitos humanos. progredir na carreira e vive “dando errado”. Penso que, como qualquer criação, um filme Apesar de seu inegável talento, não é está impregnado de fantasias inconscientes, reconhecido e não alcança sucesso no mundo só que não de um único criador, como uma das marionetes. Não sem razão, a cena inicial tela, mas de vários: do autor da obra original, da marionete foi batizada por ele de a “Dança do roteirista, do diretor e dos atores que nos do Desespero e da Desilusão”. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
12 Years a Slave Un Anglais À Hollywood Esclave Pendant Douze Ans, États-Unis / Royaume-Uni, 2013, 2 H 14 Jean-Philippe Desrochers
Document generated on 09/27/2021 11:52 p.m. Séquences La revue de cinéma --> See the erratum for this article 12 Years a Slave Un Anglais à Hollywood Esclave pendant douze ans, États-Unis / Royaume-Uni, 2013, 2 h 14 Jean-Philippe Desrochers Federico Fellini : le poète, le rêveur et le magicien Number 288, January–February 2014 URI: https://id.erudit.org/iderudit/71041ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Desrochers, J.-P. (2014). Review of [12 Years a Slave : un Anglais à Hollywood / Esclave pendant douze ans, États-Unis / Royaume-Uni, 2013, 2 h 14]. Séquences, (288), 38–39. Tous droits réservés © La revue Séquences Inc., 2014 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 38 LES FILMS | GROS PLAN 12 Years a Slave Adaptation du récit autobiographique de Solomon Northup, 12 Years a Slave UN ANGLAIS À est le troisième long métrage de Steve McQueen. Aux côtés de collaborateurs habituels, dont Sean Bobbitt à la direction photo et Joe Walker au montage, le cinéaste anglais signe aussi son premier film véritablement hollywoodien, HOLLYWOOD entouré de rumeurs d’Oscars. -
American Pie: the Wedding” Film
Socio-Cultural Impact of Youth in America Towards “American Pie: The Wedding” Film A Thesis Submitted to Letters and Humanities Faculty In Partial Fulfillment of the Requirements for the Strata I Degree (SI) By Barikatul Hikmah. A. S. 103026027616 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2009 1 APPROVEMENT SOCIO-CULTURAL IMPACT OF YOUTH IN AMERICA TOWARDS "AMERICAN PIE: THE WEDDING" FILM A Thesis Submitted to Letters and Humanities Faculty in Partial Fulfillment of the Requirements for the Strata Degree (S1) By Barikatul Hikmah. A. S. NIM. 103026027616 Approved by: Muhammad Supardi. S. S Supervisor ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2008 2 LEGALIZATION The thesis entitled “Socio-cultural Impact of Youth in America towards American Pie: The Wedding Film” has been defended by the Letters and Humanities Faculty’s Examination Committee on July, 2008. The thesis has already been accepted as a partial fulfillment of the requirement for acquiring the Strata One Degree (S1) in English Letters Department. Jakarta, July, 2008 Examining Committee Chief, Secretary, Dr. H. M. Farkhan, M. Pd Drs. A. Saefuddin, M. Pd NIP. 150 299 480 NIP. 150 261 902 Members; Examiner I, Examiner II, Dr. Frans Sayogie, M.Pd Elve Oktafiyani, M. Hum NIP. 150 299 481 NIP. 150 317 725 3 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. -
28 Days Later
28 DAYS LATER Written by Alex Garland CLOSE ON A MONITOR SCREEN: Images of stunning violence. Looped. Soldiers in a foreign war shoot an unarmed civilian at point- blank range; a man is set on by a frenzied crowd wielding clubs and machetes; a woman is necklaced while her killers cheer and howl. Pull back to reveal that we are seeing one of many screens in a bank of monitors, all showing similar images... Then revealing that the monitors are in a... INT. SURGICAL CHAMBER - NIGHT ...surgical chamber. And watching the screens is a... ...chimp, strapped to an operating table, with its skull dissected open, webbed in wires and monitoring devices, muzzled with a transparent guard. Alive. Behind the surgical chamber, through the wide doorframe, we can see a larger laboratory beyond. INT. BRIGHT CORRIDOR - NIGHT A group of black-clad ALF Activists, all wearing balaclavas, move down a corridor. They carry various gear - bag, bolt cutters. As they move, one Activist reaches up to a security camera and sprays it black with an aerosol paint can. INT. LABORATORY - NIGHT The Activists enter the laboratory. CHIEF ACTIVIST Fucking hell... The Chief Activist takes his camera off his shoulder and starts taking photos. The room is huge and long, and darkened except for specific pools of light. Partially illuminated are rows of cages with clear perspex doors. They run down either side of the room. In the cages are chimpanzees. 2. Most are in a state of rabid agitation, banging and clawing against the perspex, baring teeth through foam-flecked mouths. -
TV Listings Aug21-28
SATURDAY EVENING AUGUST 21, 2021 B’CAST SPECTRUM 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 1 AM 2 2Stand Up to Cancer (N) NCIS: New Orleans ’ 48 Hours ’ CBS 2 News at 10PM Retire NCIS ’ NCIS: New Orleans ’ 4 83 Stand Up to Cancer (N) America’s Got Talent “Quarterfinals 1” ’ News (:29) Saturday Night Live ’ Grace Paid Prog. ThisMinute 5 5Stand Up to Cancer (N) America’s Got Talent “Quarterfinals 1” ’ News (:29) Saturday Night Live ’ 1st Look In Touch Hollywood 6 6Stand Up to Cancer (N) Hell’s Kitchen ’ FOX 6 News at 9 (N) News (:35) Game of Talents (:35) TMZ ’ (:35) Extra (N) ’ 7 7Stand Up to Cancer (N) Shark Tank ’ The Good Doctor ’ News at 10pm Castle ’ Castle ’ Paid Prog. 9 9MLS Soccer Chicago Fire FC at Orlando City SC. Weekend News WGN News GN Sports Two Men Two Men Mom ’ Mom ’ Mom ’ 9.2 986 Hazel Hazel Jeannie Jeannie Bewitched Bewitched That Girl That Girl McHale McHale Burns Burns Benny 10 10 Lawrence Welk’s TV Great Performances ’ This Land Is Your Land (My Music) Bee Gees: One Night Only ’ Agatha and Murders 11 Father Brown ’ Shakespeare Death in Paradise ’ Professor T Unforgotten Rick Steves: The Alps ’ 12 12 Stand Up to Cancer (N) Shark Tank ’ The Good Doctor ’ News Big 12 Sp Entertainment Tonight (12:05) Nightwatch ’ Forensic 18 18 FamFeud FamFeud Goldbergs Goldbergs Polka! Polka! Polka! Last Man Last Man King King Funny You Funny You Skin Care 24 24 High School Football Ring of Honor Wrestling World Poker Tour Game Time World 414 Video Spotlight Music 26 WNBA Basketball: Lynx at Sky Family Guy Burgers Burgers Burgers Family Guy Family Guy Jokers Jokers ThisMinute 32 13 Stand Up to Cancer (N) Hell’s Kitchen ’ News Flannery Game of Talents ’ Bensinger TMZ (N) ’ PiYo Wor. -
Subjectivity, Difference, and Proximity in Transnational Film and Literature
UNIVERSITY OF CALIFORNIA RIVERSIDE Errancies of Desire: Subjectivity, Difference, and Proximity in Transnational Film and Literature A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature by Vartan Patrick Messier March 2011 Dissertation Committee: Dr. Marguerite Waller, Co-Chairperson Dr. Marcel Hénaff, Co-Chairperson Dr. Sabine Doran Dr. Jennifer Doyle Copyright by Vartan Patrick Messier 2011 The Dissertation of Vartan P. Messier is approved: _________________________________________________________________ _________________________________________________________________ _________________________________________________________________ Committee Co-Chairperson _________________________________________________________________ Committee Co-Chairperson University of California, Riverside ACKNOWLEDGMENTS This project has benefited considerably from the guidance and suggestions of professors and colleagues. First and foremost, Margie Waller deserves my utmost gratitude for her unwavering support and constructive criticism throughout the duration of the project. Likewise, I would like to thank Sabine Doran for her commitment and dedication, as well as her excellent mentoring, especially in the earlier stages of the process. My thanks go to Marcel Hénaff who graciously accepted to co-chair the dissertation, and whose unique insights on intellectual history proved invaluable. As well, revisions were facilitated by Jennifer Doyle’s refined critique on the ideas permeating -
Crash- Amundo
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Solomon Northup and 12 Years a Slave
Solomon Northup and 12 Years a Slave How to analyze slave narratives. Who Was Solomon Northup? 1808: Born in Minerva, NewYork Son of former slave, Mintus Northup; Northup's mother is unknown. 1829: Married Anne Hampton, a free black woman. They had three children. Solomon was a farmer, a rafter on the Lake Champlain Canal, and a popular local fiddler. What Happened to Solomon Northup? Met two circus performers who said they needed a fiddler for engagements inWashington, D.C. Traveled south with the two men. Didn't tell his wife where he was going (she was out of town); he expected to be back by the time his family returned. Poisoned by the two men during an evening of social drinking inWashington, D.C. Became ill; he was taken to his room where the two men robbed him and took his free papers; he vaguely remembered the transfer from the hotel but passed out. What Happened…? • Awoke in chains in a "slave pen" in Washington, D.C., owned by infamous slave dealer, James Birch. (Note: A slave pen were where (Note:a slave pen was where slaves were warehoused before being transported to market) • Transported by sea with other slaves to the New Orleans slave market. • Sold first toWilliam Prince Ford, a cotton plantation owner. • Ford treated Northup with respect due to Northup's many skills, business acumen and initiative. • After six months Ford, needing money, sold Northup to Edwin Epps. Life on the Plantation Edwin Epps was Northup’s master for eight of his 12 years a slave. -
The Walking Dead,” Which Starts Its Final We Are Covid-19 Safe-Practice Compliant Season Sunday on AMC
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