On Features of Fu Lei's Translation from the Perspective of The
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Writing Memory
Corso di Dottorato di ricerca in Studi sull’Asia e sull’Africa, 30° ciclo ED 120 – Littérature française et comparée EA 172 Centre d'études et de recherches comparatistes WRITING MEMORY: GLOBAL CHINESE LITERATURE IN POLYGLOSSIA Thèse en cotutelle soutenue le 6 juillet 2018 à l’Université Ca’ Foscari Venezia en vue de l’obtention du grade académique de : Dottore di ricerca in Studi sull’Asia e sull’Africa (Ca’ Foscari), SSD: L-OR/21 Docteur en Littérature générale et comparée (Paris 3) Directeurs de recherche Mme Nicoletta Pesaro (Università Ca’ Foscari Venezia) M. Yinde Zhang (Université Sorbonne Nouvelle – Paris 3) Membres du jury M. Philippe Daros (Université Sorbonne Nouvelle – Paris 3) Mme Barbara Leonesi (Università degli Studi di Torino) Mme Nicoletta Pesaro (Università Ca’ Foscari Venezia) M. Yinde Zhang (Université Sorbonne Nouvelle – Paris 3) Doctorante Martina Codeluppi Année académique 2017/18 Corso di Dottorato di ricerca in Studi sull’Asia e sull’Africa, 30° ciclo ED 120 – Littérature française et comparée EA 172 Centre d'études et de recherches comparatistes Tesi in cotutela con l’Université Sorbonne Nouvelle – Paris 3: WRITING MEMORY: GLOBAL CHINESE LITERATURE IN POLYGLOSSIA SSD: L-OR/21 – Littérature générale et comparée Coordinatore del Dottorato Prof. Patrick Heinrich (Università Ca’ Foscari Venezia) Supervisori Prof.ssa Nicoletta Pesaro (Università Ca’ Foscari Venezia) Prof. Yinde Zhang (Université Sorbonne Nouvelle – Paris 3) Dottoranda Martina Codeluppi Matricola 840376 3 Écrire la mémoire : littérature chinoise globale en polyglossie Résumé : Cette thèse vise à examiner la représentation des mémoires fictionnelles dans le cadre global de la littérature chinoise contemporaine, en montrant l’influence du déplacement et du translinguisme sur les œuvres des auteurs qui écrivent soit de la Chine continentale soit d’outre-mer, et qui s’expriment à travers des langues différentes. -
Report Title Raabe, Wilhelm Karl = Corvinus, Jakob (Pseud.)
Report Title - p. 1 of 672 Report Title Raabe, Wilhelm Karl = Corvinus, Jakob (Pseud.) (Eschershausen 1831-1910 Braunschweig) : Schriftsteller Biographie 1870 Raabe, Wilhelm Karl. Der Schüdderump [ID D15996]. Ingrid Schuster : Raabe verwendet im Roman den chinesischen Gartenpavillon als bezugsreiches Symbol für die zwei Hauptpersonen, der Ritter von Glaubigernd und das Fräulein von St. Trouin, sowie Chinoiserien in Adelaide von St. Trouins Zimmer. [Schu4:S. 162-168] Bibliographie : Autor 1870 Raabe, Wilhelm Karl. Der Schüdderump. In : Westermann's Jahrbuch der Illustrirten deutschen Monatshefte ; Bd. 27, N.F. Bd. 11, Oct.1869-März 1870. [Schu4] 1985 [Raabe, Wilhelm]. Que xiang chun qiu. Wang Kecheng yi. (Shanghai : Yi wen chu ban she, 1985). Übersetzung von Raabe, Wilhelm. Die Chronik der Sperlingsgasse. Hrsg. von Jakob Corvinus. (Berlin : Stage, 1857). [ZhaYi2,WC] 1997 [Raabe, Wilhelm Karl]. Hun xi yue shan. Weilian Labei zhu ; Wang Kecheng yi. (Shanghai : Shanghai yi wen chu ban she, 1997). Übersetzung von Raabe, Wilhelm Karl. Abu Telfan : oder, Die Heimkehr vom Mondgebirge : Roman. (Köln : Atlas-Verlag, 1867). [WC] Raaschou, Peter Theodor (Dänemark 1862-1924 Shanghai) : Diplomat Biographie 1907-1908 Peter Theodor Raaschou ist Konsul des dänischen Konsulats in Shanghai. [Who2] 1909-1917 Peter Theodor Raaschou ist Generalkonsul des dänischen Konsulats in Shanghai. 1917 ist er Senior Konsul. [Who2] Raasloff, Waldemar Rudolf (1815-1883) : Dänischer Politiker, General Biographie 1863 Dritte dänische diplomatische Mission nach China durch Waldemar Rudolf Raasloff. [BroK1] Rabban Bar Sauma (ca. 1220-1294) : Türkisch-mongolischer Mönch, Nestorianer Bibliographie : erwähnt in 1992 Rossabi, Morris. Voyager from Xanadu : Rabban Sauma and the first journey from China to the West. (Tokyo ; New York, N.Y. -
UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Dreams and disillusionment in the City of Light : Chinese writers and artists travel to Paris, 1920s-1940s Permalink https://escholarship.org/uc/item/07g4g42m Authors Chau, Angie Christine Chau, Angie Christine Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Dreams and Disillusionment in the City of Light: Chinese Writers and Artists Travel to Paris, 1920s–1940s A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Angie Christine Chau Committee in charge: Professor Yingjin Zhang, Chair Professor Larissa Heinrich Professor Paul Pickowicz Professor Meg Wesling Professor Winnie Woodhull Professor Wai-lim Yip 2012 Signature Page The Dissertation of Angie Christine Chau is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii TABLE OF CONTENTS Signature Page ...................................................................................................................iii Table of Contents............................................................................................................... iv List of Illustrations.............................................................................................................. v Acknowledgements........................................................................................................... -
Lina HUANG Professional Translator (Chinese-French-English)
Lina HUANG Professional translator (Chinese-French-English) Add: 12 rue de Tournon 75006 Paris, France Tel : +33 652012748 E-Mail : [email protected] Working Experience November 2019- Independent translator in France Interpretation: Consecutive interpreting: tile manufacturer Winckelmans, January 2020, Lille Interpretation in conjunction with: Chanel Métiers d'art 2019 December, Paris Translation: CGTN French channel Translation of the documentary about the Chinese efforts against the Covid-19: Unity against the epidemic (From Chinese to French, episode 2,3,4 et 5). Spectrum Films Paris (translation of subtitles) : Hong Kong films "The Saviour", "Spacked out", "Biozombie" and interviews of the filmmakers: Jackie Yeung, Jason Lam Kee, Michael Mak French Development Agency : Article "Towards New Sustainable Silk Roads - A Reflection Path for a Common Reference Framework for Financing Sustainable Development". The Art Newspaper (China version): Article by Bruno Latour: "Imagining barrier gestures against the return to pre-crisis production". Article by Frédérique Leichter-Flack: "Choosing who to save and who to let die? Sorting, an ethical and democratic issue". Article by Dominique Méda: "Thinking after: Only ecological reconversion can avoid the dehumanization of work". Certified translator for the French Embassy in China: Festival Croissement, Music festival, Exhibition AJAP (Albums of young architects and landscape architects), PPT files of the International Office for Water (OIEau) January 2018- CBM (China Broadcasting Media): Broadcasting Producer, Beijing August 2019 Position: Translation (French-Chinese) Mission: Translation and subtitling of audiovisual works (TV series, documentaries) commissioned by the Propaganda Department of the Central Committee of the Chinese Communist Party and CCTV (CGTN). Examples of the projects: TV series: "Mr. -
In Nie Chinese Tertr Shrdies in Comparative Literature, Ying-Hsiung Chou (Ed-), (Hong Kong: Chinese University Press, 19 8 6), 63
National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. nie Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence aüowing the exclusive permettant à la National Libraq of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in rnicrofonn, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts &om it Ni la thkse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autonsation. ABSTRACT ................................................................................................................................................ rr TABE OF CONTENTS.................................................................................................................................. III LET OF TABLESAND FIGURES..................................................................................................................... V ACKNOWLEDGEMENT................................................................................................................................. -
Iolume 3/1994 Number 1
AöIAN. A \ T r " \ Ālovak LAN) YL 11—y orAf^emy oaences AFRICAN 6TUDIE6 Iolume 3/1994 Number 1 CONTENTS Editor in Chief: Viktor K r u pa Articles Associate and Managing Editor: Jozef Ge n z o r Křupa, Viktor: Structuration of Space and Time in Polynesian Languages.................... 3 Findeisen, Raoul David:Professor Luo. We would like to inform our readers that Reflections on Bertrand Russell in since 1992 our periodical ASIAN AND China ............................................................... 10 AFRICAN STUDIES is published semi E b e r , Irene: Western Literature in Chinese annually in journal form rather than Translation, 1949-1979 .............................. 34 annually in book form. The conception of M ú č k a , Ján: Phan Boi Chau (1867-1940) our journal, however, has not undergone dans le contexte de ľExtréme-Orient 55 any major changes. KopČan, Vojtech: Zur Versorgung der The Editors osmanischen Armee während des Vyvar Seferi im Jahre 1663 ................................... 69 Gordon, April: Class and Ethnicity in Address of the Editorial Office Kenya: The Otieno Case .............................. 77 Klemensova 19 813 64 Bratislava Slovakia Book reviews The editors bear no responsibility what K ir c h , Patrick V. - Sahlins, Marshall: soever for the views expressed by the Anahulu. The Anthropology of History contributors to this journal. in the Kingdom of Hawaii. By Viktor Krupa ............................................................. 97 M i t t a g , Achim (hrsg.): In memoriam Achim Hildebrand. Gesammelte Aufsätze. By Marián Gálik .................................................................................................................................................... 98 Schm idt-Glintzer, Helwig: Geschichte der chinesischen Literatur. Die 3000jährige Ent wicklung der poetischen, erzählenden und philosophisch-religiösen Literatur Chinas von den Anfängen bis zur Gegenwart. By Marián Gálik ................................................... -
Teaching the Renaissance in China: Limitations and Qualifications
Renaissance 4/2012 - 1 Chen Liu Teaching the Renaissance in China. 'imitations and 3ualifications /ig. 1. Tsinghua (niversity, 1rand %uditorium Renaissance teaching in China is barely a no- plete in "urope.[1] The Chinese people had to ticeable activity. This is largely the result of the endure decades of political and intellectual dis- uneasy development of China s universities. order& and the situation )as greatly aggravated !hile many "uropean universities have a vener- by fierce aggression from the outside. %ll of able history dating bac# to the $iddle %ges, these have conditioned the e-istence and devel- modern universities began to emerge in China opment of China s universities. only in the late nineteenth century. 'ast year& Tsinghua (niversity, one of the nation s prime institutions of higher learning& celebrated its Tsinghua (niversity. /oundation and /lourish centennial& an event coinciding )ith the 100th of 0umanities anniversary of the Revolution of 1*11. +uring this past century, China has gone through the Tsinghua (niversity’s campus architecture dis- most dramatic changes in her history, )hereas plays a markedly !estern style. To the trained similar changes too# some ,00 years to com- eye& the centrally planned Grand %uditorium 2fig. Chen 'iu Teaching the Renaissance in China #unstte-te.de 4/2012 - 2 14& )ith its pedimented temple front articulated These intellectuals pursued their oversea educa- by an Ionic order& immediately evokes the 5talian tion at a critical moment in the history of t)en- Renaissance architect %ndrea 6alladio s most tieth-century China. In the decades immediately reno)ned )or#. 7illa Rotunda.[2] The origin of follo)ing the Revolution of 1*11& )hich the (niversity has indeed a !estern connection. -
CHEN-DISSERTATION-2017.Pdf (1.546Mb)
Collecting as Cultural Technique: Materialistic Interventions Into History in 20th Century China The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Chen, Guangchen. 2017. Collecting as Cultural Technique: Materialistic Interventions Into History in 20th Century China. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:41141785 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Collecting as Cultural Technique: Materialistic Interventions into History in 20th Century China A dissertation presented by Guangchen Chen to The Department of Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Comparative Literature Harvard University Cambridge, Massachusetts May 2017 © 2017 Guangchen Chen All rights reserved. Dissertation Advisor: Professors David Damrosch and David Wang Guangchen Chen Collecting as Cultural Technique: Materialistic Interventions into History in 20th Century China Abstract This dissertation explores the interplay between the collecting of ancient artifacts and intellectual innovations in twentieth century China. It argues that the practice of collecting is an epistemological attempt or a “cultural technique,” as formulated by the German media theorist Bernhard Siegert, to grasp the world in its myriad materiality and historicity. Through experiments on novel ways to reconfigure objects and study them as media on which intangible experiences are recorded, collectors cling to the authenticity of past events, preserve memory through ownership, and forge an intimate relationship with these objects. -
Appendix the Dao of Ink and Dharma Objects—On Jizi's Paintings
Appendix The Dao of Ink and Dharma Objects—On Jizi’s Paintings Gao Congyi The stance that the ancient Daoist philosopher Laozi took of his brush and ink were still on the distant horizon. Even in the world after he realized the “Way” ( dao), as everyone so, the paucity of his artworks in his early period allowed knows, was a rejection of the world. A modern Western ex- him, after weighing the matter over and over, to destroy ample would be Ludwig Wittgenstein who, after his Tracta- them voluntarily. Isn’t this also a kind of suicide? This was a tus Logico-Philosophicus, saw the “Way” ( dao), left the elite kind of cultural suicide that is different from the suicides of celebrity circle of Bertrand Russell, John Maynard Keynes the novelist Lao She (1899–1966) and the translator and art and others, and ran off to a far away mountain village to be- critic Fu Lei (1908–1966), who took their own lives. Chinese come an elementary school teacher and church gardener for intellectuals like Lao She and Fu Lei did not “endure”, while more than 15 years. Until his 27 June 2009 exhibition “The those like Jizi “endured” until after 1977, “endured” until the Way of Ink and Dharma Objects,” Jizi’s exhibition”, Jizi’s “science spring,” and “endured” until the “art spring.” personal life had been hidden from the world for almost 70 The 1980s were a watershed for the Chinese society and years. As for the contributions of his artistic career, Jizi had also for Jizi. The period just before the mid-1980s was the been painting in silence for almost 50 years! After hearing first period of his painting, the period of brush and ink land- this marvelous absurdity, one cannot but feel that it was a scapes. -
Balzac Retranslated
TranscUlturAl, vol. 12.1 (2020), 100-118. http://ejournals.library.ualberta.ca/index.php/TC Balzac Retranslated Marie-Christine Aubin York University Introduction Literary translation is tricky. Hardly ever do you hear a critic say the translation of a book is “good”. In the best of cases people pretend that, even though they have been reading a translation, they were in fact reading Balzac, or Dostoevsky, or any other author of universal renown. For those who are able to read the original text, the translation is more often than not rejected as “inaccurate,” “stylistically inadequate,” “loose,” “overly free,” “not doing justice to the original,” or simply “bad”. James Payn even claimed that Balzac “is not translatable, or when translated is not readable” (67). However rhetorical such a statement might be, there is no doubt that the task of the literary translator is challenging. In 1967, Fritz Senn rightfully remarked: “... the translator is in a much worse position than critics or commentators are. They can afford to be highly selective and parade their scraps of insight and erudition with an air of being at home equally well in any place of the book—but the translator cannot shirk a single issue” (176). Faced with such difficulties, whether stylistic or content- related, the translator has to make decisions. These may not please everyone, yet they are genuine literary interpretations of the source text. Thus Chan Leo Tak-Hung’s notion that literary translation criticism should “cease to consist of a cataloguing of mistakes and errors of various sorts” (17) and consider instead the translated text as a new text, is appealing. -
Chinese Writers and Artists Travel to Paris, 1920S–1940S
UNIVERSITY OF CALIFORNIA, SAN DIEGO Dreams and Disillusionment in the City of Light: Chinese Writers and Artists Travel to Paris, 1920s–1940s A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Angie Christine Chau Committee in charge: Professor Yingjin Zhang, Chair Professor Larissa Heinrich Professor Paul Pickowicz Professor Meg Wesling Professor Winnie Woodhull Professor Wai-lim Yip 2012 Signature Page The Dissertation of Angie Christine Chau is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2012 iii TABLE OF CONTENTS Signature Page ...................................................................................................................iii Table of Contents............................................................................................................... iv List of Illustrations.............................................................................................................. v Acknowledgements............................................................................................................ vi Vita...................................................................................................................................viii Abstract............................................................................................................................... x Chapter 1 Introduction.................................................................................................................... -
The Optimal Design of Soccer Robot Control System Based on The
2019 3rd International Workshop on Arts, Culture, Literature and Language (IWACLL 2019) A Brief Analysis of the Translation Characteristics of Fu Lei's Translation of Old Man Gao Zhao Lianbin1, Bai Xuefang2 1Changzhi University, Changzhi, Shanxi, 046011, China 2Fuyang Normal University, Fuyang, Anhui, 236000, China Keywords: "High Old Man"; Fu Lei Translation; Translation Features Abstract: Fu Lei is an excellent translator in China. He has translated many literary works. In the process of translation, it has formed its own unique translation style. This time, the author makes an analysis of the translation features of Fu Lei's translation of Old Man Gao. His translation thoughts originate from his practical translation practice, so they are mostly empirical and subjective. After analysis, Fu Lei's artistic translation view is mainly manifested in three aspects: the translator's artistic accomplishment, the choice of translation and the translation standard. Fu Lei’s translation theory is not about a specific method, but an attitude that should be held in translation and an attitude towards literary translation. 1. Introduction Fu Lei is a very good translator in China. His translated works are mostly fluent and the words are more rigorous and standardized [1]. Fu Lei's life was translated into thirty-four, mainly focusing on the translation of French works. In addition, he also explained his views on translation in his two letters to friends [2]. In particular, the letter to Luo Xinyi is not very large, but it is concise and concise, quite exciting [3]. Throughout his life, he has been enriching and cultivating his own cultivation in various fields of art.