Number 3 Fall 2005
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TEL AVIV PANTONE 425U Gris PANTONE 653C Bleu Bleu PANTONE 653 C
ART MODERNE ET CONTEMPORAIN TRIPLEX PARIS - NEW YORK TEL AVIV Bleu PANTONE 653 C Gris PANTONE 425 U Bleu PANTONE 653 C Gris PANTONE 425 U ART MODERNE et CONTEMPORAIN Ecole de Paris Tableaux, dessins et sculptures Le Mardi 19 Juin 2012 à 19h. 5, Avenue d’Eylau 75116 Paris Expositions privées: Lundi 18 juin de 10 h. à 18h. Mardi 19 juin de 10h. à 15h. 5, Avenue d’ Eylau 75116 Paris Expert pour les tableaux: Cécile RITZENTHALER Tel: +33 (0) 6 85 07 00 36 [email protected] Assistée d’Alix PIGNON-HERIARD Tel: +33 (0) 1 47 27 76 72 Fax: 33 (0) 1 47 27 70 89 [email protected] EXPERTISES SUR RDV ESTIMATIONS CONDITIONS REPORTS ORDRES D’ACHAt RESERVATION DE PLACES Catalogue en ligne sur notre site www.millon-associes.com בס’’ד MODERN AND CONTEMPORARY FINE ART NEW YORK : Tuesday, June 19, 2012 1 pm TEL AV IV : Tuesday, 19 June 2012 20:00 PARIS : Mardi, 19 Juin 2012 19h AUCTION MATSART USA 444 W. 55th St. New York, NY 10019 PREVIEW IN NEW YORK 444 W. 55th St. New York, NY. 10019 tel. +1-347-705-9820 Thursday June 14 6-8 pm opening reception Friday June 15 11 am – 5 pm Saturday June 16 closed Sunday June 17 11 am – 5 pm Monday June 18 11 am – 5 pm Other times by appointment: 1 347 705 9820 PREVIEW AND SALES ROOM IN TEL AVIV 15 Frishman St., Tel Aviv +972-2-6251049 Thursday June 14 6-10 pm opening reception Friday June 15 11 am – 3 pm Saturday June 16 closed Sunday June 17 11 am – 6 pm Monday June 18 11 am – 6 pm tuesday June 19 (auction day) 11 am – 2 pm Bleu PREVIEW ANDPANTONE 653 C SALES ROOM IN PARIS Gris 5, avenuePANTONE d’Eylau, 425 U 75016 Paris Monday 18 June 10 am – 6 pm tuesday 19 June 10 am – 3 pm live Auction 123 will be held simultaneously bid worldwide and selected items will be exhibited www.artonline.com at each of three locations as noted in the catalog. -
Archiving Possibilities with the Victorian Freak Show a Dissertat
UNIVERSITY OF CALIFORNIA RIVERSIDE “Freaking” the Archive: Archiving Possibilities With the Victorian Freak Show A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ann McKenzie Garascia September 2017 Dissertation Committee: Dr. Joseph Childers, Co-Chairperson Dr. Susan Zieger, Co-Chairperson Dr. Robb Hernández Copyright by Ann McKenzie Garascia 2017 The Dissertation of Ann McKenzie Garascia is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This dissertation has received funding through University of California Riverside’s Dissertation Year Fellowship and the University of California’s Humanities Research Institute’s Dissertation Support Grant. Thank you to the following collections for use of their materials: the Wellcome Library (University College London), Special Collections and University Archives (University of California, Riverside), James C. Hormel LGBTQIA Center (San Francisco Public Library), National Portrait Gallery (London), Houghton Library (Harvard College Library), Montana Historical Society, and Evanion Collection (the British Library.) Thank you to all the members of my dissertation committee for your willingness to work on a project that initially described itself “freakish.” Dr. Hernández, thanks for your energy and sharp critical eye—and for working with a Victorianist! Dr. Zieger, thanks for your keen intellect, unflappable demeanor, and ready support every step of the process. Not least, thanks to my chair, Dr. Childers, for always pushing me to think and write creatively; if it weren’t for you and your Dickens seminar, this dissertation probably wouldn’t exist. Lastly, thank you to Bartola and Maximo, Flora and Martinus, Lalloo and Lala, and Eugen for being demanding and lively subjects. -
Stanley Chase Papers LSC.1090
http://oac.cdlib.org/findaid/ark:/13030/kt6h4nc876 No online items Finding Aid for the Stanley Chase Papers LSC.1090 Processed by Timothy Holland and Joshua Amberg in the Center For Primary Research and Training (CFPRT), with assistance from Laurel McPhee, Fall 2005; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala, Caroline Cubé, Laurel McPhee and Amy Shung-Gee Wong. UCLA Library Special Collections Online finding aid last updated on 2020 December 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Stanley Chase LSC.1090 1 Papers LSC.1090 Contributing Institution: UCLA Library Special Collections Title: Stanley Chase papers Creator: Chase, Stanley Identifier/Call Number: LSC.1090 Physical Description: 157.2 Linear Feet(105 boxes, 12 oversize boxes, 27 map folders) Date (inclusive): circa 1925-2001 Date (bulk): 1955-1989 Abstract: Stanley Chase (1928-) was a theater, film, and television producer. The collection consists of production and business files, original production drawings, posters, press clippings, sound recordings, and scripts from his major projects. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. -
Download Lot Listing
IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private -
Im Pressio Nist M O Dern & Co Ntem Po Rary Art 27 January
IMPRESSIONIST MODERN & CONTEMPORARY ART CONTEMPORARY & MODERN IMPRESSIONIST 27 JANUARY 2015 8 PM 8 2015 JANUARY 27 27 JANUARY 2015 PM 8 2015 JANUARY 27 134 IMPRESSIONIST MODERN & CONTEMPORARY ART CONTEMPORARY & MODERN IMPRESSIONIST VIEWINGS: Thu 15 Jan 5 pm - 10 pm Fri 16 Jan 11 am - 3 pm Sat 17 Jan 10 pm - 12 am IMPRESSIONISSun - Thu /T 18-22, MO JanDERN 11 am - 10 pm Fri 23 Jan 11 am - 3 pm & CONSat T24EMPORAR Jan Y 10 pm - 12 am Sun - Mon / 25 - 26 Jan 11 am - 10 pm FINE TueAR 27T JanAUCTION 11 am - 8 pm JERUSALEM, JANUARY 27, 2015, 8 PM SALE 134 PREVIEW IN JERUSALEM: Thu 15 Jan 5 pm - 10 pm Fri 16 Jan 11 am - 3 pm Sat 17 Jan 10 pm - 12 am Sun - Thu / 18-22 Jan 11 am - 10 pm Fri 23 Jan 11 am - 3 pm Sat 24 Jan 10 pm - 12 am Sun - Mon / 25 - 26 Jan 11 am - 10 pm Tue 27 Jan 11 am - 8 pm PREVIEW IN NEW YORK: Thu 15 Jan 12 pm - 5 pm Fri 16 Jan 11 am - 3 pm Sun - Thu / 18-22 Jan 12 pm - 5 pm Fri 23 Jan 11 am - 3 pm Sun - Mon / 25 - 26 Jan 12 pm - 5 pm Tue 27 Jan 11 am - 1 pm PREVIEW & AUCTION MATSART GALLERY 21 King David St., Jerusalem tel +972-2-6251049 www.matsart.net בס"ד MATSART AUCTIONEERS & APPRAISERS 21 King David St., Jerusalem 9410145 +972-2-6251049 5 Frishman St., Tel Aviv 6357815 +972-3-6810001 415 East 72 st., New York, NY 10021 +1-718-289-0889 LUCIEN KRIEF OREN MIgdAL Owner, Director Head of Department Expert Israeli Art [email protected] [email protected] StELLA COSTA ALICE MARTINOV-LEVIN Senior Director Head of Department [email protected] Modern & Contemporary Art [email protected] EVGENY KOLOSOV YEHUDIT RATZABI AuctionAdministrator AuctionAdministrator Modern & Contemporary Art [email protected] [email protected] REIZY GOODWIN MIRIAM PERKAL Logistics & Shipping Client Accounts Manager [email protected] [email protected] All lots are sold “as is” and subject to a reserve. -
Litvak Art in the Context of the Ecole De Paris ANTANAS ANDRIJAUSKAS
Litvak Art in the Context of the Ecole de Paris ANTANAS ANDRIJAUSKAS Introduction Some studies, like this one, begin as fragmentary thoughts recorded on various occasions: they are born naturally and imperceptibly when the time is right. In my childhood, while wandering with a fishing pole outside Veisiejai near Lake Ančia, I slipped, and my feet disturbed a thick layer of moss under which was buried a dark stone with strange characters in an unknown language. My elders later told me that these were vestiges of the Lithuanian Jewish culture that had once existed here. That was my first contact with the culture of Lith- uanian Jews, the Litvaks. I learned that before World War II, in Veisiejai, a small town in Dzūkija, there had been a large Jewish community. The inventor of Esperanto, L. L. Zamenhof, had also lived here. When I moved there with my parents after the war, at the age of six, there were no Litvaks left in this town. The entire community was mercilessly annihilated. Much later, in my travels, I continued to encounter, in various contexts, manifestations of Litvak culture - works in Parisian exhibition halls and galleries with the names of Jew- ish Litvak artists who represented the third generation resid- ing abroad. Next to their names I often saw the words litvak or juif d'origine lituanicnne. It greatly intrigued me that in Paris so many people identified themselves with - and had roots in - ANTANAS ANDRIJAUSKAS is Head of the Department of Compara- tive Cultural Studies at the Institute for Culture, Philosophy, and Art, and President of the Lithuanian Aesthetic Association. -
Neemijos Arbit Blato Kūrybos Stilistinės Metamorfozės
MENAS Gauta 2008 11 10 ANTANAS ANDRIJAUSKAS Vilniaus dailës akademija NEEMIJOS ARBIT BLATO KÛRYBOS STILISTINËS METAMORFOZËS The Stylistic Metamorphoses in the Creative Works of Neemija Arbit Blat SUMMARY The alumni of Kaunas Fine Arts School Neemija Arbit Blat (19081999) was a visual historiographer of the Lécole de Paris. The article considers his artistic works, especially those accomplished in Paris, and his association with La Ruche and the grand masters of the Lécole de Paris. The article discusses the portraits series and late sculpture works of the artist. SANTRAUKA Straipsnyje aptariamos lécole de Paris vizualinio istoriografo, Kauno meno mokyklos auklëtinio Neemijos Arbit Blato kûrybos iðtakos, pagrindinës meninës raiðkos sritys. Ypatingas dëmesys skiriamas paryþietið- kam jo kûrybos etapui, dailininko sàsajom su La Ruche aplinka ir didþiaisiais Paryþiaus mokyklos meist- rais. Tekste iðsamiau aptariama jo didiesiems Paryþiaus mokyklos meistrams skirtø portretø serija ir vë- lyvieji skulptûros kûriniai. TARP LIETUVOS IR PARYÞIAUS Vienas didþiøjø pasauliná pripaþini- nografijos srityse. Nors gimë ûkuose pa- mà pelniusiø litvakø dailininkø buvo skendusioje Lietuvoje ir buvo paveiktas Neemija Arbit Blatas (Arbitblatas, 1908 niûraus vokiðkojo ekspresionizmo kolo- 1999). Tai universalus menininkas, reið- rito, taèiau jo brandi Prancûzijoje sukur- kæsis tapybos, skulptûros, grafikos ir sce- ta tapyba kupina ekspresijos, impresio- RAKTAÞODÞIAI: litvakø dailë, Neemija Arbit Blatas, modernizmas, Paryþiaus mokykla. KEY WORDS: the fine arts of Lithuanian Jews, Neemija Arbit Blat, modernism, Lécole de Paris. LOGOS 57 139 2008 SPALIS GRUODIS ANTANAS ANDRIJAUSKAS nuoðirdþiai manau, kad ðiandien tai jau negali pasikartoti.1 Taèiau ið tiesø Lie- tuva, ðis unikalus spalvingos archajiðkos poetikos kupinas pasaulis, kuris pagim- dë didþiø dailininkø plejadà, po katast- rofos negráþtamai nuslinko á praeitá. -
ART MODERNE & ÉCOLE DE PARIS Mercredi 23 Mars 2016 Expert
ART MODERNE & ÉCOLE DE PARIS Mercredi 23 Mars 2016 Expert Cécile RITZENTHALER ART MODERNE & ÉCOLE DE PARIS Richelieu-Drouot, Salle 5 Mercredi 23 Mars 2016 14h Expositions publiques Mardi 22 mars 2016, de 11h à 18h Mercredi 23 mars 2016, de 11h à 12h Expositions privées sur rendez-vous Du lundi 14 mars au jeudi 17 mars 2016 5, avenue d’Eylau 75 116 Paris Intégralité des lots sur millon.com En partenariat avec Département Art Moderne Cécile Ritzenthaler Alix Casciello Lucina Savelli Pour tout renseignement Renseignements, ordres d’achat, rapports d’état Expert expertises gratuites sur rendez-vous Cécile Ritzenthaler T +33 (0)6 85 07 00 36 Inquiries, absentee bids, condition reports, [email protected] free appraisals by appointment Sculptures : Responsable du département Claude-Annie MARZET Alix Casciello Tel +33(0)6 12 31 12 84 [email protected] Consultant MILLON Trocadéro Ecole de Paris & Peintres d’Europe Centrale Lucina Savelli Maurice MIELNICZUK 5, avenue d’Eylau Tel : + 33 (0)7 60 32 32 23 75 116 Paris T +33 (0)1 47 27 76 72 F +33 (0)1 47 27 70 89 [email protected] 4 ART MODERNE Sommaire Index p 4 Le XIXeme siècle : Les ancrages de la modernité p 8 Le Symbolisme p 30 Au tournant d'un siècle : Les Impressionnistes p 36 Les Modernes p 86 Les Céramiques de Picasso p 96 École de Paris, venir de l'Est Vivre et peindre p 102 Post-War p 126 Conditions de vente p 142 Ordres d’achat p 144 MILLON 5 Index SOMM Henri 1,2,3 GUYON Maximilienne 36 ORANGE Maurice Henri 28 ADRION Lucien 80,83 GUYOT Georges-Lucien 93 OSBERT Alphonse 41 AIZPIRI Paul -
Musée Des Années 30 Dossier Pédagogique
Musée des Années 30 Dossier pédagogique Musée des Années 30 –Espace Landowski – 28 avenue André Morizet – 92100 Boulogne-Billancourt www.boulognebillancourt.com DOSSIER PEDAGOGIQUE Ce dossier, destiné aux enseignants du primaire et du secondaire, est conçu comme un outil didactique. Il propose des repères et des explications qui permettent de construire une visite dans le musée. Il est possible de le télécharger sur le site de la ville : www.boulognebillancourt.com Dans la rubrique brochures du site, vous trouverez le parcours architectural et le programme annuel du musée des Années 30. Objectifs - Proposer aux enseignants, quelque soit leur niveau et leur discipline, un outil clair et pratique pour aborder le musée avec les élèves - Permettre de faire le lien entre les collections et l’histoire de la ville de Boulogne- Billancourt - Favoriser la découverte de l’architecture, du mobilier et de l’art des années 30 - Proposer un choix d’œuvres majeures qui permettent d’aborder les artistes importants, les principaux courants artistiques, les faits historiques Contenu - Présentation générale de l’histoire et du patrimoine de la ville de Boulogne- Billancourt - Textes introductifs aux différentes sections du musée - Fiches d’œuvres - Mots-clés* - Tableau synoptique de l’entre-deux-guerres Certaines œuvres peuvent être momentanément absentes, prêtées à d’autres institutions pour des expositions temporaires. SOMMAIRE Informations pratiques - Venir au musée des Années 30 - Jours et horaires d’ouverture - Tarifs - Consignes pour une visite libre -
New Acquisitions in Americana October 2020
William Reese Company AMERICANA • RARE BOOKS • LITERATURE AMERICAN ART • PHOTOGRAPHY ______________________________ 409 TEMPLE STREET NEW HAVEN, CONNECTICUT 06511 (203) 789-8081 FAX (203) 865-7653 [email protected] New Acquisitions in Americana October 2020 The Negro Civic League Reacts to Elections in Florida 1. [African Americana]: [Negro Civic League]: NEGRO VOTERS SOLD OUT IN JUNE 2, PRIMARY. YOU HAVE BEEN SOLD AGAIN AND THIS TIME BY YOUR OWN LEADERS. [Jacksonville, Fl.? N.d., ca. 1946-1956]. Handbill, 9 x 6 inches. Three small chips at top and right margins (no text af- fected). Tanned. Good. Handbill issued by the Negro Civic League referring to an election we could not identify, but which was one of a series of controversial elections in Duval County, which at the time had the largest percentage of African-American registered voters in Florida. The text states: “You have been sold again and this time by your own Leaders. If you want the truth as to what you are worth, and who sold you Out, attend the Mass Meeting at the Odd Fellows Hall, Odessa & Florida Ave. Thurs. June 11, 8p.m. Karl Westphall & Harry Courtney will speak.” The officers of the Negro Civic League are given at the bottom: “Arthur Reynolds, Pres.” and “Bessie Robinson, Sec.” Elston E. Roady, “The Expansion of Negro Suffrage in Florida” in Journal of Negro Education, Vol. 26, no. 3 (Summer, 1957), pp.297-306. $225. An Unrecorded Chicago Cattle Auction Catalogue from 1888 2. [Cattle]: [Huston, Rigdon]: CLOSING OUT SALE OF THE HILL- A substantial and unrecorded cattle auction catalogue advertising the sale of the DALE HERD OF SHORT-HORN CATTLE PROPERTY OF THE LATE late Rigdon Huston’s Hilldale Herd in Chicago in 1888. -
Impressionist Modern & Contemporary Art 30 June
131 & CONTEMPORARY ART 30 JUNE 2014 8PMIMPRESSIONIST MODERN IMPRESSIONIST, MODERN & CONTEMPORARY FINE ART AUCTION JERUSALEM, JUNE 30, 2014, 8 PM SALE 131 VIEWINGS: Thu 12 June 5 pm - 10 pm Fri 13 June 11 am - 3 pm Sat 14 June 10 pm - 12 am Sun - Thu / 15-19 June 11 am - 10 pm Fri 20 June 11 am - 3 pm Sat 21 June 10 pm - 12 am Sun - Tue / 22 - 26 June 11 am - 10 pm Fri 27 June 11 am - 3 pm Sat 28 June 10 pm - 12 am Sun 29 June 11 am - 10 pm Mon 30 June 11 am - 8 pm PREVIEW & AUCTION MATSART GALLERY 21 King David St., Jerusalem tel +972-2-6251049 www.matsart.net בס"ד MATSART AUCTIONEERS & APPRAISERS 21 King David St., Jerusalem 9410145 +972-2-6251049 15 Frishman St., Tel Aviv 6357815 +972-3-6810001 FINE ART DEPARTMENT LUCIEN KRIEF owner ALICE MARTINOV-LEVIN Ecole de Paris Auction Administrator [email protected] Modern & Contemporary Art +972-505-702226 [email protected] OREN MIGDAL EVGENY KOLOSOV Israeli Art Assistant to Auction Administrator [email protected] [email protected] +972-545-407994 STELLA COSTA YEHUDIT RATZABI Client Accounts Client Services [email protected] [email protected] MIRIAM PERKAL REIZY GOODWIN Client Accounts Logistics and Shipping [email protected] [email protected] All lots are sold “as is” and subject to a reserve. Please review the conditions as they appear in the rear of the catalog or contact us with any questions you may have. Please note that some of the works are located abroad where additional import charges may apply. -
Nineteenth Century New Jersey Photographers Revision of Illustrated Article in New Jersey History, Fall/Winter 2004
Nineteenth Century New Jersey Photographers Revision of illustrated article in New Jersey History, Fall/Winter 2004 by Gary D. Saretzky By 1900, approximately 3,000 individuals had worked in New Jersey as professional or serious amateur photographers but only a handful have reputations that have survived into the 21st century.1 Most of us have seen an imprinted name on the back an old photograph and wondered who that person was who took the photograph. Where did the photographer come from? Did he or she have a family? Was photography just a short-term vocation or a long-term career? If an address is also imprinted, when did the photographer work at that location? To some extent, this essayCwhich provides selected information about approximately 10 percent of the photographers known to have worked in the state in the 1800sCis a work in progress that aims toward a biographical directory of nineteenth century New Jersey photographers. Included is information about, and examples of, the work of these photographers, most of whom achieved notable success in their lifetimes. The directory will include data about all the photographers that have come to my attention with the help of numerous archivists, librarians, researchers, and collectors.2 This article begins with an overview of photography in New Jersey, on both the professional front, with a subsection on stereographic view makers, and on the amateur front, featuring the development of camera clubs. It will then examine professional photography in New Jersey=s seven largest cities, particularly the largest, Newark, which had numerous photographic establishments. (While some residents of Essex, Hudson, and other counties near New York patronized Manhattan portrait studios, they had ample and often lower priced alternatives closer to home.) Newark also was nineteenth century New Jersey's center for manufacturing photographic materials for local, New York, and even national markets.