Guide to the PT Barnum Research Collection
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Archiving Possibilities with the Victorian Freak Show a Dissertat
UNIVERSITY OF CALIFORNIA RIVERSIDE “Freaking” the Archive: Archiving Possibilities With the Victorian Freak Show A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ann McKenzie Garascia September 2017 Dissertation Committee: Dr. Joseph Childers, Co-Chairperson Dr. Susan Zieger, Co-Chairperson Dr. Robb Hernández Copyright by Ann McKenzie Garascia 2017 The Dissertation of Ann McKenzie Garascia is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This dissertation has received funding through University of California Riverside’s Dissertation Year Fellowship and the University of California’s Humanities Research Institute’s Dissertation Support Grant. Thank you to the following collections for use of their materials: the Wellcome Library (University College London), Special Collections and University Archives (University of California, Riverside), James C. Hormel LGBTQIA Center (San Francisco Public Library), National Portrait Gallery (London), Houghton Library (Harvard College Library), Montana Historical Society, and Evanion Collection (the British Library.) Thank you to all the members of my dissertation committee for your willingness to work on a project that initially described itself “freakish.” Dr. Hernández, thanks for your energy and sharp critical eye—and for working with a Victorianist! Dr. Zieger, thanks for your keen intellect, unflappable demeanor, and ready support every step of the process. Not least, thanks to my chair, Dr. Childers, for always pushing me to think and write creatively; if it weren’t for you and your Dickens seminar, this dissertation probably wouldn’t exist. Lastly, thank you to Bartola and Maximo, Flora and Martinus, Lalloo and Lala, and Eugen for being demanding and lively subjects. -
Tom Thumb Comes to Town
TOM THUMB COMES TO TOWN By Marianne G. Morrow The Performance Tom Thumb had already performed twice in Hali- ver the years, the city of Char- fax, in 1847 and 1850, O lottetown has had many exotic but he had never come visitors, from British royalty t o gangsters. to Prince Edward Perhaps the most unusual, though, was Island. His visit in 1868 the celebrated "General" Tom Thumb probably followed a set and his troupe of performers. On 30 July pattern. The group's 1868, Tom Thumb, his wife Lavinia "Director of Amuse- Warren, her sister Minnie, and "Commo- ments" was one Sylvester dore" Nutt arrived fresh from a European Bleecker, but advance pub- tour to perform in the Island capital's licity was handled by a local Market Hall. agent, Ned Davies. There Tom Thumb was a midget, as would be five performances were the other members of his com- spread over a two-day period. pany. Midgets differ from dwarfs in "Ladies and children are con- that they are perfectly proportioned siderately advised to attend the beings, "beautiful and symmetri- Day exhibition, and thus avoid cally formed ladies and gentlemen the crowd and confusion of the in miniature," as the ads for evening performances." Thumb's performance promised. S The pitch was irresistible. What society considered a disability, \ "The Smallest Human Beings of Tom Thumb had managed to turn 1 Mature Age Ever Known on the into a career. By the time he arrived S Face of the Globe!" boasted one on Prince Edward Island, he had been 4 ad. -
March 7, 2019 John David Smith & Micheal J
John David Smith & Micheal J. Larson General Orders No. 3-19 March 7, 2019 March 2019 Dear Delia: The Civil War Letters IN THIS ISSUE of Henry F. Young MCWRT News …………………….…………..… page 2 Seventh Wisconsin Infantry From the Archives …………..…..……………..page 3 Area Events ……………………………………….. page 3 Dear Delia chronicles the story of Henry F. Young, an officer in the From the Field ……………….…..….….... pages 4-5 famed Iron Brigade, as told through 155 letters home to his wife and In Memoriam ……………………….……………. page 5 family in southwestern Wisconsin. Words that are insightful, sometimes American Battlefield Trust …………………. page 6 poignant and powerful, enables us to witness the Civil War through Obscure Civil War Fact ………………………. page 6 Young’s eyes. Round Table Speakers 2017-2018……… page 7 Writing from Virginia, Henry Young’s devotion to Delia and his children 2018-2019 Board of Directors ……..……. page 7 is demonstrated in his letters. His letters reflect both his loneliness and Meeting Reservation Form …………….…. page 7 his worry and concern for them. Young wonders what his place is in a Between the Covers……….………….…..… page 8 world beyond the one he left in Wisconsin. Wanderings ………………………….…….. pages 9-11 Through the Looking Glass …………. page 12-13 Young covers innumerable details of military service in his letters – from Quartermaster’s Regalia ………..………… page 14 camaraderie, pettiness and thievery to the brutality of the war. He was an astute observer of military leadership, maneuvers and tactics, rumored March Meeting at a Glance troop movements and what he perceived were the strengths and The Wisconsin Club 900 W.Wisconsin Avenue weaknesses of African American soldiers. -
He Tiarral= Wheeler House SMITHSONIAN STUDIES in HISTORY and TECHNOLOGY J NUMBER 18
BRIDGEPORT'S GOTHIC ORNAMENT / he tiarral= Wheeler House SMITHSONIAN STUDIES IN HISTORY AND TECHNOLOGY J NUMBER 18 BRIDGEPORT'S GOTHIC ORNAMENT / he Harral= Wheeler Hiouse Anne Castrodale Golovin SMITHSONIAN INSTITUTION PRESS { CITY OF WASHINGTON \ 1972 Figure i. An 1850 map of Bridgeport, Connecticut, illustrating in vignettes at the top right and left corners the Harral House and P. T. Barnum's "Oranistan." Arrow in center shows location of Harral House. (Courtesy of the Library of Congress.) Ems^m^wmy^' B m 13 ^»MMaM««^fc mwrtkimmM LMPOSING DWELLINGS in the Gothic Revival style were among the most dramatic symbols of affluence in mid-nineteenth-century America. With the rise of industrialization in this periods an increasing number of men from humble beginnings attained wealth and prominence. It was impor tant to them as well as to gentlemen of established means that their dwell ings reflect an elevated social standing. The Harral-Wheeler residence in Bridgeport, Connecticut, was an eloquent proclamation of the success of its owners and the excellence of the architect Alexander Jackson Davis. Al though the house no longer stands, one room, a selection of furniture, orig inal architectural designs, architectural fragments, and other supporting drawings and photographs are now in the collections of the Smithsonian Institution. These remnants of Bridgeport's Gothic "ornament" serve as the basis for this study. AUTHOR.—Anne Castrodale Golovin is an associ ate curator in the Department of Cultural History in the Smithsonian Institution's National Museum of History and Technology. B>RIDGEPORT, , CONNECTICUT, was fast be speak of the Eastern glories of Iranistan, we have coming a center of industry by the middle of the and are to have in this vicinity, many dwelling- nineteenth century; carriages, leather goods, and houses worthy of particular notice as specimens of metal wares were among the products for which it architecture. -
Barnum Museum, Planning to Digitize the Collections
Narrative Section of a Successful Application The attached document contains the grant narrative of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the NEH Division of Preservation and Access application guidelines at http://www.neh.gov/grants/preservation/humanities-collections-and-reference- resources for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Preservation and Access staff well before a grant deadline. Note: The attachment only contains the grant narrative, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Planning for "The Greatest Digitization Project on Earth" with the P. T. Barnum Collections of The Barnum Museum Foundation Institution: Barnum Museum Project Director: Adrienne Saint Pierre Grant Program: Humanities Collections and Reference Resources 1100 Pennsylvania Ave., N.W., Rm. 411, Washington, D.C. 20506 P 202.606.8570 F 202.606.8639 E [email protected] www.neh.gov The Barnum Museum Foundation, Inc. Application to the NEH/Humanities Collections and Reference Resources Program Narrative Significance Relevance of the Collections to the Humanities Phineas Taylor Barnum's impact reaches deep into our American heritage, and extends far beyond his well-known circus enterprise, which was essentially his “retirement project” begun at age sixty-one. -
Five Points Book by Harrison David Rivers Music by Ethan D
Please join us for a Post-Show Discussion immediately following this performance. Photo by Allen Weeks by Photo FIVE POINTS BOOK BY HARRISON DAVID RIVERS MUSIC BY ETHAN D. PAKCHAR & DOUGLAS LYONS LYRICS BY DOUGLAS LYONS DIRECTED BY PETER ROTHSTEIN MUSIC DIRECTION BY DENISE PROSEK CHOREOGRAPHY BY KELLI FOSTER WARDER WORLD PREMIERE • APRIL 4 - MAY 6, 2018 • RITZ THEATER Theater Latté Da presents the world premiere of FIVE POINTS Book by Harrison David Rivers Music by Ethan D. Pakchar & Douglas Lyons Lyrics by Douglas Lyons Directed by Peter Rothstein** Music Direction by Denise Prosek† Choreography by Kelli Foster Warder FEATURING Ben Bakken, Dieter Bierbrauer*, Shinah Brashears*, Ivory Doublette*, Daniel Greco, John Jamison, Lamar Jefferson*, Ann Michels*, Thomasina Petrus*, T. Mychael Rambo*, Matt Riehle, Kendall Anne Thompson*, Evan Tyler Wilson, and Alejandro Vega. *Member of Actors’ Equity Association, the Union of Professional Actors ** Member of SDC, the Stage Directors and Choreographers Society, a national theatrical labor union †Member of Twin Cities Musicians Union, American Federation of Musicians FIVE POINTS will be performed with one 15-minute intermission. Opening Night: Saturday, April 7, 2018 ASL Interpreted and Audio Described Performance: Thursday, April 26, 2018 Meet The Writers: Sunday, April 8, 2018 Post-Show Discussions: Thursdays April 12, 19, 26, and May 3 Sundays April 11, 15, 22, 29, and May 6 This production is made possible by special arrangement with Marianne Mills and Matthew Masten. The videotaping or other video or audio recording of this production is strictly prohibited. As a courtesy to the performers and other patrons, please check to see that all cell phones, pagers, watches, and other noise-making devices are turned off. -
A Description of the Main Characters in the Movie the Greatest Showman
A DESCRIPTION OF THE MAIN CHARACTERS IN THE MOVIE THE GREATEST SHOWMAN A PAPER BY ELVA RAHMI REG.NO: 152202024 DIPLOMA III ENGLISH DEPARTMENT FACULTY OF CULTURE STUDY UNIVERSITY OF NORTH SUMATERA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am ELVA RAHMI, declare that I am the sole author of this paper. Except where reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : ……………. Date : 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name: ELVA RAHMI Title of Paper: A DESCRIPTION OF THE MAIN CHARACTERS IN THE MOVIE THE GREATEST SHOWMAN. Qualification: D-III / Ahli Madya Study Program : English 1. I am willing that my paper should be available for reproduction at the discretion of the Libertarian of the Diploma III English Faculty of Culture Studies University of North Sumatera on the understanding that users are made aware of their obligation under law of the Republic of Indonesia. 2. I am not willing that my papers be made available for reproduction. Signed : ………….. Date : 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRACT The title of this paper is DESCRIPTION OF THE MAIN CHARACTERS IN THE GREATEST SHOWMAN MOVIE. The purpose of this paper is to find the main character. -
United States Department of the Interior National Park Service
NFS Form 10-900 OMB No. 10244)018 (Rev. M6) United States Department of the Interior National Park Service This form is for use in nominating or requesting determinations of eligibility for individual properties or districts. See instructions in Guidelines for Completing National Register Forms (National Register Bulletin 16). Complete each item by marking "x" in the appropriate box or by entering the requested information. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, styles, materials, and areas of significance, enter only the categories and subcategories listed in the instructions. For additional space use continuation sheets (Form 10-900a). Type all entries. 1. Name of Property historic name MAPLEWOOD SCHOOL other names/site number Grammar School No. 5 2. Location street & number 434 Maplewood Avenue N/A' not for publication city, town Bridgeport N/AL. v«c'nity state Connecticut code CT county Fairfield code 001 zip code 06605 3. Classification Ownership of Property Category of Property Number of Resources within Property I private X building(s) Contributing Noncontributing "xl public-local district 2 ____ buildings HI public-State site ____ sites I I public-Federal structure ____ structures EH object ____ objects ____Total Name of related multiple property listing: Number of contributing resources previously N/A listed in the National Register 0 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this EX] nomination EH request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
The University of Wisconsin – Eau Claire “Flirting and Boisterous Conduct Prohibited”: Women's Work in Wisconsin Circuse
THE UNIVERSITY OF WISCONSIN – EAU CLAIRE “FLIRTING AND BOISTEROUS CONDUCT PROHIBITED”: WOMEN’S WORK IN WISCONSIN CIRCUSES: 1890-1930 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS IN CANDIDACY FOR THE DEGREE OF BACHELOR OF ARTS DEPARTMENT OF HISTORY BY REBECCA N. REID EAU CLAIRE, WISCONSIN MAY 2010 Copyright © 2010 by Rebecca N. Reid All rights reserved Because I was born a member of the so-called weaker sex and had to work out some kind of career for myself… -Mabel Stark, tiger trainer CONTENTS LIST OF ILLUSTRATIONS . vi GLOSSARY . .vii ABSTRACT . .ix Step Right Up! . 2 Wisconsin: Center of the Circus World. .7 How Many Women?. 8 Circus Women in Popular Media . 11 Circus Propaganda?. .12 “The Circus Girl is Industrious”. .14 Notable Circus Woman: Mayme Ward . 15 Sunday School Show . 16 Family Connections . 18 Notable Circus Women: The Rooneys . .19 Bare Legs and Bloomers . 20 Vaudeville and Burlesque. .21 Hoochie Coochie Girls and Grifters . .23 Freaks . .24 City on a Train . 26 The Dining Tent . 28 Queen’s Row . 29 Salaries and Wages . .32 iv The Tent, Folded . .36 APPENDIX . 38 BIBLIOGRAPHY . 43 v ILLUSTRATIONS Figures 1. Mayme Ward, catcher . .15 2. Lizzie Rooney, 1898 . .19 vi GLOSSARY ballyhoo. A sideshow performer that came out of the sideshow tent to entice marks; often a scantily clad woman, either a snake charmer or tattooed lady. ballet girl. A young woman who appeared in the opening spectacle or parade. Little dancing skill was required of ballet girls, as their primary job was to look pretty and entice customers to buy a ticket to the circus. -
Barnum Institute of Science and History" in Low Relief
Form 10-300 UNITED STATES DEPARTMENT OF THE INTERIOR STATE: (July 1969) NATIONAL PARK SERVICE COUNTY: NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM FOR NPS USE ONLY ENTRY NUMBER DATE (Type all entries — complete applicable sections) &ifiif *y tfvtft. pillllii^ COMMON: r^<~~~~ r. , ~T~~~^ Barnum Museum /" ^, -v/\ AND/OR HISTORIC: /fc fttffiNftJ "'^ Barnum. .Institute of s.$-ienp,<? a.nr) History iffifoxv STREET AND NUMBER: ICO'. \ P Rn^ MATTI Street CITY OR TOWN: X%; ^^\^' Brido-fipnrt STATE CODE COUNTY: ^^J 1 I'f'^ \-^ CODE Connecti cut DQ T?n la^isld,,,.,.....,,,,............,. , ,,,,001...... li!l|$pli;!!iieil::!!::!!l!;;! STATUS ACCESSIBLE <c"«o™ ™«t™" TO THE PUBLIC G District 22 Building El Public Public Acquisition: BQ Occupied Yes: ,, . El Restricted G Site G Structure d Private G In Process D Unoccupied *Qsl i in . G Unrestricted G Object D Botn D Being Considerec G Preservation work in progress ' ' PRESENT USE (Check One or More as Appropriate) G Agricultural G Government G Park 1 | Transportation 1 1 Comments G Commercial G Industrial G Private Residence n Other (Soecify) G Educational G Military G Religious 1 I Entertainment 53 Museum | | Scientific OWNER'S NAME: STATE: City of Bridgeport STREET AND NUMBER: Connecticut CITY OR TOWN: STA1TE: CODE ill .....Bridgeport C onnecticut O<9 COURTHOUSE, REGISTRY OF DEEDS, ETC: COUNTY: Citv Hal 1 STREET AND NUMBER: ^airfield It 1} T.yon Terrace CITY OR TOWN: STA1TE CODE Rridsre-nort p..7T)7iftCtPiffiTh OQ llltl!!!!^ TITUE OF SURVEY: a NUMBERENTRY Connecticut Historic Structures and Landmarks Survey Tl DATE OF SURVEY: -| Q££ r~j Federal Qfl State "G County G L°ca O 73 DEPOSITORY FOR SURVEY RECORDS: Z TO CO CO Connecticut. -
Indiana Dunes 2008 and Myrna Was Invited to Attend This Year (And Has Accepted) in Loving Memory of Her Husband
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 25, Number 31 Thursday, August 13, 2009 Opportunity Knocks and Entrepreneurs Answer Restoring North Franklin Street --It’s Happening Now! by Rick A. Richards There are two ways of looking at down- town Michigan City – as a glass half full or a glass half empty. Ever since major retail- ers like Sears and J.C. Penney left down- town in the 1970s for Marquette Mall, the prevailing view has been a glass half empty. Not any more. Thanks to some visionary entrepreneurs with a glass half full atti- tude, more than $2 million in development is taking place in the six blocks of Franklin Street between Fourth and 10th streets. Mike Howard, owner of Station 801, a restaurant at the corner of Eighth and Franklin streets, is excited about a resur- gent downtown. “I think one day it’s coming back,” said Howard, who with partner Jerry Peters, The original signage and some of the original glassware from the 1941-era Peters Dairy Bar that operated on Michigan Boulevard is now a part of the new recently purchased the former Argabright Peters Dairy Bar at 803 Franklin Street. Communications building at 803 Franklin St., remodeled it and opened the Cedar Sub Shop and Peters Dairy Bar. “One of the reasons we bought the build- ing is that we’re seeing things happening downtown on a positive side,” said How- ard. After purchasing the building, Howard tore out some walls, did a bit of minor re- modeling and made a phone call to Debbie Rigterink, who used to operate the Cedar Sub Shop at the Cedar Tap. -
Come Follow the Band and Join the Circus! Friday And
COME FOLLOW THE BAND AND JOIN THE CIRCUS! Music by Cy Coleman Book by Mark Bramble Lyrics by Michael Stewart FRIDAY AND SATURDAY, FEBRUARY 15-16, 2013 AT 7:30pm AND SUNDAY, FEBRUARY 17, 2012 AT 2:00pm (Snow Dates: February 22-24, 2013) AUDITION DATES: OCTOBER 29, 30 AND NOVEMBER 1, 2012 "Barnum's the name. PT. Barnum. And I want to tell you that tonight you are going to see bar none -every eight, wonder and miracle that name stands for!" Here is the show that traces the career of America's greatest, showman from 1835 to the year he joined with James A. Bailey to form The Greatest Show On Earth. We’re going to be looking for all sorts of talents when we transform MNMS into the Greatest Show on Earth! Actors, Singers, Dancers, Tumblers, Jugglers, Acrobats and Gymnasts as well as an AMAZING crew are all needed! CAST INFORMATION Phineas Taylor Barnum - The Prince of Humbug Chairy Barnum - His wife Joice Heth oldest woman alive Tom Thumb - Smallest man in the world Julius Goldschmidt - Jenny Lind's manager Jenny Lind - Swedish soprano Blues Singer - female alto James A Bailey - Small circus owner 2 Ringmasters - Circus performers Chester Lyman - Joice Heth's manager Amos Scudder - Owner of the American Museum Sherwood Stratton - Tom Thumb's father Mrs Sherwood Stratton - Tom Thumb's mother Wilton - Barnum's assistant on the Jenny Lind tour Edgar Templeton - Political party boss Humbert Morrisey - Political party boss Plus a host of extras in a huge selection of parts Tumbers, jugglers, clowns aerialists, acrobats, gymnasts, bricklayers, passersby, museum patrons, strongmen, beefeaters, the "crowd" in general, the Bridgeport Pageant Choir and bands of every size, shape and description! SYNOPSIS To start we.