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The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
Bhagavata Purana
Bhagavata Purana abridged translation by Parama Karuna Devi new edition 2021 Copyright © 2016 Parama Karuna Devi All rights reserved. ISBN: 9798530643811 published by Jagannatha Vallabha Vedic Research Center E-mail: [email protected] Blog: www.jagannathavallabhavedicresearch.wordpress.com Website: www.jagannathavallabha.com Correspondence address: Jagannatha Vallabha Vedic Research Center At Piteipur, P/O Alasana, PS Chandanpur, 752012 Dist. Puri Orissa, India Table of Contents Preface 5 The questions of the sages 7 The teachings of Sukadeva on yoga 18 Conversation between Maitreya and Vidura 27 The story of Varaha 34 The teachings of Kapila 39 The sacrifice of Daksha 56 The story of Dhruva 65 The story of king Prithu 71 The parable of Puranjana 82 The story of Rishabha 90 The story of Jada Bharata 97 The structure of the universe 106 The story of Ajamila 124 The descendants of Daksha 128 Indra and Vritrasura 134 Diti decides to kill Indra 143 The story of Prahlada 148 The varnashrama dharma system 155 The story of Gajendra 163 The nectar of immortality 168 The story of Vamana 179 The descendants of Sraddhadeva Manu 186 The story of Ambarisha 194 The descendants of Ikshvaku 199 The story of Rama 206 The dynastyof the Moon 213 Parama Karuna Devi The advent of Krishna 233 Krishna in the house of Nanda 245 The gopis fall in love with Krishna 263 Krishna dances with the gopis 276 Krishna kills more Asuras 281 Krishna goes to Mathura 286 Krishna builds the city of Dvaraka 299 Krishna marries Rukmini 305 The other wives of Krishna 311 The -
Contents Stotras, Krithis and Upamishads of Lord Narasimha
Stotras, Krithis and upamishads of Lord Narasimha (Originals in Sanskrit, Tamil, Malayalam and Hindi) Contents Stotras, Krithis and upamishads of Lord Narasimha .............................................................................................. 1 (Originals in Sanskrit, Tamil, Malayalam and Hindi) ............................................................................................... 1 Yoga Lakshmi Narasimha Suprabatham ...................................................................................................................... 2 Sri Pataladri Narasimha Peruman Sthuthi .............................................................................................................. 7 Prahladha vara pradhana sthuthi ............................................................................................................................... 8 Sri kamasikashtakam ..................................................................................................................................................... 11 Shri Narasimha Pranama (Obeisances to Lord Nrisimha) ....................................................................................... 14 Narasimha Stuti by Shri Narayana Pandita Acarya .................................................................................................. 15 Lakshmi Narasimha Dandakam ................................................................................................................................. 19 Sri Yadagiri Lakshmi nrusimha praparthi ............................................................................................................... -
Download Book
PANCI! ASIDDIIANTIKA TIIU ASTRONOMICAL WORK V A 11 A II A MI III II A. TI1IC TEXT, KDITKD WITH AN O'llKIINAlj (U)MMKNTAIIY 1"N SANS AND AN KNOIJSII TRANSLATION AND 1NT1K )DUCT1( ) (1. Tll.niAliT, I'll. '!). i I ) I L I J I > i 1. 1 1 1 ) I 1 ) 1 . M A i I A MA LOPA Y A Y A S A K A A V V E rKlNTKJ) l.V K. ,i. LAZ.MUJN ANP CO., AT TISK J!K1M(.!A1. HALL .PUKSS, 11KNAHEH PKEFACE, There Is some reason to fear that the feeling .of any one who may examine in detail this edition and translation of Varaha Mihira's astronomi- cal work will, in the first place, be wonder at the boldness of the editors. I am indeed fully conscious that on the imperfect materials at our disposal an edition in the strict sense of the word cannot be based, and that what we are able to offer at present deserves no other name but that of a first attempt of the to give a o-eneral idea of the contents PanchasiddMntika. It * o c> would, in these circumstances, possibly have been wiser to delay an edition of the work until more correct Manuscripts have been discovered. Two consider- ations, however, in the end induced us no longer to keep back the results, however imperfect, of our long continued endeavours to restore and elucidate the text of the PanchasiddhantikiL In the first place we" were encouraged by the consideration that texts of purely mathematical or astronomical con- tents may, without great disadvantages, be submitted to a much rougher and bolder treatment than texts of other kinds. -
The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 4
The Project Gutenberg EBook of The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 4 This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 4 Books 13, 14, 15, 16, 17 and 18 Translator: Kisari Mohan Ganguli Release Date: March 26, 2005 [EBook #15477] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK THE MAHABHARATA VOL 4 *** Produced by John B. Hare. Please notify any corrections to John B. Hare at www.sacred-texts.com The Mahabharata of Krishna-Dwaipayana Vyasa BOOK 13 ANUSASANA PARVA Translated into English Prose from the Original Sanskrit Text by Kisari Mohan Ganguli [1883-1896] Scanned at sacred-texts.com, 2005. Proofed by John Bruno Hare, January 2005. THE MAHABHARATA ANUSASANA PARVA PART I SECTION I (Anusasanika Parva) OM! HAVING BOWED down unto Narayana, and Nara the foremost of male beings, and unto the goddess Saraswati, must the word Jaya be uttered. "'Yudhishthira said, "O grandsire, tranquillity of mind has been said to be subtile and of diverse forms. I have heard all thy discourses, but still tranquillity of mind has not been mine. In this matter, various means of quieting the mind have been related (by thee), O sire, but how can peace of mind be secured from only a knowledge of the different kinds of tranquillity, when I myself have been the instrument of bringing about all this? Beholding thy body covered with arrows and festering with bad sores, I fail to find, O hero, any peace of mind, at the thought of the evils I have wrought. -
Essence of Sanatsujatiya of Maha Bharata
ESSENCE OF SANATSUJATIYA OF MAHA BHARATA Translated, interpreted and edited by V.D.N.Rao 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu, Matsya, Varaha, Kurma, Vamana, Narada, Padma; Shiva, Linga, Skanda, Markandeya, Devi Bhagavata;Brahma, Brahma Vaivarta, Agni, Bhavishya, Nilamata; Shri Kamakshi Vilasa- Dwadasha Divya Sahasranaama:a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri;b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata;c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima- Essence of Ashtaadasha Upanishads: Brihadarankya, Katha, Taittiriya/ Taittiriya Aranyaka , Isha, Svetashvatara, Maha Narayana and Maitreyi, Chhadogya and Kena, Atreya and Kausheetaki, Mundaka, Maandukya, Prashna, Jaabaala and Kaivalya. Also ‗Upanishad Saaraamsa‘ - Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti -Essence of Brahma Sutras- Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students-Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and AusteritiesEssence of Manu Smriti- Quintessence of Manu Smriti- Essence of Paramartha Saara; Essence of Pratyaksha Bhaskra; Essence of Pratyaksha Chandra; Essence of Vidya-Vigjnaana-Vaak Devi; Essence -
Studies in the Bhakta Mala Oj? Nabha Dasa
STUDIES IN THE BHAKTA MALA OJ? NABHA DASA Thesis presented to the University of London for the degree of Doctor of Philosophy by Gilbert POLLET, Licentiate (Louvain) School of Oriental and African Studies, October, 1963 ProQuest Number: 10672654 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672654 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 -2- DEDICAf ION To my teachers in London and Louvain. ABSTRACT These Studies in the Bhakta Mala consist of three parts. The first part contains an introductory chapter and a description of the manuscripts and editions. After a note on Nabha Dasa and on the scope of his work, the introduction deals with the approximate date of the Bhakta Mala and with the principles of its prosody. In the second chapter the manuscripts and edi tions are described and their genealogical relations are shown. A summary is given of the principles followed in constituting the text. Photocopies illustrate the peculiarities of the four manuscripts. In fthe second part, which coincides with the third chapter, the Braj text of ninety-five Bhakta Mala verses has been based on the collation of the four London manuscripts and of four editions. -
Hindu Astronomy
HINDU ASTRONOMY BY W. BRENNAND, WITH THIRTEEN ILLUSTRATIONS AND NUMEROUS DIAGRAMS. London : Published by Chas. Straker & Sons, Ltd., Bishopsgate Avenue, E.C. 1896. S JUL 3 1 1974 fysm OF Wf B-7M Printed by Chas. Straker & Sons, Ltd., BisiiorsoATE Avenue, London, E.G. PREFACE. It is perhaps expected that some reason should be given for tho publication of this work, though it may appear inadequate. Force of circumstances; rather than deliberate choice on my part, impelled it now that it has been I cannot but feel how ; and, accomplished, imperfect the production is. A lengthened residence in India led me to become interested in the study of the ancient mathematical works of the Hindus. This study was frequently interrupted by official duties, and much information acquired in its course lias been for a time forgotten. Recent circumstances, and chiefly the interest displayed by my former pupils in a paper presented to the Royal Society on the same subject, has induced me to make an effort to regain the lost ground, and to gather together materials for a more extended work. Moreover, a conviction formed many years ago that the Hindus have not received the credit due to their literature and mathematical science from Europeans, and which has been strengthened by a renewal of my study of those materials, has led me also to a desire to put before the public their system of astronomy in as simple a maimer as possible, with the object of enabling those interested in the matter to form their own judgment upon it, and, possibly, to extend further investigations in the subject. -
Hinduism's Treatment of Untouchables
Introduction India is one of the world's great civilizations. An ancient land, vast and complex, with a full and diverse cultural heritage that has enriched the world. Extending back to the time of the world's earliest civilizations in an unbroken tradition, Indian history has seen the mingling of numerous peoples, the founding of great religions and the flourishing of science and philosophy under the patronage of grand empires. With a great reluctance to abandon traditions, India has grown a culture that is vast and rich, with an enormous body of history, legend, theology, and philosophy. With such breadth, India offers a multitude of adventuring options. Many settings are available such as the high fantasy Hindu epics or the refined British Empire in India. In these settings India allows many genres. Espionage is an example, chasing stolen nuclear material in modern India or foiling Russian imperialism in the 19th century. War is an option; one could play a soldier in the army of Alexander the Great or a proud Rajput knight willing to die before surrender. Or horror in a dangerous and alien land with ancient multi-armed gods and bloodthirsty Tantric sorcerers. Also, many styles are available, from high intrigue in the court of the Mogul Emperors to earnest quests for spiritual purity to the silliness of Mumbai "masala" movies. GURPS India presents India in all its glory. It covers the whole of Indian history, with particular emphasis on the Gupta Empire, the Moghul Empire, and the British Empire. It also details Indian mythology and the Hindu epics allowing for authentic Indian fantasy to be played. -
Samskruti Jan 2016 Newsletter E Version
SAMSKRUTI January 2016 January Refining Young Minds FROM THE Our Master’s Voice EDITORS The Preceptor May the entire universe be By Poornimaji blessed with peace and hope. May everyone who is driven Sixteen year old Sadhanawas sitting in the backyard seriously trying to mould some clay. by envy and enmity become Kirtana, Sadhana’sMother, came up to her and asked, “Sadhana! What are you trying to do?” pacified and reconciled. “Ma! I saw Archanaaunty mould some clay into Hanumanji! Am trying too… But it seems so tough! She did it effortlessly.” May all living beings become “Sadhana! Come along with me, let me tell you.” calm by taking the path of Both of them came and sat in the hall and Kirtanacontinued, Bhakti, for by accepting seva “Sadhana, just as you go to a school to learn your subjects, any art has to be learnt from some teacher. It’s the teacher who they will think of each would know the nuances of an art and it is in his guidance and with his blessings that we attain perfection in any art.” other’s welfare. Sadhananodded and asked, May our own hearts and “Is this the same reason why we seek the blessings of a Guru before doing any spiritual activity too ma?” minds be filled with purity Kirtana smilingly nodded and continued, and serenity. May all the above blessings “Yes dear! It is at the Feet of a Guru, that spiritual knowledge dawns. A Guru, tells you the way. Not stopping at it, he warns flow naturally from The you on the pitfalls and saves you from them. -
Pancha Maha Bhutas (Earth-Water-Fire-Air-Sky)
1 ESSENCE OF PANCHA MAHA BHUTAS (EARTH-WATER-FIRE-AIR-SKY) Compiled, composed and interpreted by V.D.N.Rao, former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Ministry of Commerce, Govt. of India, now at Chennai. Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda-Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‗Upanishad Saaraamsa‘ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities Essence of Manu Smriti- Quintessence of Manu Smriti- Essence of Paramartha Saara; Essence of Pratyaksha Bhaskra; Essence of Maha Narayanopashid; Essence of Maitri Upanishad Essence of Vidya-Vigjnaana-Vaak Devi; Essence of Bhagya -Bhogya-Yogyata Lakshmi Essence of Soundarya Lahari*- Essence of Popular Stotras*- Essence of Pratyaksha Chandra*- Essence of Pancha Bhutas* Note: All the above Scriptures already released on www.