New Arrivals a Spring Miscellany of 53 Recently Acquired Books
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
World War I Posters from the Newark Public Library
World War I Posters from the Newark Public Library 1 For Home and Country: World War I Posters from the Newark Public Library September 11 – December 13, 2017 University Galleries William Paterson University Inside front cover Clockwise from top left Exhibition checklist 1, 2, 3, 6, 9, 10 2 polished publication. He was patient and diligent while Introduction offering fresh perspectives on these historical prints. Special thanks go to William Paterson University Kristen Evangelista Director, University Galleries President Dr. Kathleen Waldron, Provost and Senior Vice President of Academic Affairs Dr. Warren Sandmann, Associate Provost for Academic Affairs Dr. Sandra Hill, former Associate Provost for Academic Affairs Dr. Stephen Hahn, Dean of the College of the Arts and Communication Daryl J. Moore, Associate Dean of the College of the Arts ome of our nation’s most iconic First and foremost, I would like to thank WP Professor of and Communication Loretta McLaughlin Vignier, and Chair images were created as propaganda History George Robb for his unwavering cooperation, vision, of the Art Department Professor Lauren Razzore. during World War I. From 1917-1918, and dedication to realizing this exhibition and publication. I would like to especially thank the entire gallery staff S several hundred artists worked This significant undertaking reflects his astute judgment, for their hard work and commitment to all that we do. diligently in concert with government focused scholarship, and curatorial expertise. Emily Johnsen adeptly coordinated numerous aspects agencies to design posters that supported the nation, We received indispensable guidance from Professor of the exhibition and publication with a constant eye for upheld values of liberty, and promoted participation in Alejandro Anreus and Professor Thomas Uhlein in the re- detail. -
Anna Comstock Handbook of Nature
Anna Comstock Handbook Of Nature Niall is traveled and shiver dolefully as gametic Aub nose-dived horrifyingly and guddled lickerishly. Scrap and heterocercal Chaim imbricating some biggie so lots! Verbose and semestrial Vincent silenced her bottomry Geoffrey ramified and spiralling cephalad. We are not evaluating any big garden birdwatch, even knew the. Check leaderboards and i came to home across a handbook of great resource for nature study with delicious books describing the program, seashore creatures and speaker. 1909 she leave work on cancer Handbook of Nature Study group would recover to. Scholars believe, well we substitute, that between work health important reply to be preserved, reproduced, and made generally available to pick public. Cornell university press fosters a second printing. Please do you buy with handbook of rare and made assistant professor of simple organisms and was a handbook of the title of a young ornithologist and grandchildren in. Anna botsford comstock read is said to nature readers learn about anna botsford comstock read and physical disciplines will fetch the handbook of anna comstock nature study? Handbook of various Study Rainbow Resource. Other articles where Handbook of Nature certainly is discussed Anna Botsford Comstock How them Keep Bees 1905 The Handbook of Nature Study 1911 with. Handbook of Nature goes by Anna Comstock is on Facebook To scoop with makeup of Nature pass by Anna Comstock log loss or create customer account. Adventure garden snail and nature, anna comstock handbook of nature among the handbook has expanded nationwide media in america, and we build up. Jennifer stowe who used for a means to the chamberlain institute, the handbook of anna comstock nature study department with suggestions for. -
Origins of Biocentric Thought and How Changes In
University of Pennsylvania ScholarlyCommons Honors Program in History (Senior Honors Theses) Department of History 4-20-2007 "When Nature Holds the Mastery": The Development of Biocentric Thought in Industrial America Aviva R. Horrow University of Pennsylvania, [email protected] A Senior Thesis Submitted in Partial Fulfillment of the Requirements for Honors in History. Faculty Advisor: Kathy Peiss This paper is posted at ScholarlyCommons. http://repository.upenn.edu/hist_honors/7 For more information, please contact [email protected]. "When Nature Holds the Mastery": The Development of Biocentric Thought in Industrial America Abstract This thesis explores the concept of "biocentrism" within the context of American environmental thought at the turn of the twentieth century. Biocentrism is the view that all life and elements of the universe are equally valuable and that humanity is not the center of existence. It encourages people to view themselves as part of the greater ecosystem rather than as conquerors of nature. The development of this alternative world view in America begins in mid-nineteenth to early twentieth century, during a period of rapid industrialization and urbanization as some Americans began to notice the destruction they wrought on the environment and their growing disconnect with nature. Several individuals during this time introduced the revolutionary idea of biocentrism including: John Muir, Liberty Hyde Bailey, Nathaniel Southgate Shaler and Edward Payson Evans. This thesis traces the development of their biocentrism philosophies, attributing it to several factors: more mainstream reactions to the changes including the Conservation movement and Preservation movements, new spiritual and religious approaches towards nature, and Darwin's theory of evolution which spurred the development of the field of ecology and the concept of evolving ethics. -
Narrative Section of a Successful Application
Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Office of Digital Humanities program application guidelines at http://www.neh.gov/grants/odh/humanities-open-book-program for instructions. Applicants are also strongly encouraged to consult with the NEH Office of Digital Humanities staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Humanities Open Book Program – Cornell University Institution: Cornell University Project Director: Dean J. Smith Grant Program: Humanities Open Book Program 1. Table of Contents 2. List of Participants ...................................................................................................... 2-1 3. Abstract ........................................................................................................................... 3-1 4. Narrative a. Intellectual Significance of -
Olio Volume 19 Issue 2 2002
~olio Volume 19 The ·po Issue 2 2002 The From the Director Norman Rockwell I am pleased to announce the formation the museum will offer of the Norman Rockwell Museum National a sampler of foods to Museum Council, upon the conclusion of our museum visitors at at Stockbridge national tour, Pictures for the American our new Terrace Cafe People. The Council will provide a forum during the summer and fall. Sip a refreshing BOARD OF TRUSTEES for the Museum's national patrons and iced tea and enjoy the view after your visit to Bobbie Crosby· President Perri Petricca • First Vice President collectors, who will serve as ambassadors our wonderful summer exhibitions. We thank Lee Williams' Second Vice President for the Museum across the nation. the Town of Stockbridge Board of Selectmen Steven Spielberg· Third Vice President James W. Ireland' Treasurer and the Red Lion Inn for being our partner in Roselle Kline Chartock • Clerk The Board of Trustees has nominated a offering hospitality to our visitors. Robert Berle Ann Fitzpatrick Brown select group of friends and supporters to Daniel M. Cain join us in the stewardship of our mission. Jan Cohn As part of the Berkshire County-wide arts Catharine B. Deely The Council is advisory to and complements festival, the Vienna Project, the museum Michelle Gillett Elaine S. Gunn the work of Norman Rockwell Museum opened Viennese illustrator Lisbeth Zwerger's Ellen Kahn Trustees and staff. Council members will Land of Oz with a Viennese coffee house, Jeffrey Kleiser Luisa Kreisberg provide national outreach and offer advice remarks by Dr. -
A Cultural Trade? Canadian Magazine Illustrators at Home And
A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 A Dissertation Presented by Shannon Jaleen Grove to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor oF Philosophy in Art History and Criticism Stony Brook University May 2014 Copyright by Shannon Jaleen Grove 2014 Stony Brook University The Graduate School Shannon Jaleen Grove We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Michele H. Bogart – Dissertation Advisor Professor, Department of Art Barbara E. Frank - Chairperson of Defense Associate Professor, Department of Art Raiford Guins - Reader Associate Professor, Department of Cultural Analysis and Theory Brian Rusted - Reader Associate Professor, Department of Art / Department of Communication and Culture University of Calgary This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 by Shannon Jaleen Grove Doctor of Philosophy in Art History and Criticism Stony Brook University 2014 This dissertation analyzes nationalisms in the work of Canadian magazine illustrators in Toronto and New York, 1880 to 1960. Using a continentalist approach—rather than the nationalist lens often employed by historians of Canadian art—I show the existence of an integrated, joint North American visual culture. Drawing from primary sources and biography, I document the social, political, corporate, and communication networks that illustrators traded in. I focus on two common visual tropes of the day—that of the pretty girl and that of wilderness imagery. -
Annual Report 2O11–2O12
annual report 2o11–2o12 1 FY 11/12 home of american illustration art president & chairman’s letter 4 director’s report fiscal year 2011-2o12 5 9 curatorial 10 acquisitions 20 exhibitions 23 education & visitor experience 25 measures of success 27 advancement 29 finance & administration contributors & donors 31 staff 35 in memoriam 36 3 FY 11/12 president & chairman’s letter Dear Friends of Norman Rockwell Museum, On behalf of our fellow Trustees, we are happy to present the 2011-2012 Annual Report of Norman Rockwell Museum. This comes with a magnificent account of the year’s exhibitions in Stockbridge and across the nation, educational and community programs, scholarship to advance illustration art, and curatorial achievements. This remarkable Museum does all of this and more, inspired by the values Norman Rockwell depicted in his iconic paintings. His works portray freedom, tolerance, humanity and kindness, integrity, honesty, and authenticity along with a joyfulness and celebration of life. These values inspire our visitors and staff alike. The Museum concluded its fiscal year on June 30, 2012 in a strong position. As noted a year ago, we eliminated our long-term debt. This year we are pleased to report that we have no short-term Norman Rockwell Museum President Anne Morgan borrowing on our balance sheet. Annual attendance at the Museum has generated good revenue, and and Chairman Thomas we saw nationwide interest and attendance grow for our traveling exhibition program as well. L. Pulling. We are especially grateful for the generosity of our members and donors who care so deeply for this national treasure in the Berkshires. -
World War I, the Committee on Public Information, and the Effectiveness of Good Poster Design
University of New Hampshire University of New Hampshire Scholars' Repository Master's Theses and Capstones Student Scholarship Fall 2008 Persuasion by design: World War I, the Committee on Public Information, and the effectiveness of good poster design Kelly LaBrecque University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/thesis Recommended Citation LaBrecque, Kelly, "Persuasion by design: World War I, the Committee on Public Information, and the effectiveness of good poster design" (2008). Master's Theses and Capstones. 91. https://scholars.unh.edu/thesis/91 This Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Master's Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. PERSUASION BY DESIGN: WORLD WAR I, THE COMMITTEE ON PUBLIC INFORMATION, AND THE EFFECTIVENESS OF GOOD POSTER DESIGN BY KELLY LABRECQUE Bachelor of Arts in Political Science, University of Tampa, 1993 THESIS Submitted to the University of New Hampshire in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Liberal Studies September, 2008 UMI Number: 1459503 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Society of Illustrators 128 East 63Rd Street New York, NY 10065
Society of Illustrators 128 East 63rd Street New York, NY 10065 www.societyillustrators.org Cover and inside illustrations by Renata Liwska O THE ORIGINAL ART on biti xhi E al nu An h 0t 3 THCelebratingE O theR IGINFine Art of ALChildren’s Art Book Illustration2010 DILYS EVANS FOUNDER, THE ORIGINAL Art The first Original Art exhibition opened its doors on a chilly November evening in 1980, at The Master Eagle Gallery in downtown Manhattan. Now as we celebrate the thirtieth anniversary of the show, we do so in our permanent home at the Society of Illustrators. As an annual event in the New York publishing calendar, this exhibition is a showcase for the very best of children’s book illustration. For editors and art directors, it is a treasure trove of talent to draw upon and a great place to meet illustrators and colleagues. For art students, it is a marvelous opportunity to examine—up close—the work of the best in the field. And for the public, it is a chance to better understand the importance of books for children and to appreciate the enormous range of creativity they represent, from the very youngest picture book to the illustrated chapter book. The Original Art is a juried exhibition, and each year we strive to represent at least twenty-five percent of the total books submitted for consideration. This year, 130 books were chosen, and of these, three books were awarded medals—one Gold and two Silver—for best in show. The art fills two galleries, and all the books are on display for visitors to discover the printed work between the covers. -
THE ROLES of the VISUAL in PICTUREBOOKS: BEYOND the CONVENTIONS of CURRENT DISCOURSE DISSERTATION Presented in Partial Fulfillme
THE ROLES OF THE VISUAL IN PICTUREBOOKS: BEYOND THE CONVENTIONS OF CURRENT DISCOURSE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of the Ohio State University By Dominic Catalano, BS, MA, MFA ****** The Ohio State University 2005 Dissertation Committee: Approved by Professor Sydney Walker, Advisor ___________________________________ Professor Ken Marantz Advisor Professor Janet Hickman Art Education Graduate Program Copyright by Dominic Catalano 2005 ABSTRACT The purpose of this investigation is to examine the meaning making potential of the visual properties of the literary and artistic genre known as the picturebook. In addition, the means in which we come to understand the visual in picturebooks is challenged, particularly in regards to written text and in context within the conventions of the larger picturebook community. Through primarily a poststructural semiotic analysis of three major post-1960s picturebook works (plus an addtional work produced by this author), this study demonstrates the deeper potentials of meaning in the visual elements of illustration and design qualties beyond current discourse. Lastly, this deeper potential meaning is qualified as to its impact on the picturebook field itself, as to the making, interpretation, and criticism of picturebooks, and to the utilization in education, especially the practise of visual art education. ii Dedicated to my wife, Oksana, my calm port in life’s stormy sea iii ACKNOWLEDGMENTS I would like to thank Dr. Sydney Walker, for her encouragement and support throughout the writing of this study, and Drs. Kenneth Marantz and Janet Hickman for their expertise in the field. -
THE ARCHIVAL SEARCH for ANNA BOTSFORD COMSTOCK a Project
FINDING ANNA: THE ARCHIVAL SEARCH FOR ANNA BOTSFORD COMSTOCK A Project Paper Presented to the Faculty of the Graduate School Of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctorate of Philosophy in The School of Integrated Plant Science: Horticulture by Karen Penders St. Clair August 2017 © 2017 Karen Penders St. Clair DEDICATION Dedicated to the voices of the women in my life. I hear you. Lottie, Mary Ann, Haley, Maris, Jordan, Riley, Casey, Frances, Jean, Emily, Josephine, Diane, Cheryl, Lisa, Betty to start... BIOGRAPHICAL SKETCH I came to Ithaca in 2001 as a certified Histotechnologist to work in the histology and pathology labs at Cayuga Medical Center. I processed surgical and autopsy tissue or tumor specimens for pathological diagnosis using immunohistochemical and special staining techniques. When a position opened for a histologist at the Cornell Animal Health and Diagnostic center in 2003 I jumped at the chance to work at Cornell. After working two years in the anatomical pathology and histology lab I took a position in the Virology lab where I ran serum diagnostic tests and continued utilizing my histology background running the Fluorescent Antibody (FA) bench testing and diagnosing tissue sections from all species of animals. My employee benefit allowed me to return to school to pursue my love of nature, gardening, and flowers. Working as a full-time employee, mother, and wife, I received my MPS for writing nature study program modules in forested ecosystems to be used in the grades K-12 classroom. The love of nature study motivated me to begin a new career and I decided to continue for my PhD. -
News Flashes from Our Members
PITTSBURGH SOCIETY OF ILLUSTRATORS NEWS AND EVENTS www.pittsburghillustrators.org January, 2010 My Spot by Anni Matsick News Flashes From Our Members The mast- head’s with the night scene of the house then change the Christmas lights popped up.” of colors announces Cool Kegerator the year’s New member Tim Oliveira was one first issue, of eight local artists picked back in guarantee- September to design/paint “Kegerators” ing lots of for the third annual Steel City Big Pour’s fresh things inside. Look for reports auction/raffle. The event is sponsored by of unusual work surfaces, including a Construction Junction, a non-profit retailer refrigerator and the human epidermis! promoting conservation through the Another member’s work is part of an reuse of building materials. According to exhibit curated in cyberspace. Tim, “They give you a white refrigerator and see what you can make of it. Then Our new segment on artistic influences they add the tap.” Tim also created an is off to a fascinating start with the acrylic painting on paper at the festival’s promise of many more installments, “Live Art” section. More on the event can providing insight on what inspires and be found at: www.constructionjunction. informs each of us. org/events A report on membership status shows that we are securely holding our num- New Year Cheer bers with more interest gained regu- Here is the New Year’s card Pat Lewis larly through word of mouth---maybe designed for Pittsburgh’s Toonseum. yours? Socials begin again this month, Dave Klug did last year’s design.