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World War I Posters from the Newark Public Library
World War I Posters from the Newark Public Library 1 For Home and Country: World War I Posters from the Newark Public Library September 11 – December 13, 2017 University Galleries William Paterson University Inside front cover Clockwise from top left Exhibition checklist 1, 2, 3, 6, 9, 10 2 polished publication. He was patient and diligent while Introduction offering fresh perspectives on these historical prints. Special thanks go to William Paterson University Kristen Evangelista Director, University Galleries President Dr. Kathleen Waldron, Provost and Senior Vice President of Academic Affairs Dr. Warren Sandmann, Associate Provost for Academic Affairs Dr. Sandra Hill, former Associate Provost for Academic Affairs Dr. Stephen Hahn, Dean of the College of the Arts and Communication Daryl J. Moore, Associate Dean of the College of the Arts ome of our nation’s most iconic First and foremost, I would like to thank WP Professor of and Communication Loretta McLaughlin Vignier, and Chair images were created as propaganda History George Robb for his unwavering cooperation, vision, of the Art Department Professor Lauren Razzore. during World War I. From 1917-1918, and dedication to realizing this exhibition and publication. I would like to especially thank the entire gallery staff S several hundred artists worked This significant undertaking reflects his astute judgment, for their hard work and commitment to all that we do. diligently in concert with government focused scholarship, and curatorial expertise. Emily Johnsen adeptly coordinated numerous aspects agencies to design posters that supported the nation, We received indispensable guidance from Professor of the exhibition and publication with a constant eye for upheld values of liberty, and promoted participation in Alejandro Anreus and Professor Thomas Uhlein in the re- detail. -
2001 Great Plains Prairie
2001 Great Plains Prairie Pronghorns Burrowing Owls Black-tailed Prairie Dog American Buffalo Painted Lady Butterfly 2001 Great Plains Prairie Western Meadowlark Badger Plains Spadefoot Eastern Short-horned Lizard Two-striped Grasshopper 2001 perf. 11¼x11 die cut 11 die cut 8½ vert. American Buffalo American Buffalo American Buffalo die cut 11¼ die cut 10½x11¼ American Buffalo American Buffalo Eagle Eagle United We Stand die cut 11¼ die cut 10½x10¾ die cut 9¾ vert., sq. corner die cut 9¾ vert., rd. corner United We Stand United We Stand United We Stand United We Stand 2001-03 George Washington die cut 11¼x11 die cut 10½x11 die cut 11¼x11¾, “2001” George Washington George Washington George Washington die cut 8½ vert., “2001” perf. 11¼, “2002” die cut 8½ vert., “2002” George Washington George Washington George Washington die cut 11¼x11, “2002” die cut 10½x11, “2002” die cut 11, “2003” George Washington George Washington George Washington Atlas die cut 8½ vert., “2001” die cut 11 vert., “2003” Atlas Atlas 2001 We Give Thanks Diamond in the Square Lone Star Diabetes Roy Wilkins The Nobel Prize Peanuts Honoring Veterans Frida Kahlo Sunshine & Shadow James Madison Double Ninepatch Variation 2001 Venus Flytrap Yellow Trumpet Cobra Lily English Sundew Leonard Bernstein Lucille Ball Pan-American Exposition perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” perf. 12, unwmk., dated “2001” Fast Lake Navigation Fast Express Automobile 2001 Woody Wagon Enrico Fermi Love Love Love die cut 11½x10¾ Love die cut 11¼ Love Love 2001-09 Eid die cut 11¼, dated “2001” die cut 11, dated “2002” Eid Eid Eid Eid Eid Eid 2001-03 Washington Landmarks U.S. -
The Illustration Game: Quotes & Notes
Rhode Island School of Design DigitalCommons@RISD Faculty & Librarian Work RISD Faculty & Librarians 1-1-2019 The Illustration Game: Quotes & Notes Jaleen Grove Rhode Island School of Design, [email protected] Illustration Department Rhode Island School of Design, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/faculty_work Part of the Illustration Commons Recommended Citation Grove, Jaleen and Department, Illustration, "The Illustration Game: Quotes & Notes" (2019). Faculty & Librarian Work. 4. https://digitalcommons.risd.edu/faculty_work/4 This Book is brought to you for free and open access by the RISD Faculty & Librarians at DigitalCommons@RISD. It has been accepted for inclusion in Faculty & Librarian Work by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. The Illustration Game: Quotes and Notes Jaleen Grove The Illustration Game, published in Communication Arts magazine, is an artwork that critically evaluates and satirizes the illustration industry 1959-2019. It conceives of the time period in the form of a board game in which players roll a die to advance along a path, accumulating points or losing them according to typical events of each decade. The path winds through a forest of quotations that were said in print at the time or shortly after by leading illustrators and critics. For the quotations to read properly and succinctly, wording was very slightly modified in some cases. The sources and the quotes without modification are given here for those who wish to see context and origin. This document only discusses the quotations that appear in the black background. -
Off to Good Start IGNORING a Russian Warn- Town!Jhip Balloting Ing, the United States Air Residents Urged to Contribute During Family Held
) AJIthe News of All tn. Point .. Every Thursday Moming • • • rosse ews Can TUxedo 2-4900 Complete News 'Coverage of. All the Pointes ~V;COiiLTu~MAiE=-;2O-NL:tJ(O~I~ ..i-J5~IlYP~er:jc~oP;PY;--lE.~!te;;'.::;erl;:-,;;U!!lc;;;.ll;;on;;jd-Cc:iiI...:;;-JM;{;a~tte;;r------,. G~Rn.OMSS~E~POMIN:l-Tr;:E;-,"7~7.~1;;C:;::HJiIG~A:-;:N'-,~A;-;P;;;R;-;;IL~A-,-;-1ft;;;5;;ft~-------:;2:::-::-:-:=-==:-:S-. -::-~. --------,-------- • f3.5!l Per Year at t.:.. P"'.t Office al Detroit. Mich. M'" "1 7 8 PAGES. Three Sections Section I HEADLINE~ Big Badminton Tourney Arouses Much lti;terest Memorial Center Incumbents ,. ..Z D' :,'. G.' . Returned in "'S COtllPi/,d by Ih, A nnua rIVe ..ets Thre~ Cities Gros~,Poilfl, 'NtWS City and Shores will Hold ..... Local Elections Later; Thunclay, April Z Off to Good Start IGNORING a Russian warn- Town!jhip Balloting ing, the United States Air Residents Urged to Contribute During Family Held . Force announced It will con. Participation Campaign: Big Expansion prins tinue high-altitude flying to Now. Underway ~ncumbent councibnen Berlin. Russia had warned the ---- .....__ and other officials in four United S.tates to stop. , After the fifth day of receipts in the Grosse Pointe of the Pointes were. swept Stepping up pressure else- War Memorial's 1959 Annual Family Participation Cam. bac~ into office at the bi- where, the Russians issued an paign, returns show that 765 families have contributed enn.ilil spring ..election on edict in MosCOw,. temporarily $9,510A3. This compares with $9,126.11 received. -
World War I Posters and the Female Form
WORLD WAR I POSTERS AND THE FEMALE FORM: ASSERTING OWNERSHIP OF THE AMERICAN WOMAN LAURA M. ROTHER Bachelor of Arts in English John Carroll University January, 2003 submitted in partial fulfillment of requirements for the degree MASTERS OF ARTS IN HISTORY at the CLEVELAND STATE UNIVERSITY May, 2008 This thesis has been approved for the Department of ART HISTORY and the College of Graduate Studies by ___________________________________________ Thesis Chairperson, Dr. Samantha Baskind _________________________ Department & Date ____________________________________________ Dr. Marian Bleeke ________________________ Department & Date _____________________________________________ Dr. Elizabeth Lehfeldt ___________________________ Department & Date WORLD WAR I POSTERS AND THE FEMALE FORM: ASSERTING OWNERSHIP OF THE AMERICAN WOMAN LAURA M. ROTHER ABSTRACT Like Britain and continental Europe, the United States would utilize the poster to garner both funding and public support during World War I. While war has historically been considered a masculine endeavor, a relatively large number of these posters depict the female form. Although the use of women in American World War I visual propaganda may not initially seem problematic, upon further inspection it becomes clear that her presence often served to promote racial and national pretentiousness. Based on the works of popular pre-war illustrators like Howard Chandler Christy and Charles Dana Gibson, the American woman was the most attractive woman in the in the world. Her outstanding wit, beauty and intelligence made her the only suitable mate for the supposed racially superior American man. With the onset of war, however, the once entertaining romantic scenarios in popular monthlies and weeklies now represented what America stood to lose, and the “American Girl” would make the transition from magazine illustrations to war poster with minimal alterations. -
SELLING ART in the AGE of RETAIL EXPANSION and CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS and the AMERICAN ART MARKET of the 1930S and 1940S
SELLING ART IN THE AGE OF RETAIL EXPANSION AND CORPORATE PATRONAGE: ASSOCIATED AMERICAN ARTISTS AND THE AMERICAN ART MARKET OF THE 1930s AND 1940s by TIFFANY ELENA WASHINGTON Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation advisor: Anne Helmreich Department of Art History CASE WESTERN RESERVE UNIVERSITY JANUARY, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of __________Tiffany Elena Washington_________ candidate for the __Doctor of Philosophy___ degree*. (signed) _______Anne L. Helmreich________ (chair of the committee) ______Catherine B. Scallen__________ ________ Jane Glaubinger__________ ____ _ _ Renee Sentilles___________ (date) 2 April, 2012 *We also certify that written approval has been obtained for any proprietary material contained herein. 2 For Julian, my amazing Matisse, and Livia, a lucky future artist’s muse. 3 Table of Contents List of figures 5 Acknowledgments 8 Abstract 11 Introduction 13 Chapter 1 46 Chapter 2 72 Chapter 3 93 Chapter 4 127 Chapter 5 155 Conclusion 202 Appendix A 205 Figures 207 Selected Bibliography 241 4 List of Figures Figure 1. Reeves Lewenthal, undated photograph. Collection of Lana Reeves. 207 Figure 2. Thomas Hart Benton, Hollywood (1937-1938). Tempera and oil on canvas mounted on panel. The Nelson Atkins Museum of Art, Kansas City. 208 Figure 3. Edward T. Laning, T.R. in Panama (1939). Oil on fiberboard. Smithsonian American Art Museum. 209 Figure 4. Plan and image of Associated American Artists Gallery, 711 5th Avenue, New York City. George Nelson, The Architectural Forum. Philadelphia: Time, Inc, 1939, 349. 210 Figure 5. Thomas Hart Benton, Departure of the Joads (1939). -
Oral History Interview with John Spencer, 1994 September 1
Oral history interview with John Spencer, 1994 September 1 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with John Spencer on September 1, 1994. The interview took place in Spencer's home in Pasadena, California, and was conducted by Paul Karlstro for the Archives of American Art, Smithsonian Institution. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview PAUL KARLSTROM: The Smithsonian Institution, an interview with John Spencer, on September 1, 1994 at the subject's home in Pasadena [California]. The interviewer is Paul Karlstrom and the subject, or the main subject, is the—Dean Cornwell, with whom John Spencer worked on the Los Angeles Public Library murals back in the late ‘20s and early ‘30s. But as we talk about that, we'll also get into a little more—uh, some stories about Mr. Spencer's experiences and his ongoing relationship with Dean Cornwell. Anyway, John, it seems to me there are three topics that we might try to cover briefly in the time we have this morning: the public library murals, of course, but then your old role assisting Cornwell with the murals and your relationship with him that developed, and maybe something about him from your experience. -
Olio Volume 19 Issue 2 2002
~olio Volume 19 The ·po Issue 2 2002 The From the Director Norman Rockwell I am pleased to announce the formation the museum will offer of the Norman Rockwell Museum National a sampler of foods to Museum Council, upon the conclusion of our museum visitors at at Stockbridge national tour, Pictures for the American our new Terrace Cafe People. The Council will provide a forum during the summer and fall. Sip a refreshing BOARD OF TRUSTEES for the Museum's national patrons and iced tea and enjoy the view after your visit to Bobbie Crosby· President Perri Petricca • First Vice President collectors, who will serve as ambassadors our wonderful summer exhibitions. We thank Lee Williams' Second Vice President for the Museum across the nation. the Town of Stockbridge Board of Selectmen Steven Spielberg· Third Vice President James W. Ireland' Treasurer and the Red Lion Inn for being our partner in Roselle Kline Chartock • Clerk The Board of Trustees has nominated a offering hospitality to our visitors. Robert Berle Ann Fitzpatrick Brown select group of friends and supporters to Daniel M. Cain join us in the stewardship of our mission. Jan Cohn As part of the Berkshire County-wide arts Catharine B. Deely The Council is advisory to and complements festival, the Vienna Project, the museum Michelle Gillett Elaine S. Gunn the work of Norman Rockwell Museum opened Viennese illustrator Lisbeth Zwerger's Ellen Kahn Trustees and staff. Council members will Land of Oz with a Viennese coffee house, Jeffrey Kleiser Luisa Kreisberg provide national outreach and offer advice remarks by Dr. -
Commencement1982.Pdf (5.469Mb)
Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/commencement1982 ORDER OF PROCESSION MARSHALS Paul R. Daniels Peter Newman Sidney S. Forrest Dennis A. Powers Carol J. Gray Henry M. Seidel Richard L. Higgins Carl E. Taylor William H. Huggins Mack Walker Joseph L. Katz Charles R. Westgate Warner E. Love Ira William Zartman THE GRADUATES MARSHALS David S. Olton Saul Roseman THE DEANS MEMBERS OF THE SOCIETY OF SCHOLARS OFFICERS OF THE UNIVERSITY THE TRUSTEES MARSHALS Matthew A. Crenson Paul R. Olson THE FACULTIES CHIEF MARSHAL Isaiah Frank THE CHAPLAINS THE HONORARY DEGREE CANDIDATES THE PROVOST OF THE UNIVERSITY THE CHAIRMAN OF THE BOARD OF TRUSTEES THE PRESIDENT OF THE UNIVERSITY ORDER OF EVENTS STEVEN MULLER President of the University, presiding PRELUDE La Mourisque TlELMAN SUSATO ( -1561) Sonata from Die Bankelsangerlieder Anonymous PROCESSIONALS The audience is requested to stand as the Academic Procession moves into the area and to remain standing after the Invocation. Marches from Belshazzar, Floridante, Ezio, Judas Maccabaeus, Saint Cecilia's Day and Rinaldo Georg Frederich Handel (1685-1759) THE PRESIDENT'S PROCESSION Fanfare Walter Piston (1894-1976) March from Scipione Georg Frederich Handel (1685-1759) INVOCATION CHESTER L. WICKWIRE Chaplain, The Johns Hopkins University * THE NATIONAL ANTHEM * GREETINGS ROBERT D. H. HARVEY Chairman of the Board of Trustees PRESENTATION OF NEW MEMBERS OF THE SOCIETY OF SCHOLARS Maurice M. Bursey Elizabeth D. Hay J. Michael Criley Gordon L. Kane Carlos E. Eyzaguirre David M. Kipnis Hans Fuchtbauer Carl Kupfer Robert S. Gordon, Jr. Leonard T. -
A Cultural Trade? Canadian Magazine Illustrators at Home And
A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 A Dissertation Presented by Shannon Jaleen Grove to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor oF Philosophy in Art History and Criticism Stony Brook University May 2014 Copyright by Shannon Jaleen Grove 2014 Stony Brook University The Graduate School Shannon Jaleen Grove We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Michele H. Bogart – Dissertation Advisor Professor, Department of Art Barbara E. Frank - Chairperson of Defense Associate Professor, Department of Art Raiford Guins - Reader Associate Professor, Department of Cultural Analysis and Theory Brian Rusted - Reader Associate Professor, Department of Art / Department of Communication and Culture University of Calgary This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation A Cultural Trade? Canadian Magazine Illustrators at Home and in the United States, 1880-1960 by Shannon Jaleen Grove Doctor of Philosophy in Art History and Criticism Stony Brook University 2014 This dissertation analyzes nationalisms in the work of Canadian magazine illustrators in Toronto and New York, 1880 to 1960. Using a continentalist approach—rather than the nationalist lens often employed by historians of Canadian art—I show the existence of an integrated, joint North American visual culture. Drawing from primary sources and biography, I document the social, political, corporate, and communication networks that illustrators traded in. I focus on two common visual tropes of the day—that of the pretty girl and that of wilderness imagery. -
Ridgefield Encyclopedia (5-15-2020)
A compendium of more than 3,500 people, places and things relating to Ridgefield, Connecticut. by Jack Sanders [Note: Abbreviations and sources are explained at the end of the document. This work is being constantly expanded and revised; this version was last updated on 5-15-2020.] A A&P: The Great Atlantic and Pacific Tea Company opened a small grocery store at 378 Main Street in 1948 (long after liquor store — q.v.); became a supermarket at 46 Danbury Road in 1962 (now Walgreens site); closed November 1981. [JFS] A&P Liquor Store: Opened at 133½ Main Street Sept. 12, 1935. [P9/12/1935] Aaron’s Court: short, dead-end road serving 9 of 10 lots at 45 acre subdivision on the east side of Ridgebury Road by Lewis and Barry Finch, father-son, who had in 1980 proposed a corporate park here; named for Aaron Turner (q.v.), circus owner, who was born nearby. [RN] A Better Chance (ABC) is Ridgefield chapter of a national organization that sponsors talented, motivated children from inner-cities to attend RHS; students live at 32 Fairview Avenue; program began 1987. A Birdseye View: Column in Ridgefield Press for many years, written by Duncan Smith (q.v.) Abbe family: Lived on West Lane and West Mountain, 1935-36: James E. Abbe, noted photographer of celebrities, his wife, Polly Shorrock Abbe, and their three children Patience, Richard and John; the children became national celebrities when their 1936 book, “Around the World in Eleven Years.” written mostly by Patience, 11, became a bestseller. [WWW] Abbot, Dr. -
Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.