Bab Ii Studi Pustaka
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Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
ANALISIS HUKUM PIDANA ISLAM TERHADAP KEPEMILIKAN SENJATA TAJAM CELURIT ( Dalam Putusan Pengadilan Negeri Kabupaten Bangkalan Nomor: 364/Pid.Sus/2018/PN.Bkl )
ANALISIS HUKUM PIDANA ISLAM TERHADAP KEPEMILIKAN SENJATA TAJAM CELURIT ( Dalam Putusan Pengadilan Negeri Kabupaten Bangkalan Nomor: 364/Pid.Sus/2018/PN.Bkl ) SKRIPSI OLEH : HUSNUL HOTIMAH NIM. C93216128 Universitas Islam Negeri Sunan Ampel Surabaya Fakultas Syariah dan Hukum Jurusan Hukum Publik Islam Program Studi Hukum Pidana Islam Surabaya 2020 PERNYATAAN KEASLIAN Yang bertanda tangan di bawah ini Nama : Husnul Hotimah NIM : C93216128 Fakultas/Jurusan/Prodi : Syariah dan Hukum/ Hukum Publik Islam/ Hukum Pidana Islam Judul Skripsi : Analisis Hukum Pidana Islam terhadap Kepemilikan Senjata Tajam Celurit(Dalam Putusan Pengadilan Negeri Kabupaten Bangkalan Nomor: 364/Pid.Sus/2018/PN.Bkl) Menyatakan bahwa skripsi ini secara keseluruhan adalah hasil penelitian dan karya saya sendiri, kecuali pada bagian-bagian yang dirujuk sumbernya. Surabaya, 10 Maret 2020 Saya yang menyatakan Husnul Hotimah NIM. C93216128 i PERSETUJUAN PEMBIMBING Skripsi yang berjudul “ANALISIS HUKUM PIDANA ISLAM TERHADAP KEPEMILIKAN SENJATA TAJAM CELURIT (Dalam Putusan Pengadilan Negeri Kabupaten Bangkalan Nomor: 364/Pid.Sus/2018/PN.Bkl) “ yang ditulis oleh Husnul Hotimah NIM. C93216128 ini telah diperiksa dan disetujui untuk dimunaqosahkan. Surabaya, 10 Maret 2020 Pembimbing Skripsi, M.Romdlon SH, M.Hum NIP. 196212291031003 ii PENGESAHAN Skripsi yang ditulis oleh Husnul Hotimah NIM. C93216128 ini telah dipertahankan di depan sidang Majelis Munaqasah Skripsi Fakultas Syariah dan Hukum Universitas Islam Negeri Sunan Ampel Surabaya pada hari jumat 6 Maret 2020 dan dapat diterima sebagai salah satu persyaratan untuk menyelesaikan program sarjana strata satu dalam Ilmu Syariah dan Hukum. Majelis Munaqosah Skripsi Penguji I, M.Romdlon S.H M Hum NIP. 196212291031003 Penguji III, A.Kemal Reza, S.Ag., M.A NIP. -
Land- En Volkenkunde
Music of the Baduy People of Western Java Verhandelingen van het Koninklijk Instituut voor Taal- , Land- en Volkenkunde Edited by Rosemarijn Hoefte (kitlv, Leiden) Henk Schulte Nordholt (kitlv, Leiden) Editorial Board Michael Laffan (Princeton University) Adrian Vickers (The University of Sydney) Anna Tsing (University of California Santa Cruz) volume 313 The titles published in this series are listed at brill.com/ vki Music of the Baduy People of Western Java Singing is a Medicine By Wim van Zanten LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY- NC- ND 4.0 license, which permits any non- commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https:// creativecommons.org/ licenses/ by- nc- nd/ 4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Cover illustration: Front: angklung players in Kadujangkung, Kanékés village, 15 October 1992. Back: players of gongs and xylophone in keromong ensemble at circumcision festivities in Cicakal Leuwi Buleud, Kanékés, 5 July 2016. Translations from Indonesian, Sundanese, Dutch, French and German were made by the author, unless stated otherwise. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2020045251 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
Perencanaan Tata Guna Lahan Desa Balaroa Pewunu
Perencanaan Tata Guna Lahan Desa Balaroa Pewunu Bab I Pendahuluan 1.1 Latar Belakang Desa Balaroa Pewunu merupakan desa baru yang memisahkan diri dari desa induk Pewunu pada tahun 2012, berdirinya desa ditetapkan pada 20 november 2012 melaui Perda Kabupaten Sigi Nomor 41 tahun 2012 tentang Pemekaran Desa Balaroa Pewunu Kecamatan Dolo Barat Sigi Sulawesi Tengah. Secara geografis, desa Balaroa Pewunu berada di sebelah barat ibu kota kabupaten Sigi dengan melalui jalan poros Palu-Kulawi, untuk kedudukan atronomisnya terdapat pada titik koordinat S 1 °01’37" Lintang Selatan dan E 119°51'37 Bujur Timur. Luas desa Balaroa Pewunu (indikatif) 217,57 Ha berdasarkan hasil pemetaan partisipatif yang dilakukan oleh warga pada tahun 2019 dengan topografi atau rupa bumi umumnya dalam bentuk daratan yang kepadatan penduduk mencapai 374 jiwa/Km² pada tahun 2019. Berdasarkan perhitungan Indeks Desa Membangun 2019 (IDM)1 yang dikeluarkan oleh kementrian desa dengan nilai total 0,5987 maka desa Balaroa Pewunu dapat dikategorikan sebagai desa tertinggal atau bisa disebut sebagai desa pra-madya, Desa yang memiliki potensi sumber daya sosial, ekonomi, dan ekologi tetapi belum, atau kurang mengelolanya dalam upaya peningkatan kesejahteraan masyarakat Desa, kualitas hidup manusia serta mengalami kemiskinan dalam berbagai bentuknya. Seperti pada umumnya desa di Dolo Barat, komoditas tanaman padi sawah selain sebagai pemenuhan kebutuhan pangan juga merupakan tumpuhan petani dalam menambah pendapatan keluarga, varitas padi sawah (irigasi) yang dibudidayakan petani antara lain 1http://idm.kemendesa.go.id/idm_data?id_prov=72&id_kabupaten=7210&id_kecamatan=721011&id_desa=7210112011&tahu n=2019, Rumusan IDM berdasarkan Peraturan Menteri Desa, Pembangunan Daerah Tertinggal dan Transmigrasi No 2 tahun 2016 Tentang Indek Desa Membangun. -
Potensi Wisata Komunitas Pijar Sebagai Kelompok Unik Dalam Lingkungan Masyarakat Multikultural
Tornare - Journal of Sustainable Tourism Research Vol. 3, No. 1, Januari 2021: 30 - 34 eISSN 2715 - 8004 Potensi Wisata Komunitas Pijar Sebagai Kelompok Unik Dalam Lingkungan Masyarakat Multikultural Evi Novianti1, Hafsah Nugraha2, Risa Ramadaniati Zahra3 1Fakultas Ilmu Komunikasi, Universitas Padjajaran, Jl. Raya Bandung-Sumedang KM. 21 Jatinangor, 456363 E-mail: [email protected] ; [email protected] ; [email protected] ABSTRAK Pariwisata kreatif adalah salah satu sektor unggulan yang mendukung perekonomian nasional. Indonesia merupakan negara yang luas dan kaya akan budaya, baik budaya berbentuk benda maupun tak benda. Benda-benda yang dianggap budaya ini memerlukan bermacam ritual dan pengalaman dalam proses pembuatannya. Di Jawa Barat sendiri terdapat beberapa daerah yang memiliki kebudayaan sejenis itu, salah satunya di Kota Bandung yang dilestarikan oleh Komunitas Pijar yang mempelajari mengenai kebudayaan dan penempaan pisau dan benda pusaka, khususnya Kujang dan Keris. Penelitian ini menggunakan metode kualitatif dnegan pendekatan deskriptif. Subjek yang diteliti adalah Ibnu Pratomo sebagai pendiri Komunitas Pijar serta angota Komunitas Pijar. Teknik pengumpulan data yakni dengan studi dokumentasi, studi literatur, dan observasi tidak langsung. Hasil dari penelitian ini menunjukan bahwa Komunitas Pijar memiliki potensi menjadi pariwisata kreatif karena sifatnya yang informal, fleksibel, praktis, dan juga interaktif. Sebagai kelompok unik dalam masayarakat multikultural, Komunitas Pijar telah berupaya mengenalkan budaya mereka dengan meanfaatkan media sosial untuk berbagi pengetahuan mengenai penempaan. Kata kunci; budaya; Komunitas Pijar; multikultural; penempaan besi; potensi wisata; POTENTIAL TOURISM OF KOMUNITAS PIJAR AS A UNIQUE GROUP IN A MULTICULTURAL SOCIETY ENVIRONMENT ABSTRACT Creative tourism is one of the leading sectors that support the national economy. -
The Origin of Tanto Well
1 THE ORIGIN OF TANTO WELL Abdul Warits The arid condition of Madura island barely provides water. A long time ago, wells were dug hundreds of metres for water in the valley and mountainside, but only few spouted out water. Some holes were open without any water. In fact, the wells that had water would run dry when the drought came. In a small village in Maddupote—an area between Batang-Batang and Batuputih—there lived a husband and wife, Mattali and Sunima. They led a loving life despite not having any children in their old age. They had been married for twenty five years, but no child was born to bring more joy and completeness in their life. Sunima tirelessly prayed and fasted to ask God for a child. So did Mattali. He even willingly went to some shamans for help so that they would have a baby soon. He had done all the advice, from the simplest to the most difficult one such as sleeping out in Rongkorong Hill forty days, but with no success. Mattali and Sunima had spent their wealth to visit shamans and pay for the ritual expenses in order to have a child. Moreover, their wealth was all gone because they had fines to pay to a cruel and stubborn king. The king was widely known with the name King Dulkemmek Banakeron who ruled Maddupote. Maddupote was actually a rebellious kingdom whose illegal authority was still under the leadership of Panembahan Joharsari, the King of Sumenep. King Dulkemmek gave an order that every childless family must pay 400 cent fine each month. -
Ideology Content and Expression of Kujang Symbol in Jasad Band CD Cover Design
BANDUNG CREATIVE MOVEMENT 2015 2nd International Conference on Creative Industries “Strive to Improve Creativity“ 8 – 9 September 2015 Ideology Content and Expression of Kujang Symbol in Jasad Band CD Cover Design Novian Denny Nugraha¹, Lingga Agung², and Riky Azhari Siswanto³. ¹[email protected] , ² [email protected] ³[email protected], Abstract. This paper departs from a phenomenon of the strengthening of primordial symbols in a contemporary society in Indonesia, particularly in Bandung. The strengthening is the use of primordial society symbols in an activity and in visual and symbolic expression contained in graphic design products whether it is printed material, symbol, emblem or logo. One of symbols frequently used is the form of Kujang. Kujang is a Sundanese artifact recognized as an heirloom weapon, though other than weapon, some researches found that Kujang is a philosophy symbol pikukuh (the teaching of life) of Sundanese. This research analyzes the position of Kujang symbol in Jasad Band cd cover and in its lyric, futhermore to analyze the existence of ideological elements as the research perspective. The method used is descriptive and interpretive qualitative, this method used to analyze the research object, while the main theory used is the Eagleton ideological theories with a primary focus on the study of communication and language, therefore the research result is the identification of ideology content in symbolic expression of Jasad band cd cover design or in its lyric as the research object either visually or verbally. Keywords: Ideology, Expression, Kujang Symbol 1. Introduction The symbol of Kujang in Sundanese has long existed, in terms of form, Kujang is a weapon, however Kujang has existed since megalithic and used as a medium of sacred necessity which is Lingga stone formed Kujang. -
Baby Boy Names Registered in 2017
Page 1 of 43 Baby Boy Names Registered in 2017 # Baby Boy Names # Baby Boy Names # Baby Boy Names 1 Aaban 3 Abbas 1 Abhigyan 1 Aadam 2 Abd 2 Abhijot 1 Aaden 1 Abdaleh 1 Abhinav 1 Aadhith 3 Abdalla 1 Abhir 2 Aadi 4 Abdallah 1 Abhiraj 2 Aadil 1 Abd-AlMoez 1 Abic 1 Aadish 1 Abd-Alrahman 1 Abin 2 Aaditya 1 Abdelatif 1 Abir 2 Aadvik 1 Abdelaziz 11 Abraham 1 Aafiq 1 Abdelmonem 7 Abram 1 Aaftaab 1 Abdelrhman 1 Abrham 1 Aagam 1 Abdi 1 Abrielle 2 Aahil 1 Abdihafid 1 Absaar 1 Aaman 2 Abdikarim 1 Absalom 1 Aamir 1 Abdikhabir 1 Abu 1 Aanav 1 Abdilahi 1 Abubacarr 24 Aarav 1 Abdinasir 1 Abubakar 1 Aaravjot 1 Abdi-Raheem 2 Abubakr 1 Aarez 7 Abdirahman 2 Abu-Bakr 1 Aaric 1 Abdirisaq 1 Abubeker 1 Aarish 2 Abdirizak 1 Abuoi 1 Aarit 1 Abdisamad 1 Abyan 1 Aariv 1 Abdishakur 13 Ace 1 Aariyan 1 Abdiziz 1 Achier 2 Aariz 2 Abdoul 4 Achilles 2 Aarnav 2 Abdoulaye 1 Achyut 1 Aaro 1 Abdourahman 1 Adab 68 Aaron 10 Abdul 1 Adabjot 1 Aaron-Clive 1 Abdulahad 1 Adalius 2 Aarsh 1 Abdul-Azeem 133 Adam 1 Aarudh 1 Abdulaziz 2 Adama 1 Aarus 1 Abdulbasit 1 Adamas 4 Aarush 1 Abdulla 1 Adarius 1 Aarvsh 19 Abdullah 1 Adden 9 Aaryan 5 Abdullahi 4 Addison 1 Aaryansh 1 Abdulmuhsin 1 Adedayo 1 Aaryav 1 Abdul-Muqsit 1 Adeel 1 Aaryn 1 Abdulrahim 1 Adeen 1 Aashir 2 Abdulrahman 1 Adeendra 1 Aashish 1 Abdul-Rahman 1 Adekayode 2 Aasim 1 Abdulsattar 4 Adel 1 Aaven 2 Abdur 1 Ademidesireoluwa 1 Aavish 1 Abdur-Rahman 1 Ademidun 3 Aayan 1 Abe 5 Aden 1 Aayandeep 1 Abed 1 A'den 1 Aayansh 21 Abel 1 Adeoluwa 1 Abaan 1 Abenzer 1 Adetola 1 Abanoub 1 Abhaypratap 1 Adetunde 1 Abantsia 1 Abheytej 3 -
20 Analisis Assembly Line Balancing Untuk Mengoptimalkan Produksi
Jurnal REKOMEN (Riset Ekonomi Manajemen) Vol 3 No 1 2019 Analisis Assembly Line Balancing Untuk Mengoptimalkan Produksi Pisau di Perusahaan T. Kardin Pisau Indonesia Alkadri Kusalendra Siharis a, Imelda Junita b, Budi Rahardjo c aUniversitas Tidar, bUniversitas Kristen Maranatha, cUniversitas Tidar [email protected] ABSTRAK. Perusahaan T. Kardin Pisau Indonesia adalah perusahaan yang memproduksi pisau buatan tangan dengan karya an yang terspesialisasi pada pekerjaannya. Perusahaan ini berusaha untuk mengoptimalkan produksi pisau buatannya dengan meminimalkan aktu menganggur yang pada akhirnya akan meningkatkan produktivitas karya an. Adanya tingkat kesulitan pengerjaan yang berbeda-beda menyebabkan ketidakseimbangan aktu pengerjaan tugas antar karya an. Tujuan penelitian ini adalah memberi gambaran peranan strategi penyeimbangan lini untuk mengoptimalkan produksi pisau di perusahaan Pisau Indonesia. Strategi yang digunakan adalah setiap karya an mengerjakan pekerjaan yang berbeda hingga selesai dan kemudian membantu pekerjaan karya an lain yang belum selesai. Metode penyeimbangan lini adalah kegiatan yang bertujuan untuk memindahkan satu tugas dari satu orang ke orang lainnya yang pada akhirnya menciptakan keseimbangan aktu antara pekerja di suatu stasiun dan pekerja di stasiun lainnya. Hasil penelitian menunjukkan bah a dengan menggunakan strategi ini diperoleh tingkat efisiensi produksi sebesar 79.02% untuk proses 1 dan .79.4.% untuk proses 2. Kata kunci/ line balancing 0 stasiun kerja0 efisiensi ABSTRACT. T. Kardin Pisau Indonesia Company is a company that produces handmade knives with employees who specialize in their work. The company is trying to optimize the production of its knives by minimizing idle time which will ultimately increase employee productivity. The existence of different levels of difficulty in the workmanship causes an imbalance of work time between employees. -
Chapter 3 the Classical Weapons of The
Chapter 3 The Classical Weapons of the Art ndonesian martial arts are well known for their huge variation of bladed weapons they Iuse. I will not attempt to list or show all of them but only those that this art uses most often in classical training. We will start with the most commonly seen and used bladed weapon and that of course is the knife or pisau in Indonesian martial context. Everyone in almost every style teaches some sort of knife fighting and knife defenses. One of my biggest complaints is that most of these defenses are almost worthless against a fast, randomly moving assailant. One of my teachers, Pendekar Suryadi Jafri, used to open his knife training at a new school by allowing the most inexperienced student to hold a rubber knife. This student was then instructed to write their name as fast as possible over the face and chest of the most experienced student or teacher there and have this victim use the best knife defense they knew. They always failed because the sad fact is most systems don’t practice knife fighting and they don’t know how to defend against this type of attack. On the other end of the spectrum I have seen some of the Filipino styles demonstrate the most complex and intricate redirections with locks and counters that work just fine at slow to medium speed, or at fast speed when both players are doing the same drill. All of these defenses also fell apart when I saw them applied against the same type of inexperienced student who did not know the drill and so figuratively speaking “sliced and diced” them. -
Assessment of Existing and Potential Sources of Capital for Water Utilities
USAID INDONESIA URBAN WATER SANITATION AND HYGIENE ASSESSMENT OF EXISTING AND POTENTIAL SOURCES OF CAPITAL FOR WATER UTILITIES AUGUST 2014 This report is made possible by the support of the American People through the United States Agency for International Development (USAID.) The contents of this report are the sole responsibility of DAI and do not necessarily reflect the views of USAID or the United States Government. Cover Photo: The installation of main pipes as part of the distribution network improvement at the Water Utility of Takalar District to expand its coverage service to Galesong Subdistrict, Takalar, South Sulawesi. Photo Credit: Hendri Saputro/IUWASH South Sulawesi-Eastern Indonesia USAID INDONESIA URBAN WATER SANITATION AND HYGIENE ASSESSMENT OF EXISTING AND POTENTIAL SOURCES OF CAPITAL FOR WATER UTILITIES Program Title: USAID Indonesia Urban Water Sanitation and Hygiene DAI Project Number: 1001457. Assistance Objective (AO): AO Improved Management of Natural Resources, under (IR) 3 – Increased Access to Water and Sanitation. Sponsoring USAID Office: USAID/Indonesia Office of Environment Contract Number: AID-497-C-11-00001 Contractor: DAI Date of Publication: August 2014 Author: David Woodward This report is made possible by the support of the American People through the United States Agency for International Development (USAID.) The contents of this report are the sole responsibility of DAI and do not necessarily reflect the views of USAID or the United States Government. TABLE OF CONTENTS EXECUTIVE SUMMARY ......................................................................................................................... -
The Thread of Blades
The Thread of Blades The Kujang In my video on the kujang, the knife of Pukulan Cimande Pusaka, I explained the story of the direct lineage of the Jurus I was taught. It starts with the King of the Pajajaran empire, King Silawangi of Cirebon, and his two princes (sons). The older son was Radan Komondoko. The younger son’s name has been lost in history. The story goes that the elder son was sent into the jungle to train with a Pendekar of Ilmu Pencak Silat and he carried the blade that his father, King Silawangi created, to roughly resemble the shape of Java, or Djawa Dwipa as it was formally known as at that time. Some say the name was Prabu Kudo Lalean of the King who invented this shape, but honestly every time the story was told to me it was King Silawangi’s name that was mentioned. In the jungle he met the master and the master had a young daughter who over time became the adopted sister of Radan Komondoko. Decades later the younger son ventured into the jungle and happened across the now older daughter of Radan Komondoko’s teacher. He was flirting with her and along came the older brother. Feeling this other man, who he did not recognize, was harassing his adopted sister he challenged the younger man to a fight. Now the younger brother had also been studying Ilmu Silat and so he accepted the challenge. A fight started, that according to legend, lasted days. When neither could win empty handed they decided to use their weapons and when each produced the pusaka kujang the realized that they were brothers as these were the only two such knives then in existence.