20 Analisis Assembly Line Balancing Untuk Mengoptimalkan Produksi
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Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
Tenaga Dalam Volume 2 - August 1999
Tenaga Dalam Volume 2 - August 1999 The Voice of the Indonesian Pencak Silat Governing Board - USA Branch Welcome to the August issue of Tenaga Dalam. A lot has occurred since May issue. Pendekar Sanders had a very successful seminar in Ireland with Guru Liam McDonald on May 15-16, a very large and successful seminar at Guru Besar Jeff Davidson’s school on June 5-6 and he just returned from a seminar in England. The seminar at Guru Besar Jeff Davidson’s was video taped and the 2 volume set can be purchased through Raja Naga. Tape 1 consists of blakok (crane) training and Tape 2 has about 15 minutes more of blakok training followed by a very intense training session in various animal possessions including the very rare Raja Naga possession. Guru Besar Davidson and his students should be commended on their excellent portrayal of the art. Tape 1 is available to the general public, but due to the intense nature of tape 2 you must be a student. It is with great sadness that I must report that Guru William F. Birge passed away. William was a long time personal student of Pendekar Sanders and he will be missed by all of the people that he came into contact with. 1 Tribute to Guru William F. Birge Your Memory Will Live On In Our Hearts. 2 DJAKARTA aeroplane is a lead-coloured line of sand beaten by EX ‘PEARL OF THE EAST’ waves seeping into a land as flat as Holland. The Dutch settlers who came here in 1618 and founded The following is a passage from the wonderful Batavia must have thought it strangely like their book Magic and Mystics of Java by Nina Epton, homeland. -
Land- En Volkenkunde
Music of the Baduy People of Western Java Verhandelingen van het Koninklijk Instituut voor Taal- , Land- en Volkenkunde Edited by Rosemarijn Hoefte (kitlv, Leiden) Henk Schulte Nordholt (kitlv, Leiden) Editorial Board Michael Laffan (Princeton University) Adrian Vickers (The University of Sydney) Anna Tsing (University of California Santa Cruz) volume 313 The titles published in this series are listed at brill.com/ vki Music of the Baduy People of Western Java Singing is a Medicine By Wim van Zanten LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY- NC- ND 4.0 license, which permits any non- commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https:// creativecommons.org/ licenses/ by- nc- nd/ 4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Cover illustration: Front: angklung players in Kadujangkung, Kanékés village, 15 October 1992. Back: players of gongs and xylophone in keromong ensemble at circumcision festivities in Cicakal Leuwi Buleud, Kanékés, 5 July 2016. Translations from Indonesian, Sundanese, Dutch, French and German were made by the author, unless stated otherwise. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2020045251 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
Potensi Wisata Komunitas Pijar Sebagai Kelompok Unik Dalam Lingkungan Masyarakat Multikultural
Tornare - Journal of Sustainable Tourism Research Vol. 3, No. 1, Januari 2021: 30 - 34 eISSN 2715 - 8004 Potensi Wisata Komunitas Pijar Sebagai Kelompok Unik Dalam Lingkungan Masyarakat Multikultural Evi Novianti1, Hafsah Nugraha2, Risa Ramadaniati Zahra3 1Fakultas Ilmu Komunikasi, Universitas Padjajaran, Jl. Raya Bandung-Sumedang KM. 21 Jatinangor, 456363 E-mail: [email protected] ; [email protected] ; [email protected] ABSTRAK Pariwisata kreatif adalah salah satu sektor unggulan yang mendukung perekonomian nasional. Indonesia merupakan negara yang luas dan kaya akan budaya, baik budaya berbentuk benda maupun tak benda. Benda-benda yang dianggap budaya ini memerlukan bermacam ritual dan pengalaman dalam proses pembuatannya. Di Jawa Barat sendiri terdapat beberapa daerah yang memiliki kebudayaan sejenis itu, salah satunya di Kota Bandung yang dilestarikan oleh Komunitas Pijar yang mempelajari mengenai kebudayaan dan penempaan pisau dan benda pusaka, khususnya Kujang dan Keris. Penelitian ini menggunakan metode kualitatif dnegan pendekatan deskriptif. Subjek yang diteliti adalah Ibnu Pratomo sebagai pendiri Komunitas Pijar serta angota Komunitas Pijar. Teknik pengumpulan data yakni dengan studi dokumentasi, studi literatur, dan observasi tidak langsung. Hasil dari penelitian ini menunjukan bahwa Komunitas Pijar memiliki potensi menjadi pariwisata kreatif karena sifatnya yang informal, fleksibel, praktis, dan juga interaktif. Sebagai kelompok unik dalam masayarakat multikultural, Komunitas Pijar telah berupaya mengenalkan budaya mereka dengan meanfaatkan media sosial untuk berbagi pengetahuan mengenai penempaan. Kata kunci; budaya; Komunitas Pijar; multikultural; penempaan besi; potensi wisata; POTENTIAL TOURISM OF KOMUNITAS PIJAR AS A UNIQUE GROUP IN A MULTICULTURAL SOCIETY ENVIRONMENT ABSTRACT Creative tourism is one of the leading sectors that support the national economy. -
Catalogue Going to Print
CARVELL’S AUCTIONS New Zealand’s Specialist Firearms Auction House AUCTION 44 SUNDAY 11th November 2012 TO BE HELD AT THE HOLIDAY INN HOTEL AUCKLAND AIRPORT Viewing 8.00am - 10.00am Auction Commencing 10.00am MAJOR J.A WALLINGFORD (1872-1944) Jesse Wallingford, one of New Zealand’s greatest War heroes, was born in Kent, England in 1872. He was educated in Military schools and entered the Army at age 13. He specialised in musketry and was appointed an instructor at the Hythe Mus- ketry School. He was 17 times a member of the British team at Bisley Championship and a champion with both the rifle and revolver many times over. In 1908 he won a Bronze medal at the London Olympics in the teams Free Pistol event. In 1911 Wallingford was brought to NZ by Sir Joseph Ward (Prime Minister and Minister of Defence) to head up the School of Musketry in Auckland. He was re- sponsible for training the Expeditionary Force in rifle practice. While famous throughout the British Empire prior to The Great War, it was his exploits at Gallipoli that would earn him the nickname ‘Human Machine Gun’ and the title ‘Hero of ANZAC’. Wallingford was put in charge of the NZ machine guns and snipers and was awarded the Military Cross during operations near Gaba Tepe on the 25th April. Widely renowned as the best shot in the British Military he was regularly used to dispatch Turkish snipers. Not counting the machine gun, he shot over 700 Turks in the 5 months he was at Gallipoli. -
Ideology Content and Expression of Kujang Symbol in Jasad Band CD Cover Design
BANDUNG CREATIVE MOVEMENT 2015 2nd International Conference on Creative Industries “Strive to Improve Creativity“ 8 – 9 September 2015 Ideology Content and Expression of Kujang Symbol in Jasad Band CD Cover Design Novian Denny Nugraha¹, Lingga Agung², and Riky Azhari Siswanto³. ¹[email protected] , ² [email protected] ³[email protected], Abstract. This paper departs from a phenomenon of the strengthening of primordial symbols in a contemporary society in Indonesia, particularly in Bandung. The strengthening is the use of primordial society symbols in an activity and in visual and symbolic expression contained in graphic design products whether it is printed material, symbol, emblem or logo. One of symbols frequently used is the form of Kujang. Kujang is a Sundanese artifact recognized as an heirloom weapon, though other than weapon, some researches found that Kujang is a philosophy symbol pikukuh (the teaching of life) of Sundanese. This research analyzes the position of Kujang symbol in Jasad Band cd cover and in its lyric, futhermore to analyze the existence of ideological elements as the research perspective. The method used is descriptive and interpretive qualitative, this method used to analyze the research object, while the main theory used is the Eagleton ideological theories with a primary focus on the study of communication and language, therefore the research result is the identification of ideology content in symbolic expression of Jasad band cd cover design or in its lyric as the research object either visually or verbally. Keywords: Ideology, Expression, Kujang Symbol 1. Introduction The symbol of Kujang in Sundanese has long existed, in terms of form, Kujang is a weapon, however Kujang has existed since megalithic and used as a medium of sacred necessity which is Lingga stone formed Kujang. -
Baby Boy Names Registered in 2017
Page 1 of 43 Baby Boy Names Registered in 2017 # Baby Boy Names # Baby Boy Names # Baby Boy Names 1 Aaban 3 Abbas 1 Abhigyan 1 Aadam 2 Abd 2 Abhijot 1 Aaden 1 Abdaleh 1 Abhinav 1 Aadhith 3 Abdalla 1 Abhir 2 Aadi 4 Abdallah 1 Abhiraj 2 Aadil 1 Abd-AlMoez 1 Abic 1 Aadish 1 Abd-Alrahman 1 Abin 2 Aaditya 1 Abdelatif 1 Abir 2 Aadvik 1 Abdelaziz 11 Abraham 1 Aafiq 1 Abdelmonem 7 Abram 1 Aaftaab 1 Abdelrhman 1 Abrham 1 Aagam 1 Abdi 1 Abrielle 2 Aahil 1 Abdihafid 1 Absaar 1 Aaman 2 Abdikarim 1 Absalom 1 Aamir 1 Abdikhabir 1 Abu 1 Aanav 1 Abdilahi 1 Abubacarr 24 Aarav 1 Abdinasir 1 Abubakar 1 Aaravjot 1 Abdi-Raheem 2 Abubakr 1 Aarez 7 Abdirahman 2 Abu-Bakr 1 Aaric 1 Abdirisaq 1 Abubeker 1 Aarish 2 Abdirizak 1 Abuoi 1 Aarit 1 Abdisamad 1 Abyan 1 Aariv 1 Abdishakur 13 Ace 1 Aariyan 1 Abdiziz 1 Achier 2 Aariz 2 Abdoul 4 Achilles 2 Aarnav 2 Abdoulaye 1 Achyut 1 Aaro 1 Abdourahman 1 Adab 68 Aaron 10 Abdul 1 Adabjot 1 Aaron-Clive 1 Abdulahad 1 Adalius 2 Aarsh 1 Abdul-Azeem 133 Adam 1 Aarudh 1 Abdulaziz 2 Adama 1 Aarus 1 Abdulbasit 1 Adamas 4 Aarush 1 Abdulla 1 Adarius 1 Aarvsh 19 Abdullah 1 Adden 9 Aaryan 5 Abdullahi 4 Addison 1 Aaryansh 1 Abdulmuhsin 1 Adedayo 1 Aaryav 1 Abdul-Muqsit 1 Adeel 1 Aaryn 1 Abdulrahim 1 Adeen 1 Aashir 2 Abdulrahman 1 Adeendra 1 Aashish 1 Abdul-Rahman 1 Adekayode 2 Aasim 1 Abdulsattar 4 Adel 1 Aaven 2 Abdur 1 Ademidesireoluwa 1 Aavish 1 Abdur-Rahman 1 Ademidun 3 Aayan 1 Abe 5 Aden 1 Aayandeep 1 Abed 1 A'den 1 Aayansh 21 Abel 1 Adeoluwa 1 Abaan 1 Abenzer 1 Adetola 1 Abanoub 1 Abhaypratap 1 Adetunde 1 Abantsia 1 Abheytej 3 -
Golok Walahir Sebagai Identitas Budaya Masyarakat Desa Sindangkerta Kabupaten Tasikmalaya
d͘ƵůŬĂƌŶĂŝŶDƵƩĂƋŝĞŶ GOLOK WALAHIR SEBAGAI IDENTITAS BUDAYA MASYARAKAT DESA SINDANGKERTA KABUPATEN TASIKMALAYA T. Zulkarnain Muttaqien Universitas Telkom Jalan Telekomunikasi No. 01, Terusan Buahbatu, Bandung 40257 e-mail: [email protected] ABSTRACT Golok is an Indonesian traditional knife resembling a machete that functions as an implement in gardening or a weapon in a combat. As it serves different purposes such as slashing, splitting, cutting and hewing, golok has slightly different shapes. In some regions in Indonesia, a golok is even considered as a representation of regional identity. Thus, golok is still made and used up to now. Golok Walahir originated from Walahir village in Sindangkerta, Tasikmalaya Regency. Unlike golok originated from other areas that are still produced and become regional icon, golok Walahir is no longer made due to the absence of its blacksmith. A number of efforts must be done to preserve golok Walahir, such as by studying the possibility of remaking the golok and blacksmith generation that will preserve the golok Walahir as an iconic identity of Sindangkerta from generation to generation. Steps taken in the study were identifying the golok Walahir shapes available at present, classifying them, and making replicas of each shape. The study focused on shapes, materials and production process. Keywords: Golok Walahir, Replica, Process, Conserve, Identity ABSTRAK Golok merupakan salah satu alat bantu tradisional untuk melakukan kegiatan berkebun, berladang, dan pada masa lalu digunakan juga untuk bertarung dan bertempur. Bagi sebagian masyarakat di Indonesia golok memiliki fungsi lain, selain sebagai alat bantu kerja, golok dapat dimaknai sebagai wakil dari identitas bagi sebuah daerah atau masyarakat. -
The Gods & the Forge
ificah International Foundation of Indonesian Culture and Asian Heritage The Gods & the Forge Balinese Ceremonial Blades The Gods & the Forge in a Cultural Context This publication is the companion volume for the exhibition of the same name at the IFICAH Museum of Asian Culture in Hollenstedt-Wohlesbostel, Germany December 2015 to October 2016. Title number IFICAH V01E © IFICAH, International Foundation of Indonesian Culture and Asian Heritage Text: Dr. Achim Weihrauch, Efringen-Kirchen, Germany Dr. Udo Kloubert, Erkrath, Germany Adni Aljunied, Singapore Photography: Günther Heckmann, Hollenstedt, Germany Printing: Digital Repro Druck GmbH, Ostfildern, Germany Layout: S&K Kommunikation, Osnabrück, Germany Editing: Kerstin Thierschmidt, Düsseldorf, Germany Image editing: Concept 33, Ostfildern, Germany Exhibition design: IFICAH Display cases: Glaserei Ahlgrim, Zeven, Germany "Tradition is not holding onto the ashes, Metallbau Stamer, Grauen, Germany Conservation care: but the passing on of the flame." Daniela Heckmann, Hollenstedt, Germany Thomas Moore (1477–1535) Translation: Comlogos, Fellbach, Germany 04 05 Foreword Summer 2015. Ketut, a native of Bali, picks me Years earlier, the fishermen had sold the land up on an ancient motorcycle. With our feet bordering the beach to Western estate agents, clad in nothing more resilient than sandals, we which meant however that they can now no ride along streets barely worthy of the name longer access the sea with their boats ... to the hinterland. We meet people from dif- ferent generations who live in impoverished It is precisely these experiences that underline conditions by western standards and who wel- the urgency of the work carried out by IFICAH – come the "giants from the West" with typi- International Foundation of Indonesian Culture cal Balinese warmth. -
Chapter 3 the Classical Weapons of The
Chapter 3 The Classical Weapons of the Art ndonesian martial arts are well known for their huge variation of bladed weapons they Iuse. I will not attempt to list or show all of them but only those that this art uses most often in classical training. We will start with the most commonly seen and used bladed weapon and that of course is the knife or pisau in Indonesian martial context. Everyone in almost every style teaches some sort of knife fighting and knife defenses. One of my biggest complaints is that most of these defenses are almost worthless against a fast, randomly moving assailant. One of my teachers, Pendekar Suryadi Jafri, used to open his knife training at a new school by allowing the most inexperienced student to hold a rubber knife. This student was then instructed to write their name as fast as possible over the face and chest of the most experienced student or teacher there and have this victim use the best knife defense they knew. They always failed because the sad fact is most systems don’t practice knife fighting and they don’t know how to defend against this type of attack. On the other end of the spectrum I have seen some of the Filipino styles demonstrate the most complex and intricate redirections with locks and counters that work just fine at slow to medium speed, or at fast speed when both players are doing the same drill. All of these defenses also fell apart when I saw them applied against the same type of inexperienced student who did not know the drill and so figuratively speaking “sliced and diced” them. -
Assessment of Existing and Potential Sources of Capital for Water Utilities
USAID INDONESIA URBAN WATER SANITATION AND HYGIENE ASSESSMENT OF EXISTING AND POTENTIAL SOURCES OF CAPITAL FOR WATER UTILITIES AUGUST 2014 This report is made possible by the support of the American People through the United States Agency for International Development (USAID.) The contents of this report are the sole responsibility of DAI and do not necessarily reflect the views of USAID or the United States Government. Cover Photo: The installation of main pipes as part of the distribution network improvement at the Water Utility of Takalar District to expand its coverage service to Galesong Subdistrict, Takalar, South Sulawesi. Photo Credit: Hendri Saputro/IUWASH South Sulawesi-Eastern Indonesia USAID INDONESIA URBAN WATER SANITATION AND HYGIENE ASSESSMENT OF EXISTING AND POTENTIAL SOURCES OF CAPITAL FOR WATER UTILITIES Program Title: USAID Indonesia Urban Water Sanitation and Hygiene DAI Project Number: 1001457. Assistance Objective (AO): AO Improved Management of Natural Resources, under (IR) 3 – Increased Access to Water and Sanitation. Sponsoring USAID Office: USAID/Indonesia Office of Environment Contract Number: AID-497-C-11-00001 Contractor: DAI Date of Publication: August 2014 Author: David Woodward This report is made possible by the support of the American People through the United States Agency for International Development (USAID.) The contents of this report are the sole responsibility of DAI and do not necessarily reflect the views of USAID or the United States Government. TABLE OF CONTENTS EXECUTIVE SUMMARY ......................................................................................................................... -
The Thread of Blades
The Thread of Blades The Kujang In my video on the kujang, the knife of Pukulan Cimande Pusaka, I explained the story of the direct lineage of the Jurus I was taught. It starts with the King of the Pajajaran empire, King Silawangi of Cirebon, and his two princes (sons). The older son was Radan Komondoko. The younger son’s name has been lost in history. The story goes that the elder son was sent into the jungle to train with a Pendekar of Ilmu Pencak Silat and he carried the blade that his father, King Silawangi created, to roughly resemble the shape of Java, or Djawa Dwipa as it was formally known as at that time. Some say the name was Prabu Kudo Lalean of the King who invented this shape, but honestly every time the story was told to me it was King Silawangi’s name that was mentioned. In the jungle he met the master and the master had a young daughter who over time became the adopted sister of Radan Komondoko. Decades later the younger son ventured into the jungle and happened across the now older daughter of Radan Komondoko’s teacher. He was flirting with her and along came the older brother. Feeling this other man, who he did not recognize, was harassing his adopted sister he challenged the younger man to a fight. Now the younger brother had also been studying Ilmu Silat and so he accepted the challenge. A fight started, that according to legend, lasted days. When neither could win empty handed they decided to use their weapons and when each produced the pusaka kujang the realized that they were brothers as these were the only two such knives then in existence.