Identity, Perspective and Narrative in Hannah Arendt's "Eichmann in Jerusalem" Author(s): Seyla Benhabib Reviewed work(s): Source: History and Memory, Vol. 8, No. 2, Hannah Arendt and "Eichmann in Jerusalem" (Fall - Winter, 1996), pp. 35-59 Published by: Indiana University Press Stable URL: http://www.jstor.org/stable/25618705 . Accessed: 30/11/2011 17:37 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Indiana University Press is collaborating with JSTOR to digitize, preserve and extend access to History and Memory. http://www.jstor.org Seyla Benhabib Identity, Perspective and Narrative in Hannah Arendt's Eichmann in Jerusalem* Among all of Hannah Arendt's writings, Eichmann inJerusalem generated by far the most acrimonious and the most tangled controversy, which has since cast a long shadow on her eventful but otherwise respectable and illustrious career as a public intellec tual and academic.1 The Eichmann "affair" launched a host of as questions not only about her a political thinker but as an individual Jew. Gershom Scholem's cruel phrase that Hannah Arendt lacked "Ahabath Israel" (love of the Jewish people) captures this collective bitterness.2 Ironically this book is Hannah Arendt's most intensely Jewish work, inwhich she identifies herself morally and epistemologically as with the Jewish people.