8. Bystanders and Rescuers
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Digital Surrealism: Visualizing Walt Disney Animation Studios
City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns. -
Corrie Ten Boom
Corrie ten Boom Under Hitler’s domination in Eastern Europe, conditions were created in which citizens of occupied countries were encouraged to turn against their fellow citizens and abandon them both legally and morally as neighbors. While many non-Jews chose silence and safety as bystanders during the Holocaust, a heroic few obeyed the greatest of the commandments: to love thy neighbor. During a period in history when it seemed as though the whole world had abandoned the Jews of Eastern Europe, courageous individuals stepped forward and risked their own lives as well as the lives of family members to shelter and rescue Jews during the Holocaust. In an era marked by apathy and complicity, these rescuers present a portrait of moral courage in their response to the Holocaust. Their sense of justice and profound goodness led these individuals to reject Hitler’s “Final Solution” and work towards the restoration of human dignity. Most were ordinary citizens who went to extraordinary lengths merely to do what they believed was right. Some rescuers hid Jews in attics or cellars or behind false walls within their homes, sharing their meager food rations with their Jewish “guests” in hiding. Other rescuers helped transport Jews to the safety of neutral countries via an underground railroad of sorts that trafficked in Jewish refugees fleeing Nazi deportation. There were rescuers who used their positions, political connections, or diplomatic ties to issue transit visas, false documents, or citizenship papers in order to smuggle Jews out of ghettos and occupied areas. There were even those who raised Jewish children as their own or hid them in schools and churches to protect them from Nazi genocide. -
Hannah Garza, Mechelen, Belgium, January 2016
Understanding the Recent Phenomena of Holocaust Remembrance in the Form of National Holocaust Museums and Memorials in Belgium, France, and Germany Hannah Elizabeth Garza Universiteit van Amsterdam Graduate School of Humanities A thesis submitted for the degree of Masters in Holocaust and Genocide Studies Spring 2017 !1 Abstract This thesis will focus on national Holocaust museums and memorials in Europe, in specific regards to the national Holocaust museums of Belgium and France, and the national Holocaust memorial of Germany. This dissertation will begin with a brief overview of the scholars used within each chapter, along with a discussion on the development of national Holocaust museums in Europe in the introduction chapter. Following the introduction, the first chapter will discuss the Kazerne Dossin Memorial Museum in Mechelen, Belgium. Chapter two will then cover the Mémorial de la Shoah in Paris, France. Finally, chapter three will then focus on the Memorial to the Murdered Jews of Europe in conjunction with its underground information center in Berlin, Germany. This thesis will endeavor to explore the themes represented in each museum in relation to German compliance, and the role of the bystanders from each Nation. The goal is to understand how each of these national institutions discussed within the text, portray their involvement in the events of the Holocaust and Second World War by way of State compliance and the actions of their bystanders. Through the initiatives of the museum and memorials published catalogs, personal -
The Isaiah Berlin Papers (PDF)
Catalogue of the papers of Sir Isaiah Berlin, 1897-1998, with some family papers, 1903-1972 This finding aid was produced using ArchivesSpace on 2019-10-14 Finding aid written in English Bodleian Libraries Weston Library Broad Street Oxford, , OX1 3BG [email protected] https://www.bodleian.ox.ac.uk/weston Catalogue of the papers of Sir Isaiah Berlin, 1897-1998, with some family papers, 1903-1972 Table Of Contents Summary Information .............................................................................................................................. 4 Language of Materials ......................................................................................................................... 4 Overview ............................................................................................................................................. 4 Biographical / Historical ..................................................................................................................... 4 Scope and Contents ............................................................................................................................. 5 Arrangement ........................................................................................................................................ 5 Custodial History ................................................................................................................................. 5 Immediate Source of Acquisition ....................................................................................................... -
Threnody Amy Fitzgerald Macalester College, [email protected]
Macalester College DigitalCommons@Macalester College English Honors Projects English Department 2012 Threnody Amy Fitzgerald Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/english_honors Part of the English Language and Literature Commons Recommended Citation Fitzgerald, Amy, "Threnody" (2012). English Honors Projects. Paper 21. http://digitalcommons.macalester.edu/english_honors/21 This Honors Project - Open Access is brought to you for free and open access by the English Department at DigitalCommons@Macalester College. It has been accepted for inclusion in English Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Threnody By Amy Fitzgerald English Department Honors Project, May 2012 Advisor: Peter Bognanni 1 Glossary of Words, Terms, and Institutions Commissie voor Oorlogspleegkinderen : Commission for War Foster Children; formed after World War II to relocate war orphans in the Netherlands, most of whom were Jewish (Dutch) Crèche : nursery (French origin) Fraulein : Miss (German) Hervormde Kweekschool : Reformed (religion) teacher’s training college Hollandsche Shouwberg : Dutch Theater Huppah : Jewish wedding canopy Kaddish : multipurpose Jewish prayer with several versions, including the Mourners’ Kaddish KP (full name Knokploeg): Assault Group, a Dutch resistance organization LO (full name Landelijke Organasatie voor Hulp aan Onderduikers): National Organization -
Cars Tangled Finding Nemo Wreck It Ralph Peter Pan Frozen Toy Story Monsters Inc. Snow White Alice in Wonderland the Little Merm
FRIDAY, APRIL 3RD – DISNEY DAY… AT HOME! Activity 1: • Disney Pictionary: o Put Disney movies and character names onto little pieces of paper and fold them in half o Put all of the pieces of paper into a bowl o Then draw it for their team to guess Can add a charade element to it rather than drawing if that is preferred o If there are enough people playing, you can make teams • Here are some ideas, you can print these off and cut them out or create your own list! Cars Tangled Finding Nemo Wreck It Ralph Peter Pan Frozen Toy Story Monsters Inc. Snow White Alice in Wonderland The Little Mermaid Up Brave Robin Hood Aladdin Cinderella Sleeping Beauty The Emperor’s New Groove The Jungle Book The Lion King Beauty and the Beast The Princess and the Frog 101 Dalmatians Lady and the Tramp A Bug’s Life The Fox and the Hound Mulan Tarzan The Sword and the Stone The Incredibles The Rescuers Bambi Fantasia Dumbo Pinocchio Lilo and Stitch Chicken Little Bolt Pocahontas The Hunchback of Notre Wall-E Hercules Dame Mickey Mouse Minnie Mouse Goofy Donald Duck Sully Captain Hook Ariel Ursula Maleficent FRIDAY, APRIL 3RD – DISNEY DAY… AT HOME! The Genie Simba Belle Buzz Lightyear Woody Mike Wasowski Cruella De Ville Olaf Anna Princess Jasmine Lightning McQueen Elsa Activity 2: • Disney Who Am I: o Have each family member write the name of a Disney character on a sticky note. Don’t let others see what you have written down. o Take your sticky note and put it on another family members back. -
Raul Hilberg and the Destruction of European Jews
BTNG-RBHC, XXI, 1990, 1-2, pp.110-124 THE INCOMPLETENESS OF A MASTERPIECE Raul Hilberg and The Destruction of European Jews BY GIE VAN DEN BERGHE Doctor in Ethics Raul Hilberg, an Austrian Jew (Vienna °1926), emigrated with his family to the United States in 1939. In 1944 he returned, in an American army uniform. After the liberation he took part in one of the Neurenberg trials, as a witness of the U.S. Department of Justice. Twenty-six close relatives (uncles, aunts, nieces) of Hilberg died as a consequence of nazi persecutions1. This personal background deter- mined the investigations to which Hilberg applied himself from 1948 onwards. In 1955 he defended his doctoral thesis2. One year later he began teaching political science at the University of Vermont, and he is still doing this today. Already in 1961 his epoch-making study The destruction of European Jews was published3. What Hilberg modestly describes as 'the first words on a difficult subject' (p. vii), was in fact the first scientific attempt to find out how a highly civilized, 20th century nation succeeded in setting aside all juridical, administrative, psycho- logical and moral obstacles, in order to almost completely destroy a population. Forty years after the liberation the revised, extensively completed 1. Interview with R. HILBERG in, L. FERRY et S. PASQUTJBR 'Les fonctionnaires du génocide', in: L'Express International, 27.5.1988, pp. 50-58. 2. Prologue to Annihilation. A Study of Identification, Impoverishment and Isolation of the Jewish Victims of Nazi Policy. Columbia University, New York. 3. Chicago, 1961, 788 p. -
20Winter-Vol26-No1-TM.Pdf
Theology Matters Vol. 26, No. 1 Winter 2020 Confessing Jesus Christ as the Way, the Truth, and the Life in a Pluralistic Culture Part I by John Burgess, Richard Burnett, and James Edwards On February 18–20, 2020, Theology Matters held its inspired in knowledge of the Christian faith. There is a first conference at Providence Presbyterian Church, recognition that theology still matters and makes a big Hilton Head Island, South Carolina. We chose the difference in the way we think and the way we live. theme, “Confessing Jesus Christ as the Way, the Truth, and the Life in a Pluralistic Culture” because we wanted Many attendees claimed the conference was “a great to address something important. Perhaps there is a more blessing.” Some said it was “life-changing.” Most said important topic that needs to be addressed. If so, we do it should become an annual event. Yet one attendee, a not know what it would be. Nor did we know who would Methodist layman, wrote: “I am tempted to encourage come to this conference or how they would receive it. Theology Matters to do another conference or to make We were delighted that more than 150 people came and it an annual event, but I believe I would first want to see thrilled by their level of interest and participation. where the Spirit leads. I think many of us were profoundly affected by the message, unity, collegiality, On the one hand, we wanted the conference to be and fellowship we encountered for three days. I pray the primarily for congregational leaders, not for academic conference will be a turning point for all of us. -
Marion Pritchard
Courage Marion Pritchard Amsterdam, the Netherlands... 1942 – Marion Pritchard meet had been arrested. Another man took Marion and was studying to become a social worker when Germany the baby into his home. He and his wife decided to care invaded the Netherlands in May 1940. Amsterdam, for the child even though they were not involved in the the city in which she lived, was home to more than operation. 75,000 Jews. The Germans began deporting Jews from Amsterdam to the Buchenwald and Mauthausen In addition to carrying out short-term assignments, concentration camps in February 1941. Most Dutch Marion hid a Jewish man and his three children from citizens opposed Germany’s assault on their country and the fall of 1942 until liberation in 1945. Marion’s the persecution of their Jewish neighbors, but they felt friend, Miek, asked her to find a hiding place for his powerless in the face of German brutality and military friend, Freddie Polak, and his children, ages four, two, might. Many reluctantly accepted the Nazi presence, and and newborn. When Marion could not find a place, some, including Dutch officials, collaborated with the Miek persuaded his mother-in-law to let Freddie and Germans. Others, like Marion Pritchard, chose to resist the children, Lex, Tom, and Erica, stay in the servants’ and to help Jews. quarters of her country house. For the first year in hiding, Marion visited the family every weekend. When At the beginning of 1942, the Germans started she finished school in November 1943, she moved into concentrating Jews in Amsterdam; many were forced the home and took over the fulltime care of the children. -
The Church Struggle in Germany: “The Hope That We Have”
The Church Struggle in Germany: “The Hope That We Have” “Faith and Fatherland: Parish Politics in Hitler’s Germany” by Kyle Jantzen (Fortress, 2008) “Bonhoeffer: Pastor, Martyr, Prophet, Spy A Righteous Gentile vs. The Third Reich” by Eric Metaxas (Thomas Nelson, 2010) “The Holy Reich: Nazi Conceptions of Christianity, 1919‐1945” by Richard Steigmann‐ Gall (Cambridge, 2003) Those who personally remember the Second World War are nearly gone. At this writing, at the beginning of 2011, no one with any memories of that period of world history is under the age of seventy-five. War veterans that survive today are more than eighty years old. Memories fade. People carry their own stories into the grave. It is now up to the historians and philosophers to help us explore and struggle with that terrible time in human history. As Lutherans, we need to continue to probe our own theology and culture in light of the German Nazi experience. How do we make sense of a time where in the most Lutheran country in the world, a philosophy arose that was responsible for the global disaster of World War II? We ask ourselves the tough questions. How could all of this have happened? Did Lutheranism shape the Nazi movement? Was the Lutheran community a willing accomplice to the Nazis in Germany, or were Lutherans (as was Dietrich Bonhoeffer) valiant resisters? Is Bonhoeffer popular in the post- war German church because he was typical of Lutheran anti-Nazi heroism, or did he prove the rule, by his life exception, that the Lutheran church in Germany was totally corrupt and compromised? Indeed, is Bonhoffer’s memory being abused by those who would look to the church as somehow an island of resistance in the sea of Gospel betrayal? Was the Lutheran Church in Germany as fascist as the Nazi regime? These questions, and many more, have been the subject of an entire field of historical studies for the past sixty years. -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. -
The Judgment of “Privileged” Jews in the Work of Raul Hilberg R
CHAPTER 2 THE JUDGMENT OF “PRIVILEGED” JEWS IN THE WORK OF RAUL HILBERG R To a Jew this role of the Jewish leaders in the destruction of their own peo- ple is undoubtedly the darkest chapter of the whole dark story. It had been known about before, but it has now been exposed for the fi rst time in all its pathetic and sordid detail by Raul Hilberg. —Hannah Arendt, Eichmann in Jerusalem: A Report on the Banality of Evil The limit of judgment in relation to “privileged” Jews is crucially im- portant to a consideration of Hilberg’s work, the widespread impact of which cannot be underestimated. His seminal study, The Destruction of the European Jews, has been praised by many as “the single most important work on the Holocaust,” and Hilberg himself has been char- acterized as “the single most important historian” in the fi eld.1 Fur- thermore, the above epigraph makes clear that Arendt’s controversial arguments regarding Jewish leaders (see the introduction) drew heav- ily on Hilberg’s pioneering work. This chapter investigates the part of Hilberg’s work that deals with “privileged” Jews, in order to provide a thematic analysis of the means by which Hilberg passes his overwhelm- ingly negative judgments on this group of Holocaust victims. Hilberg’s judgments are conveyed in diverse ways due to the eclec - tic nature of his publications, in which the subject of the Judenräte— which has received considerable attention in Holocaust historiography— This open access library edition is supported by Knowledge Unlatched. Not for resale. The Judgment of “Privileged” Jews in the Work of Raul Hilberg 77 makes frequent appearances.