DOCSLIB.ORG

Kreutzer: Forty-Two Studies Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kreutzer: Forty-Two Studies Free FREE KREUTZER: FORTY-TWO STUDIES PDF Rodolphe Kreutzer | 69 pages | 01 Nov 1986 | G. Schirmer | 9780793554539 | English | United States Kreutzer: Forty-Two Studies or Caprices: Rudolphe Kreutzer | String Instruments Sheet Music Naxos Javascript not enabled. Creative Commons Attribution-NonCommercial 4. Period Romantic Piece Style Romantic Instrumentation violin External Links Wikipedia article Extra Information The difference between the editions with 40 etudes and those with 42 etudes is in the addition of numbers 13 or 14 depending on the edition and The first 12 etudes are the same for all editions. Caprices ; Studies ; For violin ; Scores featuring the violin ; For 1 player ; For violin, piano arr ; For 2 players arr ; Scores featuring the violin arr ; Scores featuring the piano arr ; For 2 violins arr ; For viola Kreutzer: Forty-Two Studies ; Scores featuring the viola arr ; For 1 player arr ; For bassoon arr ; Scores featuring the bassoon arr ; For viola alta arr ; Scores featuring the viola alta arr ; For strings arr ; Scores featuring string ensemble arr. Contents 1 Performances Kreutzer: Forty-Two Studies. Editor First edition? Isouard et Boieldieu. Javascript is required for this feature. Pub Kreutzer: Forty-Two Studies. Plate Editor Ferdinand David — Leipzig: Bartholf Senffn. Editor Friedrich Hermann Leipzig: C. Petersn. This file is part of the Sibley Mirroring Project. The editor puts the etudes in what he considers to be sequential order, noting the Kreutzer: Forty-Two Studies numbering. Kreutzer: Forty-Two Studies 13 the bariolage etude which is like the Prelude to the 1st Bach Cello Suite and 25 the etude in broken octaves. Editor Lambert Kreutzer: Forty-Two Studies Paris: Alphonse Leducn. Plate A. Leipzig: Max Brockhausn. Plate M. Editor Edmund Singer — Schirmer's Library of Musical Classics, Vol. Editor Henri Marteau Does not include 1 the sostenuto etude or 12 for overlapping arpeggios, replaces these with 13 the bariolage etude which is like the Prelude to the 1st Bach Cello Suite and 25 the etude in broken octaves. Editor Abram Yampolsky With virtuosic versions of Etudes Nos. Yampolsky and L. Plate V. Arranger Carl Theodor Eichheim — Leipzig: Friedrich Hofmeistern. Braunschweig: Henry Litolffn. Arranger Angelo Consolini Arranger Heinrich Ernst Kayser — Arranger Jean Espaignet Paris: M n Buffet Crampon et C ie. Goumas et C ie. Plate P. Arranger Hermann Ritter Bruni und R. Kreutzer, Heft 2 Leipzig: Robert Forbergn. Plate L. Kreutzer, Rodolphe. Wikipedia article. The difference between the editions with 40 etudes and those with 42 etudes is in the addition of numbers 13 or 14 Kreutzer: Forty-Two Studies on the edition and Études ou caprices (Kreutzer, Rodolphe) - IMSLP: Free Sheet Music PDF Download String Instruments. Jean C. Rudolphe Kreutzer. Jacques Mazas. Heinrich Ernst Kayser. Henry Schradieck. Robert Schumann. Arcangelo Corelli. Henri Wieniawski. George Frideric Handel. Antonio Vivaldi. Johannes Brahms. Johann Sebastian Bach. Kreutzer: Forty-Two Studies or Caprices has been added to your cart. We use cookies to analyze site usage, enhance site usability, and assist in our marketing efforts. More To Explore. Kalmus Classic Editions. More Alfred Digital. Piano Organ Voice. Strings Woodwinds Brass. Percussion Handbells. Marching Band Kreutzer: Forty-Two Studies Orchestra. Choral Pax Instrumental Solos. Description Qty Pages No. Related Items. Dont: Etudes and Caprices, Op. Dancla: Twenty Brilliant and Characteristic Etudes, Dancla String Instruments. Kreutzer: Concerto No. Rudolphe Kreutzer String Instruments. Mazas: 75 Kreutzer: Forty-Two Studies and Melodious Studies, Jacques Mazas String Instruments. Dancla: Fifteen Studies, Op. Kayser: Thirty-Six Etudes, Op. Schumann: Three Romances, Op. Corelli: Kreutzer: Forty-Two Studies Sonatas, Op. Arcangelo Corelli String Instruments. Wieniawski: Deux Solos de Concours, Op. Henri Wieniawski String Instruments. Handel: Sonata No. George Frideric Handel String Instruments. Suk: Fantasie, Op. Brahms: Sonata in A Major, Op. Johannes Brahms String Instruments. Wieniawski: Souvenir de Moscou Two Russian Spohr: Concerto No. Louis Spohr String Instruments. Johann Sebastian Bach String Instruments. Qty: Checkout. I Accept. Buy Part. Forty-Two Studies for Violin by Rodolphe Kreutzer - International Music Company | eBay About free-scores. Digital Sheet Music. Create a playlist. Public Not listed Private. Other french artists. Studies or caprices. Buy sheet music books Kreutzer, Rodolphe. Connect to add to a playlist. Add Videos on this page Add a video related to this sheet music. This service works with Youtube, Dailymotion. Kreutzer: Forty-Two Studies this page Free-scores. Audio and video players are included. Annotate this sheet Kreutzer: Forty-Two Studies. Schirmer, Plate For 20 years we provide a free and legal service for free sheet music without asking you anything in exchange. If you use and like Free-scores. Do not see this window again for the duration of the session. Write down your comment. You are not connected, choose one of two options to submit your comment Login. By jobidengmailcom jo biden Germany. Thank you!!! Was this review helpful? By hjdinmohamad gmail. By ciccioromero. Thanks a lotttttt!!! By farhad farhad m. Follow this composer Be informed by email for any addition or update of the sheet music and MP3 of this artist. Collections of free-scores-admin 5 Hungarian folk songs. Blank sheet music. Brahms' Orchestra Works. Brahms' Piano Works. Buxtehude's Organ Kreutzer: Forty-Two Studies. Franz Liszt. Handel's Organ Concertos. Handel: Aylesford Pieces. Haydn Piano sonatas. Haydn's String Quartets Opus Johann Kuhnau: Uns ist ein Kind geboren. Messiah, HWV Pachelbel's Organ Works. Romanian Folk Dances. Schubert's Piano Works. Schumann's Piano Works. Sor - Six divertissements pour la guitare Opus 1. Sor - Six divertissements pour la guitare Opus 2. Kreutzer: Forty-Two Studies Orchestra Works - I. The Gimo Music Collection. The Lancer's Quadrilles. The Virtuoso Pianist. Similar items. Rodolphe Kreutzer - Login or Your pseudo Your password. Create a quick account Kreutzer: Forty-Two Studies email: Your pseudo: Pseudo This is Kreutzer: Forty-Two Studies nickname on free-scores. We recommend that you assign name-surname. Display again..
Load more

Recommended publications
  • Journal of the American Viola Society Volume 28 No. 1, Spring 2012
    y t e i c o S a l o i V n a c i r e m A e h t Features: 1 f IVC 39 Review r e o b Bernard Zaslav: m From Broadway u l to Babbitt N a Sergey Vasilenko's 8 n Viola Compositions 2 r e m u u l o V o J Journal of the American Viola Society A publication of the American Viola Society Spring 2012 Volume 28 Number 1 Contents p. 3 From the Editor p. 5 From the President p. 7 News & Notes: Announcements ~ In Memoriam ~ IVC Host Letter Feature Articles p. 13 International Viola Congress XXXIX in Review: Andrew Filmer and John Roxburgh report from Germany p. 19 Bowing for Dollars: From Broadway to Babbitt: Bernard Zaslav highlights his career as Broadway musician, recording artist, and quartet violist p. 33 Unknown Sergey Vasilenko and His Viola Compositions: Recent Discoveries in Russian Archives: Elena Artamonova uncovers works by Russian composer Sergey Vasilenko Departments p. 49 In the Studio: Yavet Boyadjiev chats with legendary Thai viola teacher Choochart Pitaksakorn p. 57 Student Life: Meet six young violists featured on NPR’s From the Top p. 65 With Viola in Hand: George Andrix reflects on his viola alta p. 69 Recording Reviews On the Cover: Karoline Leal Viola One Violist Karoline Leal uses her classical music background for inspiration in advertising, graphic design, and printmaking. Viola One is an alu - minum plate lithograph featuring her viola atop the viola part to Dvořák’s “New World” Symphony. To view more of her art, please visit: www.karolineart.daportfolio.com.
    [Show full text]
  • The Rise and Fall of the Cellist-Composer of the Nineteenth Century
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 The Rise and Fall of the Cellist- Composer of the Nineteenth Century: A Comprehensive Study of the Life and Works of Georg Goltermann Including A Complete Catalog of His Cello Compositions Katherine Ann Geeseman Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE RISE AND FALL OF THE CELLIST-COMPOSER OF THE NINETEENTH CENTURY: A COMPREHENSIVE STUDY OF THE LIFE AND WORKS OF GEORG GOLTERMANN INCLUDING A COMPLETE CATALOG OF HIS CELLO COMPOSITIONS By KATHERINE ANN GEESEMAN A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts Degree Awarded: Fall Semester, 2011 Katherine Geeeseman defended this treatise on October 20th, 2011. The members of the supervisory committee were: Gregory Sauer Professor Directing Treatise Evan Jones University Representative Alexander Jiménez Committee Member Corinne Stillwell Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii To my dad iii ACKNOWLEDGEMENTS This treatise would not have been possible without the gracious support of my family, colleagues and professors. I would like to thank Gregory Sauer for his support as a teacher and mentor over our many years working together. I would also like to thank Dr. Alexander Jiménez for his faith, encouragement and guidance. Without the support of these professors and others such as Dr.
    [Show full text]
  • Handbook of Violin Playing, Has a Chapter on Viola Music
    AUGENER'S EDITION, No. 9212. HANDBOOK OF VIOLIN PLAYING BY Prof. CARL SCHROEDER TRANSLATED AND EDITED BY J. MATTHEWS WITH AN APPENDIX CONSISTING OF A GUIDE THROUGH VIOLIN LITERATURE AND A CHAPTER ON THE VIOLA FOURTH EDITION AUGENER LTD. LONDON OCT 3 20W Printed in England. CONTENTS. PART I. The instrument. page page Origin of the violin I Dimensions of the violin . 13 The oldest violins I The wood 13 Development and perfecting The varnish 14 of the violin 2 The strings 14 Prominent makers of the Strings pure in fifths .... 15 present day 3 The string guage 15 Attempts at improving the Preservation of the strings . 16 violin 4 The bow 16 Search for the discovery of the Different parts of the bow . 17 old Italian makers' secrets 6 Resin 18 Distinguishing features of the Violin cases 18 old Italian violins .... 7 Price of violins 19 Imitations of the old Italian Price of violin cases .... 19 violins 10 Price of bows 19 Constituent parts of the violin 10 Preservation of the instrument 19 Function of the soundpost Cleaning the hair of the bow 20 and bass bar ...... 12 Names of the strings, and Position of . the bridge .... 12 tuning , 20 Amount of pressure on the Compass of the violin - , . 21 upper table . ... 13 PART II. The technique of violin playing. Position of the player .... 22 Placing the fingers 30 Holding the violin 22 Exercise in intervals 33 Position of left hand and arm 23 Chords in arpeggio 35 the bow 2 the . Holding ...... 5 Stretching 4^ finger . 36 Position of right hand and arm 25 Various styles of bowing and Examining the manner of their signs 37 holding 25 Arpeggi 41 The close shake Bowing 25 (vibrato).
    [Show full text]
  • The Romantic Viola
    THE ROMANTIC VIOLA FUG750 MENU Tracklist English Français Deutsch Biographies DANIEL WEISSMANN THE ROMANTIC VIOLA JEAN-LOUIS DELAHAUT Robert Fuchs (1847-1927) Franz Liszt (1811-1886) Sonata in D minor Op. 86 10 – Romance oubliée (Andante Malinconico) 1 – Allegro moderato ma passionato – 8:31 Hern professor Hermann Ritter, Erfinder der viola alta zugeeignet 2 – Andantino grazioso – 5:31 – 3:54 3 – Allegro Vivace – 6:00 Total Time – 01:00:13 Henri Vieuxtemps (1820-1881) Sonata in B-flat major Op. 36 4 – Maestoso-Allegro – 12:14 Daniel Weissmann – viola 5 – Barcarolla (Andante con moto) – 6:27 Jean-Louis Delahaut – piano 6 – Finale scherzando allegretto – 4:03 Carl Reinecke (1824-1910) Drei Phantasiestücke Op. 43 7 – Romanze (Andante) – 2:50 8 – Allegro molto agitato – 5:36 9 – Jahrmarkt-Szene eine humoreske – 5:07 (Molto vivace „ausgelassen und mit ungebundener Laune“) Menu EN The Romantic viola Hugo Rodriguez Hugo Although we now agree that the four principal bowed string instruments Mozart took the viola line in evenings of chamber music with his friends of the Western world first appeared more or less within the same period, Haydn, Dittersdorf and Vanhal for the same reasons as Bach. Works notably during the first half of the 16th century, their later histories were such as the Trio for piano, clarinet and viola K. 498 (the “Kegelstatt” trio) to be very different. Whereas the violin gradually took its place as the and the Divertimento for string trio K. 563 demonstrate this progressive king of instruments, and the cello and the double bass both developed highlighting of the viola line; this approach was taken up and continued their clearly separate techniques and aesthetics, the viola continued to by Beethoven from the three string quartets op.
    [Show full text]
  • (Of(R) Viola) and Piano Op
    UNIVERSITY OF CINCINNATI Date: November 18, 2004 I, Kyung ju Lee _________________________________________________________, hereby submit this work as part of the requirements for the degree of: Doctor of Musical Arts in: Viola Performance It is entitled: An analysis and comparison of the clarinet and viola versions of the Two sonatas for clarinet (or Viola) And piano Op.120 by Johannes Brahms. This work and its defense approved by: Chair: Catharine Carroll Lee Fiser Steven Cohen 2 AN ANALYSIS AND COMPARISON OF THE CLARINET AND VIOLA VERSION OF THE TWO SONATAS FOR CLARINET (OR VIOLA) AND PIANO OP. 120 BY JOHANNES BRAHMS. A document submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS In the Performance Studies Division of the College-Conservatory of Music 2004 by Kyungju Lee B.M., Yeungnam University, 1996 M.M., University of Cincinnati, 2000 A.D., University of Cincinnati, 2002 Committee Chair: Catharine Carroll, D.M.A. 2 3 ABSTRACT Johannes Brahms was one of the first composers to appreciate fully the viola’s potential, allowing the instrument a chance to shine in his chamber music. Although Brahms’ Two Sonatas in f-minor and E-flat major, Op.120, were originally written for clarinet and piano, they are also greatly loved in the viola repertoire. Upon examination of the clarinet and viola versions of the sonatas, Brahms seems to have been keenly aware of the potential of each instrument. He intentionally sought different effects from these two instruments by composing two different versions.
    [Show full text]
  • 177 Tonkünstler-Versammlung Baden-Baden, [19.] 20. – 23. Mai 1880
    177 Tonkünstler-Versammlung Baden-Baden, [19.] 20. – 23. Mai 1880 Festdirigent: Wendelin Weissheimer Ch.: Gemischter Gesangverein Baden-Baden Ens.: Curorchester der Stadt Baden-Baden, verstärkt durch viele Mitglieder der Großhzgl. Hofkapelle Karlsruhe und Künstler aus Berlin, Mannheim und Strassburg 1. Aufführung: Morgenständchen, als musikalischer Gruß der Stadt Baden-Baden an Franz Liszt Baden-Baden, Hotel Europäischer Hof, Salons von Gortschakoff, Mittwoch, 19. Mai, morgens Ch.: Männergesangverein Aurelia Baden- Baden 2. Aufführung: 1. Vorstellung ausser Abonnement des Grossherzoglichen Hoftheaters zu Karlsruhe Baden-Baden, Großherzogliches Hoftheater, Mittwoch, 19. Mai, 18:30 – 21:30 Uhr Wendelin Weissheimer: Meister Martin und seine Ltg.: Felix Otto Dessoff Gesellen, Oper in 3 Akten, scenische Darstellung Sol.: August Harlacher (Heinrich von Text: August Schricker, nach der Erzählung von Ernst Spangenberg, ein Fränkischer Ritter), Hermann Theodor Amadeus Hoffmann Rosenberg (Jacobus Paumgartner, Handwerksherr der Küferzunft), Karl Speigler (Meister Martin), Frl. Burger (Rosa, seine Tocher), Carrie Goldsticker-Lißner (Martha, Freundin Rosa’s, im Hause Martin’s, A), Albert Stritt (Friedrich, Geselle), Joseph Hauser (Reinhold, Geselle), Joseph Staudigl (Conrad, Geselle), Benedikt Kürner (Johannes Holzschuher, Erzgiesser), Rudolf Bösch (ein Altgeselle) 3. Aufführung: Musikalische Matinée des Oberbürgermeisters Baden-Baden, Rathaus, Salons, Donnerstag, 20. Mai, nachmittags bis 17:00 Uhr Konzertflügel: Julius Blüthner, Leipzig 1. Franz Liszt: Cantique d’amour, für Pianoforte Sol.: Franz Liszt (Kl.) 2. Franz Liszt: Mignon, Lied Sol.: Marianne Brandt, Franz Liszt (Kl.) 3. Robert Schumann, Franz Schubert: Lieder Sol.: Jenny Hahn (A) 4. Julius Kniese: Lieder Sol.: Agnes Schöler, Julius Kniese (Kl.) 5. Felix Otto Dessoff, Robert Schumann: Lieder Sol.: Joseph Hauser, Felix Otto Dessoff (Kl.) 6. Joseph Haydn: Die Jahreszeiten, Oratorium Sol.: Joseph Staudigl Arie 178 4.
    [Show full text]
  • Concerts from the Library of Congress 2011-2012 CONCERTS FROM
    Concerts from the Library of Congress 2011-2012 CONCERTS FROM The Carolyn Royall Just Fund Roberto Díaz, viola Kwan Yi, piano The Franz Liszt Bicentenary Project Saturday, November 5, 2011 Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE CAROLYN ROYALL JUST FUND The audio-visual equipment in the Coolidge Auditorium was endowed in part by the Ira and Leonore S. Gershwin Fund in the Library of Congress. Please request ASL and ADA accommodations five days in advance of the concert at 202- 707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, PAGERS, ALARM WATCHES, OR OTHER NOISE-MAKING OBJECTS THAT WOULD DISRUPT THE PERFORMANCE. Thank you. The Library of Congress Coolidge Auditorium Saturday, November 5, 2011 – 2:00 pm ROBERTO DÍAZ, viola KWAN YI, piano PROGRAM Romance oubliée, S. 132, for viola and piano Franz LISZT (1811-1886) Sonata no. 1, in F minor, op. 120, no. 1, for viola and piano Johannes BRAHMS (1833-1897) Allegretto Valse Polonaise. Allegro ma non troppo Intermission Suite no. 1, in G Major, BWV 1007, for cello solo; arranged for viola solo Johann Sebastian BACH (1685-1750) Preludio Allemande Courante Sarabanda Minueto I, II Giga Sonata no.
    [Show full text]
  • Volume 60, Number 09 (September 1942) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1942 Volume 60, Number 09 (September 1942) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 60, Number 09 (September 1942)." , (1942). https://digitalcommons.gardner-webb.edu/etude/235 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ' .. V * — . THE BERKSHIRE MU- SIC CENTER, at Tangle- wood, Massachusetts, opened its third season on July 5 with an an- usicianship Iders nounced registration of Dm two hundred and fifty- three from all parts of ad- Serge the country. The Koussevitzky vance registration for by many Piano Teachers the orchestra numbered eenly appreciated ninety-five. Among the events during August, the outstanding one was on Au- sTAe Wot£cC \zUuiur THE gust li, when the first concert perform- NEW FORMULA BACH-PHILIPP ance in America of the “Seventh Sym- ROBYN-HANON FOR THE PIANO TEACHER OCTAVE STUDIES AFTER BACH phony” of Shostakovich was presented by EXERCISES FOR THE PIANO AND PIANO STUDENT By Isidor Philipp the student orchestra, under Dr. Kous- ingeniously octave studies M. sevitzky. Special Annotations and In these arranged FIRST CLASSICS With By Wassili Safonoff Philipp furnishes advanced piano student stud- ies valuable in moving on to mastering the HERE, THERE, EVERYWHERE Explanations for the Teacher The author of this new for- AND higher technic of the piano.
    [Show full text]
  • 264 XXV. Tonkünstler-Versammlung Dessau, 10. – 13. Mai 1888
    264 XXV. Tonkünstler-Versammlung Dessau, 10. – 13. Mai 1888 Hauptfestdirigent: August Klughardt Ens.: verstärkte Hzgl. Anhaltische Hofcapelle Dessau Konzertflügel: Carl Bechstein, Berlin, Julius Blüthner, Leipzig 1. Aufführung: Erstes Concert, veranstaltet bei Gelegenheit der Tonkünstler-Versammlung in Dessau. Unter Munificenz Sr. Hoheit des Herzogs Friedrich von Anhalt. I. Geistl. Musikaufführung [auch: Motetten-Aufführung des Riedelvereins ] Dessau, Johanneskirche, Donnerstag, 10. Mai, 11:30 Uhr – gegen 13:00 Uhr Ltg.: Carl Riedel 1. Albert Becker: Phantasie und Fuge für Orgel g-Moll op. Sol.: Theophil Forchhammer (Org.) 52 2. Giovanni Pierluigi da Palestrina: „Gaudent in coelis“, für Ch.: Großer Chor des Riedel-Vereins 4stimmigen Chor Text: Julius Klengel, nach dem lat. ( ≡ dt.) 3. Giovanni Carlo Maria Clari: „Stabat mater“, für 4 Sol.: Katharina Schneider (S), Paul Homeyer Solostimmen, Chor, Streichorchester und Orgel (Org.) „Lass nach Kampf und Todesgrauen“, Sopranarie Text: nach Jacopone da Todi, lat. ( ≡ dt.) 4. Peter Cornelius: Liebe, Cyclus von 3 Chorliedern op. 18 Ch.: Kleiner Chor des Riedel-Vereins Text: J. Schäffler ( ≡) 1. Liebe, dir ergeb’ ich mich! 2. „Ich will dich lieben, meine Krone“ 3. „Thron der Liebe, Sterne der Güte“ 5. Peter Cornelius: Vater unser op. 2 Sol.: Pauline Metzler-Loewy (A), Paul 2 Altsologesänge Homeyer (Org.) Text: Peter Cornelius ( ≡) 1. Geheiligt werde dein Name Nr. 2 2. Zu uns komme dein Reich Nr. 3 6. Franz Liszt: Christus, Oratorium Sol.: Ernst Hungar (Bar.), Paul Homeyer (Org.) Die Seligkeiten, für Bariton-Solo, Chor und Orgel Ch.: Großer Chor des Riedel-Vereins Text: Bergpredigt, Matthäus 5, V. 3–10. ( ≡ lat. und dt.) 2. Aufführung: Zweites Concert, veranstaltet bei Gelegenheit der Tonkünstler-Versammlung in Dessau.
    [Show full text]
  • THE VIOLA in AMERICA: TWO CENTURIES of PROGRESS by David M
    THE VIOLA IN AMERICA: TWO CENTURIES OF PROGRESS By David M. Bynog छ In the summer of 2010, the American Viola Society (AVS) officially launched the American Viola Project. As part of a larger effort to make scores available for research and performance, the American Viola Project aims to collect, publish, and preserve viola music from the United States by making scores freely accessible on the society’s Web site at: http://americanviolasociety.org/resources/scores/american-viola- project/. The digital project includes compositions that are newly pub- lished under the AVS Publications name, scanned copies of previously published compositions, and works provided directly from contemporary composers. All pieces are either in the public domain or authorized for inclusion by the copyright holders. Preliminary work on the project began by surveying repertoire to lo- cate compositions that were in the public domain. Only a few viola com- positions published in America before 19231 are widely known, namely Ernest Bloch’s Suite, published by Schirmer in 1920, and chamber works by Charles Martin Loeffler featuring the viola: the Deux rapsodies, for oboe, viola, and piano (published by Schirmer in 1905); and the Quatre poëmes, op. 5, for voice, viola, and piano (published by Schirmer in 1904). Library catalogs and bibliographies of string music were exam- ined to locate music suitable for the project. One public-domain work identified early in the project was a viola sonata by the New York-native Frank Limbert (1866–1938), published in 1892. In this instance, rather than scan a copy for inclusion on the AVS Web site, the organization re- quested that the Sibley Music Library scan its copy and add to its institu- tional repository at the University of Rochester.2 More problematic for the project was the dearth of research focused on the viola in America prior to the twentieth century.
    [Show full text]
  • June 1944) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1944 Volume 62, Number 06 (June 1944) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 62, Number 06 (June 1944)." , (1944). https://digitalcommons.gardner-webb.edu/etude/216 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. AND STAMPS FOR VICTORY Atttfrt L\v«n ( * * '* • f t n'» • i • . — FOUR NEW YORK SINGERS, three men one woman, are announced as the P I A and N 0 winners of this season’s Metropolitan Opera Auditions of the Air. Regina Res- MUSI c Wil- nik, soprano; Morton Bowe, tenor; Favorites baritone; and Hugh These IN liam Hargrove, All baritone, were the four se- Thompson, H E E T lected from seven finalists who survived a twenty-week competition. Each received Opera O R M a contract with the Metropolitan are in GROUP Company, a cash, award of one thousand ECONOMY Priced at dollars, and a silver plaque. A fifth con- PRESSED Raffaelli, of Chicago, re- testant, Angelo SOLOS Grade THREE— >t- scholarship ONE PIANO — ceived a five-hundred-dollar PIANO SOLOS—Grade Title and Composer Cat.
    [Show full text]
  • Catalogue 83
    J & J LUBRANO MUSIC ANTIQUARIANS The Autograph Manuscript of Mozart's Contredanse for Orchestra K535, Item 54 CATALOGUE 83 Autograph Musical Manuscripts & Letters of Composers Rare Printed Music & Books on Music & Dance Original Drawings, Set & Costume Designs, Prints, &c. v 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described. All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to insure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full.
    [Show full text]