DOCSLIB.ORG

June 1944) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1944 Volume 62, Number 06 (June 1944) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 62, Number 06 (June 1944)." , (1944). https://digitalcommons.gardner-webb.edu/etude/216 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. AND STAMPS FOR VICTORY Atttfrt L\v«n ( * * '* • f t n'» • i • . — FOUR NEW YORK SINGERS, three men one woman, are announced as the P I A and N 0 winners of this season’s Metropolitan Opera Auditions of the Air. Regina Res- MUSI c Wil- nik, soprano; Morton Bowe, tenor; Favorites baritone; and Hugh These IN liam Hargrove, All baritone, were the four se- Thompson, H E E T lected from seven finalists who survived a twenty-week competition. Each received Opera O R M a contract with the Metropolitan are in GROUP Company, a cash, award of one thousand ECONOMY Priced at dollars, and a silver plaque. A fifth con- PRESSED Raffaelli, of Chicago, re- testant, Angelo SOLOS Grade THREE— >t- scholarship ONE PIANO — ceived a five-hundred-dollar PIANO SOLOS—Grade Title and Composer Cat. No. A. Pacher This Page Gives award, with the Metropolitan taking first Composer 1 J. and ‘ No Title 464 Austrian Song. Op. 69; Mary E. Walsh Beethoven • • a Portion of option on his services. Symphony . 1. «» Black Hawk Waltz v "ill Only 1183 AUeeretto. From 7th 15293 Lohengnn. Surprise Symphony. 5615 Bridal Chorus. From Weiner 1183 Andante. From oseph Haydn Richard the Many Constantly j P. W. Orem Merkel THERE. AND EVERYWHERE (Simplified). - q HERE. _ . L6.r. L. opau;un.Spaulding6 THE ANNUAL FESTI- 6459 Buzzing Bumble Bee, l 3350 Frederic Chopin Demanded Classical, Daniel Rowe Etude. Arr. Hans Harthan.:.. Contented Bird, The . 14692 Butterfly VAL of American Music, 8400 >V. Rolfe Birds. Alleluia des Oiseaux^ and Ele- IN THE MUSICAL WORLD Birthday Waltz 3693 Carolling of the MicheuI Standard 25 16366 Daddy’s Spaulding held in April by the 7040 Daisy Chains •••••• i Solos CENTS ^ Bugbee ^Waltz. Op. mentary Piano Wedding. 120 ' 9629 Dance of the Fairy Queen - Spaulding 6599 Fairy L v/„ Beethoven Eastman School of Mu- l Farewell to the Piano Included 6460 Ding Dong Bell £ Spaulding 2006 Gustav Lante and Duets Rochester, New Poppies 2673 A COPY sic at DELL 16379 Dreaming ;.Ora Hart Weddle FESTIVAL was held at North ROBIN HOOD 5074 in the "Presser’s York, was highlighted A BACH 23968 (On Numbers in This 27-30 and CONCERTS will inaugu- 328 Humming Song. Op. 68; 3 5065 Fur Elise. Op. 173 Texas State College on April R Schumann ^ van Beethoven Economy Group.” Group Teacherk Enjoy All by a number of world Choral. Op. 68; „ fjewitt 16134 Gertrude s Dream the direction of Wilfred rate its fifteenth season D . A. Jungmann Same Examination 5-7 under the Little Fisherman Op. H7 ....... premieres. Works thus May 23978 Jolly ' L Spaulding 381 Hetmweh. Stephen Heller Privileges, Discount, with the •• • and in June 19, 46, 1 . .. Com- concerts were presented, on 5789 Jolly Raindrops. L Spaulding 1126a Little Tarantelle. Op. Ask for the Charge Burrill C. Bain. Ten of Flowers G Chorus. From Tannhause Account Conveni- honored were 6631 Just a Bunch Bugbee 14041 March and . er list these 2Sc of the most first of a series of twen- L. A. R Wti„ plete of ence ; Extended to Gardner which were performed some 9632 May Day Waltz Arr. Low Them Phillips’ “Declaratives,” _ Bugbee J- Dance L A — van Beethoven Numbers. on Any Other Sheet Music Read well-liked works of the ty-eight concerts cover- 9631 Maypole 7977 Menuet in G, No. 2 r Kinkel voices and interesting and Op. 68; Publications of the Theo- for women’s seven 354 Melody. 1 R. Schumann 5941 a guaranty fund covering Various choral groups and ing a period of 2 9 2 - dor© Presser Co.) Bergsma c been made for great master. Soldiers March. Op. 68, Mozart 12119 Nocturne* in .'^Si m'p^ified. Op. ; small orchestra; William W^A . u man n con- weeks. brilliant array 2355 Nlinuet. Frorn Don Juan L ndS and Pt° Pl" ° P the next three years. Mr. Krueger’s symphony orchestra were the partici- A 18216 ' 2”; Elliott Carter’s a Kittens / S' McLy^Bubeck "String Quartet, No. 6572 Playful r Margstein 19363 d r o p tract has been renewed for the same program included several of world-famous artists ' ^y^ the 1”; Gardner Read’s pants and 3170 Playing Tag Rowe PU S C 7 "Symphony No. Gladys DanieI 2283 ' •• Richard Weiner increase in the suites; some will appear as conduc- 9835 Signs of SpringL Wright TrLns F Spindier . ^ Moore’s period and a substantial of the French and English Swarthout _ Louise Flight”; and Douglass Small Bears N Well-Tempered Clavichord J. S Bach "Night 19685 Three r T q nfill idin £ 6694 Prelude No. 1. From also is being planned organ works tors and soloists. The number of symphonic number of concerts of the most popular of the 5787 2720 PTi S0ng r PIANO SOLOS—Grade FOUR AND A HALF “In Memoriam.” A will in charge .v.-;v-Kfch8tfK ^ Richard W.t ner season. of the piano majority of the concerts be 24010 nsrjger^:.:: W T Baltzer previously for each and chorales; a number tavLanie 11889 Falling Waters . J. L. Truax works by Gardner Reed have Mitro- 361 Pure as Snow. Edelweiss. Op. 31 ip"’ a of three noted conductors—Dmitri 7344 Sonata. No. 1 in C W. A. Mozart with out- concertos; and the closing concert was Grade AND A HALF Remember Me been given public performances ONE 5073 . Minne- PIANO SOLOS— Handrock 23721 Song of the Alps . T. P. Ryder BAND, on June 14, forces, of poulos, musical director of the 1937 Scherzino. Op. 64; 2 .M- THE GOLDMAN performance by the combined Gavotte, A standing success. George 23485 Dainty " ifT^mlnn 19563 Sextette. From Lucia di Lammermoor. twenty-seventh season on the apolis Symphony Orchestra; r opens its the “St. Matthew Passion.” L a C1°V' ' Gaetano Donizetti 22262 NLomsiwriiht Arr. A. Garland PIANO SOLOS—Grade FIVE famous conductor t TL G. D. Wilson Central Park, New York. The Szell, internationally 19688 ?r Robert Nolan Kerr 4946 Shepherd Boy, The. Op. 4 SASHA CULBERTSON, violinist and Mall in 24011 M«rch Gustav tan** 3045 Cavatina. Op. 85 . Raff Opera Company; 308 Thine Own. Op. 54 sixty concerts are again the gift of the organized in of the Metropolitan 24871 Marigold^. Op. Convent Bells, Reverie Henry Bollman brother of the noted con- SCRIABIN CIRCLE, s Steinheimer 536 Traumerei. Op. 15; 7. Little Romance. 8840 teacher, and THE widely-known n e R Schumann Crescendo Per Lasson Florence Guggenheim Foun- and Vladimir Golschmann, 8172 '. '. '. 7021 Daniel '. '. '. Hart Weddle Ely Culbertson, and York, has just completed its . Ora authority, ?«nHm^ Thf Moiart 138; 9 Stephen Heller tract bridge 1934 in New 23337 Mildred Adair 2402 Turkish Rondo. From Sonata in A W. A. 1663 Curious Story. Op been for the past conductor of the St. Louis Symphony of thJpines Fischer minor w. A Mozart York City. He dation, as they have 22786 Henri van Gael 6628 Wayside Rose. Op. 177 Otto 7353 Fantasia in D died on April 16 in New 10th season. include Voice of the Heart Kmkel Marche de Concert. Op 19 H A. Wollenhaupt years. Orchestra. Soloists to appear 3854 6652 Whisperings of Love. Valse Sentimentale C 4678 Grande in this country on December 29, thirteen Founder and Director, Katherine 68; 10. Arr. Hartl. R Schumann was born The 562 Will-o’-the-Wisp * Jungmann 7715 Joyous Peasant. Op A Artur Rubinstein, Rudolf Serkin, Jascha Minuet. From Symphony E-flat was sent, at the age of nine, Heyman, who for the past three PIANO SOLOS—Grade TWO 73S7 1893, and Ruth Nathan Milstein, Gregor Piati- (Mozart) Julius Schulhoff his MORIZ ROSENTHAL, Vienna-born pi- public appear- Heifetz, . made . ^Beethoven Conservatory. He from . L. kept Sonata, Op. 26 . to the Rostov years has been 1560 Andante. From SOLOS Grade THREE AND A HALF 7356 Moment Musical. Op. 94; 6 Franz Schubert one gorsky, Alec Templeton, Luboshutz and PIANO — and in 1920 anist, now eighty-one years old, and celebrated the decade 9420 Mozart 357 Nocturne in E-fiat. Op. 9; 2 Frederic Chopin debut in Vienna at fourteen, ances by ill health, Three Compositions of Mozart, The.. tV-A. Ballet Music. From Rosamunde. Arr. F. L. pupils of Liszt, re- Nemenoff, Zadel Skolovsky, Bronislaw 3623 First Wier Dortch 14477 Robin’s Departure Leander Fisher place in New of the last remaining the same time a Giant and the Elf A.leen Hatch Franz Schubert his American debut took of the Circle and at Jan 22812 Romance. Op. 44; 1 Anton Rubinstein citizen. At Huberman, Gladys Swarthout, and Serenade Hexnnch Engel 8632 Barcarolle. From Les Contes d’Hoff- 3040 in cently became an American playing each 4187 Gondolier's Waves A. P. Wyman York City. He appeared frequently stage of her recovery, by at Fairies C mann. Trans. H. Engelmann Jacques Offenbach 19321 Silvery 7110 Haunt of the .H .Goo.
Recommended publications
  • Lavoce: Our Voice All and Winter Made Their Marks on More Than Fa Few Instruments This Year

    Lavoce: Our Voice All and Winter Made Their Marks on More Than Fa Few Instruments This Year

    OF CLAIRE GIVENS VIOLINS, INC. SPRING 1999 LaVoce: our voice all and winter made their marks on more than Fa few instruments this year. Fluctuating climat- ic conditions in the fall followed by the sudden onslaught of winter and a stint of exceedingly dry air brought many customers to our shop to have a wide variety of concerns addressed, from troublesome e- strings to serious cracks. Caring for string instruments requires attention and dedication on the part of play- ers.Taking preventative measures and paying atten- tion to any changes in your instrument’s sound are crucial (poor sound quality can indicate open bouts and cracks).The two key climatic threats to string instruments are temperature and humidity. Keep humidity levels at 50% (35% at the least) in the room in which your instrument is regularly stored and played. If you use ‘Dampits,’check and dampen them regularly. Do not leave instruments near heating vents, radiators or in direct sunlight.Allow instru- ments to adjust gradually to temperature changes when transported from one location to another. Xue-Chang Sun, Andrew Dipper, Claire Givens and Mr. Ni in Quilted case covers such as those made by Cushy and front of Beijing workshop on a sunny day in October 1998 Cavallaro, which we sell, add a valuable layer of insu- lation and serve well not only during cold months, Claire and Andrew visited three workshops, each but during hot summer months as well.Take care! dealing with a different level of instrument, and each overseen by one of three master makers who have won international
  • Interpreting Tempo and Rubato in Chopin's Music

    Interpreting Tempo and Rubato in Chopin's Music

    Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings.
  • David Moritz Michael (1751–1827) 80580-2 Parthien 10-14 Pacific Classical Winds

    David Moritz Michael (1751–1827) 80580-2 Parthien 10-14 Pacific Classical Winds

    DAVID MORITZ MICHAEL (1751–1827) 80580-2 PARTHIEN 10-14 PACIFIC CLASSICAL WINDS David Moritz Michael’s woodwind Parthien are found only in the music collections of the early American Moravian settlements—Bethlehem, Lititz, and Nazareth, Pennsylvania, and Salem, North Carolina. While Michael (1751–1827) lived only twenty of his seventy-six years in America (from his 44th to 64th year of age), he was not known as a composer in Europe, and none of his music found its way to the archives of the European Moravian churches. Parthien 10-14 are found only in the collections of the Philharmonic Society of Bethlehem, Pennsylvania, and the Lititz, Pennsylvania, Collegium Musicum—thus this is not only “American” music, but specifically Pennsylvania music. David Moritz Michael wrote fourteen Parthien for combinations of clarinets, horns, and bassoons (with the occasional flute or trumpet). Exact dates for these compositions have not been established. These works, well within the tradition of the divertimento or serenade of the eighteenth century, were performed in concerts in Bethlehem and Nazareth, Pennsylvania, and in informal serenades. Each consists of three to five movements with formal structures like those of the early classical symphonies, with movements generally longer than those of the two Water Journey suites. In addition to these Parthien, he wrote two Water Journey suites, designed to be used during the Whitmonday holiday celebrations in Bethlehem, Pennsylvania. While more serious in character than either of the Water Journey suites, the Parthien retain the light-hearted exuberance, even playful whimsy, of the eighteenth-century divertimento—including, nevertheless, some passages very reminiscent of Haydn’s Sturm und Drang writing.
  • University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St

    University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St

    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
  • The John and Anna Gillespie Papers an Inventory of Holdings at the American Music Research Center

    The John and Anna Gillespie Papers an Inventory of Holdings at the American Music Research Center

    The John and Anna Gillespie papers An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The John and Anna Gillespie papers Descriptive summary ID COU-AMRC-37 Title John and Anna Gillespie papers Date(s) Creator(s) Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 48 linear feet Scope and Contents Papers of John E. "Jack" Gillespie (1921—2003), Professor of music, University of California at Santa Barbara, author, musicologist and organist, including more than five thousand pieces of photocopied sheet music collected by Dr. Gillespie and his wife Anna Gillespie, used for researching their Bibliography of Nineteenth Century American Piano Music. Administrative Information Arrangement Sheet music arranged alphabetically by composer and then by title Access Open Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the American Music Research Center. Preferred Citation [Identification of item], John and Anna Gillespie papers, University of Colorado, Boulder Index Terms Access points related to this collection: Corporate names American Music Research Center - Page 2 - The John and Anna Gillespie papers Detailed Description Bibliography of Nineteenth-Century American Piano Music Music for Solo Piano Box Folder 1 1 Alden-Ambrose 1 2 Anderson-Ayers 1 3 Baerman-Barnes 2 1 Homer N. Bartlett 2 2 Homer N. Bartlett 2 3 W.K. Bassford 2 4 H.H. Amy Beach 3 1 John Beach-Arthur Bergh 3 2 Blind Tom 3 3 Arthur Bird-Henry R.
  • June 1902) Winton J

    June 1902) Winton J

    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1902 Volume 20, Number 06 (June 1902) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 20, Number 06 (June 1902)." , (1902). https://digitalcommons.gardner-webb.edu/etude/471 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE PUBLISHER OF THE ETVDE WILL SUPPLY ANYTHING IN MUSIC. 11^ VPl\W4-»* _ The Sw»d Volume ol ••The Cmet In Mmk" mil be rmdy to «'»!' >* Apnl "* WORK m VOLUME .. 5KI55 nETUDE I, Clic.pl". Oodard. and Sohytte. II. Chamlnade. J^ ^ Sthumann and Mosz- Q. Smith. A. M. Foerater. and Oeo. W. W|enin«ki. VI. kowski (Schumann occupies 75 pages). • Kelley» Wm. Berger, and Deahm. and Fd. Sehnett. VII. It. W. O. B. Klein. VIII, Saint-Saens, Paderewski, Q Y Bn|ch Max yogrich. IX. (llazounov, Balakirev, the Waltz Strau ’ M g Forces in the X. Review ol the Coum a. a Wholes The Place ol Bach nr Development; Influence ol the Folks Song, etc.
  • SKINNER Fine Musical Instruments

    SKINNER Fine Musical Instruments

    SKINNER Fine Musical Instruments May 1, 2011 Sale 2544B Boston Fine Musical Instruments specialist in charge David Bonsey 508.970.3224 General Inquiries: [email protected] auction 2544B Sunday, May 1, 2011 at 12 noon 63 Park Plaza Boston, Massachusetts preview Friday, April 29, 2011 12 to 7 p.m. Saturday, April 30, 2011 10:30 a.m. to 5 p.m. Sunday, May 1, 2011 9 to 10:30 a.m. absentee bidding Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com general inquiries 617.350.5400 View all lots online at www.skinnerinc.com cover : 55, inside back cover : 186, back cover : 1 Register… Preview… and Bid Live Online Preview Auctions Online Bid Live Online with SkinnerLive! Flip through the pages o our interactive virtual catalogues, Get the live auction experience rom your home or oice or view all lots in an upcoming auction to browse with SkinnerLive! Register in advance or an auction to bid through images and detailed lot inormation. You can also online in real time. download and print a PDF ile o a catalogue. Find Items with Lot Alert Read the Skinner Blog Find out immediately when items you like are available at Keep up on market trends with tips rom our expert auction. Lot Alert searches upcoming Skinner auctions or appraisers. Discover the stories behind the art and items matching your interests, and automatically emails antiques Skinner oers at auction, and add your own you when an item is posted in the online catalogue. comments to join the conversation. Track Lots and Leave Absentee Bids Get Email Updates on Auctions and Events While previewing any auction online, you can ask Subscribe to the Skinner email list to receive monthly specialists questions with a lot inquiry, keep a list o items auction schedules, invitations to events, and notiication that interest you with Track Lots, or place secure and when auction previews and catalogues are posted to the conidential online absentee bids.
  • View First-Year Signature Course. Syllabus

    View First-Year Signature Course. Syllabus

    Zoom Link: UGS 303: Communicating America through Baseball Spring 2021 Tu/Th, 12:30-2:00, online Professor: Michael L. Butterworth, Ph.D. (he/him/his) E-mail: [email protected] Discussion Sections: F, 9:00-10:00, online (61792) F, 10:00-11:00, online (61793) F, 11:00-12:00, online (61794) F, 11:00-12:00, online (61780) F, 12:00-1:00, online (61785) F, 1:00-2:00, online (61790) Twitter: @BurntO_Butterwo Office: CMA 7.138B Office Hours: Tuesdays and Thursdays, 10:00-11:00 and by appointment Office Phone: 471-1931 UGS 303: Communicating America through Baseball, Spring 2021, 1 Zoom Link: Course Description: It is the “national pastime,” or the “American game.” We know that it is as “American” as motherhood and apple pie. It has occupied the attention of sports fans, academics, popular writers, and politicians alike, all of whom seem eager to hail the game’s special link to the nation. It is celebrated as a romantic metaphor for life’s seasons, for its pastoral imagery that evokes an agrarian past, and above all, as an ideal institution of liberal democracy. In short, baseball has earned a unique place in American history and culture. However, rarely do we ask how baseball came to be the national pastime or why it is important to the public to think of a given sport as a reflection of national identity. This course, therefore, looks to baseball as a lens through which we can analyze, understand, and even critique American culture. It argues that baseball's history constitutes a myth that works alongside other myths that have shaped people and ideas in the United States.
  • Big USO Contribution Seen in Softball Program

    Big USO Contribution Seen in Softball Program

    Big U. S. O. Contribution Seen in Softball Program 3-Game Card Starts The Monitor-Leader ‘Twi-Night’BillsProve Towers Girls Owls Win, Slay at 3 o’Clock Tomorrow SATURDAY AUGUST 1, 1942 PAGE 8 Enter Tourney Incensory Bomb Demonstration Planned; The Fisher Towers girls, x Football Brings August Showers with a record of 22 wins in in Battle lor , Tickets, Cants, On Sale at Gote to Yankees season, en- 25 the 23 starts this will ~ Irksome f \ Thom 2-Gama ter the Detroit Times Soft- The Mecomb County sports front for war service is expected Browns Bounce in Opener of ball tournament. Manager to make its biggest contribution of the year tomorrow when soft- Bill; Red Sox Barely Edge Tigers, 7-6 Bill LaCroix announced to- Playoff Berth ball tans gather at St. Mary s Stadium, Mount Clemens, at 2 day. They will participate in U. S. O. Upset Eagles, 10-6; o’clock for a three-game program benefiting the ¦pPPjJ; BY AUSTIN BEALMEAR ticularly displeasing to the Yan- the Class B division. Advance sale of tickets indicated today that a crowd of sev- Associated Press Sports Writer kees for the simple reason that The last time the locals Series Spot Depends eral thousand would attend and gate receipts were expected to "Twi-night” doubleheaders, they find themselves now and entered was in 1939, when lioost the total to a good-sized amount. baseball’s wartime contribution then on the short end of the they finished as runnerup in on Others' Defeats sale for week and a half will ''Tickets which have been on a to the working man, may mean scores.
  • Journal of the American Viola Society Volume 28 No. 1, Spring 2012

    Journal of the American Viola Society Volume 28 No. 1, Spring 2012

    y t e i c o S a l o i V n a c i r e m A e h t Features: 1 f IVC 39 Review r e o b Bernard Zaslav: m From Broadway u l to Babbitt N a Sergey Vasilenko's 8 n Viola Compositions 2 r e m u u l o V o J Journal of the American Viola Society A publication of the American Viola Society Spring 2012 Volume 28 Number 1 Contents p. 3 From the Editor p. 5 From the President p. 7 News & Notes: Announcements ~ In Memoriam ~ IVC Host Letter Feature Articles p. 13 International Viola Congress XXXIX in Review: Andrew Filmer and John Roxburgh report from Germany p. 19 Bowing for Dollars: From Broadway to Babbitt: Bernard Zaslav highlights his career as Broadway musician, recording artist, and quartet violist p. 33 Unknown Sergey Vasilenko and His Viola Compositions: Recent Discoveries in Russian Archives: Elena Artamonova uncovers works by Russian composer Sergey Vasilenko Departments p. 49 In the Studio: Yavet Boyadjiev chats with legendary Thai viola teacher Choochart Pitaksakorn p. 57 Student Life: Meet six young violists featured on NPR’s From the Top p. 65 With Viola in Hand: George Andrix reflects on his viola alta p. 69 Recording Reviews On the Cover: Karoline Leal Viola One Violist Karoline Leal uses her classical music background for inspiration in advertising, graphic design, and printmaking. Viola One is an alu - minum plate lithograph featuring her viola atop the viola part to Dvořák’s “New World” Symphony. To view more of her art, please visit: www.karolineart.daportfolio.com.
  • A Survey of Czech Piano Cycles: from Nationalism to Modernism (1877-1930)

    A Survey of Czech Piano Cycles: from Nationalism to Modernism (1877-1930)

    ABSTRACT Title of Dissertation: A SURVEY OF CZECH PIANO CYCLES: FROM NATIONALISM TO MODERNISM (1877-1930) Florence Ahn, Doctor of Musical Arts, 2018 Dissertation directed by: Professor Larissa Dedova Piano Department The piano music of the Bohemian lands from the Romantic era to post World War I has been largely neglected by pianists and is not frequently heard in public performances. However, given an opportunity, one gains insight into the unique sound of the Czech piano repertoire and its contributions to the Western tradition of piano music. Nationalist Czech composers were inspired by the Bohemian landscape, folklore and historical events, and brought their sentiments to life in their symphonies, operas and chamber works, but little is known about the history of Czech piano literature. The purpose of this project is to demonstrate the unique sentimentality, sensuality and expression in the piano literature of Czech composers whose style can be traced from the solo piano cycles of Bedřich Smetana (1824-1884), Antonín Dvořák (1841-1904), Leoš Janáček (1854-1928), Josef Suk (1874-1935), Bohuslav Martinů (1890-1935) to Erwin Schulhoff (1894-1942). A SURVEY OF CZECH PIANO CYCLES: FROM ROMANTICISM TO MODERNISM (1877-1930) by Florence Ahn Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Musical Arts 2018 Advisory Committee: Professor Larissa Dedova, Chair Professor Bradford Gowen Professor Donald Manildi Professor
  • National Pastime a REVIEW of BASEBALL HISTORY

    National Pastime a REVIEW of BASEBALL HISTORY

    THE National Pastime A REVIEW OF BASEBALL HISTORY CONTENTS The Chicago Cubs' College of Coaches Richard J. Puerzer ................. 3 Dizzy Dean, Brownie for a Day Ronnie Joyner. .................. .. 18 The '62 Mets Keith Olbermann ................ .. 23 Professional Baseball and Football Brian McKenna. ................ •.. 26 Wallace Goldsmith, Sports Cartoonist '.' . Ed Brackett ..................... .. 33 About the Boston Pilgrims Bill Nowlin. ..................... .. 40 Danny Gardella and the Reserve Clause David Mandell, ,................. .. 41 Bringing Home the Bacon Jacob Pomrenke ................. .. 45 "Why, They'll Bet on a Foul Ball" Warren Corbett. ................. .. 54 Clemente's Entry into Organized Baseball Stew Thornley. ................. 61 The Winning Team Rob Edelman. ................... .. 72 Fascinating Aspects About Detroit Tiger Uniform Numbers Herm Krabbenhoft. .............. .. 77 Crossing Red River: Spring Training in Texas Frank Jackson ................... .. 85 The Windowbreakers: The 1947 Giants Steve Treder. .................... .. 92 Marathon Men: Rube and Cy Go the Distance Dan O'Brien .................... .. 95 I'm a Faster Man Than You Are, Heinie Zim Richard A. Smiley. ............... .. 97 Twilight at Ebbets Field Rory Costello 104 Was Roy Cullenbine a Better Batter than Joe DiMaggio? Walter Dunn Tucker 110 The 1945 All-Star Game Bill Nowlin 111 The First Unknown Soldier Bob Bailey 115 This Is Your Sport on Cocaine Steve Beitler 119 Sound BITES Darryl Brock 123 Death in the Ohio State League Craig