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J & J LUBRANO MUSIC ANTIQUARIANS The Autograph Manuscript of Mozart's Contredanse for Orchestra K535, Item 54 CATALOGUE 83 Autograph Musical Manuscripts & Letters of Composers Rare Printed Music & Books on Music & Dance Original Drawings, Set & Costume Designs, Prints, &c. v 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described. All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to insure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. v Please visit our website at www.lubranomusic.com where you will find full descriptions and illustrations of all items Fine Items & Collections Purchased v Members Antiquarians Booksellers’ Association of America International League of Antiquarian Booksellers Professional Autograph Dealers’ Association Music Library Association American Musicological Society Society of Dance History Scholars &c. v Diana La Femina, Assistant © J & J Lubrano Music Antiquarians LLC March 2018 2 - HIGHLIGHTS - BACH. St. Matthew Passion (item 5) BEETHOVEN. First edition, first issue of the 9th Symphony, with presentation inscription from Charles Munch to Alfred Cortot (item 17) BERLIOZ. Autograph document regarding the first performance of the Requiem (item 24) DANIELPOUR. Autograph manuscript dedicated to the victims of 9/11 (item 31) HANDEL. Five rare opera libretti (item 40); etching depicting castrati Senesino and Berenstadt in Flavio (item 41) HAYDN. Important autograph letter to Sieber regarding his symphonies, piano sonatas, and the “affaire Tost” (item 42) JACK BRADLEY JAZZ ARCHIVE. Thousands of original photographs, 1950s-1980s, &c. (item 45) MOZART. The complete autograph manuscript of La Bataille (item 54) MUSORGSKY. Original set design by Benois for Boris Godunov (item 59) SCARLATTI. Autograph manuscript of the unpublished cantata Quante le grazie son. (item 69) SCHOENBERG. First edition of the Klavierstück, inscribed to Anton Webern (item 74) SCHUBERT. Gretchen am Spinnrade, with manuscript control signature (item 75) SCHUMANN. Autograph manuscripts of Mein Garten and Geisternähe, inscribed by Clara (item 76) VERDI. Autograph letter to Ricordi about four of his operas (item 88) VIOTTI. Autograph manuscript of the Sonata for Violin and Bass (item 95) WAGNER. Autograph letter regarding his biography of Beethoven and Rienzi (item 96) WOLF. Autograph draft of a concert program (item 106) v 3 - SELECTIVE INDEX - AUTOGRAPH MANUSCRIPTS Adamo, Bruch, Corigliano, Danielpour, El-Dabh, Glazunov, Grechaninov, Hoiby, Koechlin, Massenet, Menotti, Nikolay Rubinstein, Saint-Saëns, Alessandro Scarlatti, Schickele, Schmitt, Schoenberg, Schumann, Tansman, Thomas, Viotti AUTOGRAPH LETTERS & DOCUMENTS Bellini, Berg, Berlioz, Debussy, Haydn, Legrenzi, Mendelssohn, Ravel, Schoenberg, Schubert, Strauss, Verdi, Wagner, Wagner Circle, Wolf SIGNED SCORES Debussy, Massenet, Puccini, Ravel, Saint-Saëns, Schoenberg, Schubert, Webern FIRST & EARLY EDITIONS OF PRINTED MUSIC Bach, Bayley, Beethoven, Bellini, Brahms, Debussy, Donizetti, Dretzel, Massenet, Mozart, Puccini, Purcell, Ravel, Saint-Saëns, Schoenberg, Schubert, Smith, Sperontes, Verdi, Wagner, Webern RARE BOOKS Handel, Wagner DANCE Souvenir de la Tarantella Napolitaine, Wilhelm ORIGINAL DRAWINGS, SET & COSTUME DESIGNS, PRINTS, & PHOTOGRAPHS Galerie des Artistes Dramatiques, Arma, Benois, Dugazon, Handel, Korovin, Lully, Metropolitan Opera, L’Assemblée au Concert, Musical Instruments, Sharits, Photographs of singers by Mishkin, Thomas, Wilhelm ARCHIVES Jack Bradley Jazz Archive v 4 ________________________________________________________________ With 80 Fine Illustrative Plates - Extra-Illustrated with Autograph Letters, &c. - 1. [OPERA & BALLET – 19th Century – French] Galerie des Artistes Dramatiques de Paris Quarante portraits en pied dessins d'apres nature par Al. Lacauchie, et accompagnes d'autant de portraits litteraires. Tome Premier [-Second]. Paris: Marchant, 1841, 1842. Two volumes. Quarto. Half dark red morocco with marbled boards. Each volume consists of 3 preliminary leaves plus 40 full-page plates and 162 pp. of text, for a total of 80 fine lithographic portraits of dancers, singers and actors in role portraits, finely-printed on china paper and laid down. Extensively extra-illustrated: 70 of the 80 plates are accompanied by an autograph letter or document in the hand of the subject of the print. With biographical essays, each 4-6 pp., on each subject: Singers: Deburau, Duprez, Fargueil, Aine, Levasseur, Rubini, Persiani, Prevost, Damoreau, Lafont, Lablache, Grisi, Tamburini, Klein (singer and actor), Stolz, Thillon, Chollet, Roger, Mario, and Dorus- Gras. Dancers: Perrot, Elssler, Taglioni, Thillon, Leroux, and Grisi. Actors: Rachel, Plessy, Mme. Melingue, Achard, Doze, Odry, Lepeintre Jeune, Dupont, Boutin, Flore, Georges, Joanny, Albert, Vertpre, Monrose, Bocage, Firmin, Saint-Ernest, Mars, Menjaud, Sauvage, Bardou, Beauvallet, Alcide-Tousez, Mme. Volnys, Ferville, Mr. Volnys, Guillemin, Gauthier, Arnal, Clarisse, Chilly, Moessard, Brunet, Albert, Provost, Brohan, Anais, Vernet, Desmousseaux, Dorval, Regnier, Mante, Julienne, Lepeintre Aine, Dejazet, Numa, Samson, Sainville, Ligier, Colon Leplus, Raucourt, Bouffe, and Lemaitre. Bindings very slightly worn, rubbed and bumped. Some foxing to text and margins of mounts, not affecting prints; some additional browning to Volume II; several minor paper repairs. Bookplate with initials "A.H." engraved by E. Valton, 1880, to front pastedown of each volume. In very good condition overall. A third volume was planned, and at least 18 plates appeared, but the volume was never published. A unique copy, with important iconographical evidence of contemporary performers and theatrical costume as well as original autograph letters and documents of historical significance. (28139) $6,000 ________________________________________________________________ 5 Autograph Manuscript of the Full Score 2. ADAMO, Mark born 1962 No. 10 / Supreme Virtue for double SATB choir. Autograph musical manuscript of the complete full score. 29 pp. + 2 pp. of additional manuscript apparently not included in the final version. Oblong folio (278 x 208 mm.). Unbound. Notated in pencil on 16-stave music manuscript paper. Folded. Signed and dated New York, Jan-April [19]97. Supreme Virtue was commissioned by the Dale Warland Singers with the support of the Jerome Foundation and the Alice M. Ditson Fund of Columbia University. The text consists of an English translation of verses from the Tao te Ching. It was first recorded by the Seattle-based chamber choir Esoterics on the Terpsichore label in the winter of 2008. "For a few years I was the tenor section leader of a choir in Washington, and in singing with and composing for them I'd become more and more interested in the quasi- instrumental vocal gesture. Stephen Mitchell's pellucid translation of this verse of the Tao te ching - a series of moral challenges all beginning with the words "Can you?" - spurred me to explore this idea at length. The singers, divided into two SATB choirs, intone the first question in a dusky C-minor against a sighing backdrop of wind sounds: then, as the first choir utters the text's first challenge, the second choir refracts their words into marimba-like repeated notes, as if the long lines of the first choir were subjected to a kind of aural strobe. As the questions become tougher, so do the sounds: tenors and altos stab into the texture with horn-like interruptions, and the phrase "Can you?" disrupts the unwavering four-four pulse with insistent threes and twos. At a peak of intensity, a looping soprano-alto line spirits us away from pulse and chord, leading first to a melodic meditation based on the vowels of "Can you?" and then to a cadenza, in which chords appear and vanish into a shimmering, ever-present curtain of sound. A vision of equanimity is intoned in the open fifths of (both Western and Eastern) chant: then, as if elated by its discovery ("this is the supreme virtue") the chorus reworks its "Can you?" motive: a nudging half-step expands to a whole step, the harmony brightens to B-flat, and, in rhythms now more jubilant than insistent, the score spins to closure." markadamo.com. (20144) $3,800 ________________________________________________________________ Music & Art 3. ARMA, Paul 1904-1987 Chants du Silence. The complete
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