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Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
John Lennon – Człowiek I Artysta Niespełniony?
Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence. -
Anthropoetics VIII, 2
Anthropoetics VIII, 2 Anthropoetics VIII, no. 2 Fall 2002 / Winter 2003 ISSN 1083-7264 Table of Contents 1. Chris Fleming and John O'Carroll - Notes on Generative Anthropology: Towards an Ethics of the Hypothesis 2. Thomas Bertonneau - Post-Imperium: The Rhetoric of Liberation and the Return of Sacrifice in the Work of V. S. Naipaul 3. Douglas Collins - The Great Effects of Small Things: Insignificance With Immanence in Critical Theory 4. Raoul Eshelman - Performatism in the Movies (1997-2003) 5. Matthew Schneider - "What matters is the system!" The Beatles, the "Passover Plot," and Conspiratorial Narrativity 6. Benchmarks Return to Anthropoetics home page Eric Gans / [email protected] Last updated: http://www.anthropoetics.ucla.edu/ap0802/ap0802.htm [1/14/2003 11:45:13 PM] Fleming & O'Carroll - Notes on Generative Anthropology: Towards an Ethics of the Hypothesis Anthropoetics 8, no. 2 (Fall 2002 / Winter 2003) Notes on Generative Anthropology: Towards an Ethics of the Hypothesis Chris Fleming and John O'Carroll School of Humanities University of Western Sydney Penrith South DC NSW 1797 Australia [email protected] [email protected] 1. Eric Gans, the Hypothesis, and the Humanities Scholars in the human sciences (the arts, liberal thought, and the verstehen varieties of social sciences) are often called upon to supply new modes of thinking to meet the challenges of a post-Marxist, post-modern, even post-humanist world. A new cartography of methodological expectations and possibilities within the purview of these human sciences would now appear desirable. Never has the world of thought-about-thought been required to perform so much, and only rarely, regrettably, has it offered so little. -
A Study of the Representation of Marriage and the Family in the Film Muriel's Wedding
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2003 A study of the representation of marriage and the family in the film Muriel's wedding Zoe Chambers Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Family, Life Course, and Society Commons Recommended Citation Chambers, Z. (2003). A study of the representation of marriage and the family in the film Muriel's wedding. https://ro.ecu.edu.au/theses/1298 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1298 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
Donald Trump, the Changes: Aanti
Ethnic and Racial Studies ISSN: 0141-9870 (Print) 1466-4356 (Online) Journal homepage: https://www.tandfonline.com/loi/rers20 Donald Trump, the anti-Muslim far right and the new conservative revolution Ed Pertwee To cite this article: Ed Pertwee (2020): Donald Trump, the anti-Muslim far right and the new conservative revolution, Ethnic and Racial Studies, DOI: 10.1080/01419870.2020.1749688 To link to this article: https://doi.org/10.1080/01419870.2020.1749688 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 17 Apr 2020. Submit your article to this journal Article views: 193 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rers20 ETHNIC AND RACIAL STUDIES https://doi.org/10.1080/01419870.2020.1749688 Donald Trump, the anti-Muslim far right and the new conservative revolution Ed Pertwee Department of Sociology, London School of Economics, London, UK ABSTRACT This article explores the “counter-jihad”, a transnational field of anti-Muslim political action that emerged in the mid-2000s, becoming a key tributary of the recent far- right insurgency and an important influence on the Trump presidency. The article draws on thematic analysis of content from counter-jihad websites and interviews with movement activists, sympathizers and opponents, in order to characterize the counter-jihad’s organizational infrastructure and political discourse and to theorize its relationship to fascism and other far-right tendencies. Although the political discourses of the counter-jihad, Trumpian Republicanism and the avowedly racist “Alt-Right” are not identical, I argue that all three tendencies share a common, counterrevolutionary temporal structure. -
Murder, Arrogance of Power, and the Struggle for Social Dominance in the US
Murder, Arrogance of Power, and the Struggle for Social Dominance in the US The moral cesspool of National Politics Introduction Since leaving a start-up company as a result of the dot-com bust, I have engaged in, among other things, reviewing the literature to try to understand the controversy regarding various, potentially linked, events, including: the murders of John Kennedy, Martin Luther King, and Robert Kennedy; Iran-Contra; the PROMIS affair; the October surprise; domestic call-boy—corruption rings; the Panama invasion, and the two Iraq wars. Note: Most people who read the following will find it extremely disturbing, since it shakes our confidence in our basic institutions and leaders. However, I believe that the material below is accurate. It represents a distillation of many books and web references which, though written independently by credible researchers, corroborate each other. Although I have footnoted many of the statements, I chose not to be even more comprehensive to make the document shorter and more readable. It is not enough to just document excesses, though. I plan another white paper to deal with correcting those excesses.1 Initially, two key remedies appear to be: Almost complete transparency in government, and declassification of almost everything over, say, 10 years old. Setting up independent review panels of any federal operations that have the capacity to commit, or allow, significant crimes. Decriminalization of drug possession and distribution. Drug money is funding almost all the illicit activities, and maintaining a web of corruption that is so pervasive that the entire government is dysfunctional2. 1 The revelations in this document are less than a few percent of that convincingly presented in the literature. -
Gender and the Collaborative Artist Couple
Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Summer 8-12-2014 Gender and the Collaborative Artist Couple Candice M. Greathouse Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Greathouse, Candice M., "Gender and the Collaborative Artist Couple." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/art_design_theses/168 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. GENDER AND THE COLLABORATIVE ARTIST COUPLE by CANDICE GREATHOUSE Under the Direction of Dr. Susan Richmond ABSTRACT Through description and analysis of the balancing and intersection of gender in the col- laborative artist couples of Marina Abramović and Ulay, John Lennon and Yoko Ono, and Chris- to and Jeanne-Claude, I make evident the separation between their public lives and their pri- vate lives, an element that manifests itself in unique and contrasting ways for each couple. I study the link between gendered negotiations in these heterosexual artist couples and this divi- sion, and correlate this relationship to the evidence of problematic gender dynamics in the art- works and collaborations. INDEX WORDS: -
Delta Windsvolume 34 | 2021 a Collection of Student Essays
Volume 34 | 2021 Delta WindsA Collection of Student Essays 1 Letter from the Editors In the fall of 1991, the first volume of Delta Winds It has been a real privilege to carry on the rich appeared for sale for $2.00 in the bookstore of tradition that Jane, Bob, and Will have passed on San Joaquin Delta College. Newly-hired English to us. It has also been an honor to meet some of faculty member Jane Dominik created the the students who comprise this current volume magazine with the intent of publishing student (number 34) of Delta Winds, and we know many essays that “merit a wider reading audience.” readers will find their stories heartfelt and Five years later, while standing in line for the inspirational. We hope this magazine serves as commencement ceremonies, she asked Robert a tribute to these gifted student writers, and we Bini and William Agopsowic to take over the reins hope that their work will be shared in English of her project, which by then had become well- courses not just here at Delta but at other received in the English Department. They agreed institutions of higher education. under the condition that her biannual publication become an annual publication. They knew they Each volume of the magazine would never could never keep up with Jane’s pace, but they have been published without the help of figured that two of them could do half the work personnel in the print shop, the backing from the that she did. And even so, it would be a challenge. -
John Lennon - Much More Than Just a Beatle
PROFESORES ASOCIADOS EGRESADOS DEL INSTITUTO SUPERIOR DEL PROFESORADO EN LENGUAS VIVAS ‘Juan Ramón Fernández’ ADVANCED 2018 Nombre y Apellido 1. Read and answer John Lennon - much more than just a Beatle The circumstances of the murder of John Lennon are well enough known for it to be unnecessary to repeat them now. It was ironic that John Lennon, advocate of non-violence, should have died the way he did: though perhaps it was ironic too that John should have chosen to live in New York, one of the more violent cities in the USA. US president Ronald Reagan described it as "a great tragedy", and music radio- stations across the world played Lennon's songs, some of them in a non-stop tribute to the former Beatle who had such a tremendous effect on the world of the nineteen-sixties and early seventies. AN ACCIDENTAL HERO John Lennon never set out to become a hero, nor the leader of a whole generation. It came on him more by accident. He didn't want to be thought of as the leader of the Beatles — people forced it on him. "We're a co-operative" he used to say: but in the early nineteen sixties that was something people couldn't accept. "You must have a leader," they answered, and so John became the chief Beatle. He deserved the position, indeed, since he was the founder of the group, he wrote the words of most of their songs, and he was the dynamic force behind the others. "I'm just a 'uman bein' " he used to say. -
John Lennon & Yoko Ono Double Fantasy Mp3, Flac
John Lennon & Yoko Ono Double Fantasy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Double Fantasy Country: US Released: 1980 Style: Pop Rock MP3 version RAR size: 1612 mb FLAC version RAR size: 1146 mb WMA version RAR size: 1546 mb Rating: 4.4 Votes: 233 Other Formats: XM ADX AC3 AAC DTS MPC DMF Tracklist Hide Credits 1 (Just Like) Starting Over 3:55 2 Kiss Kiss Kiss 2:41 3 Cleanup Time 2:57 4 Give Me Something 1:34 5 I'm Losing You 3:58 6 I'm Moving On 2:19 Beautiful Boy (Darling Boy) 7 4:01 Steel Drums – Robert Greenidge Watching The Wheels 8 3:59 Cimbalom [Hammered Dulcimer] – Matthew Cunningham I'm Your Angel 9 3:08 Arranged By [Horns] – Tony Davilio 10 Woman 3:32 11 Beautiful Boys 2:54 12 Dear Yoko 2:33 13 Every Man Has A Woman Who Loves Him 4:02 14 Hard Times Are Over 3:20 Companies, etc. Phonographic Copyright (p) – Yoko Ono Lennon Copyright (c) – Yoko Ono Lennon Licensed To – Capitol Records, LLC Recorded At – The Hit Factory Remixed At – The Hit Factory Remixed At – Record Plant, N.Y.C. Mastered At – Sterling Sound Remastered At – Sterling Sound Manufactured By – Capitol Records, LLC Credits Art Direction – John Lennon & Yoko Ono Artwork – Art Hotel, Christopher Whorf Artwork, Design – P. Linard Marketing And Advertising Ltd Backing Vocals – Benny Cummings Singers, Cas Mijac, Eric Troyer Bass Guitar – Tony Levin Concertina [English] – Randy Stein Drums – Andy Newmark Engineer – Lee DeCarlo Engineer [Assistant] – James Ball*, Jon Smith , Julie Last Guitar – Earl Slick, Hugh McCracken Guitar, Keyboards – John Lennon Horns – David Tofani*, George "Young" Opalisky*, Grant Hungerford, Howard Johnson , John Parran*, Roger Rosenberg, Ronald Tooley*, Seldon Powell Keyboards – George Small Mastered By [Original] – George Marino Percussion – Arthur Jenkins, Jr.* Photography By [Additional] – Allan Tannenbaum, Bob Gruen, David Spindel, Kishin Shinoyama, Lilo Raymond, Nishi F. -
Wedding Guide Resort Description
WEDDING GUIDE RESORT DESCRIPTION The newly renovated Now Sapphire Riviera Cancun, a AAA Four Diamond award-winning resort, offers Unlimited-Luxury® to families with teens and tweens, couples and friends. Guests of all ages will find 488 spacious suites, offering daily-refreshed mini-bars and luxury amenities. International gourmet cuisine is served at eight dining options while unlimited top-shelf spirits can be sipped at five themed bars and lounges. Endless activities include three swimming pools, a new waterpark for the whole family, non-motorized water sports and even nightly entertainment – perfect for guests of all ages! When adults want to spend time alone during the day or night, the Explorer’s Club is perfect for kids to enjoy supervised fun and now includes a new splash park! Resort Address More information & Contact us Super Manzana 11 Manzana 9 Lote 10 Visit nowresorts.com/sapphire for information about Puerto Morelos Benito Juárez the property, rooms, activities and more. 77580 Quintana Roo, Mexico Email: [email protected] Phone number: +52 (998) 872-8383 ext. 8046 Now Resorts & Spas Updated last 11/20 2 YOUR MOMENTS WEDDING PACKAGE Features • Symbolic ceremony* • Dedicated on-site wedding coordinator • Preparation and ironing of couple’s wedding day attire 2021/2022 SELLING PRICE • Bouquet(s) and boutonniere(s) for wedding couple • Wedding cake and sparkling wine (up to ten guests) $999 USD • Romantic turndown service night of ceremony with rose petal-drawn This package is complimentary when booking a minimum of seven nights Whirlpool bath, bottle of sparkling wine and chocolate-covered strawberries in the required room category or higher, or if five rooms are reserved for a • 20% off spa treatments (spa boutique purchases not included minimum of three nights at any room category. -
The Expressive/Transformative Process of Violence Lee Mellor A
I Kill, Therefore I Am: The Expressive/Transformative Process of Violence Lee Mellor A Thesis In the Individualized Program Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Individualized Program) at Concordia University Montreal, Quebec, Canada July 2018 ©Lee Mellor, 2018 !"#!"$%&'()#&*+$,&-.( ,!/""0("1(2$'%)'-+(,-)%&+,! This is to certify that the thesis prepared By: Lee Mellor Entitled: I Kill, Therefore I Am: The Expressive Transformative Theory of Violence and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Individualized program (INDI)) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: "#$%&! '&(!"#$&)*+!,*%++! !-./*&0$)!-.$1%0*&! '&(!2$&%0$!34&45#%0+6%! !-./*&0$)!/4! 7&48&$1! '&(!9&*8!:%*)+*0! !-.$1%0*&! '&(!-&%5!;%56*<! !-.$1%0*&! '&(!=1<!3>%??*0! -.$1%0*&! !'&(!@%A*6!@*06$/*+#! B#*+%+!3CD*&A%+4&! '&(!E*$0F,45#!G$C&*05*! =DD&4A*H!I<! '&(!,$5#*)!J*&8*&K(9&$HC$/*!7&48&$1!'%&*5/4&! !'*5*1I*&!LK!MNOP! '&(!7$C)$!Q44HF=H$1+K!'*$0! !35#44)!4?!9&$HC$/*!3/CH%*+ Abstract I Kill, Therefore I Am: The Expressive/Transformative Process of Violence Lee Mellor, Ph.D. Concordia University, 2018 Before the late-Industrial age, a minority of murderers posed their victims’ corpses to convey a message. With the rise of mass media, such offenders also began sending verbal communications to journalists and the authorities. Unsurprisingly, the 21st century has seen alienated killers promote their violent actions and homicidal identities through online communications: from VLOGs to manifestos, even videos depicting murder and corpse mutilation.