DOCSLIB.ORG

John Lennon & Yoko Ono Double Fantasy Mp3, Flac

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
John Lennon & Yoko Ono Double Fantasy Mp3, Flac John Lennon & Yoko Ono Double Fantasy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Double Fantasy Country: US Released: 1980 Style: Pop Rock MP3 version RAR size: 1612 mb FLAC version RAR size: 1146 mb WMA version RAR size: 1546 mb Rating: 4.4 Votes: 233 Other Formats: XM ADX AC3 AAC DTS MPC DMF Tracklist Hide Credits 1 (Just Like) Starting Over 3:55 2 Kiss Kiss Kiss 2:41 3 Cleanup Time 2:57 4 Give Me Something 1:34 5 I'm Losing You 3:58 6 I'm Moving On 2:19 Beautiful Boy (Darling Boy) 7 4:01 Steel Drums – Robert Greenidge Watching The Wheels 8 3:59 Cimbalom [Hammered Dulcimer] – Matthew Cunningham I'm Your Angel 9 3:08 Arranged By [Horns] – Tony Davilio 10 Woman 3:32 11 Beautiful Boys 2:54 12 Dear Yoko 2:33 13 Every Man Has A Woman Who Loves Him 4:02 14 Hard Times Are Over 3:20 Companies, etc. Phonographic Copyright (p) – Yoko Ono Lennon Copyright (c) – Yoko Ono Lennon Licensed To – Capitol Records, LLC Recorded At – The Hit Factory Remixed At – The Hit Factory Remixed At – Record Plant, N.Y.C. Mastered At – Sterling Sound Remastered At – Sterling Sound Manufactured By – Capitol Records, LLC Credits Art Direction – John Lennon & Yoko Ono Artwork – Art Hotel, Christopher Whorf Artwork, Design – P. Linard Marketing And Advertising Ltd Backing Vocals – Benny Cummings Singers, Cas Mijac, Eric Troyer Bass Guitar – Tony Levin Concertina [English] – Randy Stein Drums – Andy Newmark Engineer – Lee DeCarlo Engineer [Assistant] – James Ball*, Jon Smith , Julie Last Guitar – Earl Slick, Hugh McCracken Guitar, Keyboards – John Lennon Horns – David Tofani*, George "Young" Opalisky*, Grant Hungerford, Howard Johnson , John Parran*, Roger Rosenberg, Ronald Tooley*, Seldon Powell Keyboards – George Small Mastered By [Original] – George Marino Percussion – Arthur Jenkins, Jr.* Photography By [Additional] – Allan Tannenbaum, Bob Gruen, David Spindel, Kishin Shinoyama, Lilo Raymond, Nishi F. Saimaru*, Paul Goresh Photography By, Cover – Kishin Shinoyama Producer – Jack Douglas, John Lennon, Yoko Ono Reissue Producer – Yoko Ono Remastered By – George Marino Synthesizer [Oberheim] – Ed Walsh Vocals – John Lennon, Yoko Ono Written-By – John Lennon (tracks: 1, 3, 5, 7, 8, 10, 12), Yoko Ono (tracks: 2, 4, 6, 9, 11, 13, 14) Notes Digital Remaster ℗ 2010 Yoko Ono Lennon, licensed exclusively to Capitol Records, LCC. © 2010 Yoko Ono Lennon, licensed exclusively to Capitol Records, LCC. Manufactured by Capitol Records, LCC. Printed in the U.S.A. Barcode and Other Identifiers Barcode: 5099990637223 Other versions Category Artist Title (Format) Label Category Country Year John Lennon Double Fantasy (LP, GHS 2001 Geffen Records GHS 2001 US 1980 & Yoko Ono Album, Los) Geffen GEF 99131, Records, GEF 99131, John Lennon Double Fantasy (LP, 99131, GEF 99 Geffen 99131, GEF 99 France 1980 & Yoko Ono Album) 131 Records, 131 Geffen Records Double Fantasy John Lennon LP-27501 (Fantasia Doble) (LP, Geffen Records LP-27501 Ecuador 1980 & Yoko Ono Album, Los) John Lennon Double Fantasy (CD, Capitol CP32-5750 CP32-5750 Japan 1989 & Yoko Ono Album, RE) Records Double Fantasy Apple Records, John Lennon (Stripped Down) none Capitol none US 2014 & Yoko Ono (28xFile, FLAC, Records Album, RE, RM, 24-) Related Music albums to Double Fantasy by John Lennon & Yoko Ono John Lennon - John Lennon (Часть 1-2) John Lennon - MP3 Collection John Lennon - (Just Like) Starting Over John Lennon - A Spaniard In The Works John Ono Lennon And Yoko Ono Lennon - Wedding Album John Lennon - Excerpts From John Lennon Anthology John Lennon - Greatest Hits John Lennon & Yoko Ono - Milk and Honey.
Load more

Recommended publications
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Issues of Image and Performance in the Beatles' Films
    “All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image.
    [Show full text]
  • John Lennon – Człowiek I Artysta Niespełniony?
    Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence.
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • Banner of Light V23 N16 4 Jul 1868
    T i-Banner Lig A At VOL. XXIII yes,00 FEB YEAS,I I8IBGLB OOPIEBA 1 In Advasoe. • > BOSTON, SATURDAY, JULY 4, 1868 < Eight *Oeti. > NO. 16 true human progress I owe and hereby acknowl­ kindred in all Nature, and all-powerful for good thoseI of an honored or despised past. Tliero may nite. Nature is one; but Nature le more than edge our preservatlop. And I am ready, as here­ with tliat which 1bo in our degree of mental recognition, but that form. Law is one; but conditions of law are not ---------“ kept tbo atari from wrong, tofore, to reflect to you or to any my humble Whereby tho moat ancient heavens ore freah aqd strong!" ।only reveals our status and not the harmony of law, however scientifically so-called. Unity ex­ The Union between Human Intuitions measure of realization. all truth. Wo must nnd we will go through the ists, or is I But there is no unity save in diver­ Your own Chalmers—among Theologians, and ( Linked to no party, sect or creed, I rejoice in conflicts of inherited thought, but it is to tbo har­ sity. Tho unity of my body is in tho capacity (inil Scientific Demonstration, after him a host of imitators or followers—had tiie free expression of thought on any and all mony of every recognition of an infinite bestow­ and exercise of every limb thereof; not lhat one mind enough to see tbe unity, and itronost elo­ DELIVERED MARCH S, 1865, AT CAMBRIDGE HALL, al upon tbe race. We cannot despise' any, for all member is auother, but that the free function subjects; willing to hear and -be heard in all that quent strains he helil the cold, chaste thought of LONDON, ENGLAND, tends to secure the good, of all men of every are of Nature to Nature, it may be, in new and of each makes tho unity of the whole.
    [Show full text]
  • A Study of the Representation of Marriage and the Family in the Film Muriel's Wedding
    Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2003 A study of the representation of marriage and the family in the film Muriel's wedding Zoe Chambers Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Family, Life Course, and Society Commons Recommended Citation Chambers, Z. (2003). A study of the representation of marriage and the family in the film Muriel's wedding. https://ro.ecu.edu.au/theses/1298 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1298 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.
    [Show full text]
  • Give Me Something to Sing About": Intertextuality and the Audience in "Once More, with Feeling"
    Chapter 12 "Give Me Something to Sing About": Intertextuality and the Audience in "Once More, with Feeling" Amy Bauer "I love all musicals." (Joss Whedon, audio commentary to "Once More, with Feeling.") Critics hailed "Once More, with Feeling" (6.7) as a brilliant example of the television musical. Its musical numbers flow from the narrative, yet prove integral to the seven-year arc of the series, and its eclectic but unified score was written expressly for the talents of a cast (mostly) new to the genre. Notably, its book, score, and concept all sprang from one mind, that of the Buffyverse's primary architect, Joss Whedon. Although untrained in musical composition, Whedon's affection for and knowledge of the American musical are everywhere evident, even if we did not have John Kenneth Muir's admission that he is a "virtual encyclopedia of musical film history."1 Analogous to the combined cinematic genres-from horror to religious epic-that mark Buf/Y the Vampire Slayer and Angel, "Once More, with Feeling" alludes to Sondheim and Loesser alongside the sardonic charm of 1940s music, 1950s swing jazz, 1970s arena rock, 1980s power ballads, and 1990s soft-rock confessionals, all within a lean, swift-moving structure that performs the dramatic functions of the classic American musical. Much has already been written regarding the novelty, influence, and intertextual richness of the Buf/Y musical.2 My contribution to that literature analyzes the musical structure of the songs themselves and places it in a dialogic relationship to the sources they summon. Such intertextual richness acknowledges fans' devotion to and knowledge of both the show's history and cultural references to the John Kenneth Muir, Singing a New Tune: The Rebirth ofthe Modern Film Musical, from Evita to De-Lovely and Beyond (New York, 2005), p.
    [Show full text]
  • Omega Auctions Ltd Catalogue 28 Apr 2020
    Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available.
    [Show full text]
  • Gender and the Collaborative Artist Couple
    Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Summer 8-12-2014 Gender and the Collaborative Artist Couple Candice M. Greathouse Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Greathouse, Candice M., "Gender and the Collaborative Artist Couple." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/art_design_theses/168 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. GENDER AND THE COLLABORATIVE ARTIST COUPLE by CANDICE GREATHOUSE Under the Direction of Dr. Susan Richmond ABSTRACT Through description and analysis of the balancing and intersection of gender in the col- laborative artist couples of Marina Abramović and Ulay, John Lennon and Yoko Ono, and Chris- to and Jeanne-Claude, I make evident the separation between their public lives and their pri- vate lives, an element that manifests itself in unique and contrasting ways for each couple. I study the link between gendered negotiations in these heterosexual artist couples and this divi- sion, and correlate this relationship to the evidence of problematic gender dynamics in the art- works and collaborations. INDEX WORDS:
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • View Was Provided by the National Endowment for the Arts
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOOTS THIELEMANS NEA Jazz Master (2009) Interviewee: Toots Thielemans (April 29, 1922 – August 22, 2016) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: August 31 and September 1, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 80 pp. Brown: Today is August 31, 2011. My name is Anthony Brown, and I am conducting the Smithsonian Institution Oral History with NEA Jazz Master, harmonica virtuoso, guitarist and whistler, Toots Thielemans. Hello… Thielemans: Yes, my real name is Jean. Brown: Jean. Thielemans: And in Belgium… I was born in Belgium. Jean-Baptiste Frédéric Isidor. Four first names. And then Thielemans. Brown: That’s funny. Thielemans: And in French-speaking Belgium, they will pronounce it Thielemans. But I was born April 29, 1922. Brown: That’s Duke Ellington’s birthday, as well. Thielemans: Yes. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: All right. Thielemans: Yes, same day. Brown: Yeah, same day. Just a few years later. [laughs] Thielemans: [laughs] Oh, Duke. Okay. Brown: Where in Belgium? What city? Thielemans: In Brussels. Brown: That’s the capitol. Thielemans: In a popular neighborhood of Brussels called Les Marolles. There was… I don’t know, I wouldn’t know which neighborhood to equivalent in New York. Would that be Lower East Side? Or whatever… popular. And my folks, my father and mother, were operating, so to speak, a little beer café—no alcohol but beer, and different beers—in this café on High Street, Rue Haute, on the Marolles.
    [Show full text]
  • Tour Brochure 6-4-08
    Vince Neil performing with campers at the House of Blues, Las Vegas Slash visiting campers The lights are low. The crowd is roaring. The venue is shaking... Sample Schedule The opening act is about to take the stage…and the opening act is YOU! We’ve all dreamt about it, and now, it’s become a 9:00am - 10:00am Buffet breakfast, band formation reality. Rock ‘n’ Roll Fantasy Camp is hitting the road, allowing fans of all ages the unforgettable opportunity to move from 10:00am - 1:00pm Band rehearsals. Campers jam with celebrity counselors the spectator stands to the stage, sharing the limelight with living legends. 1:00pm - 2:00pm Lunch, up close and personal with celebrity musicians Camper with Mark Slaughter 2:00pm – 5:00pm Campers continue to rehearse with their celebrity During the Summer of 2008, rock enthusiasts across Here’s how it works counselors and prepare for Campalooza! North America will see their dreams come true when the Campers will learn, rehearse, jam and perform with some of the 5:00pm – 5:45pm Meet & Greet with Headlining Act nationally acclaimed Rock ‘n’ Roll Fantasy Camp takes the show best in the business providing an experience described as “life 6:00pm – 8:00pm Campalooza SHOWTIME! Vince Neil performing on the road. Critically acclaimed as the “Most Amazing Rock ‘n’ changing” by some, “incredible” and “unforgettable” by others. 8:30pm Headliner hits the stage with camper Roll Lifestyle Experience” by The London Times and “Brilliant” by Good Morning America, Rock ‘n’ Roll Fantasy Camp will give Over the course of a ‘stuff that dreams are made of’ day, you’ll campers a once in a lifetime chance to meet, greet, rehearse go from being an aspiring rocker to a bona fide performer.
    [Show full text]