THE LOST LENNON TAPES Megatree Liners Index

Total Page:16

File Type:pdf, Size:1020Kb

THE LOST LENNON TAPES Megatree Liners Index THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200 Abbey Road .....................................................................................................008, 139 Abbey Road Part II ...................................................................................................140 Abbey Road Studio 2 ...............................................................................................043 Abbey Road, one more time, 1965 ........................................................................061 Aborted Rock & Radical tour.................................................................................016 Across the Universe – The Beatles...............................................................013, 179 Across the Universe (“Get Back” sessions) – The Beatles................................068 Across the Universe (alternate mix) – The Beatles........................... 049, 118, 163 Across the Universe (original mix) – The Beatles ..............................................094 Across the Universe (rough mix, partial) – The Beatles ....................................068 Across the Universe/Rock n’ Roll Music (“Get Back” sessions) – The Beatles..........................................................................................................068 Act Naturally – The Beatles...............................061, 080, 130, 167, 181, 206, 211 Advertising for Peace...............................................................................................164 Ain’t That a Shame (alternate take) ......................................................................034 Ain’t That A Shame (live) – Paul McCartney.....................................................178 Ain’t That A Shame (partial) .................................................................................041 Ain’t That A Shame (rough mix) ..........................................................................216 Ain’t That A Shame ............................................................................... 044, 067, 158 Airwaves — Dennis Elsas.......................................................................................006 Aisumasen (partial) .................................................................................................080 Aisumasen (rough mix) .................................................................................080, 209 All I’ve Got to Do – The Beatles............................................................................055 All My Loving – The Beatles ............................................................... 003, 160, 191 All My Loving (“Ed Sullivan”) – The Beatles............................................057, 159 All My Loving (Adelaide 12 Jun 64) ...................................................................063 All My Loving (BBC, 30 Mar 64) – The Beatles................................................115 All My Loving (live) – The Beatles.......................................................................133 All Shook Up – Elvis Presley .................................................................................198 All Things Must Pass – George Harrison............................................................126 All Together Now – The Beatles...................................................................199, 208 All You Need Is Love – The Beatles................................. 029, 073, 133, 176, 189 All You Need Is Love (partial) – The Beatles .....................................................046 (Almost) Nothing But Beatles and Elvis ..............................................................060 Alternate studio takes and mixes............................................................................050 Ambitious recordings...............................................................................................010 America ......................................................................................................................002 American Mood, November – December 1963...................................................056 American music ........................................................................................................055 . and give it to the Germans................................................................................056 And I Love Her – The Beatles................................................................................207 And Your Bird Can Sing – The Beatles.............................................. 152, 163, 205 Angel Baby – Rosey & The Originals...................................................................036 Angel Baby ................................................................................................................041 Angela................................................................................................................065, 186 Anna (BBC) – The Beatles......................................................................................161 Another Dakota kitchen encounter with the Lennons: Thanksgiving 1979, part 1 ...................................................................................083 Another Girl – The Beatles.............................................................................130, 167 Another great memory .............................................................................................108 Another pass at the “Please Please Me” sessions, 11 Feb 63 ............................078 Another run through Strawberry Fields ................................................................069 Another shot of Cold Turkey ..................................................................................072 Another tall tale from the Land of Oz...................................................................069 Ants in My Pants (“Double Fantasy” sessions) ..................................................097 Any Time At All – The Beatles.....................................................................129, 155 Any Time At All (partial) – The Beatles ..............................................................044 Apple and Revolution, mid 1968 ...........................................................................085 Apple Corps. Ltd.......................................................................................................032 Apple goes into Business.........................................................................................032 April 1964 and More ................................................................................................115 April 1964: USA .......................................................................................................115 April 1970: Behind the Beatles’ breakup .............................................................118 April 64: UK ..............................................................................................................115 Ariel Tour Instrumental – The Beatles..................................................................032 Around The Beatles Medley, 19 Apr 64 ...............................................................065 Ascot Sounds Studios, 1971....................................................................................061 Ask Me Why – The Beatles.................................................................. 026, 159, 210 At Caribou..................................................................................................................035 Attica State (demo, take 1 & 2) .............................................................................084 Attica State (rehearsal) ............................................................................................168 Attica State........................................................................................................016, 195 Audio Snapshots .......................................................................................................194
Recommended publications
  • James Paul Mccartney V Sony ATV Music Publishing
    Case 1:17-cv-00363 Document 1 Filed 01/18/17 Page 1 of 16 MORRISON & FOERSTER LLP EASTMAN & EASTMAN Michael A. Jacobs (pro hac vice motion forthcoming) John L. Eastman (pro hac vice motion Roman Swoopes (pro hac vice motion forthcoming) forthcoming) 425 Market Street Lee V. Eastman (pro hac vice motion San Francisco, California 94105-2482 forthcoming) 415.268.7000 39 West 54th St New York, New York 10019 MORRISON & FOERSTER LLP 212.246.5757 J. Alexander Lawrence 250 West 55th Street New York, New York 10019-9601 212.468.8000 Paul Goldstein (pro hac vice motion forthcoming) 559 Nathan Abbott Way Stanford, California 94305-8610 650.723.0313 Attorneys for Plaintiff James Paul McCartney UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ------------------------------------------------------------------ x : Case No. 17cv363 JAMES PAUL MCCARTNEY, an individual, : : Plaintiff, : : Complaint for Declaratory -v.- : Judgment : SONY/ATV MUSIC PUBLISHING LLC, a : Demand for Jury Trial Delaware Limited Liability Company, and : SONY/ATV TUNES LLC, a Delaware Limited : Liability Company, : Defendants. ------------------------------------------------------------------ x COMPLAINT FOR DECLARATORY JUDGMENT Plaintiff James Paul McCartney, for his complaint against Sony/ATV Music Publishing LLC and Sony/ATV Tunes LLC, alleges as follows: Case 1:17-cv-00363 Document 1 Filed 01/18/17 Page 2 of 16 NATURE OF THIS ACTION 1. This action involves ownership interests in the copyrights for certain musical works that Plaintiff Sir James Paul McCartney (known professionally as Paul McCartney) authored or co-authored with other former members of the world-famous musical group The Beatles. Defendants in this action are music publishing companies that claim to be the successors to publishers that acquired copyright interests in many of Paul McCartney’s compositions in the 1960s and early 1970s.
    [Show full text]
  • AAAI 2017 JAY PUJARA, SAMEER SINGH, BHAVANA DALVI Tutorial Overview
    Knowledge Graph Construction from Text AAAI 2017 JAY PUJARA, SAMEER SINGH, BHAVANA DALVI Tutorial Overview Part 1: Knowledge Graphs Part 2: Part 3: Knowledge Graph Extraction Construction Part 4: Critical Analysis 2 Tutorial Outline 1. Knowledge Graph Primer [Jay] 2. Knowledge Extraction from Text a. NLP Fundamentals [Sameer] b. Information Extraction [Bhavana] Coffee Break 3. Knowledge Graph Construction a. Probabilistic Models [Jay] b. Embedding Techniques [Sameer] 4. Critical Overview and Conclusion [Bhavana] 3 What is Knowledge Extraction? Text John was born in Liverpool, to Julia and Alfred Lennon. Literal Facts Alfred Lennon childOf birthplace Liverpool John Lennon childOf Julia Lennon 4 NLP Fundamentals EXTRACTING STRUCTURES FROM LANGUAGE What is NLP? NLP “Knowledge” Unstructured Structured Ambiguous Precise, Actionable Lots and lots of it! Specific to the task Humans can read them, but Can be used for downstream … very slowly applications, such as creating … can’t remember all Knowledge Graphs! … can’t answer questions 6 What is NLP? John was born in Liverpool, to Julia and Alfred Lennon. Natural Language Processing Lennon.. Mrs. Lennon.. his father John Lennon... the Pool .. his mother .. he Alfred Person Location Person Person John was born in Liverpool, to Julia and Alfred Lennon. NNP VBD VBD IN NNP TO NNP CC NNP NNP 7 What is Information Extraction? Lennon.. Mrs. Lennon.. his father John Lennon... the Pool .. his mother .. he Alfred Person Location Person Person John was born in Liverpool, to Julia and Alfred Lennon. NNP VBD VBD IN NNP TO NNP CC NNP NNP Information Extraction Alfred Lennon childOf birthplace spouse Liverpool John Lennon childOf Julia Lennon 8 Breaking it Down Alfred Lennon Entity resolution, childOf birthplace spouse Entity linking, Liverpool John Lennon Julia Relation extraction… childOf Extraction Lennon Information Lennon.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • KLOS Aug.5Th
    1 PLAYLIST AUG. 5TH 2012 Special Guests WINGS Denny Seiwell – Denny Laine – Laurence Juber 1 2 9AM The Beatles - Rain - Non-LP B-side (Lennon-McCartney) Lead vocal: John Recorded on April 14 and 16, 1966. The track is notable for the backwards vocal from John Lennon at the end of the song. The section is John singing part of the first verse but the tape is superimposed backwards in the mix. The song contains slowed down instruments, guitar distortion, and vocals recorded and played back at variable speed. Aside from Paul McCartney’s dominant bass part, the song features a striking drum performance from Ringo, who has called “Rain” his favorite Beatles song. The B-side of “Paperback Writer.” Issued in America on May 23, 1966 and the UK on June 10, 1966, several months in advance of the “Revolver” album. On U.S. album: Hey Jude - Capitol LP (1970) 2 3 The Beatles - Paperback Writer - A Collection Of Beatles Oldies (Lennon-McCartney) Lead vocal: Paul The Beatles’ twelfth single release for EMI’s Parlophone label. Recorded on April 13 and 14, 1966. The track is notable for Paul McCartney’s furious bass line. The bass is so prominent in the mix that sound engineers at EMI worried it could cause the stylus of a record player tone arm (the needle thing on record players) to jump when fans played the 45 RPM single at home. Thankfully, no such calamity occurred. For this heavy bass sound Paul’s chose to replace his usual Hofner bass with a Rickenbacker 4001S bass.
    [Show full text]
  • The Inner Light: the Beatles, India, Gurus, and the Legacy
    The Inner Light: The Beatles, India, Gurus, and the Legacy John Covach Institute for Popular Music, University of Rochester Arthur Satz Department of Music Eastman School of Music Main Points The Beatles’ “road to India” is mostly navigated by George Harrison John Lennon was also enthusiastic, Paul somewhat, Ringo not so much Harrison’s “road to India” can be divided into two kinds of influence: Musical influences—the actual sounds and structures of Indian music Philosophical and spiritual influences—elements that influence lyrics and lifestyle The musical influences begin in April 1965, become focused in fall 1966, and extend to mid 1968 The philosophical influences begin in late 1966 and continue through the rest of Harrison’s life Note: Harrison began using LSD in the spring of 1965 and discontinued in August 1967 Songs by other Beatles, Lennon especially, also reflect Indian influences The Three “Indian” songs of George Harrison “Love You To” recorded April 1966, released on Revolver, August 1966 “Within You Without You” recorded March, April 1967, released on Sgt Pepper, June 1967 “The Inner Light” recorded January, February 1968, released as b-side to “Lady Madonna,” March 1968 Three Aspects of “Indian” characteristics Use of some aspect of Indian philosophy or spirituality in the lyrics Use of Indian musical instruments Use of Indian musical features (rhythmic patterns, drone, texture, melodic elements) Musical Influences Ravi Shankar is principal influence on Harrison, though he does not enter the picture until mid 1966 April 1965: Beatles film restaurant scene for Help! Harrison falls in love with the sitar, buys one cheap Summer 1965: Beatles in LA hear about Shankar from McGuinn, Crosby (meet Elvis, discuss Yogananda) October 1965: “Norwegian Wood” recorded, released in December on Rubber Soul.
    [Show full text]
  • BWTB Revolver @ 50 2016
    1 PLAYLIST AUG. 7th 2016 Part 1 of our Revolver @ 50 Special~ We will dedicate to early versions of songs…plus the single that preceded the release of REVOLVER…Lets start with the first song recorded for the album it was called Mark 1 in April of 1966…good morning hipsters 2 9AM The Beatles - Tomorrow Never Knows – Revolver TK1 (Lennon-McCartney) Lead vocal: John The first song recorded for what would become the “Revolver” album. John’s composition was unlike anything The Beatles or anyone else had ever recorded. Lennon’s vocal is buried under a wall of sound -- an assemblage of repeating tape loops and sound effects – placed on top of a dense one chord song with basic melody driven by Ringo's thunderous drum pattern. The lyrics were largely taken from “The Psychedelic Experience,” a 1964 book written by Harvard psychologists Timothy Leary and Richard Alpert, which contained an adaptation of the ancient “Tibetan Book of the Dead.” Each Beatle worked at home on creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards. Paul got “arranging” credit. He had discovered that by removing the erase head on his Grundig reel-to-reel tape machine, he could saturate a recording with sound. A bit of….The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul 3 The Beatles - Here, There And Everywhere / TK’s 7 & 13 - Revolver (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966.
    [Show full text]
  • Für Sonntag, 21
    GEORGE HARRISON-Box THE APPLE YEARS Um zu bestellen, einfach Abbildung anklicken Abbildungen: Box; Kollage mit Box, Booklet und CDs. Freitag, 19. September 2014: Box (7 CDs & 1 DVD) GEORGE HARRISON - THE APPLE YEARS. 84,90 € inkl. Versand und gut verpackt Inhalt der Box: CD WONDERWALL MUSIC, CD ELECTRONIC SOUND, Doppel-CD ALL THINGS MUST PASS, CD LIVING IN THE MATERIAL WORLD, CD DARK HORSE, CD EXTRA TEXTURE (READ ALL ABOUT IT), DVD, Booklet. Die CDs sind auch einzeln erhältlich jeweils mit den 20-Seiten-Booklet. Die DVD und das zusätzliche Büchlein gibt es nicht einzeln sondern nur in der Box. Freitag, 19. September 2014: CD (remastert) mit 20-Seiten-Booklet WONDERWALL MUSIC BY GEORGE HARRISON. Apple / Universal, Europa. Freitag, 1. November 1968: Vinyl-LP WONDERWALL MUSIC BY GEORGE HARRISON. Apple TCSAPCOR 1 (geplant STAP 1), Großbritannien. *Dezember 1967: EMI Abbey Road Studios, London, Großbritannien und **Dienstag, 9. - Montag, 15. Januar 1968: EMI Recording Studios, Universal Insurance Building, Phirozeshah Mehta Road, Fort, Bombay 400001, Indien: Track 1: Microbes (George Harrison) (3:39). Track 2: Red Lady Too (George Harrison) (1:53). Track 3: Table And Pakavaj (George Harrison) (1:04). Track 4: In The Park (George Harrison) (4:08). Track 5: Drilling A Home (George Harrison) (3:07). Track 6: Guru Vandana (George Harrison) (1:04). Track 7: Greasy Legs (George Harrison) (1:27). Track 8: Ski-ing And Gat Kirwani (George Harrison) (3:06). Track 9: Dream Scene (George Harrison) (5:27). Track 10: Party Seacombe (George Harrison) (4:34): Track 11: Love Scene (George Harrison) (4:16). Track 12: Crying (George Harrison) (1:14).
    [Show full text]
  • BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
    The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress.
    [Show full text]
  • University of Pardubice Faculty of Arts and Philosophy 1960´S in Britain
    University of Pardubice Faculty of Arts and Philosophy 1960´s in Britain and The Beatles Kateřina Milatová Bachelor Thesis 2020 Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru na vědomí, že v souladu s § 47b zákona č. 111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách), ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 7/2019 Pravidla pro odevzdávání, zveřejňování a formální úpravu závěrečných prací, ve znění pozdějších dodatků, bude práce zveřejněna prostřednictvím Digitální knihovny Univerzity Pardubice. V Pardubicích dne 19. 4. 2020 Kateřina Milatová ACKNOWLEDGEMENTS I would like to express my gratitude to Mgr. Olga Roebuck, Ph.D., M.Litt. for her help and guidance while I was writing the thesis. Many thanks go to my friends and my wonderful family for their permanent love, support and patience.
    [Show full text]
  • Gender and the Collaborative Artist Couple
    Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Summer 8-12-2014 Gender and the Collaborative Artist Couple Candice M. Greathouse Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Greathouse, Candice M., "Gender and the Collaborative Artist Couple." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/art_design_theses/168 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. GENDER AND THE COLLABORATIVE ARTIST COUPLE by CANDICE GREATHOUSE Under the Direction of Dr. Susan Richmond ABSTRACT Through description and analysis of the balancing and intersection of gender in the col- laborative artist couples of Marina Abramović and Ulay, John Lennon and Yoko Ono, and Chris- to and Jeanne-Claude, I make evident the separation between their public lives and their pri- vate lives, an element that manifests itself in unique and contrasting ways for each couple. I study the link between gendered negotiations in these heterosexual artist couples and this divi- sion, and correlate this relationship to the evidence of problematic gender dynamics in the art- works and collaborations. INDEX WORDS:
    [Show full text]
  • The Beatles on Film
    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
    [Show full text]
  • Television Academy Awards
    2020 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance Big Mouth • How To Have An Orgasm • Netflix • Netflix Maya Rudolph as Connie the Hormone Monstress Central Park • Episode One • Apple TV+ • 20th Century Fox Television Leslie Odom, Jr. as Owen Crank Yankers • Bobby Brown, Wanda Sykes & Kathy Griffin • Comedy Central • Kimmelot, ITV, Central Productions, LLC Wanda Sykes as Gladys The Mandalorian • Chapter 8: Redemption • Disney+ • Lucasfilm Ltd. Taika Waititi as IG-11 The Simpsons • Better Off Ned • FOX • Gracie Films in association with 20th Century Fox Television Nancy Cartwright as Bart Simpson, Nelson, Ralph, Todd The Simpsons • Frinkcoin • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Professor Frink, Moe, Chief Wiggum, Carl, Cletus, Kirk, Sea Captain Outstanding Animated Program Big Mouth • Disclosure The Movie: The Musical! • Netflix • Netflix Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer Mark Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Co-Executive Producer Kelly Galuska, Supervising Producer Gil Ozeri, Supervising Producer Ben Kalina, Supervising Producer Shannon Prynoski, Supervising Producer Chris Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Mike L. Mayfield, Co-Supervising Director Nate Funaro, Produced by Emily Altman, Producer / Writer Victor Quinaz, Writer Bob Suarez, Director David Bastian, Animation Timer Edgar Larrazabal, Animation Timer Maureen Mlynarczyk, Animation
    [Show full text]