Infomail Nr. 730: JOHN LENNON Lps Und Cds: ORIGINAL MASTER RECORDING

Total Page：16

File Type：pdf, Size：1020Kb

InfoMail Nr. 730: JOHN LENNON LPs und CDs: ORIGINAL MASTER RECORDING Donnerstag, 29. November 2007 (Datum dieser InfoMail) Hallo M.B.M., hallo BEATLES Fan, heute informieren wir Dich ueber JOHN LENNON-Alben, die als ORIGINAL MASTER RECORDING-LPs und CDs erschienen sind: ORIGINAL MASTER RECORDING LP LIVE PEACE IN TORONTO. MFSL 1-283 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD LIVE PEACE IN TORONTO. UDCD 763 Stereo, EMI. 34,90 Euro 13. SEPTEMBER 1969: VARSITY STADIUM, TORONTO, CANADA: THE PLASTIC ONO BAND: Blue Suede Shoes (live); Money (That's What I Want) (live); Dizzy Miss Lizzie (live); Yer Blues (live); Cold Turkey (live); Give Peace A Chance (live). / Don't Worry Kyoko (Mummy's Only Looking For Her Hand In The Snow) (live); John John (Let's Hope For Peace) (live). ORIGINAL MASTER RECORDING LP JOHN LENNON – PLASTIC ONO BAND. MFSL 1-280 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD JOHN LENNON – PLASTIC ONO BAND. UDCD 760 Stereo, EMI. 34,90 Euro Mother; Hold On (John); I Foud Out; Working Class Hero; Isolation (2:48). / Remember (4:29); Love (3:17); Well Well Well (5:52); Look At Me (2:49); God (4:04); My Mummy's Dead (0:48); Power To The People; Do The Oz. ORIGINAL MASTER RECORDING LP IMAGINE. MFSL 1-277 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD IMAGINE. UDCD 759 Stereo, EMI. 34,90 Euro Imagine; Crippled Inside; Jealous Guy; It’s So Hard; I Don’t Want To Be A Soldier. / Give Me Some Truth; Oh My Love; How Do You Sleep?; How ?; Oh Yoko. ORIGINAL MASTER RECORDING LP MIND GAMES. MFSL 1-293 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD MIND GAMES. UDCD 761 Stereo, EMI. 34,90 Euro Mind Games; Tight A$; Aisumasen (I'm Sorry); One Day (At A Time); Bring On The Lucia (Freda Peeple); Nutopan International Anthem. / Intuition; Out The Blue; Only People; I Know (I Know); Meat City. Auf der CD sind noch folgende Bonustitel: Aisumasen (I’m Sorry) (home version); Bring On The Lucie (Freda Peeple) (home version); Meat City (home version). Viele Grüße aus Halle an der Saale senden Dir Martin & Stefan vom Beatles Museum Kontakt zum Beatles Museum Ruf uns an, wenn Du Fragen hast: 0345-2903900 Während der Öffnungszeiten sind wir persönlich für Dich erreichbar – über eine ganz normale Telefonleitung – keine Warteschleifen oder sonstige Spielchen. Wir sind erreichbar / You can reach us: per Email: [email protected] - per Internet: www.beatlesmuseum.net per Telefon: 0345-2903900 (direkt und persoenlich) per Brief/letter: Beatles Museum, Alter Markt 12, 06108 Halle (Saale) persoenlich/per visit: im Beatles Museum, Alter Markt 12, 06108 halle (Saale) .

Copy Link

Recommended publications

John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I ﬁ rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
[Show full text]
Kristine Stiles
Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN13: 9780226774510 (cloth) ISBN13: 9780226774534 (paper) ISBN13: 9780226304403 (ebook) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress CataloguinginPublication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 9780226774510 (cloth : alkaline paper) — ISBN 9780226774534 (paperback : alkaline paper) — ISBN 9780226304403 (ebook) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.481992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an Xman, dotman war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then redraw it in a different posmon...
[Show full text]
John Lennon – Człowiek I Artysta Niespełniony?
Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence.
[Show full text]
Es La Fecha En Que El Mundo Se Despidió De John Lennon
piado para esta campaña que estas simples pero directas palabras Gimme Some Truth”. EL ÚLTIMO DISCO DE JOHN Yoko agregó: “Double Fantasy Srtipped Down nos permitió enfocarnos en la sor- prendente voz de John. La tecnología ha avanzado tanto que, a la inversa, quise usar las nuevas técnicas para enmarcar estas canciones y la voz de John de la manera más simple. Al despojar algo de la instru- mentación, el poder de las canciones brilla a través de una mayor claridad. Double Fan- tasy Stripped Down es complementado con el disco original en un set de 2 CDS. Mien- tras trabajaba en esta nueva versión fui afectada emocionalmente, porque fue el úl- 8/12 /1980 timo disco que John lanzó antes de morir”. PARA COLECCIONISTAS Es la fecha en que el DE HUESO COLORADO mundo se despidió de Junto a este gran lanzamiento, se presentó la caja de lujo para coleccionistas con 11 CDS John Lennon conteniendo los discos remasterizados, ra- rezas y sencillos no incluidos en los álbu- NO. 1 DE VENTAS mes, titulada “John Lennon Signature Box”. De igual manera están disponibles los álbu- · The Beatles ya han vendido más de dos mes: “Plastic Ono Band”, “Imagine”, “Some millones de canciones y más de 450 mil Time In New York City”, “Mind Games”, álbumes a través de iTunes, tienda digi- “Walls and Bridges”, “Rock ‘n’ Roll”, “Double tal de música y vídeo que, por primera Fantasy Stripped Down” y “Milk and Honey”. vez, colgó el catálogo de la banda de Li- Los discos han sido remasterizados verpool el pasado 16 de noviembre.
[Show full text]
Moments of Insight, Volume 1, Issue 11
Moments of Insight • Vol. 1 Issue 11 • August 7, 2020 A Note from Anna, our Founder & Director Send us a Letter We know we cannot be there in person Hey all, I hope you are holding up well, staying positive and testing negative. with you, but wanted to encourage you I’ve loved creating this Newsletter every couple of weeks. Before this, I rarely received a to check-in with us like we do when we hand-written letter from anyone I knew. But since COVID, we get sprinkled with them are together. You know how Anna each week. You all are sharing your art, writing, poetry, and letting us know how you’re usually asks us to state how the week doing amidst this challenging time - thank you! I wanted to share a couple of the has been and share something we've messages we’ve recently received. Once again, the tenacity and resilience of the human spirit never ceases to amaze and inspire. learned? We'd love for you to write it down and send us a note. Here is an excerpt from E.R. who is in the Federal prison in Sheridan and doing well despite his circumstances: Send us a poem or artwork “At this moment, my state of mind is sound. Here at Sheridan the prison is operating on We would also love for you to share any a modified lock down: 22 hours in cell, 2 hours out. As of today, there hasn’t been any poems, artwork or insights you've had COVID-19 cases since the lockdown began on March 23rd.
[Show full text]
Iiro Rantala
iiro rantala my working class hero ACT 9597-2 German release date: August 28, 2015 A homage to John Lennon Rantala's consummate success in combining the clarity and the catchiness of Lennon's songs with the expressive John Lennon would have been seventy-five on October 9th possibilities of jazz may be connected with his musical 2015. On “My Working Class Hero,” the Finnish pianist Iiro background and his social circumstances. He grew up in a Rantala pays tribute to this master of modern song. working class family, with his father’s cycle repair business in Helsinki as a backdrop. His early contact with classical music Rantala has demonstrated a particular gift for making this came via being a member of the celebrated boys' choir “Cantores kind of homage once before. His 2011 album “Lost Heroes” Minores,” with which he also travelled to do performances abroad. recaptured the spirit of a different musical idol in each of its ten There followed a classical piano education, and studies at the songs, and received the annual prize of the Deutsche Manhattan School of Music. However, a pure jazz musician is Schallplattenkritik and an ECHO jazz award, whilst Germany's something that he has never been. He continues to play classical foremost broadsheet newspaper the FAZ proclaimed it as having music from Bach and Mozart through to Sibelius. For eighteen “intelligence, humour, loads of feeling, unpredictable ideas and years he toured worldwide with the madcap Trio Töykeät. He especially finely crafted piano playing.” presented a TV programme called “Iiro Irti” on which he gave In this new John Lennon tribute, Rantala turns to the concerts with pop musicians and heavy metal bands.
[Show full text]
John Lennon - Much More Than Just a Beatle
PROFESORES ASOCIADOS EGRESADOS DEL INSTITUTO SUPERIOR DEL PROFESORADO EN LENGUAS VIVAS ‘Juan Ramón Fernández’ ADVANCED 2018 Nombre y Apellido 1. Read and answer John Lennon - much more than just a Beatle The circumstances of the murder of John Lennon are well enough known for it to be unnecessary to repeat them now. It was ironic that John Lennon, advocate of non-violence, should have died the way he did: though perhaps it was ironic too that John should have chosen to live in New York, one of the more violent cities in the USA. US president Ronald Reagan described it as "a great tragedy", and music radio- stations across the world played Lennon's songs, some of them in a non-stop tribute to the former Beatle who had such a tremendous effect on the world of the nineteen-sixties and early seventies. AN ACCIDENTAL HERO John Lennon never set out to become a hero, nor the leader of a whole generation. It came on him more by accident. He didn't want to be thought of as the leader of the Beatles — people forced it on him. "We're a co-operative" he used to say: but in the early nineteen sixties that was something people couldn't accept. "You must have a leader," they answered, and so John became the chief Beatle. He deserved the position, indeed, since he was the founder of the group, he wrote the words of most of their songs, and he was the dynamic force behind the others. "I'm just a 'uman bein' " he used to say.
[Show full text]
Television Academy Awards
2020 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance Big Mouth • How To Have An Orgasm • Netflix • Netflix Maya Rudolph as Connie the Hormone Monstress Central Park • Episode One • Apple TV+ • 20th Century Fox Television Leslie Odom, Jr. as Owen Crank Yankers • Bobby Brown, Wanda Sykes & Kathy Griffin • Comedy Central • Kimmelot, ITV, Central Productions, LLC Wanda Sykes as Gladys The Mandalorian • Chapter 8: Redemption • Disney+ • Lucasfilm Ltd. Taika Waititi as IG-11 The Simpsons • Better Off Ned • FOX • Gracie Films in association with 20th Century Fox Television Nancy Cartwright as Bart Simpson, Nelson, Ralph, Todd The Simpsons • Frinkcoin • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Professor Frink, Moe, Chief Wiggum, Carl, Cletus, Kirk, Sea Captain Outstanding Animated Program Big Mouth • Disclosure The Movie: The Musical! • Netflix • Netflix Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer Mark Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Co-Executive Producer Kelly Galuska, Supervising Producer Gil Ozeri, Supervising Producer Ben Kalina, Supervising Producer Shannon Prynoski, Supervising Producer Chris Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Mike L. Mayfield, Co-Supervising Director Nate Funaro, Produced by Emily Altman, Producer / Writer Victor Quinaz, Writer Bob Suarez, Director David Bastian, Animation Timer Edgar Larrazabal, Animation Timer Maureen Mlynarczyk, Animation
[Show full text]
Roxy Music Live at the Apollo Mp3, Flac, Wma
Roxy Music Live At The Apollo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live At The Apollo Country: South Korea Released: 2002 Style: New Wave MP3 version RAR size: 1146 mb FLAC version RAR size: 1645 mb WMA version RAR size: 1331 mb Rating: 4.5 Votes: 409 Other Formats: DMF AC3 RA AU MPC MP1 WAV Tracklist 1 Re-Make / Re-Model 2 Street Life 3 Ladytron 4 While My Heart Is Still Beating 5 Out Of The Blue 6 A Song For Europe 7 My Only Love 8 In Every Dream Home A Heartache 9 Oh Yeah! 10 Both Ends Burning 11 Tara 12 Band Introductions 13 Mother Of Pearl 14 Avalon 15 Dance Away 16 Jealous Guy 17 Editions Of You 18 Virginia Plain 19 Love Is The Drug 20 Do The Strand 21 For Your Pleasure 22 Exclusive Documentary Notes Recorded live @ The Apollo Theater, London, 2001. Tot. time 125 min. Barcode and Other Identifiers Barcode: 8 809092 445063 Other versions Category Artist Title (Format) Label Category Country Year Live At The Apollo Roxy (DVD-V, Warner Music 0927-45214-2 0927-45214-2 Germany 2002 Music Multichannel, PAL, Vision DTS) Live At The Apollo Roxy STAR 226-9 (Blu-ray-R, Album, Starlight Film STAR 226-9 Russia 2011 Music Unofficial) Live At The Apollo Roxy Warner Music 4670001546003 (DVD, Multichannel, 4670001546003 Russia 2002 Music Vision, Никитин PAL, DTS) Warner Music Live At The Apollo Roxy Vision, Фирма 4670001546003 (DVD, Multichannel, 4670001546003 Russia 2002 Music Грамзаписи PAL) Никитин Live At The Apollo Roxy (DVD-V, Warner Music USA & 0087WIDVD 0087WIDVD 2002 Music Multichannel, NTSC, Vision Canada DTS) Related Music albums to Live At The Apollo by Roxy Music Roxy Music - Concerto Roxy Music - Heart Still Beating Roxy Music - MP3 Collection Roxy Music - Viva! Roxy Music Bryan Ferry + Roxy Music - The Platinum Collection Roxy Music - Viva! Roxy Music - The Live Roxy Music Album Toots & The Maytals - Sailin' On - Live At The Roxy Theater LA 1975 Roxy Music - Inside Roxy Music 1972-1974 Yello - The Yello Video Show - Live At The Roxy NY Dec 83 Roxy Music - Virginia Plain / Street Life.
[Show full text]
John Lennon Reality,’ He Sang in a Still, Small Voice on Been the Enemy of Pretence
ICON OF THE MONTH or some, afterlife begins at 40. In knows what else, did not lessen his cannabis, acid and heroin flexed and Fthe final years before he died, John desire to be real. He believed in a twisted into a dozen contradictory Lennon was a fading star: eccentric, hundred and one different things, but shapes – to all of which his songwriting reclusive, his talent and his passion he was always a believer in truth. gave a voice. apparently burnt out as he devoted Not that the truth of him was ever Perhaps this is one reason for his himself to making bread in the easy to get at. The other dead gods of enduring popularity: there is a Lennon luxurious home he shared with his popular culture – Marilyn, Jimi, Elvis, for every taste. When Liam Gallagher dominant wife and cute little son. He prostrated himself on stage before a no longer seemed even vaguely hip. vast back-projection of him a few years His murder (some called it an ago, the question that springs to mind assassination) changed all that. His is not so much ‘Why?’ as ‘Which?’ death at the hands of a disillusioned Was it the man who wrote ‘Girl’ or fan transmuted even the base metal of the one who wrote ‘God’? The poet, Double Fantasy , his final collaboration the peacenik or the wit, the cynic or the with Yoko Ono, into platinum. sentimentalist, the idealist, the realist, Instant karma finally got him. the surrealist, the lover of the Goons or Weeping crowds kept vigil in Central the lover of Yoko, the drunk or the Park, burning candles in devotion to a health freak, the innocent or the bully, man who had always rejected such the Liverpudlian, the New Yorker or adulation.
[Show full text]
A Description of Theme of Hope in Selected Songs from John Lennon's Imagine Album a Paper by Emil Iswandi Hutasuhut Reg.No
A DESCRIPTION OF THEME OF HOPE IN SELECTED SONGS FROM JOHN LENNON’S IMAGINE ALBUM A PAPER BY EMIL ISWANDI HUTASUHUT REG.NO : 162202026 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL SCIENCE UNIVERSITY OF SUMATERA UTARA MEDAN 2019 i Universitas Sumatera Utara ii Universitas Sumatera Utara iii Universitas Sumatera Utara AUTHOR’S DECLARATION I am EMIL ISWANDI HUTASUHUT, declare that I the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : Date : i Universitas Sumatera Utara COPYRIGHT DECLARATION Name : EMIL ISWANDI HUTASHUT Title of Paper : A Description of Theme of Hope in Selected Songs from John Lennon’s Imagine Album Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Librarian of the Diploma III English Faculty of Cultural Study University of Sumatera Utara the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed : Date : ii Universitas Sumatera Utara ABSTRACT Music is a literary work that is sound and has meaning. Music is also a medium for expressing one's feelings which is expressed in the form of beautiful words and tones, creating a beautiful blend of human voice and musical instruments.
[Show full text]
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles..................................................................................................
[Show full text]