John Lennon - Much More Than Just a Beatle
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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
John Lennon – Człowiek I Artysta Niespełniony?
Tom 12/2020, ss. 43-72 ISSN 0860-5637 e-ISSN 2657-7704 DOI: 10.19251/rtnp/2020.12(3) www.rtnp.mazowiecka.edu.pl Andrzej Dorobek Mazowiecka Uczelnia Publiczna w Płocku ORCID: 0000-0002-5102-5182 JOHN LENNON – CZŁOWIEK I ARTYSTA NIESPEŁNIONY? JOHN LENNON: A MAN AND ARTIST UNFULFIILLED? Streszczenie: Niniejszy esej jest próbą syntetycznego, poniekąd psychoanalitycznego, ujęcia biografii Johna Lennona, zarówno jako ewidentnie zagubionego geniu- sza muzyki popularnej, jak i ofiary chłopięcego kompleksu zaniedbania przez uwielbianą matkę – później wysublimowanego w kompleks kobiecej dominacji i przeniesionego na Yoko Ono, jego drugą żonę i awangardową „muzę.” W re- zultacie ich związek, w znacznym stopniu wyidealizowany przez media, został ukazany w kontekście relacji Lennona z innymi kobietami (na przykład z ciotką Mimi), sprzecznych cech jego osobowości oraz ewolucji światopoglądowej i ar- tystycznej, która doprowadziła najpierw do dramatycznego rozdarcia między popowym supergwiazdorstwem a awangardowym artystostwem, ostatecznie zaś – do faktycznej niemocy twórczej w ciągu ostatnich pięciu lat życia. Per- John Lennon – człowiek i artysta niespełniony? spektywę komparatystyczną dla tych rozważań wyznaczać będą biografie Elvisa Presleya i Micka Jaggera. Słowa kluczowe: kompleks, trauma, dominacja, „krzyk pierwotny”, gwiaz- dorstwo, artyzm, niespełnienie Summary: In this essay, the author attempts at a synthetic insight into the biography of John Lennon, both as a confused genius of popular music and a victim of the childhood complex of motherly neglect: later transformed into the one of female domination and transferred onto Yoko Ono, his second wife and avant-garde “muse.” Consequently, their marriage, largely idealized by media, is shown here in the context of Lennon’s relations with other women (mainly his mother and aunt Mimi), his contradictory psychological traits and artistic/ ideological evolution that resulted in being torn between pop superstardom, avant-garde artistry and, in last five years, virtual creative impotence. -
Anthropoetics VIII, 2
Anthropoetics VIII, 2 Anthropoetics VIII, no. 2 Fall 2002 / Winter 2003 ISSN 1083-7264 Table of Contents 1. Chris Fleming and John O'Carroll - Notes on Generative Anthropology: Towards an Ethics of the Hypothesis 2. Thomas Bertonneau - Post-Imperium: The Rhetoric of Liberation and the Return of Sacrifice in the Work of V. S. Naipaul 3. Douglas Collins - The Great Effects of Small Things: Insignificance With Immanence in Critical Theory 4. Raoul Eshelman - Performatism in the Movies (1997-2003) 5. Matthew Schneider - "What matters is the system!" The Beatles, the "Passover Plot," and Conspiratorial Narrativity 6. Benchmarks Return to Anthropoetics home page Eric Gans / [email protected] Last updated: http://www.anthropoetics.ucla.edu/ap0802/ap0802.htm [1/14/2003 11:45:13 PM] Fleming & O'Carroll - Notes on Generative Anthropology: Towards an Ethics of the Hypothesis Anthropoetics 8, no. 2 (Fall 2002 / Winter 2003) Notes on Generative Anthropology: Towards an Ethics of the Hypothesis Chris Fleming and John O'Carroll School of Humanities University of Western Sydney Penrith South DC NSW 1797 Australia [email protected] [email protected] 1. Eric Gans, the Hypothesis, and the Humanities Scholars in the human sciences (the arts, liberal thought, and the verstehen varieties of social sciences) are often called upon to supply new modes of thinking to meet the challenges of a post-Marxist, post-modern, even post-humanist world. A new cartography of methodological expectations and possibilities within the purview of these human sciences would now appear desirable. Never has the world of thought-about-thought been required to perform so much, and only rarely, regrettably, has it offered so little. -
Donald Trump, the Changes: Aanti
Ethnic and Racial Studies ISSN: 0141-9870 (Print) 1466-4356 (Online) Journal homepage: https://www.tandfonline.com/loi/rers20 Donald Trump, the anti-Muslim far right and the new conservative revolution Ed Pertwee To cite this article: Ed Pertwee (2020): Donald Trump, the anti-Muslim far right and the new conservative revolution, Ethnic and Racial Studies, DOI: 10.1080/01419870.2020.1749688 To link to this article: https://doi.org/10.1080/01419870.2020.1749688 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 17 Apr 2020. Submit your article to this journal Article views: 193 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rers20 ETHNIC AND RACIAL STUDIES https://doi.org/10.1080/01419870.2020.1749688 Donald Trump, the anti-Muslim far right and the new conservative revolution Ed Pertwee Department of Sociology, London School of Economics, London, UK ABSTRACT This article explores the “counter-jihad”, a transnational field of anti-Muslim political action that emerged in the mid-2000s, becoming a key tributary of the recent far- right insurgency and an important influence on the Trump presidency. The article draws on thematic analysis of content from counter-jihad websites and interviews with movement activists, sympathizers and opponents, in order to characterize the counter-jihad’s organizational infrastructure and political discourse and to theorize its relationship to fascism and other far-right tendencies. Although the political discourses of the counter-jihad, Trumpian Republicanism and the avowedly racist “Alt-Right” are not identical, I argue that all three tendencies share a common, counterrevolutionary temporal structure. -
Murder, Arrogance of Power, and the Struggle for Social Dominance in the US
Murder, Arrogance of Power, and the Struggle for Social Dominance in the US The moral cesspool of National Politics Introduction Since leaving a start-up company as a result of the dot-com bust, I have engaged in, among other things, reviewing the literature to try to understand the controversy regarding various, potentially linked, events, including: the murders of John Kennedy, Martin Luther King, and Robert Kennedy; Iran-Contra; the PROMIS affair; the October surprise; domestic call-boy—corruption rings; the Panama invasion, and the two Iraq wars. Note: Most people who read the following will find it extremely disturbing, since it shakes our confidence in our basic institutions and leaders. However, I believe that the material below is accurate. It represents a distillation of many books and web references which, though written independently by credible researchers, corroborate each other. Although I have footnoted many of the statements, I chose not to be even more comprehensive to make the document shorter and more readable. It is not enough to just document excesses, though. I plan another white paper to deal with correcting those excesses.1 Initially, two key remedies appear to be: Almost complete transparency in government, and declassification of almost everything over, say, 10 years old. Setting up independent review panels of any federal operations that have the capacity to commit, or allow, significant crimes. Decriminalization of drug possession and distribution. Drug money is funding almost all the illicit activities, and maintaining a web of corruption that is so pervasive that the entire government is dysfunctional2. 1 The revelations in this document are less than a few percent of that convincingly presented in the literature. -
Infomail Nr. 730: JOHN LENNON Lps Und Cds: ORIGINAL MASTER RECORDING
InfoMail Nr. 730: JOHN LENNON LPs und CDs: ORIGINAL MASTER RECORDING Donnerstag, 29. November 2007 (Datum dieser InfoMail) Hallo M.B.M., hallo BEATLES Fan, heute informieren wir Dich ueber JOHN LENNON-Alben, die als ORIGINAL MASTER RECORDING-LPs und CDs erschienen sind: ORIGINAL MASTER RECORDING LP LIVE PEACE IN TORONTO. MFSL 1-283 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD LIVE PEACE IN TORONTO. UDCD 763 Stereo, EMI. 34,90 Euro 13. SEPTEMBER 1969: VARSITY STADIUM, TORONTO, CANADA: THE PLASTIC ONO BAND: Blue Suede Shoes (live); Money (That's What I Want) (live); Dizzy Miss Lizzie (live); Yer Blues (live); Cold Turkey (live); Give Peace A Chance (live). / Don't Worry Kyoko (Mummy's Only Looking For Her Hand In The Snow) (live); John John (Let's Hope For Peace) (live). ORIGINAL MASTER RECORDING LP JOHN LENNON – PLASTIC ONO BAND. MFSL 1-280 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD JOHN LENNON – PLASTIC ONO BAND. UDCD 760 Stereo, EMI. 34,90 Euro Mother; Hold On (John); I Foud Out; Working Class Hero; Isolation (2:48). / Remember (4:29); Love (3:17); Well Well Well (5:52); Look At Me (2:49); God (4:04); My Mummy's Dead (0:48); Power To The People; Do The Oz. ORIGINAL MASTER RECORDING LP IMAGINE. MFSL 1-277 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD IMAGINE. UDCD 759 Stereo, EMI. 34,90 Euro Imagine; Crippled Inside; Jealous Guy; It’s So Hard; I Don’t Want To Be A Soldier. / Give Me Some Truth; Oh My Love; How Do You Sleep?; How ?; Oh Yoko. -
Iiro Rantala
iiro rantala my working class hero ACT 9597-2 German release date: August 28, 2015 A homage to John Lennon Rantala's consummate success in combining the clarity and the catchiness of Lennon's songs with the expressive John Lennon would have been seventy-five on October 9th possibilities of jazz may be connected with his musical 2015. On “My Working Class Hero,” the Finnish pianist Iiro background and his social circumstances. He grew up in a Rantala pays tribute to this master of modern song. working class family, with his father’s cycle repair business in Helsinki as a backdrop. His early contact with classical music Rantala has demonstrated a particular gift for making this came via being a member of the celebrated boys' choir “Cantores kind of homage once before. His 2011 album “Lost Heroes” Minores,” with which he also travelled to do performances abroad. recaptured the spirit of a different musical idol in each of its ten There followed a classical piano education, and studies at the songs, and received the annual prize of the Deutsche Manhattan School of Music. However, a pure jazz musician is Schallplattenkritik and an ECHO jazz award, whilst Germany's something that he has never been. He continues to play classical foremost broadsheet newspaper the FAZ proclaimed it as having music from Bach and Mozart through to Sibelius. For eighteen “intelligence, humour, loads of feeling, unpredictable ideas and years he toured worldwide with the madcap Trio Töykeät. He especially finely crafted piano playing.” presented a TV programme called “Iiro Irti” on which he gave In this new John Lennon tribute, Rantala turns to the concerts with pop musicians and heavy metal bands. -
Delta Windsvolume 34 | 2021 a Collection of Student Essays
Volume 34 | 2021 Delta WindsA Collection of Student Essays 1 Letter from the Editors In the fall of 1991, the first volume of Delta Winds It has been a real privilege to carry on the rich appeared for sale for $2.00 in the bookstore of tradition that Jane, Bob, and Will have passed on San Joaquin Delta College. Newly-hired English to us. It has also been an honor to meet some of faculty member Jane Dominik created the the students who comprise this current volume magazine with the intent of publishing student (number 34) of Delta Winds, and we know many essays that “merit a wider reading audience.” readers will find their stories heartfelt and Five years later, while standing in line for the inspirational. We hope this magazine serves as commencement ceremonies, she asked Robert a tribute to these gifted student writers, and we Bini and William Agopsowic to take over the reins hope that their work will be shared in English of her project, which by then had become well- courses not just here at Delta but at other received in the English Department. They agreed institutions of higher education. under the condition that her biannual publication become an annual publication. They knew they Each volume of the magazine would never could never keep up with Jane’s pace, but they have been published without the help of figured that two of them could do half the work personnel in the print shop, the backing from the that she did. And even so, it would be a challenge. -
The Expressive/Transformative Process of Violence Lee Mellor A
I Kill, Therefore I Am: The Expressive/Transformative Process of Violence Lee Mellor A Thesis In the Individualized Program Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Individualized Program) at Concordia University Montreal, Quebec, Canada July 2018 ©Lee Mellor, 2018 !"#!"$%&'()#&*+$,&-.( ,!/""0("1(2$'%)'-+(,-)%&+,! This is to certify that the thesis prepared By: Lee Mellor Entitled: I Kill, Therefore I Am: The Expressive Transformative Theory of Violence and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Individualized program (INDI)) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: "#$%&! '&(!"#$&)*+!,*%++! !-./*&0$)!-.$1%0*&! '&(!2$&%0$!34&45#%0+6%! !-./*&0$)!/4! 7&48&$1! '&(!9&*8!:%*)+*0! !-.$1%0*&! '&(!-&%5!;%56*<! !-.$1%0*&! '&(!=1<!3>%??*0! -.$1%0*&! !'&(!@%A*6!@*06$/*+#! B#*+%+!3CD*&A%+4&! '&(!E*$0F,45#!G$C&*05*! =DD&4A*H!I<! '&(!,$5#*)!J*&8*&K(9&$HC$/*!7&48&$1!'%&*5/4&! !'*5*1I*&!LK!MNOP! '&(!7$C)$!Q44HF=H$1+K!'*$0! !35#44)!4?!9&$HC$/*!3/CH%*+ Abstract I Kill, Therefore I Am: The Expressive/Transformative Process of Violence Lee Mellor, Ph.D. Concordia University, 2018 Before the late-Industrial age, a minority of murderers posed their victims’ corpses to convey a message. With the rise of mass media, such offenders also began sending verbal communications to journalists and the authorities. Unsurprisingly, the 21st century has seen alienated killers promote their violent actions and homicidal identities through online communications: from VLOGs to manifestos, even videos depicting murder and corpse mutilation. -
'Imagine There's No Heaven': John Lennon, Atheism and the Possibility of Public Theology
‘IMAGINE THERE’S NO HEAVEN’: JOHN LENNON, ATHEISM AND THE POSSIBILITY OF PUBLIC THEOLOGY Since the advent of global communication there have been a number of events which have metaphorically „stopped the world‟. Unexpected, sudden, shocking, perhaps outrageous, they have had the effect, not only of preoccupying news editors and opinion formers for months and even years thereafter, but of momentarily disorientating all of us as onlookers, of giving us a sense that the world has shifted a little on its axis and will never be quite the same again. Whether of natural or human causation, these are the events which, according to the cliché, we never forget where we were when we first heard of them. In recent times we would include 9/11 and the Boxing Day tsunami; in the slightly more distant past, the death of Princess Diana; and in the experience of those of more mature years, the death of Elvis Presley, the Warsaw Pact invasion of Prague and, most famously of all, the assassination of President John F Kennedy. And into this category, I suggest, would also come the shooting of John Lennon, 30 years ago this coming December. Lennon‟s death impacted upon us, not simply because it was so „out of the blue‟, so senseless, so brazen, but because it removed in an instant a person who had seemed, both in his heyday with the Beatles and subsequently as an activist, peace campaigner and independent musician, to personify the hopes which many entertained in the 1960s and early 1970s of an end to costly and futile conflicts like Vietnam, and the possibility of a new social order. -
The Last Days of John Lennon
Copyright © 2020 by James Patterson Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Little, Brown and Company Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 littlebrown.com twitter.com/littlebrown facebook.com/littlebrownandcompany First ebook edition: December 2020 Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591. ISBN 978-0-316-42907-8 Library of Congress Control Number: 2020945289 E3-111020-DA-ORI Table of Contents Cover Title Page Copyright Dedication Prologue Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 — Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 — Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 -
“I Am an Other and I Always Was…”
Hugvísindasvið “I am an other and I always was…” On the Weird and Eerie in Contemporary and Digital Cultures Ritgerð til MA-prófs í menningafræði Bob Cluness May 2019 Háskóli Íslands Hugvísindad Menningarfræði “I am an other and I always was…” On the Weird and Eerie in Contemporary and Digital Cultures Ritgerð til MA-prófs í menningafræði Bob Cluness Kt.: 150676-2829 Tutor: Björn Þór Vilhjálmsson May 2019 Abstract Society today is undergoing a series of processes and changes that can be only be described as weird. From the apocalyptic resonance of climate change and the drive to implement increasing powerful technologies into everyday life, to the hyperreality of a political and media landscape beset by chaos, there is the uneasy feeling that society, culture, and even consensual reality is beginning to experience signs of disintegration. What was considered the insanity of the margins is now experienced in the mainstream, and there is a growing feeling of wrongness, that the previous presumptions of the self, other, reality and knowledge are becoming untenable. This thesis undertakes a detailed examination of the weird and eerie as both an aesthetic register and as a critical tool in analysing the relationship between individuals and an impersonal modern society, where agency and intention is not solely the preserve of the human and there is a feeling not so much of being to act, and being acted upon. Using the definitions and characteristics of the weird and eerie provided by Mark Fisher’s critical text, The Weird and the Eerie, I set the weird and eerie in a historical context specifically regarding both the gothic, weird fiction and with the uncanny, I then analyse the presence of the weird and the eerie present in two cultural phenomena, the online phenomenon of the Slender Man, and J.G.