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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
The Apple Label with the Capitol Logo
The Apple Label With the Capitol Logo When Apple label introduced itself to the world in 1968, the brand featured a label design from the Gene Mahon agency. Reportedly, Neil Aspinall of Apple contacted Gene Mahon personally and told him that they would like for Mahon to shoot photographs of apples. His idea was to have a full apple on one side with no writing whatsoever, and a sliced apple on the other side containing all of the information about the record. With the way that the laws were written, EMI were reluctant to cram all of the information onto one label (which might also pose logistical problems on an album label). Mahon selected Paul Castell to take the photographs. Some apple photos later, and the famous Apple record label was born. The rim area around the label was left blank, to allow each EMI affiliate the ability to print whatever manufacturing information they desired (or what might be required by law). The art department at Capitol Records decided to keep the print to a minimum. At the bottom of the sliced side, they placed the words “Mfd. by Apple Records, Inc.” That was all that needed to be said. A few months later, Capitol decided to mark the labels differently for artists who had contracts with Capitol. At the time, this basically meant the Beatles themselves, whose singles were numbered as part of the Capitol series (in the 2000s). Records that were from artists whose discs were in the Apple series (the 1800s) and who had contracts through Apple alone would continue to be marked with “Mfd. -
1 Illuminate
1 Illuminate 2 Illuminate Visakha Devi Dasi Nabhasvati Devi Dasi Mondakini Devi Dasi Shyamasundara Das Ranchor Das Sarvamangala Devi Dasi Nikhil Gohil Kanchanbja Das Sutapa Das Ananda Monet Hema Devlukia Madhava Dayaita Devi Dasi Shyampriya Devi Dasi Jagatpriya Devi Dasi Kishori Yogini Devi Dasi Rakhi Sharma Sandra, Sanj and Mita Niskincana Caitanya Das Dimple Parmer 3 Illuminate EDITOR’S LETTER Finally! 2020 is over and 2021 has begun. With the new year comes new start from whatever stage we are currently in, in our own individual lives. goals, new hopes, new aspirations and...a new edition of Illuminate to re- As they say – the past doesn’t define our future; the actions we take today invigorate the spiritual connection in you! With all this newness and the are what designs our future. But this article doesn’t just talk about how arrival of spring, we’re all about birth in this issue. So following on from our important goal setting is, it also looks at what kind of goals we need to set article in July of last year in which we looked at how ISKCON was started by and aspire towards. our founder Srila Prabhupada, in this issue, we delve into how our temple, Sometimes though, nothing inspires us quite like the stories of others. Bhaktivedanta Manor came into existence. Some of the senior devotees who Since March 8th was International Women’s Day, we thought it was a were present at the time, tell us, in the article, Bhaktivedanta Manor: How wonderful opportunity to shine a light on some of the most inspirational it all began, about their initial thoughts, the struggles they faced and risks and empowered female devotees in ISKCON. -
The Inner Light: the Beatles, India, Gurus, and the Legacy
The Inner Light: The Beatles, India, Gurus, and the Legacy John Covach Institute for Popular Music, University of Rochester Arthur Satz Department of Music Eastman School of Music Main Points The Beatles’ “road to India” is mostly navigated by George Harrison John Lennon was also enthusiastic, Paul somewhat, Ringo not so much Harrison’s “road to India” can be divided into two kinds of influence: Musical influences—the actual sounds and structures of Indian music Philosophical and spiritual influences—elements that influence lyrics and lifestyle The musical influences begin in April 1965, become focused in fall 1966, and extend to mid 1968 The philosophical influences begin in late 1966 and continue through the rest of Harrison’s life Note: Harrison began using LSD in the spring of 1965 and discontinued in August 1967 Songs by other Beatles, Lennon especially, also reflect Indian influences The Three “Indian” songs of George Harrison “Love You To” recorded April 1966, released on Revolver, August 1966 “Within You Without You” recorded March, April 1967, released on Sgt Pepper, June 1967 “The Inner Light” recorded January, February 1968, released as b-side to “Lady Madonna,” March 1968 Three Aspects of “Indian” characteristics Use of some aspect of Indian philosophy or spirituality in the lyrics Use of Indian musical instruments Use of Indian musical features (rhythmic patterns, drone, texture, melodic elements) Musical Influences Ravi Shankar is principal influence on Harrison, though he does not enter the picture until mid 1966 April 1965: Beatles film restaurant scene for Help! Harrison falls in love with the sitar, buys one cheap Summer 1965: Beatles in LA hear about Shankar from McGuinn, Crosby (meet Elvis, discuss Yogananda) October 1965: “Norwegian Wood” recorded, released in December on Rubber Soul. -
Aaron Lee Tasjan Karma for Cheap Most People Know Aaron Lee Tasjan As One of the Wittiest, Most Offbeat, Brilliant, Weed- Smokin
Aaron Lee Tasjan Karma for Cheap Most people know Aaron Lee Tasjan as one of the wittiest, most offbeat, brilliant, weed- smokin’ & LSD microdosin’ Americana troubadours writing and singing songs today. And the New York Times, NPR and Rolling Stone will all gladly corroborate. But steel yourselves, folk fans, because he’s about to follow his restless muse straight out from under the weight of everyone’s expectations into the kind of glammy, jingle-jangle power-pop- and- psych-tinged sounds he hasn’t dabbled in since his younger days playing lead guitar for a late-period incarnation of The New York Dolls. Really, the roots of Tasjan’s new record, Karma for Cheap, stretch even deeper, drinking up the sounds of a Southern California childhood spent listening to The Beatles while riding around with his mom at the wheel of their navy blue Volvo station wagon— back to the very first pre-teen year he picked up a six-string and started figuring out all the pretty little chords in those Lennon-McCartney tunes. Back to the pure, blissful unfiltered innocence of falling in love with music for the first time. But more on that later. First, let’s ponder the brutish realities of the American Swamp. Aaron Lee Tasjan says he aims to use his music for good, but he’s no protest singer. And Karma for Cheap isn’t some heavy-handed, didactic political record cramming a set of talking points down anyone’s throat. It’s a finely tuned rock & roll seismograph measuring the dark and uncertain vibrations of the time in which it was created. -
NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
October 2012 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on What does a music producer do, anyway? By Ian Shepherd The term ‘music producer’ means different things to different The President’s Corner people. Some are musicians, some are engineers, some are remixers. So what does a music producer actually do ? Big thanks tonight to Kent Liu and Michael Morris for putting together such an impressive panel of producers. In very pragmatic terms, the producer is a ‘project manager’ for As a reminder, we are able to provide & present this type the recording, mixing and mastering process. of dinner meeting because of our corporate and individual She has an overall vision for the music, the sound and the goals memberships, so please go to theccc.org today and renew of the project, and brings a unique perspective to inspire, assist your membership – we appreciate your support (and the and sometimes provoke the artists. membership pays for itself if you attend our meetings on a regular basis). See you in November!! The producer should make the record more than the sum of its parts – you could almost say she is trying to create musical alchemy. Eric Palmquist Every producer brings different skills and a different approach, President, California Copyright Conference. and this can make what they do difficult to summarize. In this post I’ve identified seven distinct types of record producer to try and make this clearer. -
The Bosstown Sound. PUB DATE Mar 88 NOTE 39P.; Paper Presented at the Annual Meeting of the American Culture Association (10Th, New Orleans, LA, March 23-26, 1988)
DOCUMENT RESUME ED 292 153 CS 506 070 AUTHOR Burns, Gary TITLE The Bosstown Sound. PUB DATE Mar 88 NOTE 39p.; Paper presented at the Annual Meeting of the American Culture Association (10th, New Orleans, LA, March 23-26, 1988). PUB TYPE Viewpoints (120) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Bands (Music); Content Analysis; Discographies; *Music; Musicians; *Popular Culture IDENTIFIERS Media History; Music Ensembles; *Rock and Roll; *Rock Music ABSTRACT Based on the argument that (contrary to critical opinion) the musicians in the various bands associated with Bosstown Sound were indeed talented, cohesive individuals and that the bands' lack of renown was partially a result of ill-treatment by record companies and the press, this paper traces the development of the Bosstown Sound from its beginnings in the nightclubs of Boston in 1967 to its end in 1969. In addition, the paper provides complete discographies, including critical commentary, of records produced by bands associated with the Bosstown Sound. The bands of the Bosstown Sound include: The Apple Pie Motherhood Band, The Bagatelle, The Beacon Street Union, Bo Grumpus, Eagle, Earth Opera, Eden's Children, Sure Looks Real, The Ill Wind, Jolliver Arkansaw, Orpheus, Phluph, Puff, and Ultimate Spinach. (Thirty-three references are attached.) (ARH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** The Bosstown Sound Gary Burns, Assistant Professor Department of Communication University of Missouri-St. Louis St. Louis, MO 63121 314-553-5485 American Culture Association, New Orleans, March 24, 1988 My thanks to Jeff Tamarkin of Goldmine magazine. -
Samstag, 6. Juli 2013: 6. Juli
Samstag, 6. Juli 2013: Auch telefonische Info und Bestellung ist möglich: Di. - So. tagsüber Ab 50,00 Euro Bestellwert übernehmen wir die Portokosten. 6. Juli - IT WAS MANY YEARS AGO TODAY: Samstag, 6. Juli 1957: JOHN LENNONs Gruppe QUARRYMEN spielt auf ST. PETER'S-Kirchenfest; JOHN LENNON und PAUL McCARTNEY begegnen sich zum ersten Mal. Donnerstag, 6. Juli 1961: Liverpool-Musikzeitschrift "Mersey Beat" veröffentlicht LENNON-Kurzgeschichte. Samstag, 6. Juli 1963: BEATLES besuchen Karnevalsveranstaltung in Northwich; PAUL McCARTNEY krönt "Northwich Carneval Queen". Montag, 6. Juli 1964: BEATLES & TONY SHERIDAN-Single AIN'T SHE SWEET in USA. Montag, 6. Juli 1964: APPLEJACKS-Single LIKE DREAMERS DO (JOHN LENNON/PAUL McCARTNEY-Komposition) in USA. Montag, 6. Juli 1964: BEATLES-LP YEAH! YEAH! YEAH! (A HARD DAY'S NIGHT) in West-Deutschland. Montag, 6. Juli 1964: BEATLES-Filmpremiere A HARD DAY'S NIGHT in London. Montag, 6. Juli 1970: YOKO ONO-BUCH GRAPEFRUIT mit JOHN LENNON-Vorwort in England.. Freitag, 6. Juli 1973: PAUL McCARTNEY-Single MY LOVE in USA vergoldet. Freitag, 6. Juli 1973: Soundtrack-LP LIVE AND LET DIE (mit PAUL McCARTNEY und anderen) in England. Samstag, 6. Juli 1974: PATTIE HARRISON verlässt GEORGE HARRISON und zieht zu ERIC CLAPTON. Dienstag, 6. Juli 1976: LARRY HOSFORD-Single WISHING I COULD (mit GEORGE HARRISON) in USA. Donnerstag; 6. Juli 1978: RINGO STARR-Single HEART ON MY SLEEVE in USA. Hallo M.B.M., hallo BEATLES-Fan! Mojo mit viel BEATLES und zwei deutsche Bücher mit deutschen BEATLES-Themen Buch BRAVO BEATLES BLITZTOURNEE - mit höchst interessanten neuen Fakten und Fotos. Buch ROCKSHOW - über die Solo-BEATLES in Deutschland mit vielen unbekannten Fakten August 2013: Zeitschrift MOJO & CD WE'RE WITH THE BEATLES. -
El Sargento Pepper.Indd 1 29/02/16 12:27 EL SARGENTO PEPPER NUNCA ESTUVO ALLÍ
JULIÁN RUIZ Licenciado en Periodismo y Ciencias Políticas en Los Ángeles, ingeniero y productor de discos certifi cado por la RIAA de Estados Unidos. Como productor ha realizado hasta la fecha 122 discos. Ha obtenido 14 números uno en Abba John Lennon las listas de venta. Ha producido a Nino Bravo, Adele Joséphine Baker Alaska y los Pegamoides, Orquesta Mondra- Amanda Lear Kurt Cobain gón, Azul y Negro, Tino Casal, Objetivo Bir- Beach Boys Led Zeppelin ALLÍ mania, Burning, Danza Invisible, Cómplices, Bee Gees Lou Reed EL SARGENTO Miguel Ríos, Manolo Tena, entre otros muchos Bob Dylan Mama Cass artistas. Bob Geldof Marvin Gaye Bob Marley Michael Hutchence A mediados de los 90 obtuvo una serie de Brian Jones Michael Jackson éxitos como artista y compositor con los pro- Bruce Springsteen yectos El Bosco, CCCP, Esperanto, Uffox XXI, ESTUVO PEPPER Mick Jagger Bryan Ferry Mike Oldfi eld Atlántida, The Globe Icon, así como con Rita Chrissie Hynde Nina Simone Marley, Zucchero, Tim Booth (James) y Dr. Crosby, Stills & Nash John, por citar solo algunos. Ha producido Paul McCartney David Bowie también la versión española de los musicales Peter Gabriel Dusty Springfi eld El 1 de junio de 1967 se publica Sgt. Pepper’s Lonely Hearts Club Band, NUNCA Grease, Popcorn y Starmania. Pink Floyd Elton John el mítico álbum de los Beatles que revolucionó la historia de la música Elvis Presley Prince popular. El disco fue recibido como una obra de arte total (fi cción, Ha publicado artículos en Cambio 16, Inter- Fleetwod Mac Sam Cooke concepto visual, arreglos, vanguardia, performance...), que congregaba viú, Qué y Opinión. -
Strategic Intertextuality in Three of John Lennonâ•Žs Late Beatles Songs
STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. This may at first seem entirely obvious, especially since nowadays such a practice has been adopted routinely by many songwriters and producers, and is in fact the prevailing compositional strategy within certain pop and rock genres, rap being probably the most blatant example. Many rap artists are well known for their so-called “rap versions,” as Tim Hughes has described them, in which a distinctive element of a pre-existing song is lifted out of its original context—typically via digital sampling—and used as the foundation upon which a new song is built.1 Will Smith’s hit “Wild Wild West” (1999), for example, is composed around a sample of the bass-driven main groove from Stevie Wonder’s funk classic “I Wish” (1976); and Eminem’s hit “Like Toy Soldiers” * This essay is based in part on the first chapter of my dissertation, “British Pop-Rock Music in the Post-Beatles Era” (Ph.D. dissertation, Yale University, 2001). An earlier version was presented at the annual meeting of the Society for Music Theory, Columbus, in November 2002. -
Student Project
ASSR MUSIC PRODUCTION CURRICULUM Audio Tools for Schools ALAN Parsons’ Student project www.artandscienceofsound.com A LETTER FROM THE FOUNDERS usic is a precious resource. Being able Mto capture or record music for future generations to enjoy is one of music’s most valuable skills. Today Music Production is something anyone can do, armed with a cellphone and a decent internet connection. Sure you’ll soon want a microphone; and then another mic, and then another mic. Speakers help of course, and pro software gives you the sort of power that only major recording studios like Capitol and Abbey Road had back in the day. Speaking of which, back in the day when we were trying to carve out our careers, there weren’t any alternatives to a recording studio. And there weren’t any schools you could go to to learn about recording. Alan got a job as an assistant engineer at Abbey Road and Julian signed with Charisma Records as a writer and keyboard player. We listened, observed, tried, occasionally failed, Since 2010 we’ve dedicated ourselves to lifting the lid on what but eventually started to make sense of this magical thing we call it takes to record music; unravelling some of the mysteries ‘making records.’ behind and in front of the glass. Learning Music Production Today, even though physical records might seem to have gone and Audio Engineering isn’t rocket science (though Alan does the way of the Dodo, there’s still a thrill in creating music… have strong connections with NASA these days) and it’s not art creating something that didn’t exist fifteen minutes ago. -
Pattie Boyd Has Seen It All and Then Some
ARTS ARTS attie Boyd has seen it all and then some. lying supine on a bed in Southern India in 1968, “the As a model in 60s London she worked last time I saw him looking so relaxed and calm.” She alongside Twiggy and Pat Booth, landed photographed Ronnie and Krissy Wood in the early multiple magazine covers, and was hours of the morning – still going strong from the Pcaptured on film by David Bailey, Norman Parkinson night before. She captured Clapton from the side of and Lord Snowdon. She was the buxom blonde with the stage in all his slow-handed glory. Throughout the the baby blues and gap teeth, the “new contemporary intense highs and dramatic lows, what have remained face” of 1964. are Boyd’s pictures – a window into the private Then she met and married Beatle George Harrison. world of the privileged, the experimental and the She endured kicking and spitting from crazed Beatles tremendously talented. fans. She travelled to India with the band on their While preparing for the opening of her exhibition notorious quest for spiritual enlightenment. Soon after Through The Eyes of a Muse in Sydney, the adorable Dylan turned the fab four onto marijuana, Boyd and and open Pattie Boyd spoke to Russh from her Sussex Harrison were dragged, hand-cuffed, from their home home about meditating with the Maharishi, keeping following a drug bust. She witnessed the lads from up with the boys on tour, opening a Pandora’s box and Liverpool crumble under the intense pressures of how her camera helped her to see the light.