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BWTB Nov. 13Th Dukes 2016
1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B
“Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B. Bomar (guest post) * Original album Original label Buck Owens and His Buckaroos In the fall of 1965, Buck Owens was the biggest country star in the world. He was halfway through a string of sixteen consecutive #1 singles on the country chart in the industry-leading “Billboard” magazine, and had just been invited to appear at New York City’s prestigious Carnegie Hall. Already designated a National Historic Landmark, the esteemed venue had hosted Tchaikovsky, Rachmaninoff, Stravinsky, Gershwin, Bernstein, and Ellington. Owens recognized the honor of being asked, but instructed his manager, Jack McFadden, to decline the offer. “When they first started talking about it, it scared me to death,” he admitted in a 1967 radio interview with Bill Thompson. Buck was worried the Manhattan audience wouldn’t be interested in his music, and he wanted to avoid the embarrassment of unsold tickets. McFadden pushed him to reconsider. When Ken Nelson, Owens’ producer at Capitol Records, suggested they record the performance and release it as his first live album, Buck finally conceded. Buck Owens’ journey to the top of the charts and the top of the bill at the most revered concert hall in the United States began in Sherman, Texas, where he was born Alvis Edgar Owens, Junior in 1929. By 1937, the Owens family was headed for a new life in California, but they wound up settling in Mesa, Arizona, when a broken trailer hitch derailed their plan. -
Blurred Lines: on Downstream Infringement and the Disgorgement of Profits by Peter Rybolt
Downstream Infringement More Blurred Lines: On Downstream Infringement And The Disgorgement Of Profits By Peter Rybolt n copyright, as well as trademark litigation, liti- products than the rights-holder, an award of plaintiff’s gants and finders of fact face the often bewil- losses may be inadequate to Idering task of determining the extent to which ensure deterrence.2 Thus the downstream infringers—those companies one or purpose of disgorgement is, at ■ Peter Rybolt, more steps removed from the creative work at is- least in part, to ensure that an Vice President, sue—may have benefited when someone upstream infringer cannot benefit unfair- Analysis Group, Inc., has usurped another’s work. Often, the results at tri- ly from his wrongful act.3 Los Angeles, CA al are contradictory. We first review the history and Yet the disgorgement remedy E-mail: peter.rybolt@ purpose of the disgorgement remedy, identifying ten- is not intended to be punitive. sion in the case law and statutes when the subject To ensure an equitable, rather analysisgroup.com turns from competitors to downstream infringers. than punitive, outcome, the We look at three well-known cases from the world of law provides for an apportion- recorded music—including the recent Blurred Lines ment of defendant’s profits between those profits de- decision—highlighting unexplained differences in rived from the infringement and those derived from oth- the treatment of record companies when songwriters er, presumably legitimate, sources. As a matter of form, are accused of infringement. We then review our un- plaintiff’s burden is to establish only the infringer’s gross derstanding of how firms capture value, and illustrate revenue; the infringer must identify deductible expenses how that understanding can lend guidance to juries in as well as any “elements of profit attributable to factors assessing the profits to be disgorged. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
265 Edward M. Christian*
COPYRIGHT INFRINGEMENT ANALYSIS IN MUSIC: KATY PERRY A “DARK HORSE” CANDIDATE TO SPARK CHANGE? Edward M. Christian* ABSTRACT The music industry is at a crossroad. Initial copyright infringement judgments against artists like Katy Perry and Robin Thicke threaten millions of dollars in damages, with the songs at issue sharing only very basic musical similarities or sometimes no similarities at all other than the “feel” of the song. The Second Circuit’s “Lay Listener” test and the Ninth Circuit’s “Total Concept and Feel” test have emerged as the dominating analyses used to determine the similarity between songs, but each have their flaws. I present a new test—a test I call the “Holistic Sliding Scale” test—to better provide for commonsense solutions to these cases so that artists will more confidently be able to write songs stemming from their influences without fear of erroneous lawsuits, while simultaneously being able to ensure that their original works will be adequately protected from instances of true copying. * J.D. Candidate, Rutgers Law School, January 2021. I would like to thank my advisor, Professor John Kettle, for sparking my interest in intellectual property law and for his feedback and guidance while I wrote this Note, and my Senior Notes & Comments Editor, Ernesto Claeyssen, for his suggestions during the drafting process. I would also like to thank my parents and sister for their unending support in all of my endeavors, and my fiancée for her constant love, understanding, and encouragement while I juggled writing this Note, working full time, and attending night classes. 265 266 RUTGERS UNIVERSITY LAW REVIEW [Vol. -
SOCIAL CLASS in AMERICA TRANSCRIPT – FULL Version
PEOPLE LIKE US: SOCIAL CLASS IN AMERICA TRANSCRIPT – FULL Version Photo of man on porch dressed in white tank top and plaid shorts MAN: He looks lower class, definitely. And if he’s not, then he’s certainly trying to look lower class. WOMAN: Um, blue collar, yeah, plaid shorts. MAN: Lower middle class, something about the screen door behind him. WOMAN ON RIGHT, BROWN HAIR: Pitiful! WOMAN ON LEFT, BLOND HAIR, SUNGLASSES: Lower class. BLACK WOMAN, STANDING WITH WHITE MAN IN MALL: I mean, look how high his pants are up–my god! Wait a minute–I’m sorry, no offense. Something he would do. Photo of slightly older couple. Man is dressed in crisp white shirt, woman in sleeveless navy turtle neck with pearl necklace. WOMAN: Upper class. MAN: Yeah, definitely. WOMAN: Oh yeah. WOMAN: He look like he the CEO of some business. OLD WOMAN: The country club set- picture of smugness. GUY ON STREET: The stereotypical “my family was rich, I got the money after they died, now we’re happily ever after.” They don’t really look that happy though. Montage of images: the living situations of different social classes Song: “When you wish upon a star, makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.” People Like Us – Transcript - page 2 R. COURI HAY, society columnist: It’s basically against the American principle to belong to a class. So, naturally Americans have a really hard time talking about the class system, because they really don’t want to admit that the class system exists. -
Für Sonntag, 21
Tägliche BeatlesInfoMail 19.06.20: PAUL McCARTNEY: 2020er FLAMING PIE /// MANY YEARS AGO ---------------------------------------------------------------------------------------------- Im Beatles Museum erhältlich: 2020er ARCHIVE COLLECTION: FLAMING PIE Doppel-CD versenden wir gut verpackt als Brief (mit Deutscher Post), LPs und Boxen mit DHL (Info über Sendeverlauf kommt per E-Mail). Freitag 31. Juli 2020: PAUL McCARTNEYs FLAMING PIE ARCHIVE COLLECTION Kurzübersicht: Produkt 1: 2020er Doppel-Vinyl-LP FLAMING PIE. Produkt 2: 2020er 3er Vinyl-LP FLAMING PIE . Produkt 3: 2020er Doppel-CD FLAMING PIE . Produkt 4: 2020er Box (5 CDs, 2 DVDs) FLAMING PIE. Produkt 5: 2020er Deluxe-Box (4 LPs, 5 CDs, 2 DVDs) FLAMING PIE . Abbildungen: Cover-Vorderseite / Doppel-LP mit Beilagen (verkleinerte Abbildung) Produkt 1: PAUL McCARTNEY: 2020er Doppel-Vinyl-LP FLAMING PIE. 39,95 € MPL - Universal Music 7 06025 086177 1 ?, weltweit. Half-speed master of the remastered main album tracks cut over two lp’s for the first time. Doppel-LP remastered album, Seite 1: Track 1: The Song We Were Singing. / Track 2: The World Tonight. / Track 3: If You Wanna. Doppel-LP remastered album, Seite 2: Track 4: Somedays. / Track 5: Young Boy. / Track 6: Calico Skies. / Track 7: Flaming Pie Doppel-LP remastered album, Seite 3: Track 8: Heaven On A Sunday. / Track 9: Used To Be Bad. / Track 10: Souvenir. Doppel-LP remastered album, Seite 4: Track 11: Little Willow. / Track 12: Really Love You. / Track 13: Beautiful Night. / Track 14: Great Day. ---------------------------------------------------------------------------------------------- Abbildungen: Cover-Vorderseite / 3er LP mit Beilagen (verkleinerte Abbildung) Produkt 2: PAUL McCARTNEY: 2020er 3er Vinyl-LP FLAMING PIE. 74,95 € MPL - Universal Music 7 06025 086177 2 ?, weltweit. -
Ringo Starr Actuarà Per Primera Vegada En Solitari a Barcelona Aquest Dimarts El Bateria De the Beatles Ho Farà En El Marc Del Guitar BCN 2018
Cultura i Mitjans | Jordi Novell | Actualitzat el 25/06/2018 a les 12:12 Ringo Starr actuarà per primera vegada en solitari a Barcelona aquest dimarts El bateria de The Beatles ho farà en el marc del Guitar BCN 2018 Ringo Starr | Arxiu Ringo Starr El Liverpool de postguerra no devia ser el millor dels mons per a un nen malaltís com Richard 'Ritchie' Starkey. Malalt d'apendicitis i peritonitis, i fins i tot en coma durant dies, als tretze anys Starkey emmalaltia de tuberculosi. Ingressat durant prop d'un any en un hospital, per esperonar la seva capacitat motriu els metges li van improvisar un mall fet amb una bobina de cotó per colpejar els armaris del costat del seu llit. I d'aquí, a la banda de l'hospital? Amb una mica d'ajuda dels amics Possiblement una de les grans habilitats de Richard Starkey és ser al lloc adequat en el moment precís. Només així es pot entendre com una banda de skiffle de Liverpool que malviu a Hamburg tocant rock acceleradíssim en tuguris de mala mort amb un èxit notable decideix substituir el seu bateria titular. John Lennon, Paul McCartney i George Harrison prescideixen del monolític estil de Pete Best -un del centenar de persones denominades 'el cinquè beatle'- per sondejar el bateria de Rory Storm and the Hurricanes. Richard Starkey ja era conegut com Ringo Starr - pels enormes anells que lluïa als dits-, i havia de sentir els crits de "Pete forever! Ringo never!" i algun cop de puny que va forçar que Brian Epstein -denominat el cinqu? au va!- hagués de llogar un guardaespatlles. -
Sound Decisions
26' R &R May 2, 1997 SOUND DECISIONS 33. `The World Tonight' has more of an STEVE WONSIEWICZ edge and is something you can hear Rock radio playing. That's important, especially because with the last few albums, we didn't get much reaction from Rock radio. McCartney's 'World' Takes Wieg At Radio - Bill Porricelli Capitol leads with grittier `The World Tonight' in the U.S. The choice of a first single: It's often a delicate issue Perfect Timing generating phones. "It's working as Working The Demos and one that Capitol is releasing receives due attention from labels. But when the single at well as we expected. It has a great an time at On the left coast, Hot AC the decision involves the first new music in years from a opportune radio. Alterna- edge to it. It's perfect for a main- tive is embracing softer, adult-lean- KFMB /San Diego PD Tracy former Beatle, well ... let's just say I would have loved to stream Rock station like KLOS ing tracks. Those hits are crossing Johnson is just as bullish. "I'm have been a fly on the wall during those discussions. and is appealing across demos. excited about the song because to CHR/Pop, Hot AC, and even AC. And the staff really digs it." "World" also fits perfectly at the I'm a huge McCartney fan. I know there is a lot That set -up aside, Capitol offi- great about this album is that growing number of Alternative ACs. Built -In Beatle Base of interest about him as an artist. -
BEATLES Buch MACH SCHAU in HAMBURG
Tägliche BeatlesInfoMail 08.04.21: 2021er BEATLES-Buch MACH SCHAU IN HAMBURG /// MANY YEARS AGO -------------------- Im Beatles Museum bald erhältlich: Neues BEATLES-Hamburg-Buch von Thorsten Knublauch Versenden wir gut verpackt und zuverlässig mit DHL (Info über Sendeverlauf kommt per E-Mail). Abbildungen: Buch / Buch-Vorderseite / Buch-Rückseite ca. Sommer 2021: Buch THE BEATLES - MACH SCHAU IN HAMBURG. 84,95 Euro inkl. Umsatzsteuer und Versand Autor: Thorsten Knublauch. / Verlag Apcor Books & Records, Niederlande. Gebundenes Buch / Format: A4 / 540 Seiten / 600 Abbildungen (Fotos, Dokumente, Anzeigen, Memorabilia, Schasllplattenhüllen, Zeitungsberichte, Verträge, Briefe, Rechnungen etc.) / englischsprachig. Inhalt: Foreword by Jürgen Vollmer (1 Seite) / Why - Preface (4) / There’s A Place - The clubs (19) / The Long And Winding Road - How the Beatles came to Hamburg (17) / Magical Mystery Tour - The Beatles at the Tanzpalast Indra (30) / What Goes On - The Kaiserkeller poster (8) / All Together Now - The Beatles at the Kaiserkeller (27) / When I Get Home - How the Beatles were sacked from the Kaiserkeller (27) / Get Back - How the Beatles returned to Hamburg (12) / Beatle Bop - The Beatles at the Top Ten Club (37) / Middleword by Rüdiger Neber (1) / In My Life - Stuart Sutcliffe’s last year (47) / I’ll Be Back - The Beatles at the Star-Club (25) / Not A Second Time - The Beatles at the Star-Club (29) / It’s All Too Much - The Beatles at the Star-Club (17) / I’ve Just Seen A Face - Photo sessions (28) / Some Other Guy - Pete Best (26) -
PAUL Mccartney
InfoMail 13.07.17: Paperback ULTIMATE MUSIC GUIDE - PAUL McCARTNEY /// MANY YEARS AGO InfoMails abbestellen oder umsteigen (täglich, wöchentlich oder monatlich): Nur kurze Email schicken an [email protected] Im Beatles Museum erhältlich: Paperback aus England: ULTIMATE MUSIC GUIDE - PAUL McCARTNEY Juni 2017: Paperback THE ULTIMATE MUSIC GUIDE - PAUL McCARTNEY - DELUXE REMASTERED EDITION. 24,95 € Herausgeber: Uncut, Großbritannien. Paperback; Format 29,7 cm x 21,0 cm; 132 Seiten; englischsprachig. Inhalt: Classic interview - „Let's just sod off to Scotland and do things ourselves ...“; Album review - RAM; Classic interview - „It's impossible to follow the Beatles, as all bands ever since have found ...“ ; Album review - WILD LIFE; Classic interview - „I don't think we're quite as good as the Stones, yet“; Album review - RED ROSE SPEEDWAY; Classic interview - „I've always seen myself as a hack ...“ ; Album review - BAND ON THE RUN; Classic interview - „I'm not as in control as i look!“; Classic interview - „I Like to have hits, definitely. that's what i'm making records for“; Album review - VENUS AND MARS; Classic interview - „It would ruin the whole Beatles thing for me ...“; Album review - WINGS AT THE SPEED OF SOUND; Classic interview - „Christ, I'm so frigging ordinary, it's terrifying“; Album review - LONDON TOWN; Album review - BACK TO THE EGG; Album review - McCARTNEY; Album review - TUG OF WAR; Album review - PIPES OF PEACE; Album review - GIVE MY REGARDS TO BROAD STREET; Album review - PRESS TO PLAY; Classic interview - „I'm superstitious. i think that if you stop, you might never come back“; Album review - CHOBA B CCCP; Album review - FLOWERS IN THE DIRT; Album review - OFF THE GROUND; Album review - FLAMING PIE; Album review - RUN DEVIL RUN; Album review - DRIVING RAIN; Classic interview - „I've never been safe.