Eolian Newsletter – Fall 2018
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Botanic Garden News
Spring 2010 Page 1 Botanic Garden News The Botanic Garden Volume 13, No. 1 of Smith College Spring 2010 Floral Radiography Madelaine Zadik E veryone loves flowers, but imagine how they would appear if you had x -ray vision. Our latest exhibition, The Inner Beauty of Flowers, presents just that. Once radiologist Merrill C. Raikes retired, he turned his x-rays away from diagnostic medicine and instead focused them on flowers. The resulting floral radiographs bring to light the inner structure of flowers that normally remains invisible to us. It wasn’t easy for Dr. Raikes to figure out the exact techniques that would produce the desired results, but he finally discovered how to get the detail he was after. He uses equipment that is no longer manufactured, since current day medical x-ray equipment doesn’t produce x-rays suitable for this kind of work. Combined with his artful eye, the results are extraordinary and reveal an amazing world of delicacy and beauty. I was very impressed by Dr. Raikes’ artwork when he first showed it to me, and I wanted to create an educational exhibit that Sunflower with seeds would display his magnificent floral radiography. Through a collaboration with University of Massachusetts physics professor Robert B. Hallock, we were able to produce an exhibit that not only showcases Dr. Raikes’ art but also explains the science behind the images. Visitors have the opportunity to learn about the way light works, how the eye sees, what x-rays are, and how x-ray technology can be used to create beyond the surface of objects and enable botanical art. -
Annual Report 2018
ANNUAL REPORT 2018 44415 AR2018__draft_color_rev.indd 1 4/30/19 5:27 PM Contents From the President 2 Speaking Out for Preservation 3 Providing Technical Expertise 8 Preserving Sacred Sites 14 Funding Historic Properties 20 Honoring Excellence 23 Celebrating Living Landmarks 25 Tours and Other Events 29 Our Supporters 31 Financial Statements 37 Board of Directors, Advisory Council, and Staff 38 Our Mission The New York Landmarks Conservancy is dedicated to preserving, revitalizing, and reusing New York’s architecturally significant buildings. Through pragmatic leadership, financial and technical assistance, advocacy, and public education, the Conservancy ensures that New York’s historically and culturally significant buildings, streetscapes, and neighborhoods continue to contribute to New York’s economy, tourism, and quality of life. On the Cover Lucy G. Moses Preservation Award winner - 462 Broadway, Manhattan - Owner Meringoff Properties has returned a French Renaissance-style building to its original glory in the SoHo-Cast Iron Historic District. Platt Byard Dovell White Architects oversaw the restoration. Photo by Francis Dzikowski. 1 44415 AR2018__draft_color_rev.indd 2 4/30/19 5:27 PM From the President Dear Friend of the Conservancy: We celebrated our 45th anniversary in 2018. It’s an in-between number so we weren’t going to go all out with celebrations. Then we realized that there was no guarantee 45 years ago that we’d still be here—let alone have developed our range of programs and skills. So we decided that a little horn tooting was in order. Our founders had a vision: an organization that would focus on preservation and have technical skills that could actually help people fix their buildings. -
Botanical Gardens in the West Indies John Parker: the Botanic Garden of the University of Cambridge Holly H
A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıı | Number ı | Fall 2006 Essay: The Botanical Garden 2 Elizabeth Barlow Rogers: Introduction Fabio Gabari: The Botanical Garden of the University of Pisa Gerda van Uffelen: Hortus Botanicus Leiden Rosie Atkins: Chelsea Physic Garden Nina Antonetti: British Colonial Botanical Gardens in the West Indies John Parker: The Botanic Garden of the University of Cambridge Holly H. Shimizu: United States Botanic Garden Gregory Long: The New York Botanical Garden Mike Maunder: Fairchild Tropical Botanic Garden Profile 13 Kim Tripp Exhibition Review 14 Justin Spring: Dutch Watercolors: The Great Age of the Leiden Botanical Garden New York Botanical Garden Book Reviews 18 Elizabeth Barlow Rogers: The Naming of Names: The Search for Order in the World of Plants By Anna Pavord Melanie L. Simo: Henry Shaw’s Victorian Landscapes: The Missouri Botanical Garden and Tower Grove Park By Carol Grove Judith B. Tankard: Maybeck’s Landscapes By Dianne Harris Calendar 22 Contributors 23 Letter from the Editor The Botanical Garden he term ‘globaliza- botanical gardens were plant species was the prima- Because of the botanical Introduction tion’ today has established to facilitate the ry focus of botanical gardens garden’s importance to soci- The Sixteenth and Seventeenth Centuries widespread cur- propagation and cultivation in former times, the loss of ety, the principal essay in he botanical garden is generally considered a rency. We use of new kinds of food crops species and habitats through this issue of Site/Lines treats Renaissance institution because of the establishment it to describe the and to act as holding opera- ecological destruction is a it as a historical institution in 1534 of gardens in Pisa and Padua specifically Tgrowth of multi-national tions for plants and seeds pressing concern in our as well as a landscape type dedicated to the study of plants. -
Restoration of the Conservatory Garden
RESTORATION OF THE CONSERVATORY GARDEN Celebrating 35 Years of the Women’s Committee THE CONSERVATORY GARDEN | A Women’s Garden In honor of their 35th Anniversary and in collaboration with Central Park Conservancy’s Campaign, Forever Green: Ensuring the Future of Central Park, the Women’s Committee of Central Park Conservancy has committed to raise at least $5 million towards a transformative $10 million initiative to restore the Conservatory Garden, Central Park’s six-acre masterwork of formal garden design, located off Fifth Avenue from 104th to 106th Streets. History Completed in 1937 under Parks Commissioner Robert Moses’ chief landscape architect Gilmore D. Clarke, the Conservatory Garden became Central Park’s only formal garden. The original plans were designed by aptly-named landscape architect M. Betty Sprout, who later became Clarke’s wife. In the latter part of the 19th century, the area originally hosted a small nursery for growing plants for the Park. The name “Conservatory Garden” was adopted in 1898 when a large conservatory (greenhouse) was constructed on the site, featuring then-exotic tropical plants and ornate flower beds. After falling into disrepair, the greenhouse was demolished in 1934 and the exceptional six-acre formal outdoor garden that we now know was conceived and built. Thanks to its original designers and the Conservancy’s substantial 1983 restoration of the Garden’s horticultural elements, the Garden stands as one of the world’s great masterworks of formal garden design. Since its earliest days, horticultural direction has been in the hands of women, including Lynden Miller, who led the 1983 restoration, and long-time Garden curator Diane Schaub. -
A NEW LEAF Revitalizing New York City’S Aging Parks Infrastructure
nycfuture.org JUNE 2018 A NEW LEAF Revitalizing New York City’s Aging Parks Infrastructure A New Leaf 1 A NEW LEAF is a publication of the Center for an Urban Future. Researched and written by John Surico. Edited by Eli Dvorkin and Jonathan Bowles. Additional research by Sheila TABLE OF CONTENTS Binesh, Myles Bonadie, Gail Hankin, Julia Hotz, Nicholas Hoynes, Leah Jacobson, Elsa Van Latum, Alexa Schatzmann, Naomi Sharp, Rania Siddique, Katherine Surko, Shiming INTRODUCTION 3 Xiong, and Luke Zangerle. Designed by Rob Chabebe. KEY FINDINGS This study was made possible by the Stavros Niarchos Foundation. INVISIBLE INFRASTRUCTURE 14 DRAINAGE SYSTEMS The Stavros Niarchos Foundation is one of the world’s leading private, international philanthropic organizations, making grants in the areas RETAINING WALLS of arts and culture, education, health and sports, and social welfare. Since 1996, the Foundation has committed more than $2.5 billion, WATERFRONT FACILITIES through more than 4,000 grants to nonprofit organizations in 124 nations around the world. PATHWAYS 18 The SNF funds organizations and projects, worldwide, that aim to BRIDGES achieve a broad, lasting and positive impact, for society at large, and STAIRS exhibit strong leadership and sound management. The Foundation also supports projects that facilitate the formation of public-private STREETS, SIDEWALKS, AND PATHS partnerships as an effective means for serving public welfare. BUILT FACILITIES 22 COMFORT STATIONS PLAYGROUNDS Center for an Urban Future (CUF) is a leading New York City– based think tank that generates smart and sustainable public LANDSCAPE 25 policies to reduce inequality, increase economic mobility, and HORTICULTURE grow the economy. -
Expansionism at the Frick Collection: the Historic Cycle of Build, Destroy, Rebuild
Expansionism at The Frick Collection: The Historic Cycle of Build, Destroy, Rebuild by Jacquelyn M. Walsh A thesis submitted to the Graduate School – New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Art History Written under the direction of Michael J. Mills, FAIA And approved by __________________________ __________________________ __________________________ New Brunswick, New Jersey May 2016 © 2016 Jacquelyn M. Walsh ALL RIGHTS RESERVED ABSTRACT OF THE THESIS Expansionism at The Frick Collection: The Historic Cycle of Build, Destroy, Rebuild by JACQUELYN WALSH Thesis Director: Michael Mills, FAIA This thesis contends that if landscape architecture is not accorded status equal to that of architecture, then it becomes difficult, if not impossible, to convey significance and secure protective preservation measures. The sensibilities and protections of historic landscape preservation designations, particularly with respect to urban landmarked sites, played a critical role in the recent debate surrounding The Frick Collection in New York City. In June 2014, The Frick Collection announced plans to expand its footprint on the Upper East Side. Controversy set in almost immediately, presenting the opportunity to discuss in this thesis the evolution of an historic institution’s growth in which a cycle of build, destroy and rebuild had emerged. The thesis discusses the evolving status of landscape preservation within urban centers, citing the Frick Collection example of historic landscape in direct opposition to architectural construction. Archival and scholarly materials, media reports, landmark decisions, and advocacy statements illustrate the immediacy and applicability of historic persons, architecture, decisions and designations to the present day. -
Nicholas Quennell Oral History Transcript
The Cultural Landscape Foundation® Pioneers of American Landscape Design® ___________________________________ NICHOLAS QUENNELL ORAL HISTORY INTERVIEW TRANSCRIPT ___________________________________ Interviews Conducted October 7-9, 2013 By Charles A. Birnbaum, FASLA, FAAR © 2015 The Cultural Landscape Foundation, all rights reserved. May not be used or reproduced without permission. The Cultural Landscape Foundation® Pioneers of American Landscape Design® Oral History Series: Nicholas Quennell Interview Transcript Contents PRELUDE ........................................................................................................ 6 BIOGRAPHY .................................................................................................... 6 Childhood ..................................................................................................................... 6 Growing Up in England ....................................................................................................... 6 The War Years ................................................................................................................. 6 Cleeve Hill ........................................................................................................................ 7 Returning to London ....................................................................................................... 8 Devon .............................................................................................................................. 9 Hampstead Heath .......................................................................................................... -
Gazette What the Dinosaurs Ate in Fort Tryon Park
Friends Committee G Fall 2009 azette www.FortTryonParkTrust.org Sustaining the Heather Garden for the Next 75 Years Jennifer Hoppa, Administrator for Northern Manhattan Parks he crown jewel of Fort Tryon Park, es of the New York City Department Garden. The Framework Plan will the Heather Garden, is one of the of Parks & Recreation and to preserve tackle recurring soil problems, identi- T largest heath and heather gardens the splendor of the Heather Garden. fy ways to open up and frame views, on the East Coast and the largest pub- October 2010 will mark Fort Tryon expand existing perennial groupings, lic garden with unrestricted access in Park’s 75th anniversary, and the Trust and incorporate small shrubs at key New York City. As the three-acre gar- wants to ensure that the Heather locations to create more structure and den is fast approaching its 75th birthday, Garden will continue to thrive and cohesiveness in the garden year round. many people are working to ensure serve as a respite to New Yorkers, ir- The approach will help minimize on- that it remains a vital New York City, respective of the City’s fi scal climate. going maintenance of the garden, and State, and Federal scenic landmark. The Trust has engaged Lynden Miller, yet preserve its romantic feel and oth- Flanked by stone walls and the the Public Garden Designer, to devel- erworldly aura. remnants of Cornelius G.K. Billings’ op a Framework Plan for enhancing In addition to serving as a guide for early 1900’s estate and featuring and sustaining the Heather Garden the garden’s ongoing management, spectacular views of the Hudson for the long term. -
Boaters Enjoy Central Park Lake in New York City, Where the American Horticultural Society Will Hold Its 42Nd Annual Meeting, May 13-16, 1987
eric• an • uris Boaters enjoy Central Park Lake in New York City, where the American Horticultural Society will hold its 42nd Annual Meeting, May 13-16, 1987. For more information, see page 20. AIlS 1987 Awards Announcement ighlighting the 42nd Annual developed a triangular-shaped ship Meeting of the American ping carton for small potted plants H Horticultural SOCiety, to be that eliminated damage problems. He held May 13-16 in New York, New also helped lead the effort to have York, will be two awards ceremonies, the rose designated as our national honoring the extraordinary horticul floral emblem. tural achievements of fourteen indi Mr. Charles D. Webster will re viduals, one corporation and one ceive the Catherine H. Sweeney family. Award for his extraordinary and ded Friday evening, May 15, will be de icated efforts in the field of horticul voted exclusively to recognizing the ture. More than any other individual, entire Rockefeller family and its tre Mr. Webster is responsible for the mendous commitment to developing existence of the Horticultural Society national parks and public gardens of New York, for which he is cur that all Americans might eojoy. (For rently Chairman of the Board. He has more information, see the photo and served in this capacity for three caption on the back cover.) years; prior to that time, he served as The Society's annual awards cere President for over 20 years. Webster mony will be held on Saturday eve has worked tirelessly to promote the ning, May 16. The Society's highest Society and its programs. -
The Vocation Shared by Gardeners and Artists
BY REBECCA ALLAN TRACK INSIDE CULTIVATING BEAUTY THE VOCATION SHARED BY GARDENERS AND ARTISTS ollow me, dear reader, along a path delineated by white Lenten roses in March, yellow lady slippers in May, and cadmium orange Japanese maples in October. Think of the sequences of color and fragrance HEROES oƒ HORTICULTURE that emerge with each season, and chances are you Americans Who Transformed the Landscape will conjure a garden that was conceived by a hor- ticulturalist whose labor, invention, and fortitude Fbrought this place into being. Most gardens, like most art museums, are sites of contemplation, study, and sensate enjoyment. America’s gardens, with their deep roots in the agri- cultural traditions of indigenous and immigrant cultures, as well as influences from gardens on five other continents, are urgently significant today: the demands of our digitally oriented lives constantly threaten to disconnect us from the open spaces, flora, and fauna that replenish us as human beings. In her fascinating new book, Heroes of Horti- culture: Americans Who Transformed the Landscape, Barbara Paul Robinson pays tribute to 18 individu- als whose extraordinary efforts to cultivate places of beauty and respite revolutionized the field of Ameri- can gardening. A New York City attorney who edu- Barbara Paul Robinson cated herself in horticulture by volunteering to pull weeds for the famed British gardeners Rosemary Verey and Penelope Hobhouse, York City’s crown were it not for the friendship of Elizabeth Barlow Rogers and Robinson has selected a group of distinguished women and men from across the Lynden Miller. field’s many sectors. (Happily, all but two are still alive.) She highlights the exper- Robinson notes that each individual in her pantheon has worked across tise that underlies the formation of gardens while sharing previously unpublished, multiple professions — and that several have had a formative involvement in the often surprising details about her heroes’ paths. -
Proof 3 PDF:Site/Lines Spring
A Publication of the Foundation for Landscape Studies A Journal of Place Volume vı | Number ıı | Spring 2011 Essays: Cities Going Green, The Urban Landscape as Food 3 Timothy Beatley: Inventing the New Urban Farm: Field Notes From Detroit Ben Helphand and Laura Lawson: The Culture of Food and Chicago’s Community Gardens Jane Garmey: Rooftop Revolution: Culinary Gardening Aloft in New York City Jane Roy Brown: They Built a Fahm in Hahvud Yahd: A Tiny Garden Strives for Global Impact Katherine Harmon: Lessons in the Dirt: School Gardens Grow in Brooklyn Place Keeper 16 Paula Deitz: Twin Maples, Litchfield County, Connecticut Book Reviews 18 Elihu Rubin: Delirious New Orleans: Manifesto for an Extraordinary American City By Stephen Verderber Alice Truax: Farm City: The Education of an Urban Farmer By Novella Carpenter Elizabeth Barlow Rogers: Parks, Plants, and People By Lynden B. Miller Contributors 23 Letter from the Editor Corn was grown in unprece- Berkeley, California. More produce sections of super- phy is based on “the princi- dented quantities to provide than a restaurant, it became markets a two-tiered offering ple that access to sustainable, oil, sweeteners, and feed for the prototype of the new of fruit and vegetables has fresh, and seasonal food is a the cattle that would enter American cuisine. Other become common. In places right, not a privilege.” The y the end of the way system stitched together the human food chain as restaurants in other cities like Whole Foods – the Edible Schoolyard (ESY) pro- nineteenth century it hinterland and metropolis, hamburgers sold by fast-food followed suit, and their ecosavvy fresh food empori- gram sponsored by her Chez became impossible making long-distance truck- franchises. -
Reclaiming the High Line Is a Project of the Design Trust for Public Space, with Friends of the High Line
Reclaiming the High Line is a project of the Design Trust for Public Space, with Friends of the High Line. Design Trust Fellow: Casey Jones Writer: Joshua David Editor: Karen Hock Book design: Pentagram Design Trust for Public Space: 212-695-2432 www.designtrust.org Friends of the High Line: 212-606-3720 www.thehighline.org The Design Trust project was supported in part by a grant from the New York State Council on the Arts, a state agency. Printed by Ivy Hill Corporation, Warner Music Group, an AOL Time Warner Company. Cover photograph: “An Evening in July 2000” by Joel Sternfeld Title page photograph by Michael Syracuse Copyright 2002 by the Design Trust for Public Space, Inc. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechan- ical means without written permission from the Design Trust for Public Space, Inc. ISBN: 0-9716942-5-7 RECLAIMING THE HIGH LINE A PROJECT OF THE DESIGN TRUST FOR PUBLIC SPACE WITH FRIENDS OF THE HIGH LINE 1 1 . Rendering of the High Line 2 C ONTENTS FOREWORD 4 by New York City Mayor Michael R. Bloomberg HIGH LINE MAP AND FACT SHEET 6 INTRODUCTION 8 RECOMMENDATIONS FOR PUBLIC REUSE 17 Why Save the High Line? Recommendations for a Preserved, Reused High Line HISTORY OF THE HIGH LINE 44 Early Rail Transit West Side Improvement Decline of Rail Commerce The Call for Trail Reuse EXISTING CONDITIONS 56 Current Use Maintenance/Structural Integrity PHYSICAL CONTEXT 58 Zoning Surrounding Land Use Upcoming Development COMPETING OWNERSHIP PLANS 70 Demolition Efforts by Chelsea Property Owners Reuse Efforts by Friends of the High Line Political Climate EVALUATION OF REUSE OPTIONS 74 Demolition/Redevelopment Transit Reuse Commercial Reuse Open Space Reuse Moving Forward THE HIGH LINE AND THE CITY AS PALIMPSEST 82 by Elizabeth Barlow Rogers BIBLIOGRAPHY 84 PROJECT PARTICIPANTS 86 3 New York City would be unlivable without its parks, trees, and open spaces.