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Astley Castle Knot Gardens
ASTLEY CASTLE KNOT GARDENS All about Tudor knot gardens Knot garden designs Knot gardens have been fashionable since the Tudor times. The Tudors found the inspiration for their gardens from the gardens in Italy, where architects began building houses and gardens that followed a strict geometric pattern. The shapes and the sizes that featured in the design of the house were repeated in the layout of the garden. The Tudors built many grand homes and liked the idea of geometry and proportion. Knot gardens are still popular with designers today. Not only were Tudor knot gardens designed to look good, but they were often a symbol or even a puzzle. For example, this popular design shown on the right was called The True Lovers Knot. It often featured in the gardens of newly married couples. These images below are drawings of knot garden designs that appeared in books during the Tudor times. The designs for knot gardens were similar to those found on fabric, in windows, jewellery and furniture. These designs are interlacing - this means they weave in and out. They fit into a square and they are symmetrical. During the Tudor times there weren’t many plants that flowered in the autumn and the winter. Materials such as crushed bricks and sand were used to create colour and pattern all year round. Scented herbs were used such as marjoram, thyme, southernwood, lemon balm, hyssop, lavender, rue and myrtle. Box hedging which is often used to create knot gardens today wasn’t very popular in the Tudor times. They thought the plant had an evil smell! ASTLEY CASTLE KNOT GARDENS Knot gardens in use This is a bird’s eye view drawing of a typical mid 16th century Tudor Garden with a ‘knot pattern’ as the centre piece to the square design. -
Connect. Learn. Grow. WELCOME
WELCOME TO UNLIMITED OPPORTUNITIES Connect. Learn. Grow. WELCOME Welcome to Atlanta, Georgia for the 68th Annual Conference & Expo for GWA: The Association of Garden Communicators. I am excited you are here for what promises to be our best and most memorable event yet! We encourage you to take part in all the different networking and educational opportunities that are available over the next four days. Each of our education sessions and roundtables were selected by the Educational Program Committee for its educational value and real-world application, and we are confident you will leave Atlanta with new ideas and renewed passion for your work. Between garden tours and receptions, there is plenty of time to connect with old friends and to grow new relationships. I encourage you to speak to at least one new person during each break, and to not sit by the same person on the buses. You never know who you will meet that may spark a new idea for you or open a door to a new opportunity! Don’t forget your business cards. It’s a perfect way to easily be remembered by a new acquaintance. I’d like to close by thanking our sponsors, exhibitors, the Conference Committee, and especially the staff for all of the time and dedication they’ve put into making the Annual Conference the experience you have come to expect from GWA. Enjoy the Annual Conference & Expo. Enjoy Atlanta. BECKY HEATH GWA Vice President Brent and Becky’s Bulbs TABLE OF CONTENTS Schedule of Events ......................................................................................... -
Common Labor, Common Lives: the Social Construction of Work in Four Communal Societies, 1774-1932 Peter Andrew Hoehnle Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2003 Common labor, common lives: the social construction of work in four communal societies, 1774-1932 Peter Andrew Hoehnle Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the United States History Commons Recommended Citation Hoehnle, Peter Andrew, "Common labor, common lives: the social construction of work in four communal societies, 1774-1932 " (2003). Retrospective Theses and Dissertations. 719. https://lib.dr.iastate.edu/rtd/719 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Common labor, common lives: The social construction of work in four communal societies, 1774-1932 by Peter Andrew Hoehnle A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Agricultural History and Rural Studies Program of Study Committee: Dorothy Schwieder, Major Professor Pamela Riney-Kehrberg Christopher M. Curtis Andrejs Plakans Michael Whiteford Iowa State University Ames, Iowa 2003 © Copyright Peter Andrew Hoehnle, 2003. All rights reserved. UMI Number: 3118233 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. -
Botanic Garden News
Spring 2010 Page 1 Botanic Garden News The Botanic Garden Volume 13, No. 1 of Smith College Spring 2010 Floral Radiography Madelaine Zadik E veryone loves flowers, but imagine how they would appear if you had x -ray vision. Our latest exhibition, The Inner Beauty of Flowers, presents just that. Once radiologist Merrill C. Raikes retired, he turned his x-rays away from diagnostic medicine and instead focused them on flowers. The resulting floral radiographs bring to light the inner structure of flowers that normally remains invisible to us. It wasn’t easy for Dr. Raikes to figure out the exact techniques that would produce the desired results, but he finally discovered how to get the detail he was after. He uses equipment that is no longer manufactured, since current day medical x-ray equipment doesn’t produce x-rays suitable for this kind of work. Combined with his artful eye, the results are extraordinary and reveal an amazing world of delicacy and beauty. I was very impressed by Dr. Raikes’ artwork when he first showed it to me, and I wanted to create an educational exhibit that Sunflower with seeds would display his magnificent floral radiography. Through a collaboration with University of Massachusetts physics professor Robert B. Hallock, we were able to produce an exhibit that not only showcases Dr. Raikes’ art but also explains the science behind the images. Visitors have the opportunity to learn about the way light works, how the eye sees, what x-rays are, and how x-ray technology can be used to create beyond the surface of objects and enable botanical art. -
Arbor, Trellis, Or Pergola—What's in Your Garden?
ENH1171 Arbor, Trellis, or Pergola—What’s in Your Garden? A Mini-Dictionary of Garden Structures and Plant Forms1 Gail Hansen2 ANY OF THE garden features and planting Victorian era (mid-nineteenth century) included herbaceous forms in use today come from the long and rich borders, carpet bedding, greenswards, and strombrellas. M horticultural histories of countries around the world. The use of garden structures and intentional plant Although many early garden structures and plant forms forms originated in the gardens of ancient Mesopotamia, have changed little over time and are still popular today, Egypt, Persia, and China (ca. 2000–500 BC). The earliest they are not always easy to identify. Structures have been gardens were a utilitarian mix of flowering and fruiting misidentified and names have varied over time and by trees and shrubs with some herbaceous medicinal plants. region. Read below to find out more about what might be in Arbors and pergolas were used for vining plants, and your garden. Persian gardens often included reflecting pools and water features. Ancient Romans (ca. 100) were perhaps the first to Garden Structures for People plant primarily for ornamentation, with courtyard gardens that included trompe l’oeil, topiary, and small reflecting Arbor: A recessed or somewhat enclosed area shaded by pools. trees or shrubs that serves as a resting place in a wooded area. In a more formal garden, an arbor is a small structure The early medieval gardens of twelfth-century Europe with vines trained over latticework on a frame, providing returned to a more utilitarian role, with culinary and a shady place. -
Annual Report 2018
ANNUAL REPORT 2018 44415 AR2018__draft_color_rev.indd 1 4/30/19 5:27 PM Contents From the President 2 Speaking Out for Preservation 3 Providing Technical Expertise 8 Preserving Sacred Sites 14 Funding Historic Properties 20 Honoring Excellence 23 Celebrating Living Landmarks 25 Tours and Other Events 29 Our Supporters 31 Financial Statements 37 Board of Directors, Advisory Council, and Staff 38 Our Mission The New York Landmarks Conservancy is dedicated to preserving, revitalizing, and reusing New York’s architecturally significant buildings. Through pragmatic leadership, financial and technical assistance, advocacy, and public education, the Conservancy ensures that New York’s historically and culturally significant buildings, streetscapes, and neighborhoods continue to contribute to New York’s economy, tourism, and quality of life. On the Cover Lucy G. Moses Preservation Award winner - 462 Broadway, Manhattan - Owner Meringoff Properties has returned a French Renaissance-style building to its original glory in the SoHo-Cast Iron Historic District. Platt Byard Dovell White Architects oversaw the restoration. Photo by Francis Dzikowski. 1 44415 AR2018__draft_color_rev.indd 2 4/30/19 5:27 PM From the President Dear Friend of the Conservancy: We celebrated our 45th anniversary in 2018. It’s an in-between number so we weren’t going to go all out with celebrations. Then we realized that there was no guarantee 45 years ago that we’d still be here—let alone have developed our range of programs and skills. So we decided that a little horn tooting was in order. Our founders had a vision: an organization that would focus on preservation and have technical skills that could actually help people fix their buildings. -
Albemarle County
HOSTED BY THE ALBEMARLE, CHARLOTTESVILLE AND RIVANNA GARDEN CLUBS Albemarle County 109 TICKET INCLUDES ADMISSION TO TOUR HEADQUARTERS AND THE FOLLOWING 3 GARDENS. PLEASE START AT THE LOCATION INDICATED ON YOUR TOUR TICKET. Lewis Mountain Neighborhood fully composed and thriving beds and gar- den rooms surrounding the Georgian-style To stroll through this cheerful garden is home. Her husband, a Constitutional law like walking through the pages of a professor at UVA, bought the property in well-curated flower catalog. The home- 1965. The home has had few owners in its owners (a professional gardener and her 100-year history and many of the original husband) moved to Virginia from Con- trees and shrubs still survive from the 1920s. necticut in 2014, and have spent the past Photo courtesy of Claire Mellinger Photo courtesy of Claire six years transforming what was a tangle Most impressive is a massive American of ivy, weeds and neglected trees surround- elm, one of the oldest and largest surviving ing their home into a verdant oasis. The elm trees in Virginia. Its beautiful canopy trees are now pruned; and new beds and extends over the neighboring property. Be- borders of shrubs, annuals and perennials low is a large, shady bed of white-bloom- surround the house with color and life. ing shrubs and flowers, with inviting chairs set on a stone pad covered with mosses Homeowner Leslie Harris, a certified hor- collected from elsewhere on the property. ticulturist, fills her garden with the plants Another showstopper is the tallest tree, a Albemarle she loves. At the front of the house, which Metasequoia, or dawn redwood, which the faces south, large beds of perennials greet couple bought as a one-foot sapling years visitors with tiers of blooming color. -
Botanical Gardens in the West Indies John Parker: the Botanic Garden of the University of Cambridge Holly H
A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıı | Number ı | Fall 2006 Essay: The Botanical Garden 2 Elizabeth Barlow Rogers: Introduction Fabio Gabari: The Botanical Garden of the University of Pisa Gerda van Uffelen: Hortus Botanicus Leiden Rosie Atkins: Chelsea Physic Garden Nina Antonetti: British Colonial Botanical Gardens in the West Indies John Parker: The Botanic Garden of the University of Cambridge Holly H. Shimizu: United States Botanic Garden Gregory Long: The New York Botanical Garden Mike Maunder: Fairchild Tropical Botanic Garden Profile 13 Kim Tripp Exhibition Review 14 Justin Spring: Dutch Watercolors: The Great Age of the Leiden Botanical Garden New York Botanical Garden Book Reviews 18 Elizabeth Barlow Rogers: The Naming of Names: The Search for Order in the World of Plants By Anna Pavord Melanie L. Simo: Henry Shaw’s Victorian Landscapes: The Missouri Botanical Garden and Tower Grove Park By Carol Grove Judith B. Tankard: Maybeck’s Landscapes By Dianne Harris Calendar 22 Contributors 23 Letter from the Editor The Botanical Garden he term ‘globaliza- botanical gardens were plant species was the prima- Because of the botanical Introduction tion’ today has established to facilitate the ry focus of botanical gardens garden’s importance to soci- The Sixteenth and Seventeenth Centuries widespread cur- propagation and cultivation in former times, the loss of ety, the principal essay in he botanical garden is generally considered a rency. We use of new kinds of food crops species and habitats through this issue of Site/Lines treats Renaissance institution because of the establishment it to describe the and to act as holding opera- ecological destruction is a it as a historical institution in 1534 of gardens in Pisa and Padua specifically Tgrowth of multi-national tions for plants and seeds pressing concern in our as well as a landscape type dedicated to the study of plants. -
Catalogue No. 117
C. Arden, Bookseller Darren Bloodworth The Nursery, Forest Road, Hay-on-Wye, HR3 5DT, U.K. Tel: +44 (0) 1497-820471 Email: [email protected] Web: www.ardenbooks.co.uk Catalogue No. 117 Beetles 1 - 60 Botany 61 - 200 Entomology 201 - 247 Fine, Illustrated and Antiquarian 248 - 289 Gardening 290 - 379 Natural History & Zoology 380 - 460 New Naturalist - Main series 461 - 488 New Naturalist - Monographs 489 - 495 Ornithology 496 - 596 Poyser – Bird Monographs 597 - 621 Special Offers - all subject areas 622 - 679 Dear All, We’re delighted to say that recently purchased stock is abundant across all subject areas. Of the new and recently published books, we wanted to mention the latest title in the British Wildlife Collection – Rocky Shores (see item No. 622), New Naturalist 138 – The Burren (item No. 487), New Naturalist 139 – Gulls (item No. 488) and a fascinating work on beavers in Wales (item No. 388). There are scarce and unique books in all sections, for example Ernest Hartert’s copy of ‘The Birds of Buckinghamshire and the Tring Reservoirs’ (see item No. 533). Within the Fine, Illustrated and Antiquarian section, we list a very pleasing copy of Alfred Russel Wallace’s ‘The Geographical Distribution of Animals’ (see item No. 288), and a superb first edition set of James Sowerby’s ‘English Botany’ (see item No. 284). Our Bookroom is open for visits Monday to Friday 9.30am to 5pm & Saturday 9.30am to noon. Answerphone outside of these hours. We’ll be closed on Easter Monday. With our thanks and best wishes, Darren ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Books can be ordered by telephone, email and letter. -
Private Gardens to Please the Senses
AUGUST-SEPTEMBER 2016 On the 5 12 22 PRIVATE GARDENS TO TABLE OF CONTENTS: PLEASE THE SENSES Tips for a Great Visit in Atlanta . 2 BY KATE COPSEY President’s Message . 3 Executive Director’s Message . 4 n the last few issues GWA 2016 Honorees . 4 of On the QT, we Upcoming Events . 4 have been enticing Photography Column . 5 you to come to the Quick Conversations with Two . 6 GWA Atlanta Confer- Keynote Speakers ence & Expo with Get the Most Out of Your Conference . 8 Iscenes from the diverse Post Conference Tour Heads to Athens . 9 public gardens. Attendees will also Food Column . 10 enjoy seeing private gardens; we Get Your Videos Seen and Made . 11 Sustainability Column . 12 have an amazing variety scheduled. Regional News . 14 Some are designed professionally, Region Events . 16 but only one has full time staff to Business Column . 17 maintain the gardens. Gardeners New & Noteworthy . 18 who enjoy buying fun, new plants New Members . 20 and then finding somewhere to put Hot Off the Press . 21 them maintain other places. Writing Column . .22 Meet Stephanie Cohen . 23 BLANK GARDEN Silver Medal Media Awards . 24 On the high end is the Protect Your Online Privacy . 25 stunning estate of Arthur Blank, Meet James Baggett . 26 co-founder of The Home Depot, GWA Foundation . 27 which has its corporate head- Obituaries . 28 quarters in Atlanta. This property has terraced lawns that spread • • • Can’t log into the website? Visit MyGWA out from the home. These are under Member Resources. A login screen surrounded by shrubs, which give will appear. -
Restoration of the Conservatory Garden
RESTORATION OF THE CONSERVATORY GARDEN Celebrating 35 Years of the Women’s Committee THE CONSERVATORY GARDEN | A Women’s Garden In honor of their 35th Anniversary and in collaboration with Central Park Conservancy’s Campaign, Forever Green: Ensuring the Future of Central Park, the Women’s Committee of Central Park Conservancy has committed to raise at least $5 million towards a transformative $10 million initiative to restore the Conservatory Garden, Central Park’s six-acre masterwork of formal garden design, located off Fifth Avenue from 104th to 106th Streets. History Completed in 1937 under Parks Commissioner Robert Moses’ chief landscape architect Gilmore D. Clarke, the Conservatory Garden became Central Park’s only formal garden. The original plans were designed by aptly-named landscape architect M. Betty Sprout, who later became Clarke’s wife. In the latter part of the 19th century, the area originally hosted a small nursery for growing plants for the Park. The name “Conservatory Garden” was adopted in 1898 when a large conservatory (greenhouse) was constructed on the site, featuring then-exotic tropical plants and ornate flower beds. After falling into disrepair, the greenhouse was demolished in 1934 and the exceptional six-acre formal outdoor garden that we now know was conceived and built. Thanks to its original designers and the Conservancy’s substantial 1983 restoration of the Garden’s horticultural elements, the Garden stands as one of the world’s great masterworks of formal garden design. Since its earliest days, horticultural direction has been in the hands of women, including Lynden Miller, who led the 1983 restoration, and long-time Garden curator Diane Schaub. -
April 17-24,2021 TOURS STATEWIDE
April 17-24,2021 TOURS STATEWIDE FEATURING 102 PRIVATE GARDENS WE HAVE YOUR SAFETY TOP OF MIND LIMITED CAPACITY MOST TOURS WITH TIMED ENTRANCE VAGARDENWEEK.ORG Seeds of Change Last year, the Garden Club of Virginia cancelled Historic Garden Week 2020 for the second time in its history; the first cancellation was during World War II. The COVID-19 pandemic has turned many of us into master gardeners of change, patience and innovation. The members of 48 garden clubs that comprise the Garden Club of Virginia didn’t miss a beat. Over the summer they began the planning to offer safe and enjoyable tours while complying with current health mandates. We are excited to open 102 private gardens and dozens of historic properties as part of “America’s Largest Open House” this April 17 – 24. Historic Garden Week includes eight days of tours in 25 different communities. For garden lovers, this event has few peers. Ballantrae To comply with COVID-19 mandates, this year we reduced the number of tour tickets available for sale, decreased ticket prices and implemented a timed-entry format — while still providing what we FarmMCLEAN, VIRGINIA hope will be an exceptional tour experience. As the Garden Club of Virginia’s largest fundraiser, Historic Garden Week proceeds support the ongoing restoration and preservation of Virginia’s historic public gardens and landscapes, as well as a research fellowship program for students in landscape architecture. On the Cover: This beautiful, gated Please consider making a donation estate sits on more than six acres when you purchase your online tickets of rolling farmland in the heart of McLean.